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Ms 2327 f.81v Two alembics and their receivers, copy of a late 3rd or early 4th century treatise on alchemy by Zosimos of Panoplis (vellum)
Ms 2327 f.81v Two alembics and their receivers, copy of a late 3rd or early 4th century treatise on alchemy by Zosimos of Panoplis (vellum)

CHT206276: Ms 2327 f.81v Two alembics and their receivers, copy of a late 3rd or early 4th century treatise on alchemy by Zosimos of Panoplis (vellum), Greek School, (16th century) / Bridgeman Images

The Flood, 1516 (oil on canvas)
The Flood, 1516 (oil on canvas)

XIR158844: The Flood, 1516 (oil on canvas), Baldung Grien, Hans (1484/5-1545) / Bridgeman Images

La blanchisseuse, 1886-87 (oil on canvas)
La blanchisseuse, 1886-87 (oil on canvas)

CH3729483: La blanchisseuse, 1886-87 (oil on canvas), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785 (oil on canvas)
Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785 (oil on canvas)

XOS3468987: Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond, 1785 (oil on canvas), Labille-Guiard, Adelaide (c.1749-1803) / Bridgeman Images

The Clipper Ship 'Anglesey' (print)
The Clipper Ship 'Anglesey' (print)

BAL9374: The Clipper Ship 'Anglesey' (print), Anonymous / Bridgeman Images

Trade Emblem of the Amalgamated Society of Engineers, Machinists, Millwrights, Smiths and Pattern Makers, engraved by George Greatbach, 1852 (coloured engraving)
Trade Emblem of the Amalgamated Society of Engineers, Machinists, Millwrights, Smiths and Pattern Makers, engraved by George Greatbach, 1852 (coloured engraving)

BAL5877: Trade Emblem of the Amalgamated Society of Engineers, Machinists, Millwrights, Smiths and Pattern Makers, engraved by George Greatbach, 1852 (coloured engraving), Sharples, James (1825-93) / Bridgeman Images

Portrait of the French writer Pierre Choderlos de Laclos, 18th century (pastel)
Portrait of the French writer Pierre Choderlos de Laclos, 18th century (pastel)

JLJ4576945: Portrait of the French writer Pierre Choderlos de Laclos, 18th century (pastel), Kucharski, Alexandre (1741-1819) / Bridgeman Images

In the Mirror, 1890 (colour litho)
In the Mirror, 1890 (colour litho)

CHT188877: In the Mirror, 1890 (colour litho), Toulmouche, Auguste (1829-90) / Bridgeman Images

City walls (photo)
City walls (photo)

BAL196559: City walls (photo), Assyrian, (7th century BC) / Bridgeman Images

Masonic Initiation Ceremony of a lady Freemason, early 19th century (w/c on paper)
Masonic Initiation Ceremony of a lady Freemason, early 19th century (w/c on paper)

CHT195223: Masonic Initiation Ceremony of a lady Freemason, early 19th century (w/c on paper), French School, (19th century) / Bridgeman Images

Statue of the Great Goddess, from Tell Asmar, 2800-2300 BC (limestone) (detail of 195515)
Statue of the Great Goddess, from Tell Asmar, 2800-2300 BC (limestone) (detail of 195515)

XIR195516: Statue of the Great Goddess, from Tell Asmar, 2800-2300 BC (limestone) (detail of 195515), Sumerian / Bridgeman Images

Reconstruction of St. Peter's Basilica and the Piazza from the Plans by Donato Bramante (1444-1514) (w/c on paper)
Reconstruction of St. Peter's Basilica and the Piazza from the Plans by Donato Bramante (1444-1514) (w/c on paper)

LRS204927: Reconstruction of St. Peter's Basilica and the Piazza from the Plans by Donato Bramante (1444-1514) (w/c on paper), French School, (20th century) / Bridgeman Images

Evolution: Comparison of morphologies from the monkey to the present man (different hominides). End engraving of the 19th century.
Evolution: Comparison of morphologies from the monkey to the present man (different hominides). End engraving of the 19th century.

