1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2527864 Search Results

Cover of “” The Laughter””, Satirical in Colours, 1898_6_18: Evening of June - Countryside, Leisure, Marine Marine Seaside, Couple, Weight Illustration by Benjamin Rabier (1864-1939)
Cover of “” The Laughter””, Satirical in Colours, 1898_6_18: Evening of June - Countryside, Leisure, Marine Marine Seaside, Couple, Weight Illustration by Benjamin Rabier (1864-1939)

ICA4838938: Cover of “” The Laughter””, Satirical in Colours, 1898_6_18: Evening of June - Countryside, Leisure, Marine Marine Seaside, Couple, Weight Illustration by Benjamin Rabier (1864-1939) / Bridgeman Images

ID: ICA4838938

Cover of “” The Laughter””, Satirical in Colours, 1898_6_18: Evening of June - Countryside, Leisure, Marine Marine Seaside, Couple, Weight Illustration by Benjamin Rabier (1864-1939)

United States of America Independence War (1775-1783): George Washington (1732-1799) and Commandant Hessian Johann Gottlieb Rall (1726-1776) fatally wounded at the Battle of Trenton, New Jersey, December 26, 1776. Coloured engraving of the 18th century.
United States of America Independence War (1775-1783): George Washington (1732-1799) and Commandant Hessian Johann Gottlieb Rall (1726-1776) fatally wounded at the Battle of Trenton, New Jersey, December 26, 1776. Coloured engraving of the 18th century.

NWI4839116: United States of America Independence War (1775-1783): George Washington (1732-1799) and Commandant Hessian Johann Gottlieb Rall (1726-1776) fatally wounded at the Battle of Trenton, New Jersey, December 26, 1776. Coloured engraving of the 18th century. / Bridgeman Images

ID: NWI4839116

United States of America Independence War (1775-1783): George Washington (1732-1799) and Commandant Hessian Johann Gottlieb Rall (1726-1776) fatally wounded at the Battle of Trenton, New Jersey, December 26, 1776. Coloured engraving of the 18th century.

Postcard, Satirique en N & B: Notre ami Jap s'plus - War of 14 -18, Germany Prussia, Japan
Postcard, Satirique en N & B: Notre ami Jap s'plus - War of 14 -18, Germany Prussia, Japan

ICA4839420: Postcard, Satirique en N & B: Notre ami Jap s'plus - War of 14 -18, Germany Prussia, Japan, Radiguet, Maurice (1866-1941) / Bridgeman Images

ID: ICA4839420

Postcard, Satirique en N & B: Notre ami Jap s'plus - War of 14 -18, Germany Prussia, Japan

Radiguet, Maurice (1866-1941)

Postcard, Satirical in N & B: Tiger Hunt - War of 14-18, Germany Prussia, Allies Illustration by Georges of Ostoya-Sochinsky (D'Ostoya) (1878-1937)
Postcard, Satirical in N & B: Tiger Hunt - War of 14-18, Germany Prussia, Allies Illustration by Georges of Ostoya-Sochinsky (D'Ostoya) (1878-1937)

ICA4839982: Postcard, Satirical in N & B: Tiger Hunt - War of 14-18, Germany Prussia, Allies Illustration by Georges of Ostoya-Sochinsky (D'Ostoya) (1878-1937), Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937) / Bridgeman Images

ID: ICA4839982

Postcard, Satirical in N & B: Tiger Hunt - War of 14-18, Germany Prussia, Allies Illustration by Georges of Ostoya-Sochinsky (D'Ostoya) (1878-1937)

Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937)

Postcard, Satirical in Colours: The Patriote Dog - War of 14 -18, Medical, Helmet with Pointed, Flags - Dog Illustration by Teleh-Cim
Postcard, Satirical in Colours: The Patriote Dog - War of 14 -18, Medical, Helmet with Pointed, Flags - Dog Illustration by Teleh-Cim

ICA4839991: Postcard, Satirical in Colours: The Patriote Dog - War of 14 -18, Medical, Helmet with Pointed, Flags - Dog Illustration by Teleh-Cim / Bridgeman Images

ID: ICA4839991

Postcard, Satirical in Colours: The Patriote Dog - War of 14 -18, Medical, Helmet with Pointed, Flags - Dog Illustration by Teleh-Cim

War of Independence of the United States of America (1775-1783): “Unite or Die” (United or dead). Snake drawing as a symbol of America in pieces wishing to unite in opposition to British politics. Political cartoon inspired by the “Join or Die” published in 1754 in the “Pennsylvania”, Gazette by Benjamin Franklin. Coloured engraving of the 19th century.
War of Independence of the United States of America (1775-1783): “Unite or Die” (United or dead). Snake drawing as a symbol of America in pieces wishing to unite in opposition to British politics. Political cartoon inspired by the “Join or Die” published in 1754 in the “Pennsylvania”, Gazette by Benjamin Franklin. Coloured engraving of the 19th century.

