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Catholic Rite - Easter - 1860: Pope Pius IX (or Pio 9, 1792-1878) celebrating Mass at St. Peter's Church in Rome (Italy). From a painting by Mr. de Coubertin. Engraving in “” Le Monde Illustré”” n°157 of 14 April 1860.
Catholic Rite - Easter - 1860: Pope Pius IX (or Pio 9, 1792-1878) celebrating Mass at St. Peter's Church in Rome (Italy). From a painting by Mr. de Coubertin. Engraving in “” Le Monde Illustré”” n°157 of 14 April 1860.

XEE4146868: Catholic Rite - Easter - 1860: Pope Pius IX (or Pio 9, 1792-1878) celebrating Mass at St. Peter's Church in Rome (Italy). From a painting by Mr. de Coubertin. Engraving in “” Le Monde Illustré”” n°157 of 14 April 1860., French School, (19th century) / Bridgeman Images

ID: XEE4146868

Catholic Rite - Easter - 1860: Pope Pius IX (or Pio 9, 1792-1878) celebrating Mass at St. Peter's Church in Rome (Italy). From a painting by Mr. de Coubertin. Engraving in “” Le Monde Illustré”” n°157 of 14 April 1860.

French School, (19th century)

Portrait of Rene Guy the Hatter French politician
Portrait of Rene Guy the Hatter French politician

XEE4146899: Portrait of Rene Guy the Hatter French politician, Unknown Artist / Bridgeman Images

ID: XEE4146899

Portrait of Rene Guy the Hatter French politician

Unknown Artist

Humphrey Potter, in charge of opening and closing the valves of Thomas Newcomen's machine, made it work without assistance by properly placing ropes and butees in order to open and close the valves, 1713 - Engraving in “Sciences made available to all - physics and chemistry” by Alexis Clerc - End of 19th century. Private collection.
Humphrey Potter, in charge of opening and closing the valves of Thomas Newcomen's machine, made it work without assistance by properly placing ropes and butees in order to open and close the valves, 1713 - Engraving in “Sciences made available to all - physics and chemistry” by Alexis Clerc - End of 19th century. Private collection.

XEE4146935: Humphrey Potter, in charge of opening and closing the valves of Thomas Newcomen's machine, made it work without assistance by properly placing ropes and butees in order to open and close the valves, 1713 - Engraving in “Sciences made available to all - physics and chemistry” by Alexis Clerc - End of 19th century. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4146935

Humphrey Potter, in charge of opening and closing the valves of Thomas Newcomen's machine, made it work without assistance by properly placing ropes and butees in order to open and close the valves, 1713 - Engraving in “Sciences made available to all - physics and chemistry” by Alexis Clerc - End of 19th century. Private collection.

French School, (19th century)

Bird view of Place de la Concorde, rue Royale with the church of the Madeleine - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
Bird view of Place de la Concorde, rue Royale with the church of the Madeleine - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146937: Bird view of Place de la Concorde, rue Royale with the church of the Madeleine - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

ID: XEE4146937

Bird view of Place de la Concorde, rue Royale with the church of the Madeleine - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

French School, (19th century)

Chart of signals used in Samuel Morse's telegraph, translation into French - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection
Chart of signals used in Samuel Morse's telegraph, translation into French - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection

XEE4146957: Chart of signals used in Samuel Morse's telegraph, translation into French - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection, French School, (19th century) / Bridgeman Images

ID: XEE4146957

Chart of signals used in Samuel Morse's telegraph, translation into French - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection

French School, (19th century)

Charles Augustin (Charles-Augustin) Coulomb (1736-1806), scientist, engineer, physicist - Engraving in “Sciences à la gratete de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection
Charles Augustin (Charles-Augustin) Coulomb (1736-1806), scientist, engineer, physicist - Engraving in “Sciences à la gratete de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection

XEE4146958: Charles Augustin (Charles-Augustin) Coulomb (1736-1806), scientist, engineer, physicist - Engraving in “Sciences à la gratete de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

ID: XEE4146958

Charles Augustin (Charles-Augustin) Coulomb (1736-1806), scientist, engineer, physicist - Engraving in “Sciences à la gratete de tous - physics et chimie populaires” by Alexis Clerc - End 19th century - Private collection

French School, (19th century)

View of the Canal Saint Martin, in Paris, before the transformations carried out by Haussmann in the middle of the 19th century. View taken at the height of rue Saint Sebastien. Engraving in “” Le Monde Illustré”” n°233 of September 28, 1861.
View of the Canal Saint Martin, in Paris, before the transformations carried out by Haussmann in the middle of the 19th century. View taken at the height of rue Saint Sebastien. Engraving in “” Le Monde Illustré”” n°233 of September 28, 1861.

