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Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.
Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

FLO4593602: Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815. / Bridgeman Images

ID: FLO4593602

Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

Ancient musical instruments and masks. A Greek barbiton or harp (1), a mask of Hercules furens of Euripides (2), a mask of Thai from Terence's play of the Eunochs (3), lyre player from volume 4, plate 42 of the Herculaneum paintings (4) and lyres from Sir William Hamilton's collection (5,6). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient musical instruments and masks. A Greek barbiton or harp (1), a mask of Hercules furens of Euripides (2), a mask of Thai from Terence's play of the Eunochs (3), lyre player from volume 4, plate 42 of the Herculaneum paintings (4) and lyres from Sir William Hamilton's collection (5,6). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593644: Ancient musical instruments and masks. A Greek barbiton or harp (1), a mask of Hercules furens of Euripides (2), a mask of Thai from Terence's play of the Eunochs (3), lyre player from volume 4, plate 42 of the Herculaneum paintings (4) and lyres from Sir William Hamilton's collection (5,6). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593644

Ancient musical instruments and masks. A Greek barbiton or harp (1), a mask of Hercules furens of Euripides (2), a mask of Thai from Terence's play of the Eunochs (3), lyre player from volume 4, plate 42 of the Herculaneum paintings (4) and lyres from Sir William Hamilton's collection (5,6). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Ramsden's circle, a five-foot high vertical circle finished in 1789 by the English scientific instrument maker Jesse Ramsden. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ramsden's circle, a five-foot high vertical circle finished in 1789 by the English scientific instrument maker Jesse Ramsden. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593669: Ramsden's circle, a five-foot high vertical circle finished in 1789 by the English scientific instrument maker Jesse Ramsden. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593669

Ramsden's circle, a five-foot high vertical circle finished in 1789 by the English scientific instrument maker Jesse Ramsden. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Testudo or lyre of Amphion (1,2), lyre held by Terpsichore (3), psaltery (4), triangular harp or Trigonium (5), Abyssinian testudo (6), Etruscan 6-string lyre (7), lyre (8), Egyptian systrum (9) and richly ornamented lyre. Copperplate engraving by John Lee after an illustration by Strange from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Testudo or lyre of Amphion (1,2), lyre held by Terpsichore (3), psaltery (4), triangular harp or Trigonium (5), Abyssinian testudo (6), Etruscan 6-string lyre (7), lyre (8), Egyptian systrum (9) and richly ornamented lyre. Copperplate engraving by John Lee after an illustration by Strange from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593743: Testudo or lyre of Amphion (1,2), lyre held by Terpsichore (3), psaltery (4), triangular harp or Trigonium (5), Abyssinian testudo (6), Etruscan 6-string lyre (7), lyre (8), Egyptian systrum (9) and richly ornamented lyre. Copperplate engraving by John Lee after an illustration by Strange from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593743

Testudo or lyre of Amphion (1,2), lyre held by Terpsichore (3), psaltery (4), triangular harp or Trigonium (5), Abyssinian testudo (6), Etruscan 6-string lyre (7), lyre (8), Egyptian systrum (9) and richly ornamented lyre. Copperplate engraving by John Lee after an illustration by Strange from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Optical micrometers including Dr. Nevil Maskelyn's, Mr. Edward Troughton's and Dr. William Herschel's lamp micrometer. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Optical micrometers including Dr. Nevil Maskelyn's, Mr. Edward Troughton's and Dr. William Herschel's lamp micrometer. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593778: Optical micrometers including Dr. Nevil Maskelyn's, Mr. Edward Troughton's and Dr. William Herschel's lamp micrometer. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593778

Optical micrometers including Dr. Nevil Maskelyn's, Mr. Edward Troughton's and Dr. William Herschel's lamp micrometer. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Indian musical instruments (drums, horns and cymbals) from an original painting (1), and the Been or rudra vina, as described by Sir William Jones in Asiatic Researches. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Indian musical instruments (drums, horns and cymbals) from an original painting (1), and the Been or rudra vina, as described by Sir William Jones in Asiatic Researches. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593826: Indian musical instruments (drums, horns and cymbals) from an original painting (1), and the Been or rudra vina, as described by Sir William Jones in Asiatic Researches. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593826

