Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

5777238 Search Results

Brigitte Bardot devant un miroir lors du tournage de « Futures Vedettes », 1955 (photo)
Brigitte Bardot devant un miroir lors du tournage de « Futures Vedettes », 1955 (photo)

LIM3530837: Brigitte Bardot devant un miroir lors du tournage de « Futures Vedettes », 1955 (photo), Limot, Walter (1902-84) / Bridgeman Images

Bibliothèque Nationale de France, Paris (photo)
Bibliothèque Nationale de France, Paris (photo)

LIM3530849: Bibliothèque Nationale de France, Paris (photo), Limot, André (1934-2024) / Bridgeman Images

Sculpture on the facade of Caisse d'Epargne, Strasbourg (photo)
Sculpture on the facade of Caisse d'Epargne, Strasbourg (photo)

LIM3530874: Sculpture on the facade of Caisse d'Epargne, Strasbourg (photo), Limot, André (1934-2024) / Bridgeman Images

Catacombs, Paris (b/w photo)
Catacombs, Paris (b/w photo)

LIM3530920: Catacombs, Paris (b/w photo), Limot, Walter (1902-84) / Bridgeman Images

Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco)
Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599555: Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco)
Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599557: Miracle of the Resurrection of the Bull (Miracolo della risurrezione del toro), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)
Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599590: Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)
Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599593: Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)
Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599581: Sylvester Closing the Jaws of a Dragon and Resuscitating two Wizards (San Silvestro chiude le fauci a un drago e resuscita due maghi), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Living Nativity, Matera, Basilicata, Italy, 2016 (photo)
Living Nativity, Matera, Basilicata, Italy, 2016 (photo)

MEP3599626: Living Nativity, Matera, Basilicata, Italy, 2016 (photo) / Bridgeman Images

Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)
Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)

MEP3599597: Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)
Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)

MEP3599604: Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

The Vision of St. Bernard (Visione di san Bernardo), by Fra Bartolomeo, 1504-1507, 16th century (oil on board), 215 x 231 cm
The Vision of St. Bernard (Visione di san Bernardo), by Fra Bartolomeo, 1504-1507, 16th century (oil on board), 215 x 231 cm

MEP3599606: The Vision of St. Bernard (Visione di san Bernardo), by Fra Bartolomeo, 1504-1507, 16th century (oil on board), 215 x 231 cm, Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

Living Nativity, Matera, Basilicata, Italy, 2016 (photo)
Living Nativity, Matera, Basilicata, Italy, 2016 (photo)

MEP3599621: Living Nativity, Matera, Basilicata, Italy, 2016 (photo) / Bridgeman Images

Living Nativity, Matera, Basilicata, Italy, 2016 (photo)
Living Nativity, Matera, Basilicata, Italy, 2016 (photo)

MEP3599623: Living Nativity, Matera, Basilicata, Italy, 2016 (photo) / Bridgeman Images

Living Nativity, Matera, Basilicata, Italy, 2016 (photo)
Living Nativity, Matera, Basilicata, Italy, 2016 (photo)

MEP3599625: Living Nativity, Matera, Basilicata, Italy, 2016 (photo) / Bridgeman Images

Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)
Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)

MEP3599633: Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)
Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)

MEP3599636: Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)
Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco)

MEP3599638: Judgement and Bettino de' Bardi Genuflected (Giudizio finale e Bettino de' Bardi inginocchiato), by Maso di Banco, 1347, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Constantine Announcing the Mothers He Will not Bathe in the Blood of Their Children (Costantino annuncia alle madri che non si bagnerà  nel Sangue dei loro figli), by Maso di Banco, 1340, 14th Century (fresco)
Constantine Announcing the Mothers He Will not Bathe in the Blood of Their Children (Costantino annuncia alle madri che non si bagnerà  nel Sangue dei loro figli), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599643: Constantine Announcing the Mothers He Will not Bathe in the Blood of Their Children (Costantino annuncia alle madri che non si bagnerà  nel Sangue dei loro figli), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Saint Peter and Saint Paul Appearing in a Dream of Constantine (Sogno di Costantino con la visione di Pietro e Paolo), by Maso di Banco, 1340, 14th Century (fresco)
Saint Peter and Saint Paul Appearing in a Dream of Constantine (Sogno di Costantino con la visione di Pietro e Paolo), by Maso di Banco, 1340, 14th Century (fresco)

