1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2533254 Search Results

The Trial by Fire, St. Francis before the Sultan of Egypt, scene from a cycle of the Life of St. Francis of Assisi, 1486 (fresco)
The Trial by Fire, St. Francis before the Sultan of Egypt, scene from a cycle of the Life of St. Francis of Assisi, 1486 (fresco)

BEN85237: The Trial by Fire, St. Francis before the Sultan of Egypt, scene from a cycle of the Life of St. Francis of Assisi, 1486 (fresco), Ghirlandaio, Domenico (Domenico Bigordi) (1449-94) / Bridgeman Images

ID: BEN85237

The Trial by Fire, St. Francis before the Sultan of Egypt, scene from a cycle of the Life of St. Francis of Assisi, 1486 (fresco)

Ghirlandaio, Domenico (Domenico Bigordi) (1449-94)

St. Francis renouncing his inheritance, from a cycle of the Life of St. Francis, 1486 (fresco)
St. Francis renouncing his inheritance, from a cycle of the Life of St. Francis, 1486 (fresco)

BEN85277: St. Francis renouncing his inheritance, from a cycle of the Life of St. Francis, 1486 (fresco), Ghirlandaio, Domenico (Domenico Bigordi) (1449-94) / Bridgeman Images

ID: BEN85277

St. Francis renouncing his inheritance, from a cycle of the Life of St. Francis, 1486 (fresco)

Ghirlandaio, Domenico (Domenico Bigordi) (1449-94)

Still life and motherhood, 1928
Still life and motherhood, 1928

BEN85524: Still life and motherhood, 1928, Severini, Gino (1883-1966) / Bridgeman Images

ID: BEN85524

Still life and motherhood, 1928

Severini, Gino (1883-1966)

Madonna and Child with St. Anne (panel)
Madonna and Child with St. Anne (panel)

BEN85538: Madonna and Child with St. Anne (panel), Luini, Bernardino (c.1480-1532) / Bridgeman Images

ID: BEN85538

Madonna and Child with St. Anne (panel)

Luini, Bernardino (c.1480-1532)

St. George and the Dragon, detail of the princess (panel) (detail of 85551)
St. George and the Dragon, detail of the princess (panel) (detail of 85551)

BEN85552: St. George and the Dragon, detail of the princess (panel) (detail of 85551), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN85552

St. George and the Dragon, detail of the princess (panel) (detail of 85551)

Uccello, Paolo (1397-1475)

St. John the Baptist and St. Francis of Assisi (fresco)
St. John the Baptist and St. Francis of Assisi (fresco)

BEN85554: St. John the Baptist and St. Francis of Assisi (fresco), Veneziano, Domenico (c.1400-61) / Bridgeman Images

ID: BEN85554

St. John the Baptist and St. Francis of Assisi (fresco)

Veneziano, Domenico (c.1400-61)

Courtyard and niche (photo)
Courtyard and niche (photo)

BEN85570: Courtyard and niche (photo) / Bridgeman Images

ID: BEN85570

Courtyard and niche (photo)

View of the facade designed by Giuliano da Sangallo (c.1443-1516) for Lorenzo Medici 'Il Magnifico' c.1480, the semicircular steps added by Pasquale Poccianti (1774-1858) in 1802-07
View of the facade designed by Giuliano da Sangallo (c.1443-1516) for Lorenzo Medici 'Il Magnifico' c.1480, the semicircular steps added by Pasquale Poccianti (1774-1858) in 1802-07

BEN85589: View of the facade designed by Giuliano da Sangallo (c.1443-1516) for Lorenzo Medici 'Il Magnifico' c.1480, the semicircular steps added by Pasquale Poccianti (1774-1858) in 1802-07 / Bridgeman Images

ID: BEN85589

View of the facade designed by Giuliano da Sangallo (c.1443-1516) for Lorenzo Medici 'Il Magnifico' c.1480, the semicircular steps added by Pasquale Poccianti (1774-1858) in 1802-07

The Roman theatre, late 2nd century AD, restored 1937 (photo)
The Roman theatre, late 2nd century AD, restored 1937 (photo)