NWI4840098: War of Independence of the United States of America (1775-1783): “Unite or Die” (United or dead). Snake drawing as a symbol of America in pieces wishing to unite in opposition to British politics. Political cartoon inspired by the “Join or Die” published in 1754 in the “Pennsylvania”, Gazette by Benjamin Franklin. Coloured engraving of the 19th century. / Bridgeman Images

ID: NWI4840098

War of Independence of the United States of America (1775-1783): “Unite or Die” (United or dead). Snake drawing as a symbol of America in pieces wishing to unite in opposition to British politics. Political cartoon inspired by the “Join or Die” published in 1754 in the “Pennsylvania”, Gazette by Benjamin Franklin. Coloured engraving of the 19th century.

War of Independence of the United States of America (1775-1783): Benedict Arnold (1741-1801) escaping on horseback after the discovery of his betrayal, 1780. Colourful engraving of the 19th century.
War of Independence of the United States of America (1775-1783): Benedict Arnold (1741-1801) escaping on horseback after the discovery of his betrayal, 1780. Colourful engraving of the 19th century.

NWI4840166: War of Independence of the United States of America (1775-1783): Benedict Arnold (1741-1801) escaping on horseback after the discovery of his betrayal, 1780. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4840166

War of Independence of the United States of America (1775-1783): Benedict Arnold (1741-1801) escaping on horseback after the discovery of his betrayal, 1780. Colourful engraving of the 19th century.

La Baionnette, Satirique en Couleurs, 1915_8_5: War of 14 -18, Austria - Francois-Joseph 1st of Austria Illustration by Pierre E. Legrain (1889-1929)
La Baionnette, Satirique en Couleurs, 1915_8_5: War of 14 -18, Austria - Francois-Joseph 1st of Austria Illustration by Pierre E. Legrain (1889-1929)

ICA4840230: La Baionnette, Satirique en Couleurs, 1915_8_5: War of 14 -18, Austria - Francois-Joseph 1st of Austria Illustration by Pierre E. Legrain (1889-1929) / Bridgeman Images

ID: ICA4840230

La Baionnette, Satirique en Couleurs, 1915_8_5: War of 14 -18, Austria - Francois-Joseph 1st of Austria Illustration by Pierre E. Legrain (1889-1929)

War of Independence of the United States of America (1775-1783): Paul Revere (1734-1818) from the leaflets of “Sons of Liberty” in a New England village to protest against the English government tax police on American settlers. 19th century coloring engraving.
War of Independence of the United States of America (1775-1783): Paul Revere (1734-1818) from the leaflets of “Sons of Liberty” in a New England village to protest against the English government tax police on American settlers. 19th century coloring engraving.

NWI4840956: War of Independence of the United States of America (1775-1783): Paul Revere (1734-1818) from the leaflets of “Sons of Liberty” in a New England village to protest against the English government tax police on American settlers. 19th century coloring engraving. / Bridgeman Images

ID: NWI4840956

War of Independence of the United States of America (1775-1783): Paul Revere (1734-1818) from the leaflets of “Sons of Liberty” in a New England village to protest against the English government tax police on American settlers. 19th century coloring engraving.

May 05, 1953 - Large and small shells are used by German missionaries with the papuas on New-Guinea to replace organs. They are blowing chorales on them. They are also using a special sound and notes-system invented by them as there may only one sound be blown on one shell. The shell-chorus being similar to the trembon-chorus in its sound can, on the whole world, be found on two places orly: in New Guinea (the second largest island in the world in the North of Australia) and in the Middle-Frankonian place Neuendettelsau where there is a training-school for missionaries. At the occasion of the 100th anniversary of the foundation of the Neuendettelsau institution the shell-chorus gave a special performance for the present guests
May 05, 1953 - Large and small shells are used by German missionaries with the papuas on New-Guinea to replace organs. They are blowing chorales on them. They are also using a special sound and notes-system invented by them as there may only one sound be blown on one shell. The shell-chorus being similar to the trembon-chorus in its sound can, on the whole world, be found on two places orly: in New Guinea (the second largest island in the world in the North of Australia) and in the Middle-Frankonian place Neuendettelsau where there is a training-school for missionaries. At the occasion of the 100th anniversary of the foundation of the Neuendettelsau institution the shell-chorus gave a special performance for the present guests

