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Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography
Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography

JEB4843486: Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography / Bridgeman Images

ID: JEB4843486

Rock art, Prehistory: Engraving of a group of oryx and addax antelopes, ostriches, giraffes, dogs and characters in the Uweinat massif, Sudan (Karkur-Talh or Karkur Talh). Period from 8000 to 3000 years BC. Photography

Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography
Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography

ZUM4850692: Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography / Bridgeman Images

ID: ZUM4850692

Portrait of designer Christian Dior attable has a cafe with his dog around 1950 Photography

Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851867: Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4851867

Artwork by Honore Daumier (1808-1879) Charivari dates from 1840: Serie MONOMANES Le Betophile “” The supreme happiness of Betophile is to compose at home a small menagerie in which he spends his life. The proverb “Tell me who you haunts I will tell you who you are” MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP, MARSEILLE

Daumier, Honore (1808-79)

Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille
Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille

JEB4852714: Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille / Bridgeman Images

ID: JEB4852714

Le Jeu de Marseille (Card to play): “” Pancho Villa. Mage of revolution - Wheel””. Francisco Villa (or Pancho Villa, 1878-1923), Mexican revolutionary. Drawing by Max ERNST (1891-1976) Chinese ink on paper. Dim: 29,7x19,8cm Musee Cantini, Marseille

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme

ICA4852747: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4852747

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 21/04/07 - The gendarmerie seeks, through the camps of bohemians, perpetrators of attacks and robberies recently committed in the Parisian suburbs - Various facts, Childhood, Police, Misere, Insecurite, Romanichels, fairgrounds, Travellers, Bohemians, Roulotte - Bear, Gendarme

Damblans, Eugene (1865-1945)

The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.
The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.

NWI4852867: The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century. / Bridgeman Images

ID: NWI4852867

The Manchu horses used by Sir Ernest Shackleton (1874-1922, Irish Anglo explorer) during his expedition to Antarctica in 1908-1909, loading the mounts at Cape Adare on Victoria Lands. Color lithography, 20th century.

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio

ICA4853509: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4853509

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/10/07 - old and new things - Elysee, Socialism, Ministere - Jaures Jean, Ane - Portfolio

Lemot, Achille (1846-1909)

View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR
View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR

JEB4853747: View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR / Bridgeman Images

ID: JEB4853747

View of the Delacroix Hall. Walk to the fish. Marseille Painting by Edouard Cremieux (1856-1944) 1889 Oil on canvas Musee du Vieux Marseille Marseille DR

John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration
John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration

NWI4853851: John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration / Bridgeman Images

ID: NWI4853851

John Wesley Powell (1834-1902) asked the direction of the Grand Canyon to an American Indian during the Geographic Expedition of 1869 - Colorisee engraving, 19th century - John Wesley Powell asking directions from a Native American, Grand Canyon expedition, 1870s - Hand-colored woodcut of a 19th-century illustration

Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.
Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.

ETE4854334: Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944. / Bridgeman Images

ID: ETE4854334

Second World War (1939-1945): American General Omar Bradley (Commander of the 12th US Armees Group) with General Sir Bernard Montgomery (Commander of the 21st British Armees Group), August 2, 1944.

The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.
The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.

NWI4855546: The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century. / Bridgeman Images

ID: NWI4855546

The ivory trade in Africa: merchants trading on elephant defenses in an African village around 1800. Color lithography, 19th century.

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)

ICA4855798: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919), Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4855798

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 16/10/04 - Mr. Fagot, Senator of the Ardennes, attacked by a fury cow, is saved by peasants - Miscellaneous facts, Accidents Disasters, Agriculture, Livestock, Ardennes - Cow, Peasants, Farmers, Fagot Eugene (1859-1919)

Damblans, Eugene (1865-1945)

Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)
Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)

MEV5044615: Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas), Rosa, Constantino (1803-78) / Bridgeman Images

ID: MEV5044615

Imaginary Landscape with View of the River Serio, c.1834-40 (oil on canvas)

Rosa, Constantino (1803-78)

Face of Christ, c.1650 (oil on paper)
Face of Christ, c.1650 (oil on paper)

MEV5044619: Face of Christ, c.1650 (oil on paper), Lombard School, (17th century) / Bridgeman Images

ID: MEV5044619

Face of Christ, c.1650 (oil on paper)

Lombard School, (17th century)

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)
Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)

MEV5044632: Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel), Comerio, Agostino (1784-1834) / Bridgeman Images