BEN85599: The Roman theatre, late 2nd century AD, restored 1937 (photo) / Bridgeman Images

ID: BEN85599

The Roman theatre, late 2nd century AD, restored 1937 (photo)

Vase of Flowers (tempera on vellum)
Vase of Flowers (tempera on vellum)

BEN54877: Vase of Flowers (tempera on vellum), Garzoni, Giovanna (1600-70) / Bridgeman Images

ID: BEN54877

Vase of Flowers (tempera on vellum)

Garzoni, Giovanna (1600-70)

The Madonna di Ognissanti, c.1310 (tempera on wood)
The Madonna di Ognissanti, c.1310 (tempera on wood)

BEN63337: The Madonna di Ognissanti, c.1310 (tempera on wood), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: BEN63337

The Madonna di Ognissanti, c.1310 (tempera on wood)

Giotto (Giotto di Bondone) (c.1266-1337)

Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)
Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)

BEN70606: Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco), Gozzoli, Benozzo di Lese di Sandro (1420-97) / Bridgeman Images

ID: BEN70606

Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)

Gozzoli, Benozzo di Lese di Sandro (1420-97)

Cavalier in sight of a Village, 1872
Cavalier in sight of a Village, 1872

GN70636: Cavalier in sight of a Village, 1872, Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

ID: GN70636

Cavalier in sight of a Village, 1872

Corot, Jean Baptiste Camille (1796-1875)

The Loggia di Davide (or D'Onore), garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78407)
The Loggia di Davide (or D'Onore), garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78407)

BEN78406: The Loggia di Davide (or D'Onore), garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78407) / Bridgeman Images

ID: BEN78406

The Loggia di Davide (or D'Onore), garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78407)

The Loggia di Davide (or D'Onore) interior showing columns of the garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78411)
The Loggia di Davide (or D'Onore) interior showing columns of the garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78411)

BEN78412: The Loggia di Davide (or D'Onore) interior showing columns of the garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78411) / Bridgeman Images

ID: BEN78412

The Loggia di Davide (or D'Onore) interior showing columns of the garden facade designed by Giulio Romano (1499-1546), 1524-34 (photo) (see also 78411)

Scene of a doctor attending a sick man, ceiling painting from the Giardino Segreto (fresco)
Scene of a doctor attending a sick man, ceiling painting from the Giardino Segreto (fresco)

BEN78418: Scene of a doctor attending a sick man, ceiling painting from the Giardino Segreto (fresco), Romano, Giulio (1492-1546) (workshop of) / Bridgeman Images

ID: BEN78418

Scene of a doctor attending a sick man, ceiling painting from the Giardino Segreto (fresco)

Romano, Giulio (1492-1546) (workshop of)

Cupid with Venus and Mercury whom she is sending to capture Psyche, lunette from the Sala di Amore e Psiche, 1528 (oil on stucco)
Cupid with Venus and Mercury whom she is sending to capture Psyche, lunette from the Sala di Amore e Psiche, 1528 (oil on stucco)

BEN78423: Cupid with Venus and Mercury whom she is sending to capture Psyche, lunette from the Sala di Amore e Psiche, 1528 (oil on stucco), Romano, Giulio (1492-1546) (workshop of) / Bridgeman Images

ID: BEN78423

Cupid with Venus and Mercury whom she is sending to capture Psyche, lunette from the Sala di Amore e Psiche, 1528 (oil on stucco)

Romano, Giulio (1492-1546) (workshop of)

Lunette depicting Psyche undertaking an ordeal set by Venus of retrieving from the underworld a jar containing the beauty of Proserpine, from the Sala di Amore e Psiche, 1528 (fresco) (detail of 78427)
Lunette depicting Psyche undertaking an ordeal set by Venus of retrieving from the underworld a jar containing the beauty of Proserpine, from the Sala di Amore e Psiche, 1528 (fresco) (detail of 78427)

BEN78431: Lunette depicting Psyche undertaking an ordeal set by Venus of retrieving from the underworld a jar containing the beauty of Proserpine, from the Sala di Amore e Psiche, 1528 (fresco) (detail of 78427), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78431