LSE4406607: Evolution: Comparison of morphologies from the monkey to the present man (different hominides). End engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Hieroglyphic column from the Temple of Amun (stone)
Hieroglyphic column from the Temple of Amun (stone)

STF194463: Hieroglyphic column from the Temple of Amun (stone), Egyptian 12th Dynasty (1991-1786 BC) / Bridgeman Images

St. Bridget of Sweden (c.1302-73) illustration from a book on famous women of Sweden, 1900 (colour litho)
St. Bridget of Sweden (c.1302-73) illustration from a book on famous women of Sweden, 1900 (colour litho)

CHT183730: St. Bridget of Sweden (c.1302-73) illustration from a book on famous women of Sweden, 1900 (colour litho), Larsson, Carl (1853-1919) / Bridgeman Images

Portrait of Claudine Alexandrine Guerin de Tencin (1682-1749) (oil on canvas)
Portrait of Claudine Alexandrine Guerin de Tencin (1682-1749) (oil on canvas)

XIR191413: Portrait of Claudine Alexandrine Guerin de Tencin (1682-1749) (oil on canvas), French School, (18th century) / Bridgeman Images

Horseradish, plate 415 from 'A Curious Herbal', published 1782 (colour engraving)
Horseradish, plate 415 from 'A Curious Herbal', published 1782 (colour engraving)

STC206879: Horseradish, plate 415 from 'A Curious Herbal', published 1782 (colour engraving), Blackwell, Elizabeth (1707-1758) / Bridgeman Images

Napoleon Bonaparte (1769-1821) First Consul at Malmaison, from 'Livre du Sacre', 1804 (watercolour on paper)
Napoleon Bonaparte (1769-1821) First Consul at Malmaison, from 'Livre du Sacre', 1804 (watercolour on paper)

XIR210455: Napoleon Bonaparte (1769-1821) First Consul at Malmaison, from 'Livre du Sacre', 1804 (watercolour on paper), Isabey, Jean-Baptiste (1767-1855) / Bridgeman Images

Cod (Gadus Morhua) plate LXIV from 'Ichthyologie, ou histoire naturelle generale et particuliere des poissons', by Marcus Elieser Bloch (1723-99), published c.1785-99 (coloured engraving)
Cod (Gadus Morhua) plate LXIV from 'Ichthyologie, ou histoire naturelle generale et particuliere des poissons', by Marcus Elieser Bloch (1723-99), published c.1785-99 (coloured engraving)

STC192747: Cod (Gadus Morhua) plate LXIV from 'Ichthyologie, ou histoire naturelle generale et particuliere des poissons', by Marcus Elieser Bloch (1723-99), published c.1785-99 (coloured engraving), Kruger, Andreas-Ludwig (1743-1805) / Bridgeman Images

John Dickinson (oil on canvas)
John Dickinson (oil on canvas)

AKM201841: John Dickinson (oil on canvas), Peale, Charles Willson (1741-1827) / Bridgeman Images

Seal of King John (1167-1216) 1200
Seal of King John (1167-1216) 1200

XIR208629: Seal of King John (1167-1216) 1200, English School, (13th century) / Bridgeman Images

Canning of Sardines, Sardine Industry, Finistère, Brittany (b/w photo)
Canning of Sardines, Sardine Industry, Finistère, Brittany (b/w photo)

PCT4290251: Canning of Sardines, Sardine Industry, Finistère, Brittany (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808-1883) Emir Algerian
Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808-1883) Emir Algerian

GIA4716241: Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808-1883) Emir Algerian, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pierre Loti, c.1891 (oil on canvas)
Portrait of Pierre Loti, c.1891 (oil on canvas)

JLJ4580635: Portrait of Pierre Loti, c.1891 (oil on canvas), Rousseau, Henri J.F. (Le Douanier) (1844-1910) / Bridgeman Images

Napoleon I Bonaparte (1769-1821) studying at the Royal Military School of Brienne, 1910 (artwork)
Napoleon I Bonaparte (1769-1821) studying at the Royal Military School of Brienne, 1910 (artwork)