ZUM4841131: May 05, 1953 - Large and small shells are used by German missionaries with the papuas on New-Guinea to replace organs. They are blowing chorales on them. They are also using a special sound and notes-system invented by them as there may only one sound be blown on one shell. The shell-chorus being similar to the trembon-chorus in its sound can, on the whole world, be found on two places orly: in New Guinea (the second largest island in the world in the North of Australia) and in the Middle-Frankonian place Neuendettelsau where there is a training-school for missionaries. At the occasion of the 100th anniversary of the foundation of the Neuendettelsau institution the shell-chorus gave a special performance for the present guests / Bridgeman Images

ID: ZUM4841131

May 05, 1953 - Large and small shells are used by German missionaries with the papuas on New-Guinea to replace organs. They are blowing chorales on them. They are also using a special sound and notes-system invented by them as there may only one sound be blown on one shell. The shell-chorus being similar to the trembon-chorus in its sound can, on the whole world, be found on two places orly: in New Guinea (the second largest island in the world in the North of Australia) and in the Middle-Frankonian place Neuendettelsau where there is a training-school for missionaries. At the occasion of the 100th anniversary of the foundation of the Neuendettelsau institution the shell-chorus gave a special performance for the present guests

Un raja (rajah or radjah) receiving European travellers (settlers), India (Reception of european travellers by an indian raja) Engraving from “The peoples of the earth” by Charles Delon, 1905 Collection privee
Un raja (rajah or radjah) receiving European travellers (settlers), India (Reception of european travellers by an indian raja) Engraving from “The peoples of the earth” by Charles Delon, 1905 Collection privee

ELD4841511: Un raja (rajah or radjah) receiving European travellers (settlers), India (Reception of european travellers by an indian raja) Engraving from “The peoples of the earth” by Charles Delon, 1905 Collection privee / Bridgeman Images

ID: ELD4841511

Un raja (rajah or radjah) receiving European travellers (settlers), India (Reception of european travellers by an indian raja) Engraving from “The peoples of the earth” by Charles Delon, 1905 Collection privee

Cover of Les Hommes d'aujourd'hui, number 335,, illustration by Manuel Luque (1854-1919): Cros Charles (1842-1888)
Cover of Les Hommes d'aujourd'hui, number 335,, illustration by Manuel Luque (1854-1919): Cros Charles (1842-1888)

ICA4842516: Cover of Les Hommes d'aujourd'hui, number 335,, illustration by Manuel Luque (1854-1919): Cros Charles (1842-1888), Luque, Manuel (1854-1924) / Bridgeman Images

ID: ICA4842516

Cover of Les Hommes d'aujourd'hui, number 335,, illustration by Manuel Luque (1854-1919): Cros Charles (1842-1888)

Luque, Manuel (1854-1924)

Charge of the American cavalry, covering the retreat at the Battle of Hobkirk Hill in 1781. American War of Independence or American Revolution, 1775-1783. Lithograph from an illustration by F.C. Yohn (Frederick Coffay Yohn dit) (1875-1933), 19th century.
Charge of the American cavalry, covering the retreat at the Battle of Hobkirk Hill in 1781. American War of Independence or American Revolution, 1775-1783. Lithograph from an illustration by F.C. Yohn (Frederick Coffay Yohn dit) (1875-1933), 19th century.

NWI4842552: Charge of the American cavalry, covering the retreat at the Battle of Hobkirk Hill in 1781. American War of Independence or American Revolution, 1775-1783. Lithograph from an illustration by F.C. Yohn (Frederick Coffay Yohn dit) (1875-1933), 19th century. / Bridgeman Images

ID: NWI4842552

Charge of the American cavalry, covering the retreat at the Battle of Hobkirk Hill in 1781. American War of Independence or American Revolution, 1775-1783. Lithograph from an illustration by F.C. Yohn (Frederick Coffay Yohn dit) (1875-1933), 19th century.

Rock art, Prehistory: Detail of an engraving of a giraffe trapped with a rope and a hinder stone in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography
Rock art, Prehistory: Detail of an engraving of a giraffe trapped with a rope and a hinder stone in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography

JEB4842742: Rock art, Prehistory: Detail of an engraving of a giraffe trapped with a rope and a hinder stone in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography / Bridgeman Images

ID: JEB4842742

Rock art, Prehistory: Detail of an engraving of a giraffe trapped with a rope and a hinder stone in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography

Rock art, Prehistory: Detail of an engraving of giraffes in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography
Rock art, Prehistory: Detail of an engraving of giraffes in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography

JEB4842776: Rock art, Prehistory: Detail of an engraving of giraffes in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography / Bridgeman Images

ID: JEB4842776

Rock art, Prehistory: Detail of an engraving of giraffes in the Uweinat massif, Egypt. (Period from 8000 to 3000 years BC). Photography

Cover of Les Hommes d'aujourd'hui, number 438,, illustration by Charles Leandre (1862-1934): Flowers - Dog, Rooster, Tholer Raymond (1859-?)
Cover of Les Hommes d'aujourd'hui, number 438,, illustration by Charles Leandre (1862-1934): Flowers - Dog, Rooster, Tholer Raymond (1859-?)