ID: MEV5044632

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint Ambrose, 1828-1833 (oil on panel)

Comerio, Agostino (1784-1834)

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)
Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)

MEV5044634: Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel), Comerio, Agostino (1784-1834) / Bridgeman Images

ID: MEV5044634

Sketches for the decoration of the Civic Temple of San Sebastiano in Milan, Saint John the Evangelist, 1828-1833 (oil on panel)

Comerio, Agostino (1784-1834)

Man Playing the Lute with Still Life (oil on canvas)
Man Playing the Lute with Still Life (oil on canvas)

MEV5044646: Man Playing the Lute with Still Life (oil on canvas), Amorosi, Antonio (1660-1738) (circle of) / Bridgeman Images

ID: MEV5044646

Man Playing the Lute with Still Life (oil on canvas)

Amorosi, Antonio (1660-1738) (circle of)

The Hay, 1894-96 (oil on canvas)
The Hay, 1894-96 (oil on canvas)

MEV5044651: The Hay, 1894-96 (oil on canvas), Rossi, Luigi (1853-1923) / Bridgeman Images

ID: MEV5044651

The Hay, 1894-96 (oil on canvas)

Rossi, Luigi (1853-1923)

Delousing Beggars, c.1640-60 (oil on canvas)
Delousing Beggars, c.1640-60 (oil on canvas)

MEV5044652: Delousing Beggars, c.1640-60 (oil on canvas), Ricchi, Pietro (1605-75) / Bridgeman Images

ID: MEV5044652

Delousing Beggars, c.1640-60 (oil on canvas)

Ricchi, Pietro (1605-75)

Saint Gregory the Great, 1620-29 (oil on canvas)
Saint Gregory the Great, 1620-29 (oil on canvas)

MEV5044655: Saint Gregory the Great, 1620-29 (oil on canvas), Roman School, (17th century) / Bridgeman Images

ID: MEV5044655

Saint Gregory the Great, 1620-29 (oil on canvas)

Roman School, (17th century)

Still Life with Musical Instruments and Astrolabe (oil on canvas)
Still Life with Musical Instruments and Astrolabe (oil on canvas)

MEV5044668: Still Life with Musical Instruments and Astrolabe (oil on canvas), Bettera, Bartolomeo (1639-after 1688) / Bridgeman Images

ID: MEV5044668

Still Life with Musical Instruments and Astrolabe (oil on canvas)

Bettera, Bartolomeo (1639-after 1688)

View of the Campo Santi Giovanni e Paolo in Venice, 1740-50 (oil on canvas)
View of the Campo Santi Giovanni e Paolo in Venice, 1740-50 (oil on canvas)

MEV5044674: View of the Campo Santi Giovanni e Paolo in Venice, 1740-50 (oil on canvas), Lombard School, (18th century) / Bridgeman Images

ID: MEV5044674

View of the Campo Santi Giovanni e Paolo in Venice, 1740-50 (oil on canvas)

Lombard School, (18th century)

The Genius Routing the Time and Flying Toward the Glory, 1740-50 (oil on canvas)
The Genius Routing the Time and Flying Toward the Glory, 1740-50 (oil on canvas)

MEV5044675: The Genius Routing the Time and Flying Toward the Glory, 1740-50 (oil on canvas), Tiepolo, Giovanni Battista (1696-1770) (after) / Bridgeman Images

ID: MEV5044675

The Genius Routing the Time and Flying Toward the Glory, 1740-50 (oil on canvas)

Tiepolo, Giovanni Battista (1696-1770) (after)

Coalman, 1880-85 (pastel on cardboard)
Coalman, 1880-85 (pastel on cardboard)

MEV5044676: Coalman, 1880-85 (pastel on cardboard), Michetti, Francesco Paolo (1851-1929) / Bridgeman Images

ID: MEV5044676

Coalman, 1880-85 (pastel on cardboard)

Michetti, Francesco Paolo (1851-1929)

Green Hill, 1890-99 (oil on panel)
Green Hill, 1890-99 (oil on panel)

MEV5044683: Green Hill, 1890-99 (oil on panel), Carcano, Filippo (1840-1914) / Bridgeman Images

ID: MEV5044683

Green Hill, 1890-99 (oil on panel)

Carcano, Filippo (1840-1914)

Alpine Scene, 1800-49 (oil on canvas)
Alpine Scene, 1800-49 (oil on canvas)