XEE4150881: View of the Canal Saint Martin, in Paris, before the transformations carried out by Haussmann in the middle of the 19th century. View taken at the height of rue Saint Sebastien. Engraving in “” Le Monde Illustré”” n°233 of September 28, 1861., French School, (19th century) / Bridgeman Images

ID: XEE4150881

View of the Canal Saint Martin, in Paris, before the transformations carried out by Haussmann in the middle of the 19th century. View taken at the height of rue Saint Sebastien. Engraving in “” Le Monde Illustré”” n°233 of September 28, 1861.

French School, (19th century)

Portrait of ARMAND LOUIS by GONTAUT BIRON, DUC DE LAUZUN, French soldier, 1863 (engraving)
Portrait of ARMAND LOUIS by GONTAUT BIRON, DUC DE LAUZUN, French soldier, 1863 (engraving)

XEE4150905: Portrait of ARMAND LOUIS by GONTAUT BIRON, DUC DE LAUZUN, French soldier, 1863 (engraving), Anonymous / Bridgeman Images

ID: XEE4150905

Portrait of ARMAND LOUIS by GONTAUT BIRON, DUC DE LAUZUN, French soldier, 1863 (engraving)

Anonymous

In 1327, Charles IV the Bel creates the seigneury of Bourbon in favour of the groin son of Robert de Clermont and grandson of Saint-Louis, Louis I, 1st Duke of Bourbon, 1825 (engraving)
In 1327, Charles IV the Bel creates the seigneury of Bourbon in favour of the groin son of Robert de Clermont and grandson of Saint-Louis, Louis I, 1st Duke of Bourbon, 1825 (engraving)

XEE4150921: In 1327, Charles IV the Bel creates the seigneury of Bourbon in favour of the groin son of Robert de Clermont and grandson of Saint-Louis, Louis I, 1st Duke of Bourbon, 1825 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4150921

In 1327, Charles IV the Bel creates the seigneury of Bourbon in favour of the groin son of Robert de Clermont and grandson of Saint-Louis, Louis I, 1st Duke of Bourbon, 1825 (engraving)

Tardieu, Ambroise (1788-1841)

La catastrophe de Saint-Gervais (Saint Gervais) ou catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Bains de Saint-Gervais after the disaster with the huge blocks transported by the torrent, Engraving in “” La Nature”” - August 20, 1892
La catastrophe de Saint-Gervais (Saint Gervais) ou catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Bains de Saint-Gervais after the disaster with the huge blocks transported by the torrent, Engraving in “” La Nature”” - August 20, 1892

XEE4150936: La catastrophe de Saint-Gervais (Saint Gervais) ou catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Bains de Saint-Gervais after the disaster with the huge blocks transported by the torrent, Engraving in “” La Nature”” - August 20, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4150936

La catastrophe de Saint-Gervais (Saint Gervais) ou catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Bains de Saint-Gervais after the disaster with the huge blocks transported by the torrent, Engraving in “” La Nature”” - August 20, 1892

Unknown Artist, (19th century)

La catastrophe de Saint-Gervais (Saint Gervais) or catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Cirque d'collapse superieur, Engraving in “” La Nature”” - August 20, 1892
La catastrophe de Saint-Gervais (Saint Gervais) or catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Cirque d'collapse superieur, Engraving in “” La Nature”” - August 20, 1892

XEE4150945: La catastrophe de Saint-Gervais (Saint Gervais) or catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Cirque d'collapse superieur, Engraving in “” La Nature”” - August 20, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4150945

La catastrophe de Saint-Gervais (Saint Gervais) or catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Cirque d'collapse superieur, Engraving in “” La Nature”” - August 20, 1892

Unknown Artist, (19th century)

Dog cutting near the bridge of Solferino in Paris - engraving in “La nature”” from 1892.
Dog cutting near the bridge of Solferino in Paris - engraving in “La nature”” from 1892.