ICA4843431: Cover of Les Hommes d'aujourd'hui, number 438,, illustration by Charles Leandre (1862-1934): Flowers - Dog, Rooster, Tholer Raymond (1859-?), Leandre, Charles (1862-1934) / Bridgeman Images

ID: ICA4843431

Cover of Les Hommes d'aujourd'hui, number 438,, illustration by Charles Leandre (1862-1934): Flowers - Dog, Rooster, Tholer Raymond (1859-?)

Leandre, Charles (1862-1934)

Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography
Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography

JEB4843486: Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography / Bridgeman Images

ID: JEB4843486

Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography

Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography
Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography

ZUM4850692: Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography / Bridgeman Images

ID: ZUM4850692

Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography

Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851867: Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4851867

Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE

Daumier, Honore (1808-79)

Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille
Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille

JEB4852714: Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille / Bridgeman Images

ID: JEB4852714

Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme

ICA4852747: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4852747

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme

Damblans, Eugene (1865-1945)

The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.
The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.

NWI4852867: The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century. / Bridgeman Images

ID: NWI4852867

The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio

ICA4853509: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4853509

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio

Lemot, Achille (1846-1909)

View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR
View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR

JEB4853747: View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR / Bridgeman Images

ID: JEB4853747

View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR

John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration
John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration

NWI4853851: John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration / Bridgeman Images

ID: NWI4853851

John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration

Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.
Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.

ETE4854334: Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944. / Bridgeman Images

ID: ETE4854334

Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.

The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.
The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.

NWI4855546: The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century. / Bridgeman Images

ID: NWI4855546

The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)

ICA4855798: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919), Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4855798

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)

Damblans, Eugene (1865-1945)

Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)
Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)

MEV5044615: Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas), Rosa, Constantino (1803-78) / Bridgeman Images

ID: MEV5044615

Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)

Rosa, Constantino (1803-78)

Face of Christ, c.1650 (oil on paper)
Face of Christ, c.1650 (oil on paper)

MEV5044619: Face of Christ, c.1650 (oil on paper), Lombard School, (17th century) / Bridgeman Images

ID: MEV5044619

Face of Christ, c.1650 (oil on paper)

Lombard School, (17th century)

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)
Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)

MEV5044632: Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel), Comerio, Agostino (1784-1834) / Bridgeman Images

ID: MEV5044632

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)

Comerio, Agostino (1784-1834)

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)
Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)

MEV5044634: Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel), Comerio, Agostino (1784-1834) / Bridgeman Images

ID: MEV5044634

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)

Comerio, Agostino (1784-1834)

Man Playing the Lute with Still Life (oil on canvas)
Man Playing the Lute with Still Life (oil on canvas)

MEV5044646: Man Playing the Lute with Still Life (oil on canvas), Amorosi, Antonio (1660-1738) (circle of) / Bridgeman Images

ID: MEV5044646

Man Playing the Lute with Still Life (oil on canvas)

Amorosi, Antonio (1660-1738) (circle of)

The Hay, 1894-96 (oil on canvas)
The Hay, 1894-96 (oil on canvas)

MEV5044651: The Hay, 1894-96 (oil on canvas), Rossi, Luigi (1853-1923) / Bridgeman Images

ID: MEV5044651

The Hay, 1894-96 (oil on canvas)

Rossi, Luigi (1853-1923)

Delousing Beggars, c.1640-60 (oil on canvas)
Delousing Beggars, c.1640-60 (oil on canvas)

MEV5044652: Delousing Beggars, c.1640-60 (oil on canvas), Ricchi, Pietro (1605-75) / Bridgeman Images

ID: MEV5044652

Delousing Beggars, c.1640-60 (oil on canvas)

Ricchi, Pietro (1605-75)

Saint Gregory the Great, 1620-29 (oil on canvas)
Saint Gregory the Great, 1620-29 (oil on canvas)

MEV5044655: Saint Gregory the Great, 1620-29 (oil on canvas), Roman School, (17th century) / Bridgeman Images

ID: MEV5044655

Saint Gregory the Great, 1620-29 (oil on canvas)

Roman School, (17th century)


Back to top