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Olivia's garden, Act IV, Scene III, from 'Twelfth Night, Or What You Will', from The Boydell Shakespeare Gallery, published late 19th century (litho)
Olivia's garden, Act IV, Scene III, from 'Twelfth Night, Or What You Will', from The Boydell Shakespeare Gallery, published late 19th century (litho)

KWE323356: Olivia's garden, Act IV, Scene III, from 'Twelfth Night, Or What You Will', from The Boydell Shakespeare Gallery, published late 19th century (litho), Hamilton, William (1751-1801) (after) / Bridgeman Images

ID: KWE323356

Olivia's garden, Act IV, Scene III, from 'Twelfth Night, Or What You Will', from The Boydell Shakespeare Gallery, published late 19th century (litho)

Hamilton, William (1751-1801) (after)

Sulla, from 'Crabb's Historical Dictionary', published 1825 (litho)
Sulla, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE324033: Sulla, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

ID: KWE324033

Sulla, from 'Crabb's Historical Dictionary', published 1825 (litho)

English School, (19th century)

Francisco Pizarro Gonzalez, from 'Crabb's Historical Dictionary', published 1825 (litho)
Francisco Pizarro Gonzalez, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE324039: Francisco Pizarro Gonzalez, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

ID: KWE324039

Francisco Pizarro Gonzalez, from 'Crabb's Historical Dictionary', published 1825 (litho)

English School, (19th century)

John Churchill (1650-1722) 1st Duke of Marlborough from 'Gallery of Portraits', published in 1833 (engraving)
John Churchill (1650-1722) 1st Duke of Marlborough from 'Gallery of Portraits', published in 1833 (engraving)

KWE189069: John Churchill (1650-1722) 1st Duke of Marlborough from 'Gallery of Portraits', published in 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE189069

John Churchill (1650-1722) 1st Duke of Marlborough from 'Gallery of Portraits', published in 1833 (engraving)

English School, (19th century)

Edward Gibbon (1737-94) from 'Gallery of Portraits', published in 1833 (engraving)
Edward Gibbon (1737-94) from 'Gallery of Portraits', published in 1833 (engraving)

KWE189088: Edward Gibbon (1737-94) from 'Gallery of Portraits', published in 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE189088

Edward Gibbon (1737-94) from 'Gallery of Portraits', published in 1833 (engraving)

English School, (19th century)

La Dauphine Marie-Josephe de Saxe (1731-67) attributed to Jean Marc Nattier (1685-1766) or Jean Baptiste Perroneau (1715-83) (oil on canvas)
La Dauphine Marie-Josephe de Saxe (1731-67) attributed to Jean Marc Nattier (1685-1766) or Jean Baptiste Perroneau (1715-83) (oil on canvas)

XIR189511: La Dauphine Marie-Josephe de Saxe (1731-67) attributed to Jean Marc Nattier (1685-1766) or Jean Baptiste Perroneau (1715-83) (oil on canvas), French School, (18th century) / Bridgeman Images

ID: XIR189511

La Dauphine Marie-Josephe de Saxe (1731-67) attributed to Jean Marc Nattier (1685-1766) or Jean Baptiste Perroneau (1715-83) (oil on canvas)

French School, (18th century)

Marie Dupin de Francueil (1748-1821) and her Son, Maurice (oil on canvas)
Marie Dupin de Francueil (1748-1821) and her Son, Maurice (oil on canvas)

XIR189576: Marie Dupin de Francueil (1748-1821) and her Son, Maurice (oil on canvas), French School, (18th century) / Bridgeman Images

ID: XIR189576

Marie Dupin de Francueil (1748-1821) and her Son, Maurice (oil on canvas)

French School, (18th century)

Her Son (pastel and ink on paper)
Her Son (pastel and ink on paper)

STV190055: Her Son (pastel and ink on paper), Taylor, Stevie / Bridgeman Images

ID: STV190055

Her Son (pastel and ink on paper)

Taylor, Stevie

Portrait of a Gentleman, c.1715-25 (oil on canvas)
Portrait of a Gentleman, c.1715-25 (oil on canvas)

XIR190297: Portrait of a Gentleman, c.1715-25 (oil on canvas), French School, (18th century) / Bridgeman Images

ID: XIR190297

Portrait of a Gentleman, c.1715-25 (oil on canvas)

French School, (18th century)