XEE4150959: Dog cutting near the bridge of Solferino in Paris - engraving in “La nature”” from 1892., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4150959

Dog cutting near the bridge of Solferino in Paris - engraving in “La nature”” from 1892.

Unknown Artist, (19th century)

France - A Man ruined by the depreciation of assignats, 1796 (engraving)
France - A Man ruined by the depreciation of assignats, 1796 (engraving)

XEE4150999: France - A Man ruined by the depreciation of assignats, 1796 (engraving), Hunin, Mathieu Joseph Charles (1770-1851) / Bridgeman Images

ID: XEE4150999

France - A Man ruined by the depreciation of assignats, 1796 (engraving)

Hunin, Mathieu Joseph Charles (1770-1851)

Presentation in trompe-l'oeil of many assignates during the French Revolution and various paper coins of the French Republic emitted between 1789 and 1795 (engraving)
Presentation in trompe-l'oeil of many assignates during the French Revolution and various paper coins of the French Republic emitted between 1789 and 1795 (engraving)

XEE4151011: Presentation in trompe-l'oeil of many assignates during the French Revolution and various paper coins of the French Republic emitted between 1789 and 1795 (engraving), Hunin, Mathieu Joseph Charles (1770-1851) / Bridgeman Images

ID: XEE4151011

Presentation in trompe-l'oeil of many assignates during the French Revolution and various paper coins of the French Republic emitted between 1789 and 1795 (engraving)

Hunin, Mathieu Joseph Charles (1770-1851)

Leopold II, Holy Roman Emperor - Portrait of Peter Leopold of Habsburg-Lorraine, Grand Duke of Tuscany and German Roman Emperor
Leopold II, Holy Roman Emperor - Portrait of Peter Leopold of Habsburg-Lorraine, Grand Duke of Tuscany and German Roman Emperor

XEE4151047: Leopold II, Holy Roman Emperor - Portrait of Peter Leopold of Habsburg-Lorraine, Grand Duke of Tuscany and German Roman Emperor, Unknown Artist / Bridgeman Images

ID: XEE4151047

Leopold II, Holy Roman Emperor - Portrait of Peter Leopold of Habsburg-Lorraine, Grand Duke of Tuscany and German Roman Emperor

Unknown Artist

Aerostatic Figure - The “Aerian Nymph” of the Enslen brothers, c.1784 (engraving)
Aerostatic Figure - The “Aerian Nymph” of the Enslen brothers, c.1784 (engraving)

XEE4151085: Aerostatic Figure - The “Aerian Nymph” of the Enslen brothers, c.1784 (engraving), Unknown artist, (18th century) / Bridgeman Images

ID: XEE4151085

Aerostatic Figure - The “Aerian Nymph” of the Enslen brothers, c.1784 (engraving)

Unknown artist, (18th century)

The explorer and navigator Christopher Columbus (1451-1506) returning from his third trip is chained in the cargo hold, 1500, 1880 (engraving)
The explorer and navigator Christopher Columbus (1451-1506) returning from his third trip is chained in the cargo hold, 1500, 1880 (engraving)

XEE4151134: The explorer and navigator Christopher Columbus (1451-1506) returning from his third trip is chained in the cargo hold, 1500, 1880 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151134

The explorer and navigator Christopher Columbus (1451-1506) returning from his third trip is chained in the cargo hold, 1500, 1880 (engraving)

Unknown Artist, (19th century)

Restoration Party - The King Charles II (1630-1685) with Lady Castlemaine (BARBARA VILLIERS, countess of Castlemaine, duchess of CLEVELAND mistress of Charles II) - Charles II celebrates his accession to the throne of England in 1660 with his mistress, Lady Castlemaine - Engraving in “The Histoire d'Angleterre, since the times the most retreats”” by Francois Guizot 1877
Restoration Party - The King Charles II (1630-1685) with Lady Castlemaine (BARBARA VILLIERS, countess of Castlemaine, duchess of CLEVELAND mistress of Charles II) - Charles II celebrates his accession to the throne of England in 1660 with his mistress, Lady Castlemaine - Engraving in “The Histoire d'Angleterre, since the times the most retreats”” by Francois Guizot 1877