Lunette depicting Psyche undertaking an ordeal set by Venus of retrieving from the underworld a jar containing the beauty of Proserpine, from the Sala di Amore e Psiche, 1528 (fresco) (detail of 78427)

Romano, Giulio (1492-1546) (and workshop)

Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)
Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)

BEN78434: Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco), Romano, Giulio (1492-1546) / Bridgeman Images

ID: BEN78434

Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)

Romano, Giulio (1492-1546)

Neptune and a water nymph, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)
Neptune and a water nymph, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)

BEN78440: Neptune and a water nymph, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco), Romano, Giulio (1492-1546) / Bridgeman Images

ID: BEN78440

Neptune and a water nymph, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco)

Romano, Giulio (1492-1546)

Scenes from the myth of Cupid and Psyche taken from Apuleius's 'Metamorphoses', ceiling painting from the Sala di Amore e Psiche, 1528 (oil on stucco)
Scenes from the myth of Cupid and Psyche taken from Apuleius's 'Metamorphoses', ceiling painting from the Sala di Amore e Psiche, 1528 (oil on stucco)

BEN78448: Scenes from the myth of Cupid and Psyche taken from Apuleius's 'Metamorphoses', ceiling painting from the Sala di Amore e Psiche, 1528 (oil on stucco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78448

Scenes from the myth of Cupid and Psyche taken from Apuleius's 'Metamorphoses', ceiling painting from the Sala di Amore e Psiche, 1528 (oil on stucco)

Romano, Giulio (1492-1546) (and workshop)

Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 (fresco)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 (fresco)

BEN78466: Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 (fresco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78466

Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 (fresco)

Romano, Giulio (1492-1546) (and workshop)

Scene showing that those born under the sign of Sagittarius in conjunction with the setting constellation of Arcturus will be led to commit grave crimes, symbolised by shackled prisoners, from the Camera dei Venti, 1528 (fresco)
Scene showing that those born under the sign of Sagittarius in conjunction with the setting constellation of Arcturus will be led to commit grave crimes, symbolised by shackled prisoners, from the Camera dei Venti, 1528 (fresco)

BEN78477: Scene showing that those born under the sign of Sagittarius in conjunction with the setting constellation of Arcturus will be led to commit grave crimes, symbolised by shackled prisoners, from the Camera dei Venti, 1528 (fresco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78477

Scene showing that those born under the sign of Sagittarius in conjunction with the setting constellation of Arcturus will be led to commit grave crimes, symbolised by shackled prisoners, from the Camera dei Venti, 1528 (fresco)

Romano, Giulio (1492-1546) (and workshop)

Scene showing that those born under the sign of Sagittarius in conjunction with the constellation Arcturus are imparted with the propensity to become guardians of royal buildings, symbolised by a palace, from the Cameri dei Venti, 1528 (fresco)
Scene showing that those born under the sign of Sagittarius in conjunction with the constellation Arcturus are imparted with the propensity to become guardians of royal buildings, symbolised by a palace, from the Cameri dei Venti, 1528 (fresco)

BEN78478: Scene showing that those born under the sign of Sagittarius in conjunction with the constellation Arcturus are imparted with the propensity to become guardians of royal buildings, symbolised by a palace, from the Cameri dei Venti, 1528 (fresco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78478

Scene showing that those born under the sign of Sagittarius in conjunction with the constellation Arcturus are imparted with the propensity to become guardians of royal buildings, symbolised by a palace, from the Cameri dei Venti, 1528 (fresco)

Romano, Giulio (1492-1546) (and workshop)

Sala dei Cavalli, detail showing a portrait of a grey horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
Sala dei Cavalli, detail showing a portrait of a grey horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)

BEN78495: Sala dei Cavalli, detail showing a portrait of a grey horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco), Romano, Giulio (1492-1546) (and workshop) / Bridgeman Images

ID: BEN78495

Sala dei Cavalli, detail showing a portrait of a grey horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)

Romano, Giulio (1492-1546) (and workshop)

Camera delle Aquile, ceiling with the Fall of Icarus in the central panel surrounded by stucco decoration of putti and lunettes with mythological scenes, 1528 (fresco and stucco)
Camera delle Aquile, ceiling with the Fall of Icarus in the central panel surrounded by stucco decoration of putti and lunettes with mythological scenes, 1528 (fresco and stucco)

