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Wolf and Fox (Russian fairytale), 1933 (litho)
Wolf and Fox (Russian fairytale), 1933 (litho)

ABC471792: Wolf and Fox (Russian fairytale), 1933 (litho), Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90) / Bridgeman Images

ID: ABC471792

Wolf and Fox (Russian fairytale), 1933 (litho)

Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90)

The Woman from Picho Forest (Sorbian Ballad), 1950 (litho)
The Woman from Picho Forest (Sorbian Ballad), 1950 (litho)

ABC471806: The Woman from Picho Forest (Sorbian Ballad), 1950 (litho), Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90) / Bridgeman Images

ID: ABC471806

The Woman from Picho Forest (Sorbian Ballad), 1950 (litho)

Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90)

St. Paul Summons the Cold, 1950 (litho)
St. Paul Summons the Cold, 1950 (litho)

ABC471812: St. Paul Summons the Cold, 1950 (litho), Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90) / Bridgeman Images

ID: ABC471812

St. Paul Summons the Cold, 1950 (litho)

Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90)

Fisherman and Water Sprite, 1950 (litho)
Fisherman and Water Sprite, 1950 (litho)

ABC471820: Fisherman and Water Sprite, 1950 (litho), Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90) / Bridgeman Images

ID: ABC471820

Fisherman and Water Sprite, 1950 (litho)

Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90)

Sorbian Dance, 1950 (litho)
Sorbian Dance, 1950 (litho)

ABC471821: Sorbian Dance, 1950 (litho), Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90) / Bridgeman Images

ID: ABC471821

Sorbian Dance, 1950 (litho)

Nowak-Njechornski, Mercin (Martin Nowak-Neumann or Neumann-Nechern) (1900-90)

Battery Pulling In II, 1918 (pen & ink with pastel on paper)
Battery Pulling In II, 1918 (pen & ink with pastel on paper)

MAN471824: Battery Pulling In II, 1918 (pen & ink with pastel on paper), Lewis, Wyndham (1882-1957) / Bridgeman Images

ID: MAN471824

Battery Pulling In II, 1918 (pen & ink with pastel on paper)

Lewis, Wyndham (1882-1957)

The Music Room (photo)
The Music Room (photo)

MFI471832: The Music Room (photo) / Bridgeman Images

ID: MFI471832

The Music Room (photo)

The former State Drawing Room (photo)
The former State Drawing Room (photo)

MFI471837: The former State Drawing Room (photo) / Bridgeman Images

ID: MFI471837

The former State Drawing Room (photo)

Lycus (marble) (detail of 143022)
Lycus (marble) (detail of 143022)

FAF471840: Lycus (marble) (detail of 143022), Canova, Antonio (1757-1822) / Bridgeman Images

ID: FAF471840

Lycus (marble) (detail of 143022)

Canova, Antonio (1757-1822)

Drawing room picture gallery interior, c.1835 (w/c with gouache on paper)
Drawing room picture gallery interior, c.1835 (w/c with gouache on paper)

CJP471845: Drawing room picture gallery interior, c.1835 (w/c with gouache on paper), Danish School, (19th century) / Bridgeman Images

ID: CJP471845

Drawing room picture gallery interior, c.1835 (w/c with gouache on paper)

Danish School, (19th century)

Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving)
Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving)

XJF472199: Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving), Spranger, Bartholomaeus (1546-1611) (after) / Bridgeman Images

ID: XJF472199

Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving)

Spranger, Bartholomaeus (1546-1611) (after)

Frontispiece to the German edition of Matthew Hale's 'The Primitive Origination of Mankind, Considered and Examined According to the Light of Nature' (engraving)
Frontispiece to the German edition of Matthew Hale's 'The Primitive Origination of Mankind, Considered and Examined According to the Light of Nature' (engraving)

XJF472201: Frontispiece to the German edition of Matthew Hale's 'The Primitive Origination of Mankind, Considered and Examined According to the Light of Nature' (engraving), German School, (17th century) / Bridgeman Images

ID: XJF472201

Frontispiece to the German edition of Matthew Hale's 'The Primitive Origination of Mankind, Considered and Examined According to the Light of Nature' (engraving)

German School, (17th century)

Lilith, winged and crowned, with serpent’s tail, offers the apple to Eve, from 'Speculum Humanae Salvationis', after the original of 1470 (woodcut)
Lilith, winged and crowned, with serpent’s tail, offers the apple to Eve, from 'Speculum Humanae Salvationis', after the original of 1470 (woodcut)

XJF472204: Lilith, winged and crowned, with serpent’s tail, offers the apple to Eve, from 'Speculum Humanae Salvationis', after the original of 1470 (woodcut), German School, (15th century) (after) / Bridgeman Images

ID: XJF472204

Lilith, winged and crowned, with serpent’s tail, offers the apple to Eve, from 'Speculum Humanae Salvationis', after the original of 1470 (woodcut)