XEE4151147: Restoration Party - The King Charles II (1630-1685) with Lady Castlemaine (BARBARA VILLIERS, countess of Castlemaine, duchess of CLEVELAND mistress of Charles II) - Charles II celebrates his accession to the throne of England in 1660 with his mistress, Lady Castlemaine - Engraving in “The Histoire d'Angleterre, since the times the most retreats”” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151147

Restoration Party - The King Charles II (1630-1685) with Lady Castlemaine (BARBARA VILLIERS, countess of Castlemaine, duchess of CLEVELAND mistress of Charles II) - Charles II celebrates his accession to the throne of England in 1660 with his mistress, Lady Castlemaine - Engraving in “The Histoire d'Angleterre, since the times the most retreats”” by Francois Guizot 1877

Unknown Artist, (19th century)

Kabyl tribes in Algeria in 1857. Engraving after the drawing by Jules Rigo“Le Monde illustrious
Kabyl tribes in Algeria in 1857. Engraving after the drawing by Jules Rigo“Le Monde illustrious

XEE4144310: Kabyl tribes in Algeria in 1857. Engraving after the drawing by Jules Rigo“Le Monde illustrious" from 1857., Rigo, Jules Alfred Vincent (1810-92) (after) / Bridgeman Images

ID: XEE4144310

Kabyl tribes in Algeria in 1857. Engraving after the drawing by Jules Rigo“Le Monde illustrious" from 1857.

Rigo, Jules Alfred Vincent (1810-92) (after)

Portrait of Charlotte de Savoie Queen of France, with Louis XI of France, known as the Prudent, 1859 (engraving)
Portrait of Charlotte de Savoie Queen of France, with Louis XI of France, known as the Prudent, 1859 (engraving)

XEE4144334: Portrait of Charlotte de Savoie Queen of France, with Louis XI of France, known as the Prudent, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144334

Portrait of Charlotte de Savoie Queen of France, with Louis XI of France, known as the Prudent, 1859 (engraving)

Anonymous

Department of Constantine, French Algeria. - France and its Colonies, 1876 (engraving)
Department of Constantine, French Algeria. - France and its Colonies, 1876 (engraving)

XEE4144396: Department of Constantine, French Algeria. - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144396

Department of Constantine, French Algeria. - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

L'Yonne, Burgundy - France and its Colonies, 1876 (engraving)
L'Yonne, Burgundy - France and its Colonies, 1876 (engraving)

XEE4144412: L'Yonne, Burgundy - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144412

L'Yonne, Burgundy - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Les Vosges, Lorraine - France and its Colonies, 1876 (engraving)
Les Vosges, Lorraine - France and its Colonies, 1876 (engraving)

XEE4144418: Les Vosges, Lorraine - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144418

Les Vosges, Lorraine - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Tarn, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Tarn, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144429: Tarn, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144429

Tarn, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

La Seine Inferieure, now Seine Maritime, Haute Normandy - France and its Colonies, 1876 (engraving)
La Seine Inferieure, now Seine Maritime, Haute Normandy - France and its Colonies, 1876 (engraving)

XEE4144446: La Seine Inferieure, now Seine Maritime, Haute Normandy - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144446

La Seine Inferieure, now Seine Maritime, Haute Normandy - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

View of Gibraltar taken from the Signal Tower, 1859. Engraving in “” Le Monde Illustré”” n°138 of 3 December 1859.
View of Gibraltar taken from the Signal Tower, 1859. Engraving in “” Le Monde Illustré”” n°138 of 3 December 1859.

XEE4144455: View of Gibraltar taken from the Signal Tower, 1859. Engraving in “” Le Monde Illustré”” n°138 of 3 December 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144455

View of Gibraltar taken from the Signal Tower, 1859. Engraving in “” Le Monde Illustré”” n°138 of 3 December 1859.