Indian musical instruments (drums, horns and cymbals) from an original painting (1), and the Been or rudra vina, as described by Sir William Jones in Asiatic Researches. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Plans and sections through canal bridge, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Plans and sections through canal bridge, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591830: Plans and sections through canal bridge, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

ID: FLO4591830

Plans and sections through canal bridge, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

Elevations of a throstle spinning frame, used for drawing, twisting, and winding yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Elevations of a throstle spinning frame, used for drawing, twisting, and winding yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592013: Elevations of a throstle spinning frame, used for drawing, twisting, and winding yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592013

Elevations of a throstle spinning frame, used for drawing, twisting, and winding yarn in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Calico printing machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by William Thomson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Calico printing machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by William Thomson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592061: Calico printing machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by William Thomson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592061

Calico printing machine used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by William Thomson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Mars, Venus and idle love. 1st century (fresco)
Mars, Venus and idle love. 1st century (fresco)

LRI4592293: Mars, Venus and idle love. 1st century (fresco), Roman, (1st century AD) / Bridgeman Images

ID: LRI4592293

Mars, Venus and idle love. 1st century (fresco)

Roman, (1st century AD)

Internal view of the cave of Boboli. Detail. 1583-1588
Internal view of the cave of Boboli. Detail. 1583-1588

LRI4594043: Internal view of the cave of Boboli. Detail. 1583-1588, Buontalenti, Bernardo (1536-1608) / Bridgeman Images

ID: LRI4594043

Internal view of the cave of Boboli. Detail. 1583-1588

Buontalenti, Bernardo (1536-1608)

Josef de Mendoza y Rios's refinement to the reflecting circle, an astronomical instrument, 1801. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Josef de Mendoza y Rios's refinement to the reflecting circle, an astronomical instrument, 1801. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594139: Josef de Mendoza y Rios's refinement to the reflecting circle, an astronomical instrument, 1801. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594139

Josef de Mendoza y Rios's refinement to the reflecting circle, an astronomical instrument, 1801. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Eros persuades Helene to love Paris. 1st century. (fresco)
Eros persuades Helene to love Paris. 1st century. (fresco)

LRI4592444: Eros persuades Helene to love Paris. 1st century. (fresco), Roman, (1st century AD) / Bridgeman Images

ID: LRI4592444

Eros persuades Helene to love Paris. 1st century. (fresco)

Roman, (1st century AD)

Samnite warriors. 4th century BC (Tomb painting)
Samnite warriors. 4th century BC (Tomb painting)

LRI4592517: Samnite warriors. 4th century BC (Tomb painting), Roman, (4th century BC) / Bridgeman Images

ID: LRI4592517

Samnite warriors. 4th century BC (Tomb painting)

Roman, (4th century BC)

The Alcee of China has manihot leaves. Hibiscus manihot, Abelmoschus manihot. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Alcee of China has manihot leaves. Hibiscus manihot, Abelmoschus manihot. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596815: The Alcee of China has manihot leaves. Hibiscus manihot, Abelmoschus manihot. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596815

The Alcee of China has manihot leaves. Hibiscus manihot, Abelmoschus manihot. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

View of the palestra, 5th century BC-1st century AD
View of the palestra, 5th century BC-1st century AD

LRI4595945: View of the palestra, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4595945

View of the palestra, 5th century BC-1st century AD

Roman

Grindstone of the Pistrinum (bakery), 5th century BC-1st century AD
Grindstone of the Pistrinum (bakery), 5th century BC-1st century AD

LRI4595967: Grindstone of the Pistrinum (bakery), 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4595967