MEP3599646: Saint Peter and Saint Paul Appearing in a Dream of Constantine (Sogno di Costantino con la visione di Pietro e Paolo), by Maso di Banco, 1340, 14th Century (fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

Double Portrait, by Giorgio da Castelfranco known as Giorgione, 1502 about, 16th Century (oil on panel), cm 80 x 75
Double Portrait, by Giorgio da Castelfranco known as Giorgione, 1502 about, 16th Century (oil on panel), cm 80 x 75

MEP3599670: Double Portrait, by Giorgio da Castelfranco known as Giorgione, 1502 about, 16th Century (oil on panel), cm 80 x 75, Giorgione, (Giorgio da Castelfranco) (1476/8-1510) / Bridgeman Images

Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas)
Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas)

MEB3599677: Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas)
Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas)

MEB3599682: Legend of St Ursula. Arrival in Cologne, by Carpaccio Vittore, 1490, 15th Century (oil on canvas), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

The Old Woman (With Time), by Giorgio da Castelfranco known as Giorgione, 1508 - 1510 about, 16th Century, tempera and walnut oil on hempen cloth transferred from linen, cm 68 x 59
The Old Woman (With Time), by Giorgio da Castelfranco known as Giorgione, 1508 - 1510 about, 16th Century, tempera and walnut oil on hempen cloth transferred from linen, cm 68 x 59

MEB3599691: The Old Woman (With Time), by Giorgio da Castelfranco known as Giorgione, 1508 - 1510 about, 16th Century, tempera and walnut oil on hempen cloth transferred from linen, cm 68 x 59, Giorgione, (Giorgio da Castelfranco) (1476/8-1510) / Bridgeman Images

Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)
Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel)

MEP3599698: Averoldi Polyptych, by Vecellio Tiziano known as Tiziano, 16th Century, 1520-1522 (oil on panel), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Interrupted Concert, by Tiziano Vecellio known as Titian, 1507 - 1508 about, 16th Century (oil on canvas), cm 86,5 x 123,5
Interrupted Concert, by Tiziano Vecellio known as Titian, 1507 - 1508 about, 16th Century (oil on canvas), cm 86,5 x 123,5

MEB3599672: Interrupted Concert, by Tiziano Vecellio known as Titian, 1507 - 1508 about, 16th Century (oil on canvas), cm 86,5 x 123,5, Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

Pile of Pillows, 2017 (mixed media)
Pile of Pillows, 2017 (mixed media)

AJQ3611213: Pile of Pillows, 2017 (mixed media), Arthurs, Linda / Bridgeman Images

Floral Collage, 2016 (mixed media)
Floral Collage, 2016 (mixed media)

AJQ3611218: Floral Collage, 2016 (mixed media), Arthurs, Linda / Bridgeman Images

Halloween, 2016 ( photograph)
Halloween, 2016 ( photograph)

BTA3611224: Halloween, 2016 ( photograph), Butera, Anthony (1940-2021) / Bridgeman Images

New York City, Pedestrians,2017, ( photograph)
New York City, Pedestrians,2017, ( photograph)

BTA3611226: New York City, Pedestrians,2017, ( photograph), Butera, Anthony (1940-2021) / Bridgeman Images

Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus)
Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus)

BL3611278: Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus), Greek school, (2nd century) / Bridgeman Images

Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus)
Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus)

BL3611284: Papyrus 114 consisting of the Iliad, with a colophon at the end (ink on papyrus), Greek school, (2nd century) / Bridgeman Images

The ultimate Voyuer, close to the edge, Corsica, 2017 (oil on canvas)
The ultimate Voyuer, close to the edge, Corsica, 2017 (oil on canvas)

AHK3611388: The ultimate Voyuer, close to the edge, Corsica, 2017 (oil on canvas), Hewkin, Andrew / Bridgeman Images

Takeover, 2009 (mixed media pencil, acrylic, digital))
Takeover, 2009 (mixed media pencil, acrylic, digital))

AJU3611393: Takeover, 2009 (mixed media pencil, acrylic, digital)), Allen, A.Richard / Bridgeman Images

Feathers, 2010 (mixed media pencil, acrylic, digital)
Feathers, 2010 (mixed media pencil, acrylic, digital)

AJU3611407: Feathers, 2010 (mixed media pencil, acrylic, digital), Allen, A.Richard / Bridgeman Images


Back to top