French School, (19th century)

Haut Rhin, Alsace -France and its Colonies, c.1876 (engraving)
Haut Rhin, Alsace -France and its Colonies, c.1876 (engraving)

XEE4144466: Haut Rhin, Alsace -France and its Colonies, c.1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144466

Haut Rhin, Alsace -France and its Colonies, c.1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Pyrenees Orientales, Languedoc-Roussillon, Languedoc Roussillon, 1876 (engraving)
Pyrenees Orientales, Languedoc-Roussillon, Languedoc Roussillon, 1876 (engraving)

XEE4144471: Pyrenees Orientales, Languedoc-Roussillon, Languedoc Roussillon, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144471

Pyrenees Orientales, Languedoc-Roussillon, Languedoc Roussillon, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Pas de Calais, Nord Pas de Calais - France and its Colonies, 1876 (engraving)
Pas de Calais, Nord Pas de Calais - France and its Colonies, 1876 (engraving)

XEE4144480: Pas de Calais, Nord Pas de Calais - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144480

Pas de Calais, Nord Pas de Calais - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Le Nord, Nord Pas De Calais - France and its Colonies, 1876 (engraving)
Le Nord, Nord Pas De Calais - France and its Colonies, 1876 (engraving)

XEE4144486: Le Nord, Nord Pas De Calais - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144486

Le Nord, Nord Pas De Calais - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

La Nievre, Burgundy - France and its Colonies, 1876 (engraving)
La Nievre, Burgundy - France and its Colonies, 1876 (engraving)

XEE4144487: La Nievre, Burgundy - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144487

La Nievre, Burgundy - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

La Meuse, Lorraine - France and its Colonies, 1876 (engraving)
La Meuse, Lorraine - France and its Colonies, 1876 (engraving)

XEE4144499: La Meuse, Lorraine - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144499

La Meuse, Lorraine - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

La Meurthe, Lorraine- France and its Colonies, 1876 (engraving)
La Meurthe, Lorraine- France and its Colonies, 1876 (engraving)

XEE4144503: La Meurthe, Lorraine- France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144503

La Meurthe, Lorraine- France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Sailing of Saint Cunegonde of Luxembourg (ca. 975-1033/1039) in 1024, handed over by the eveque of Paderborn Meinwerk (ca. 975-1036) in the Benedictine Abbey of Kaufungen in Germany. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Sailing of Saint Cunegonde of Luxembourg (ca. 975-1033/1039) in 1024, handed over by the eveque of Paderborn Meinwerk (ca. 975-1036) in the Benedictine Abbey of Kaufungen in Germany. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144788: Sailing of Saint Cunegonde of Luxembourg (ca. 975-1033/1039) in 1024, handed over by the eveque of Paderborn Meinwerk (ca. 975-1036) in the Benedictine Abbey of Kaufungen in Germany. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144788

Sailing of Saint Cunegonde of Luxembourg (ca. 975-1033/1039) in 1024, handed over by the eveque of Paderborn Meinwerk (ca. 975-1036) in the Benedictine Abbey of Kaufungen in Germany. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

Unknown Artist, (19th century)

Uniforms of the Spanish army, 1859. From left to right: naval artillery, princess hussard, genie soldier, lancier, gunner, line soldier, foot hunter in field uniforms. Engraving in “” Le Monde Illustré”” n°133 of October 29, 1859.
Uniforms of the Spanish army, 1859. From left to right: naval artillery, princess hussard, genie soldier, lancier, gunner, line soldier, foot hunter in field uniforms. Engraving in “” Le Monde Illustré”” n°133 of October 29, 1859.

XEE4144796: Uniforms of the Spanish army, 1859. From left to right: naval artillery, princess hussard, genie soldier, lancier, gunner, line soldier, foot hunter in field uniforms. Engraving in “” Le Monde Illustré”” n°133 of October 29, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144796

Uniforms of the Spanish army, 1859. From left to right: naval artillery, princess hussard, genie soldier, lancier, gunner, line soldier, foot hunter in field uniforms. Engraving in “” Le Monde Illustré”” n°133 of October 29, 1859.

French School, (19th century)

Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859. From a sketch by Mr. Gutave Janet. Engraving in “” Le Monde Illustré”” n°134 of November 5, 1859.
Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859. From a sketch by Mr. Gutave Janet. Engraving in “” Le Monde Illustré”” n°134 of November 5, 1859.

XEE4144818: Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859. From a sketch by Mr. Gutave Janet. Engraving in “” Le Monde Illustré”” n°134 of November 5, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144818

Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859. From a sketch by Mr. Gutave Janet. Engraving in “” Le Monde Illustré”” n°134 of November 5, 1859.

French School, (19th century)


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