Grindstone of the Pistrinum (bakery), 5th century BC-1st century AD

Roman

Lute, 1609
Lute, 1609

LRI4597067: Lute, 1609, Tieffenbrucker, Magnus (Dieffopruchar) (16th-17th century) / Bridgeman Images

ID: LRI4597067

Lute, 1609

Tieffenbrucker, Magnus (Dieffopruchar) (16th-17th century)

Trojan War: Helene's abduction. Ceramic plate produced in Urbino, Italy. 1550 around Florence, Museo Nazionale del Bargello - Trojan War: Helen's abduction. Ceramic plate from Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy
Trojan War: Helene's abduction. Ceramic plate produced in Urbino, Italy. 1550 around Florence, Museo Nazionale del Bargello - Trojan War: Helen's abduction. Ceramic plate from Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy

LRI4597252: Trojan War: Helene's abduction. Ceramic plate produced in Urbino, Italy. 1550 around Florence, Museo Nazionale del Bargello - Trojan War: Helen's abduction. Ceramic plate from Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy, Italian School, (16th century) / Bridgeman Images

ID: LRI4597252

Trojan War: Helene's abduction. Ceramic plate produced in Urbino, Italy. 1550 around Florence, Museo Nazionale del Bargello - Trojan War: Helen's abduction. Ceramic plate from Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy

Italian School, (16th century)

Yellow Jasmine from China. Yellow jasmine, humile jasminum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Yellow Jasmine from China. Yellow jasmine, humile jasminum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596256: Yellow Jasmine from China. Yellow jasmine, humile jasminum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596256

Yellow Jasmine from China. Yellow jasmine, humile jasminum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

La Pompadour. Carolina spicebush, Calycanthus floridus, with cabbage white butterfly, Pieris rapae. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
La Pompadour. Carolina spicebush, Calycanthus floridus, with cabbage white butterfly, Pieris rapae. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596182: La Pompadour. Carolina spicebush, Calycanthus floridus, with cabbage white butterfly, Pieris rapae. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596182

La Pompadour. Carolina spicebush, Calycanthus floridus, with cabbage white butterfly, Pieris rapae. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The great white lily. Madonna lily, Lilium candidum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The great white lily. Madonna lily, Lilium candidum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596207: The great white lily. Madonna lily, Lilium candidum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596207

The great white lily. Madonna lily, Lilium candidum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Apollo 11: Artist View - Apollo program - Artist vie
Apollo 11: Artist View - Apollo program - Artist vie

PIX4596402: Apollo 11: Artist View - Apollo program - Artist vie, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4596402

Apollo 11: Artist View - Apollo program - Artist vie

Dixon, Don (b.1951)

The Tricolor. Edible amaranth, Amaranthus tricolor. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Tricolor. Edible amaranth, Amaranthus tricolor. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596459: The Tricolor. Edible amaranth, Amaranthus tricolor. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596459

The Tricolor. Edible amaranth, Amaranthus tricolor. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Lavatere has red flowers. Rose mallow, Lavatera or Malva species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Lavatere has red flowers. Rose mallow, Lavatera or Malva species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596565: The Lavatere has red flowers. Rose mallow, Lavatera or Malva species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596565

The Lavatere has red flowers. Rose mallow, Lavatera or Malva species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Mufle de Lyon. Snapdragon, Antirrhinum majus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Mufle de Lyon. Snapdragon, Antirrhinum majus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596586: The Mufle de Lyon. Snapdragon, Antirrhinum majus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596586

The Mufle de Lyon. Snapdragon, Antirrhinum majus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Lion-tailed macaque or wanderoo, Macaca silenus. Endandered. Ouanderou. Copperplate engraving by Defehrt after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.
Lion-tailed macaque or wanderoo, Macaca silenus. Endandered. Ouanderou. Copperplate engraving by Defehrt after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

FLO4597445: Lion-tailed macaque or wanderoo, Macaca silenus. Endandered. Ouanderou. Copperplate engraving by Defehrt after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766. / Bridgeman Images

