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Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671317: Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671317

Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Seathorn hawk-moth, Hyles hippophaes, dusky hawkmoth, Hyles vespertilio, and spurge hawkmoth, Hyles euphorbiae. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Seathorn hawk-moth, Hyles hippophaes, dusky hawkmoth, Hyles vespertilio, and spurge hawkmoth, Hyles euphorbiae. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671011: Seathorn hawk-moth, Hyles hippophaes, dusky hawkmoth, Hyles vespertilio, and spurge hawkmoth, Hyles euphorbiae. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671011

Seathorn hawk-moth, Hyles hippophaes, dusky hawkmoth, Hyles vespertilio, and spurge hawkmoth, Hyles euphorbiae. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Blind ringlet, Erebia pharte, almond-eyed ringlet, Erebia alberganus, Piedmont ringlet, Erebia meolans, and sooty ringlet, Erebia pluto. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Blind ringlet, Erebia pharte, almond-eyed ringlet, Erebia alberganus, Piedmont ringlet, Erebia meolans, and sooty ringlet, Erebia pluto. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671048: Blind ringlet, Erebia pharte, almond-eyed ringlet, Erebia alberganus, Piedmont ringlet, Erebia meolans, and sooty ringlet, Erebia pluto. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671048

Blind ringlet, Erebia pharte, almond-eyed ringlet, Erebia alberganus, Piedmont ringlet, Erebia meolans, and sooty ringlet, Erebia pluto. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671181: Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671181

Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671033: Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671033

Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Lime hawkmoth, Mimas tiliae, eyed hawkmoth, Smerinthus ocellatus, and poplar hawkmoth, Laothoe populi. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Lime hawkmoth, Mimas tiliae, eyed hawkmoth, Smerinthus ocellatus, and poplar hawkmoth, Laothoe populi. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671098: Lime hawkmoth, Mimas tiliae, eyed hawkmoth, Smerinthus ocellatus, and poplar hawkmoth, Laothoe populi. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671098

Lime hawkmoth, Mimas tiliae, eyed hawkmoth, Smerinthus ocellatus, and poplar hawkmoth, Laothoe populi. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.
Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.

FLO4671139: Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors. / Bridgeman Images

ID: FLO4671139

Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.

Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.
Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.

FLO4671146: Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies. / Bridgeman Images

ID: FLO4671146

Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.

Variete of Aucuba Luteocarpa, with pale gold-coloured berry cluster.
Variete of Aucuba Luteocarpa, with pale gold-coloured berry cluster.

FLO4671160: Variete of Aucuba Luteocarpa, with pale gold-coloured berry cluster. / Bridgeman Images

ID: FLO4671160

Variete of Aucuba Luteocarpa, with pale gold-coloured berry cluster.

Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671612: Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671612

Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671577: Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671577

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671643: Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671643

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671194: Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671194

Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671964: Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671964

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671972: Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671972

Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671987: Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671987

Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672013: Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672013

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672014: Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672014

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672060: King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672060

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672143

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672172: Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672172

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672192: Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672192

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672216: Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672216

Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672260: Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672260

Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Female genitals. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Female genitals. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672869: Female genitals. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672869

Female genitals. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Male sexual organs: penis, testicles and scrotum. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Male sexual organs: penis, testicles and scrotum. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672873: Male sexual organs: penis, testicles and scrotum. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672873

Male sexual organs: penis, testicles and scrotum. Lithograph of Giraud, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672920: The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672920

The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672922: Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672922

Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672925: Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672925

Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672977: Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672977

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673028: Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673028

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673055: Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673055

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The group called
The group called

JLJ4673097: The group called "Tetrarchs", 300-315 (porphyry), Byzantine, (4th century) / Bridgeman Images

ID: JLJ4673097

The group called "Tetrarchs", 300-315 (porphyry)

Byzantine, (4th century)

Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673122: Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673122

Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673214: Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673214

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673223: Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673223

Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)


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