German School, (15th century) (after)

Adam and Eve, illustration from the 'Speculum Vitae Christi', 1491 (woodcut)
Adam and Eve, illustration from the 'Speculum Vitae Christi', 1491 (woodcut)

XJF472211: Adam and Eve, illustration from the 'Speculum Vitae Christi', 1491 (woodcut), English School, (15th century) / Bridgeman Images

ID: XJF472211

Adam and Eve, illustration from the 'Speculum Vitae Christi', 1491 (woodcut)

English School, (15th century)

The Marriage of Adam and Eve, c.1540-55 (engraving)
The Marriage of Adam and Eve, c.1540-55 (engraving)

XJF472220: The Marriage of Adam and Eve, c.1540-55 (engraving), Duvet, Jean (1485-1561) / Bridgeman Images

ID: XJF472220

The Marriage of Adam and Eve, c.1540-55 (engraving)

Duvet, Jean (1485-1561)

The Fall of Mankind, 1519 (engraving)
The Fall of Mankind, 1519 (engraving)

XJF472223: The Fall of Mankind, 1519 (engraving), Leyden, Lucas van (c.1494-1533) / Bridgeman Images

ID: XJF472223

The Fall of Mankind, 1519 (engraving)

Leyden, Lucas van (c.1494-1533)

The Fall of Mankind, c.1450-67 (engraving)
The Fall of Mankind, c.1450-67 (engraving)

XJF472224: The Fall of Mankind, c.1450-67 (engraving), Master E. S. (c.1420-c.1468) / Bridgeman Images

ID: XJF472224

The Fall of Mankind, c.1450-67 (engraving)

Master E. S. (c.1420-c.1468)

Ramsgate, engraved by Joseph Clayton Bentley, 1836 (engraving)
Ramsgate, engraved by Joseph Clayton Bentley, 1836 (engraving)

XJF472250: Ramsgate, engraved by Joseph Clayton Bentley, 1836 (engraving), Stanfield, William Clarkson (1793-1867) (after) / Bridgeman Images

ID: XJF472250

Ramsgate, engraved by Joseph Clayton Bentley, 1836 (engraving)

Stanfield, William Clarkson (1793-1867) (after)

Dartford, Kent, c.1830 (engraving)
Dartford, Kent, c.1830 (engraving)

XJF472253: Dartford, Kent, c.1830 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF472253

Dartford, Kent, c.1830 (engraving)

English School, (19th century)

The Chariot of Fame, part of the Triumph of Henri II, published in 1551 (woodcut)
The Chariot of Fame, part of the Triumph of Henri II, published in 1551 (woodcut)

XJF472260: The Chariot of Fame, part of the Triumph of Henri II, published in 1551 (woodcut), French School, (16th century) / Bridgeman Images

ID: XJF472260

The Chariot of Fame, part of the Triumph of Henri II, published in 1551 (woodcut)

French School, (16th century)

A man on horseback, 1576 (woodcut)
A man on horseback, 1576 (woodcut)

XJF472266: A man on horseback, 1576 (woodcut), Lorck, Melchior (c.1526-88) / Bridgeman Images

ID: XJF472266

A man on horseback, 1576 (woodcut)

Lorck, Melchior (c.1526-88)

The Triumph of Poverty, drawn by Jan de Bisschop, c.1650 (pen, ink & wash on paper)
The Triumph of Poverty, drawn by Jan de Bisschop, c.1650 (pen, ink & wash on paper)

XJF472269: The Triumph of Poverty, drawn by Jan de Bisschop, c.1650 (pen, ink & wash on paper), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF472269

The Triumph of Poverty, drawn by Jan de Bisschop, c.1650 (pen, ink & wash on paper)

Holbein the Younger, Hans (1497/8-1543) (after)

Plate 30 and 31 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)
Plate 30 and 31 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)

XJF472276: Plate 30 and 31 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving), Hogenberg, Nicholas (c.1500-1539) / Bridgeman Images

ID: XJF472276

Plate 30 and 31 of the Entry of Pope Clement VII and Emperor Charles V into Bologna on 24 February 1530, published c.1530 (engraving)

Hogenberg, Nicholas (c.1500-1539)

Illustration from 'Hypnerotomachia Poliphili' by Francesco Colonna, first published in 1499 (woodcut)
Illustration from 'Hypnerotomachia Poliphili' by Francesco Colonna, first published in 1499 (woodcut)

XJF472279: Illustration from 'Hypnerotomachia Poliphili' by Francesco Colonna, first published in 1499 (woodcut), Italian School, (15th century) / Bridgeman Images

ID: XJF472279

Illustration from 'Hypnerotomachia Poliphili' by Francesco Colonna, first published in 1499 (woodcut)

Italian School, (15th century)

A reconstruction of a naval battle performed on the River Seine in front of Henri IV in 1596, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)
A reconstruction of a naval battle performed on the River Seine in front of Henri IV in 1596, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)