Indian Landscape with Figures near a Stream (oil on canvas)
Indian Landscape with Figures near a Stream (oil on canvas)

XYC190742: Indian Landscape with Figures near a Stream (oil on canvas), Daniell, William (1769-1837) / Bridgeman Images

ID: XYC190742

Indian Landscape with Figures near a Stream (oil on canvas)

Daniell, William (1769-1837)

The Head of Lake Nemi (oil on canvas)
The Head of Lake Nemi (oil on canvas)

XYC190752: The Head of Lake Nemi (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images

ID: XYC190752

The Head of Lake Nemi (oil on canvas)

Wilson, Richard (1713/14-82)

Caricature depicting the Entry into Paris of a Part of the Allied Troops, 1814 (coloured etching)
Caricature depicting the Entry into Paris of a Part of the Allied Troops, 1814 (coloured etching)

XIR190999: Caricature depicting the Entry into Paris of a Part of the Allied Troops, 1814 (coloured etching), French School, (19th century) / Bridgeman Images

ID: XIR190999

Caricature depicting the Entry into Paris of a Part of the Allied Troops, 1814 (coloured etching)

French School, (19th century)

The Church of St. Nicholas, built 1703-61 (photo)
The Church of St. Nicholas, built 1703-61 (photo)

XIR191495: The Church of St. Nicholas, built 1703-61 (photo), Czech School, (18th century) / Bridgeman Images

ID: XIR191495

The Church of St. Nicholas, built 1703-61 (photo)

Czech School, (18th century)

Portrait of an Unknown Woman, 1809 (oil on canvas)
Portrait of an Unknown Woman, 1809 (oil on canvas)

XKH191602: Portrait of an Unknown Woman, 1809 (oil on canvas), Heinsius, Johann Ernst (1740-1812) / Bridgeman Images

ID: XKH191602

Portrait of an Unknown Woman, 1809 (oil on canvas)

Heinsius, Johann Ernst (1740-1812)

A Young Girl (oil on canvas)
A Young Girl (oil on canvas)

XKH191612: A Young Girl (oil on canvas), Kaulbach, Hermann (1846-1909) / Bridgeman Images

ID: XKH191612

A Young Girl (oil on canvas)

Kaulbach, Hermann (1846-1909)

Carousing Farmers (oil on panel)
Carousing Farmers (oil on panel)

XKH191615: Carousing Farmers (oil on panel), Sorgh, Hendrik Martensz (1611-70) / Bridgeman Images

ID: XKH191615

Carousing Farmers (oil on panel)

Sorgh, Hendrik Martensz (1611-70)

Vase of Flowers, 1775 (oil on canvas)
Vase of Flowers, 1775 (oil on canvas)

XKH191623: Vase of Flowers, 1775 (oil on canvas), Viedebant, A. (d.1805) / Bridgeman Images

ID: XKH191623

Vase of Flowers, 1775 (oil on canvas)

Viedebant, A. (d.1805)

Conversation after the Meal, 1840 (oil on panel)
Conversation after the Meal, 1840 (oil on panel)

XKH191654: Conversation after the Meal, 1840 (oil on panel), Braekeleer, Ferdinand de (1792-1883) / Bridgeman Images

ID: XKH191654

Conversation after the Meal, 1840 (oil on panel)

Braekeleer, Ferdinand de (1792-1883)

The Artist Friedrich Carl Groger (1766-1838) 1828 (oil on canvas)
The Artist Friedrich Carl Groger (1766-1838) 1828 (oil on canvas)

XKH191668: The Artist Friedrich Carl Groger (1766-1838) 1828 (oil on canvas), Grimm, Carl Heinrich Adolph (1799-1843) / Bridgeman Images

ID: XKH191668

The Artist Friedrich Carl Groger (1766-1838) 1828 (oil on canvas)

Grimm, Carl Heinrich Adolph (1799-1843)

Italian Cart (oil on paper laid down on paperboard)
Italian Cart (oil on paper laid down on paperboard)

XKH191679: Italian Cart (oil on paper laid down on paperboard), Wasmann, Rudolph Friedrich (1805-86) / Bridgeman Images

ID: XKH191679

Italian Cart (oil on paper laid down on paperboard)

Wasmann, Rudolph Friedrich (1805-86)

Study of Figures (black chalk on paper) (recto) (for verso see 191778)
Study of Figures (black chalk on paper) (recto) (for verso see 191778)