ID: FLO4597445

Lion-tailed macaque or wanderoo, Macaca silenus. Endandered. Ouanderou. Copperplate engraving by Defehrt after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

Mona monkey, Cercopithecus mona. Copperplate engraving by Chevillet after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.
Mona monkey, Cercopithecus mona. Copperplate engraving by Chevillet after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

FLO4597524: Mona monkey, Cercopithecus mona. Copperplate engraving by Chevillet after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766. / Bridgeman Images

ID: FLO4597524

Mona monkey, Cercopithecus mona. Copperplate engraving by Chevillet after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

Carrie Hope Fletcher (Veronica Sawyer) and Dominic Anderson (Ram Sweeny) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)
Carrie Hope Fletcher (Veronica Sawyer) and Dominic Anderson (Ram Sweeny) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

KNT4597789: Carrie Hope Fletcher (Veronica Sawyer) and Dominic Anderson (Ram Sweeny) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597789

Carrie Hope Fletcher (Veronica Sawyer) and Dominic Anderson (Ram Sweeny) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

Kenton, Tristam

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)
Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

KNT4597838: Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597838

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

Kenton, Tristam

Alberto Pretto and Jack Furlong Jr in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)
Alberto Pretto and Jack Furlong Jr in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

KNT4597842: Alberto Pretto and Jack Furlong Jr in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597842

Alberto Pretto and Jack Furlong Jr in La Trovatiara Pas De Cinq by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristam

Alasdair Harvey (Peter Kroger), Macy Nyman (Julie Jackson), Finty Williams (Barbara Jackson) and Chris Larkin (Bob Jackson) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)
Alasdair Harvey (Peter Kroger), Macy Nyman (Julie Jackson), Finty Williams (Barbara Jackson) and Chris Larkin (Bob Jackson) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)

KNT4597890: Alasdair Harvey (Peter Kroger), Macy Nyman (Julie Jackson), Finty Williams (Barbara Jackson) and Chris Larkin (Bob Jackson) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo), Kenton, Tristam / Bridgeman Images

ID: KNT4597890

Alasdair Harvey (Peter Kroger), Macy Nyman (Julie Jackson), Finty Williams (Barbara Jackson) and Chris Larkin (Bob Jackson) in Pack Of Lies by Hugh Whitemore at Menier Chocolate Factory, 2018 (photo)

Kenton, Tristam

The Grandclas has red flowers. Lily, Lilium species. Named for Claude Francois Grandclas, Doctor Regent of the Faculty of Medicine in Paris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Grandclas has red flowers. Lily, Lilium species. Named for Claude Francois Grandclas, Doctor Regent of the Faculty of Medicine in Paris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596829: The Grandclas has red flowers. Lily, Lilium species. Named for Claude Francois Grandclas, Doctor Regent of the Faculty of Medicine in Paris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596829

The Grandclas has red flowers. Lily, Lilium species. Named for Claude Francois Grandclas, Doctor Regent of the Faculty of Medicine in Paris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The pear tree of China. Chinese pear tree in blossom, Pyrus pyrifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The pear tree of China. Chinese pear tree in blossom, Pyrus pyrifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596878: The pear tree of China. Chinese pear tree in blossom, Pyrus pyrifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596878

The pear tree of China. Chinese pear tree in blossom, Pyrus pyrifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Pecher of China. Peach blossom, Prunus persica. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Pecher of China. Peach blossom, Prunus persica. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596901: The Pecher of China. Peach blossom, Prunus persica. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596901

The Pecher of China. Peach blossom, Prunus persica. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Woman music playing the harp (Allegory of Music). (Painting, 17th century)
Woman music playing the harp (Allegory of Music). (Painting, 17th century)

LRI4596919: Woman music playing the harp (Allegory of Music). (Painting, 17th century), Lanfranco, Giovanni (1582-1647) / Bridgeman Images

ID: LRI4596919

Woman music playing the harp (Allegory of Music). (Painting, 17th century)

Lanfranco, Giovanni (1582-1647)


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