JLJ4617872: Napoleon I Bonaparte (1769-1821) studying at the Royal Military School of Brienne, 1910 (artwork), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

Japanese art: a carp, 19th century (poster)
Japanese art: a carp, 19th century (poster)

JLJ4582977: Japanese art: a carp, 19th century (poster), Hokusai, Katsushika (1760-1849) / Bridgeman Images

Mount Fuji, from Momoyo-gusa (The World of Things) Vol I, pub.1909 (colour block woodcut)
Mount Fuji, from Momoyo-gusa (The World of Things) Vol I, pub.1909 (colour block woodcut)

STC3506741: Mount Fuji, from Momoyo-gusa (The World of Things) Vol I, pub.1909 (colour block woodcut), Sekka, Kamisaka (1866-1942) / Bridgeman Images

The Olive Orchard, 1889 (oil on canvas)
The Olive Orchard, 1889 (oil on canvas)

XOS3428122: The Olive Orchard, 1889 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

John II 'The Good' (1319-64) King of France, Franc a Cheval, 1350-64 (obverse) (gold) (for reverse see 168068)
John II 'The Good' (1319-64) King of France, Franc a Cheval, 1350-64 (obverse) (gold) (for reverse see 168068)

FIT168067: John II 'The Good' (1319-64) King of France, Franc a Cheval, 1350-64 (obverse) (gold) (for reverse see 168068), French School, (14th century) / Bridgeman Images

Two Young Girls, c.1911 (pencil and watercolour on paper)
Two Young Girls, c.1911 (pencil and watercolour on paper)

XKH155157: Two Young Girls, c.1911 (pencil and watercolour on paper), Muller or Mueller, Otto (1874-1930) / Bridgeman Images

Portrait of Elizabeth Petrovna (1709-62) Empress of Russia, c.1768 (oil on canvas)
Portrait of Elizabeth Petrovna (1709-62) Empress of Russia, c.1768 (oil on canvas)

XIR162387: Portrait of Elizabeth Petrovna (1709-62) Empress of Russia, c.1768 (oil on canvas), Buchholz, Heinrich (d.c.1800) / Bridgeman Images

Archbishop Augouard (1852-1921) leaving with an other Brother for an excursion, 1912, from 'Monseigneur Augouard' published in Paris in 1924 (b/w photo)
Archbishop Augouard (1852-1921) leaving with an other Brother for an excursion, 1912, from 'Monseigneur Augouard' published in Paris in 1924 (b/w photo)

CHT163556: Archbishop Augouard (1852-1921) leaving with an other Brother for an excursion, 1912, from 'Monseigneur Augouard' published in Paris in 1924 (b/w photo), French Photographer, (20th century) / Bridgeman Images

Frontispiece of the 'Discours de la Methode' followed by 'La Dioptrique, Les Meteores et La Geometrie' by Rene Descartes (1596-1650), first published in Leiden in 1637 (engraving) (b/w photo)
Frontispiece of the 'Discours de la Methode' followed by 'La Dioptrique, Les Meteores et La Geometrie' by Rene Descartes (1596-1650), first published in Leiden in 1637 (engraving) (b/w photo)

CHT163644: Frontispiece of the 'Discours de la Methode' followed by 'La Dioptrique, Les Meteores et La Geometrie' by Rene Descartes (1596-1650), first published in Leiden in 1637 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

The Venus of Arles (marble) (see also 31855)
The Venus of Arles (marble) (see also 31855)

XIR154098: The Venus of Arles (marble) (see also 31855), Greek / Bridgeman Images

Ex Voto dedicated to St. Catherine of Siena (1347-80) (oil on panel)
Ex Voto dedicated to St. Catherine of Siena (1347-80) (oil on panel)

XIR159243: Ex Voto dedicated to St. Catherine of Siena (1347-80) (oil on panel), Luini, Bernardino (c.1480-1532) / Bridgeman Images

Oudenaarde - A Cavalry Skirmish (oil on panel)
Oudenaarde - A Cavalry Skirmish (oil on panel)

PFA124478: Oudenaarde - A Cavalry Skirmish (oil on panel), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images


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