MEV5044695: Alpine Scene, 1800-49 (oil on canvas), Azeglio, Massimo Taparelli d' (1798-1866) / Bridgeman Images

ID: MEV5044695

Alpine Scene, 1800-49 (oil on canvas)

Azeglio, Massimo Taparelli d' (1798-1866)

Consult of the Doctor at Nurse's Home, 1855-65 (oil on canvas)
Consult of the Doctor at Nurse's Home, 1855-65 (oil on canvas)

MEV5044696: Consult of the Doctor at Nurse's Home, 1855-65 (oil on canvas), Induno, Domenico (1815-78) / Bridgeman Images

ID: MEV5044696

Consult of the Doctor at Nurse's Home, 1855-65 (oil on canvas)

Induno, Domenico (1815-78)

Portrait of a Lady (Mary of Orleans), c.1650 (oil on canvas)
Portrait of a Lady (Mary of Orleans), c.1650 (oil on canvas)

MEV5044699: Portrait of a Lady (Mary of Orleans), c.1650 (oil on canvas), Beaubrun, Charles (1604-92) / Bridgeman Images

ID: MEV5044699

Portrait of a Lady (Mary of Orleans), c.1650 (oil on canvas)

Beaubrun, Charles (1604-92)

Young Girl with Basket, 1735-45 (oil on canvas)
Young Girl with Basket, 1735-45 (oil on canvas)

MEV5044703: Young Girl with Basket, 1735-45 (oil on canvas), Nogari, Giuseppe (1699-1763) / Bridgeman Images

ID: MEV5044703

Young Girl with Basket, 1735-45 (oil on canvas)

Nogari, Giuseppe (1699-1763)

Perseus Freeing Andromeda, 1640-50 (oil on panel)
Perseus Freeing Andromeda, 1640-50 (oil on panel)

MEV5044713: Perseus Freeing Andromeda, 1640-50 (oil on panel), Gherardini, Melchiorre (1607-75) (attr.to) / Bridgeman Images

ID: MEV5044713

Perseus Freeing Andromeda, 1640-50 (oil on panel)

Gherardini, Melchiorre (1607-75) (attr.to)

Bell Tower of Sant'Antonio Abate in Milan (w/c on paper)
Bell Tower of Sant'Antonio Abate in Milan (w/c on paper)

MEV5044722: Bell Tower of Sant'Antonio Abate in Milan (w/c on paper), Migliara, Giovanni (1785-1837) / Bridgeman Images

ID: MEV5044722

Bell Tower of Sant'Antonio Abate in Milan (w/c on paper)

Migliara, Giovanni (1785-1837)

Mary Magdalene's Cave, 1800-20 (oil on canvas)
Mary Magdalene's Cave, 1800-20 (oil on canvas)

MEV5044729: Mary Magdalene's Cave, 1800-20 (oil on canvas), Bison, Giuseppe Bernardino (1762-1844) (attr. to) / Bridgeman Images

ID: MEV5044729

Mary Magdalene's Cave, 1800-20 (oil on canvas)

Bison, Giuseppe Bernardino (1762-1844) (attr. to)

River View, 1750-99 (oil on panel)
River View, 1750-99 (oil on panel)

MEV5044732: River View, 1750-99 (oil on panel), Dutch School, (18th century) / Bridgeman Images

ID: MEV5044732

River View, 1750-99 (oil on panel)

Dutch School, (18th century)

A Crusader, 1830-40 (oil on panel)
A Crusader, 1830-40 (oil on panel)

MEV5044735: A Crusader, 1830-40 (oil on panel), Italian School, (19th century) / Bridgeman Images

ID: MEV5044735

A Crusader, 1830-40 (oil on panel)

Italian School, (19th century)

Country House in Sabbio Chiese, 1900-10 (w/c on paper)
Country House in Sabbio Chiese, 1900-10 (w/c on paper)

MEV5044743: Country House in Sabbio Chiese, 1900-10 (w/c on paper), Italian School, (20th century) / Bridgeman Images

ID: MEV5044743

Country House in Sabbio Chiese, 1900-10 (w/c on paper)

Italian School, (20th century)

Landscape with Cows (oil on canvas)
Landscape with Cows (oil on canvas)

MEV5044745: Landscape with Cows (oil on canvas), Gool, Jan van (1685-1765) / Bridgeman Images

ID: MEV5044745

Landscape with Cows (oil on canvas)

Gool, Jan van (1685-1765)


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