XJF472283: A reconstruction of a naval battle performed on the River Seine in front of Henri IV in 1596, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut) , French School, (16th century) / Bridgeman Images

ID: XJF472283

A reconstruction of a naval battle performed on the River Seine in front of Henri IV in 1596, illustration from 'Discours de la Ioyeuse et triomphante entree de Henry IIII faicte en sa ville de Rouën', published in 1599 (woodcut)

French School, (16th century)

Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel)
Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel)

LAF472302: Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel), Bouts, Dirck (c.1415-75) / Bridgeman Images

ID: LAF472302

Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel)

Bouts, Dirck (c.1415-75)

Detail of Adam, from the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472326, 472324)
Detail of Adam, from the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472326, 472324)

LAF472331: Detail of Adam, from the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472326, 472324), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF472331

Detail of Adam, from the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472326, 472324)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

Detail of the Prophet Zacharias, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472376, 472325)
Detail of the Prophet Zacharias, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472376, 472325)

LAF472377: Detail of the Prophet Zacharias, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472376, 472325), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF472377

Detail of the Prophet Zacharias, from the exterior of the left wing of the Ghent Altarpiece, 1432 (oil on panel) (see 472376, 472325)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

Behold the Bridegroom Cometh, or The Ten Virgins, c.1880 (pencil on paper)
Behold the Bridegroom Cometh, or The Ten Virgins, c.1880 (pencil on paper)

PNH468005: Behold the Bridegroom Cometh, or The Ten Virgins, c.1880 (pencil on paper), Richmond, William Blake (1842-1921) / Bridgeman Images

ID: PNH468005

Behold the Bridegroom Cometh, or The Ten Virgins, c.1880 (pencil on paper)

Richmond, William Blake (1842-1921)

Twilight, shore of Bocca d'Arno, c.1890 (oil on panel)
Twilight, shore of Bocca d'Arno, c.1890 (oil on panel)

PNH468015: Twilight, shore of Bocca d'Arno, c.1890 (oil on panel), Richmond, William Blake (1842-1921) / Bridgeman Images

ID: PNH468015

Twilight, shore of Bocca d'Arno, c.1890 (oil on panel)

Richmond, William Blake (1842-1921)

The Labourer, 1912 (oil on canvas)
The Labourer, 1912 (oil on canvas)

PNH468025: The Labourer, 1912 (oil on canvas), Ridley, Edward (1883-1946) / Bridgeman Images

ID: PNH468025

The Labourer, 1912 (oil on canvas)

Ridley, Edward (1883-1946)

Vaslav Nijinsky in 'L'Apres-midi d'un Faune', c.1912 (bronze on a green marble base) (see 353207)
Vaslav Nijinsky in 'L'Apres-midi d'un Faune', c.1912 (bronze on a green marble base) (see 353207)

PNH468030: Vaslav Nijinsky in 'L'Apres-midi d'un Faune', c.1912 (bronze on a green marble base) (see 353207), Guiraud-Riviere, Maurice (1881-1947) / Bridgeman Images

ID: PNH468030

Vaslav Nijinsky in 'L'Apres-midi d'un Faune', c.1912 (bronze on a green marble base) (see 353207)

Guiraud-Riviere, Maurice (1881-1947)

Red Head, 1940 (oil on canvas)
Red Head, 1940 (oil on canvas)

PNH468046: Red Head, 1940 (oil on canvas), Rockwell, Norman (1894-1978) / Bridgeman Images

ID: PNH468046

Red Head, 1940 (oil on canvas)

Rockwell, Norman (1894-1978)

A Lych Gate, 1881 (w/c & gouache on paper)
A Lych Gate, 1881 (w/c & gouache on paper)

PNH468048: A Lych Gate, 1881 (w/c & gouache on paper), Rooke, Thomas Matthews (1842-1942) / Bridgeman Images

ID: PNH468048

A Lych Gate, 1881 (w/c & gouache on paper)

Rooke, Thomas Matthews (1842-1942)

Astarte Syriaca (Venus Astarte) 1875 (coloured chalks on paper)
Astarte Syriaca (Venus Astarte) 1875 (coloured chalks on paper)

PNH468053: Astarte Syriaca (Venus Astarte) 1875 (coloured chalks on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: PNH468053

Astarte Syriaca (Venus Astarte) 1875 (coloured chalks on paper)

Rossetti, Dante Gabriel Charles (1828-82)

Study for 'La Donna della Finestra', 1880 (coloured chalks on two sheets of buff paper)
Study for 'La Donna della Finestra', 1880 (coloured chalks on two sheets of buff paper)

PNH468063: Study for 'La Donna della Finestra', 1880 (coloured chalks on two sheets of buff paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: PNH468063

Study for 'La Donna della Finestra', 1880 (coloured chalks on two sheets of buff paper)

Rossetti, Dante Gabriel Charles (1828-82)


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