BEN78598: Camera delle Aquile, ceiling with the Fall of Icarus in the central panel surrounded by stucco decoration of putti and lunettes with mythological scenes, 1528 (fresco and stucco), Romano, Giulio (1492-1546) (workshop of) / Bridgeman Images

ID: BEN78598

Camera delle Aquile, ceiling with the Fall of Icarus in the central panel surrounded by stucco decoration of putti and lunettes with mythological scenes, 1528 (fresco and stucco)

Romano, Giulio (1492-1546) (workshop of)

Illustration to 'The Story of Two Squares', written by the artist, pub. in Berlin, 1922 (printed book)
Illustration to 'The Story of Two Squares', written by the artist, pub. in Berlin, 1922 (printed book)

HGM81219: Illustration to 'The Story of Two Squares', written by the artist, pub. in Berlin, 1922 (printed book), Lissitzky, Eliezer (El) Markowich (1890-1941) / Bridgeman Images

ID: HGM81219

Illustration to 'The Story of Two Squares', written by the artist, pub. in Berlin, 1922 (printed book)

Lissitzky, Eliezer (El) Markowich (1890-1941)

The Deposition, 1555 (fresco)
The Deposition, 1555 (fresco)

BEN82443: The Deposition, 1555 (fresco), Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

ID: BEN82443

The Deposition, 1555 (fresco)

Bronzino, Agnolo di Cosimo (1503-72)

Door frame in the Sala dell'Udienza crowned with a figure of Justice, by Benedetto (1442-97) and Giuliano (1432-90) da Maiano, after 1470 (marble) (see also 82449)
Door frame in the Sala dell'Udienza crowned with a figure of Justice, by Benedetto (1442-97) and Giuliano (1432-90) da Maiano, after 1470 (marble) (see also 82449)

BEN82450: Door frame in the Sala dell'Udienza crowned with a figure of Justice, by Benedetto (1442-97) and Giuliano (1432-90) da Maiano, after 1470 (marble) (see also 82449), Benedetto da Maiano (1442-97) & Giuliano da Maiano (1432-90) / Bridgeman Images

ID: BEN82450

Door frame in the Sala dell'Udienza crowned with a figure of Justice, by Benedetto (1442-97) and Giuliano (1432-90) da Maiano, after 1470 (marble) (see also 82449)

Benedetto da Maiano (1442-97) & Giuliano da Maiano (1432-90)

The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo)
The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo)

BEN82459: The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo) / Bridgeman Images

ID: BEN82459

The Sala di Leone X designed by Giorgio Vasari (1511-74) 1562 (photo)

Allegory of the districts of Santa Croce and Santo Spirito from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the districts of Santa Croce and Santo Spirito from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82464: Allegory of the districts of Santa Croce and Santo Spirito from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82464

Allegory of the districts of Santa Croce and Santo Spirito from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)

Allegory of the Casentino region from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the Casentino region from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82465: Allegory of the Casentino region from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82465

Allegory of the Casentino region from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)

Allegory of the Mugello region from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the Mugello region from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82467: Allegory of the Mugello region from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82467

Allegory of the Mugello region from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)

Allegory of the town of Certaldo from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the town of Certaldo from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82470: Allegory of the town of Certaldo from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82470

Allegory of the town of Certaldo from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)

Allegory of the town of Fiesole from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the town of Fiesole from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82472: Allegory of the town of Fiesole from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82472

Allegory of the town of Fiesole from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)

Allegory of the town of Pescia from the ceiling of the Salone dei Cinquecento, 1565 (panel)
Allegory of the town of Pescia from the ceiling of the Salone dei Cinquecento, 1565 (panel)

BEN82473: Allegory of the town of Pescia from the ceiling of the Salone dei Cinquecento, 1565 (panel), Vasari, Giorgio (1511-74) (and workshop) / Bridgeman Images

ID: BEN82473

Allegory of the town of Pescia from the ceiling of the Salone dei Cinquecento, 1565 (panel)

Vasari, Giorgio (1511-74) (and workshop)


Back to top