BAL191777: Study of Figures (black chalk on paper) (recto) (for verso see 191778), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191777

Study of Figures (black chalk on paper) (recto) (for verso see 191778)

Buonarroti, Michelangelo (1475-1564)

Study of a Figure with Pouncing Marks (black chalk on paper) (verso)
Study of a Figure with Pouncing Marks (black chalk on paper) (verso)

BAL191788: Study of a Figure with Pouncing Marks (black chalk on paper) (verso), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191788

Study of a Figure with Pouncing Marks (black chalk on paper) (verso)

Buonarroti, Michelangelo (1475-1564)

Study of Christ's feet nailed to the Cross (red chalk on paper) (verso)
Study of Christ's feet nailed to the Cross (red chalk on paper) (verso)

BAL191793: Study of Christ's feet nailed to the Cross (red chalk on paper) (verso), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191793

Study of Christ's feet nailed to the Cross (red chalk on paper) (verso)

Buonarroti, Michelangelo (1475-1564)

Study of an angel (charcoal on paper) (verso)
Study of an angel (charcoal on paper) (verso)

BAL191794: Study of an angel (charcoal on paper) (verso), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL191794

Study of an angel (charcoal on paper) (verso)

Buonarroti, Michelangelo (1475-1564)

Self Portrait, 1734-35 (chalk on paper)
Self Portrait, 1734-35 (chalk on paper)

XJF368450: Self Portrait, 1734-35 (chalk on paper), Richardson, Jonathan (1665-1745) / Bridgeman Images

ID: XJF368450

Self Portrait, 1734-35 (chalk on paper)

Richardson, Jonathan (1665-1745)

Eugene Viollet-le-Duc (b/w photo)
Eugene Viollet-le-Duc (b/w photo)

XJF368473: Eugene Viollet-le-Duc (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: XJF368473

Eugene Viollet-le-Duc (b/w photo)

French Photographer, (19th century)

John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)
John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)

XJF368483: John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF368483

John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)

English School, (17th century)

The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)
The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)

XJF368486: The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images

ID: XJF368486

The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)

Collings, Samuel (fl.1784-95) (after)

Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)
Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)

XJF368487: Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images

ID: XJF368487

Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)

Collings, Samuel (fl.1784-95) (after)

Portrait of a man with a velvet skullcap (oil on canvas)
Portrait of a man with a velvet skullcap (oil on canvas)

XIR370214: Portrait of a man with a velvet skullcap (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: XIR370214

Portrait of a man with a velvet skullcap (oil on canvas)

Champaigne, Philippe de (1602-74)

Horse of Mustapha-Pacha (oil on canvas)
Horse of Mustapha-Pacha (oil on canvas)

XIR370268: Horse of Mustapha-Pacha (oil on canvas), Gros, Baron Antoine Jean (1771-1835) / Bridgeman Images

ID: XIR370268

Horse of Mustapha-Pacha (oil on canvas)

Gros, Baron Antoine Jean (1771-1835)

Virgin and Child, c.1500 (oil on panel)
Virgin and Child, c.1500 (oil on panel)

XIR370274: Virgin and Child, c.1500 (oil on panel), Master of St. Giles, (fl.1490-1510) / Bridgeman Images

ID: XIR370274

Virgin and Child, c.1500 (oil on panel)

Master of St. Giles, (fl.1490-1510)

Burning the Midnight Oil, 2009 (watercolour on paper)
Burning the Midnight Oil, 2009 (watercolour on paper)

SAR370700: Burning the Midnight Oil, 2009 (watercolour on paper), Hayward, Sara / Bridgeman Images

ID: SAR370700

Burning the Midnight Oil, 2009 (watercolour on paper)

Hayward, Sara

Graham Greene, 2008 (oil on paper)
Graham Greene, 2008 (oil on paper)

SAR370712: Graham Greene, 2008 (oil on paper), Hayward, Sara / Bridgeman Images

ID: SAR370712

Graham Greene, 2008 (oil on paper)

Hayward, Sara

Norman Douglas, 2008 (oil on paper)
Norman Douglas, 2008 (oil on paper)

SAR370720: Norman Douglas, 2008 (oil on paper), Hayward, Sara / Bridgeman Images

ID: SAR370720

Norman Douglas, 2008 (oil on paper)

Hayward, Sara

Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco)
Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco)

XIR371978: Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: XIR371978

Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco)

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)


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