Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

5777238 Search Results

Kipling illustration to 'How the Alphabet was Made' (pen & ink on paper)
Kipling illustration to 'How the Alphabet was Made' (pen & ink on paper)

BL5862998: Kipling illustration to 'How the Alphabet was Made' (pen & ink on paper), Kipling, Joseph Rudyard (1865-1936) / Bridgeman Images

Kipling illustration to 'How the Alphabet was Made' - S & O (pen & ink on paper)
Kipling illustration to 'How the Alphabet was Made' - S & O (pen & ink on paper)

BL5862999: Kipling illustration to 'How the Alphabet was Made' - S & O (pen & ink on paper), Kipling, Joseph Rudyard (1865-1936) / Bridgeman Images

Sea of Dreams, 2018 (oil, acrylic, paper, card, cotton)
Sea of Dreams, 2018 (oil, acrylic, paper, card, cotton)

AIW5863048: Sea of Dreams, 2018 (oil, acrylic, paper, card, cotton), Florez, Hazel / Bridgeman Images

Add. 10546, f.41r Half uncial minuscule, Leviticus, from the Grandval Bible, c.830-840 (vellum)
Add. 10546, f.41r Half uncial minuscule, Leviticus, from the Grandval Bible, c.830-840 (vellum)

BL5863056: Add. 10546, f.41r Half uncial minuscule, Leviticus, from the Grandval Bible, c.830-840 (vellum), English School, (9th century) / Bridgeman Images

Arundel 292, f.114v Inscription 'C.X' , the pressmark of Norwich cathedral library, amidst miscellaneous inscriptions and pen-trials (vellum)
Arundel 292, f.114v Inscription 'C.X' , the pressmark of Norwich cathedral library, amidst miscellaneous inscriptions and pen-trials (vellum)

BL5863059: Arundel 292, f.114v Inscription 'C.X' , the pressmark of Norwich cathedral library, amidst miscellaneous inscriptions and pen-trials (vellum), English School, (13th century) / Bridgeman Images

Moth Crab, 2018 (pen, pencil, oil, paper and card)
Moth Crab, 2018 (pen, pencil, oil, paper and card)

AIW5863062: Moth Crab, 2018 (pen, pencil, oil, paper and card), Florez, Hazel / Bridgeman Images

Maid of the Sea, 2018  (oil, pen, pencil, paper and card)
Maid of the Sea, 2018  (oil, pen, pencil, paper and card)

AIW5863068: Maid of the Sea, 2018 (oil, pen, pencil, paper and card), Florez, Hazel / Bridgeman Images

Harley 2904, f.201v (detail) from the Ramsey Psalter (vellum)
Harley 2904, f.201v (detail) from the Ramsey Psalter (vellum)

BL5863085: Harley 2904, f.201v (detail) from the Ramsey Psalter (vellum), English School, (10th century) / Bridgeman Images

Royal 19 C.VIII f.7r, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum)
Royal 19 C.VIII f.7r, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum)

BL5863091: Royal 19 C.VIII f.7r, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum), Master of the Dresden Prayer Books (fl.c.1460-1520) / Bridgeman Images

Royal 19 C.VIII f.43v, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum)
Royal 19 C.VIII f.43v, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum)

BL5863092: Royal 19 C.VIII f.43v, text from Imaginacion de Vraye Noblesse, 1496-97 (vellum), Master of the Dresden Prayer Books (fl.c.1460-1520) / Bridgeman Images

Sleep, 2018 (mixed media, art photography)
Sleep, 2018 (mixed media, art photography)

AIW5863114: Sleep, 2018 (mixed media, art photography), Florez, Hazel / Bridgeman Images

Dream Creatures, 2018 (pen, pencil, oil, paper and card)
Dream Creatures, 2018 (pen, pencil, oil, paper and card)

AIW5863117: Dream Creatures, 2018 (pen, pencil, oil, paper and card), Florez, Hazel / Bridgeman Images

Lane in summer close up 1 (acrylic on board)
Lane in summer close up 1 (acrylic on board)

PPO5863206: Lane in summer close up 1 (acrylic on board), Powis, Paul / Bridgeman Images

Lane in summer close up 2 (acrylic on board)
Lane in summer close up 2 (acrylic on board)

PPO5863207: Lane in summer close up 2 (acrylic on board), Powis, Paul / Bridgeman Images

Lane II (acrylic on board)
Lane II (acrylic on board)

PPO5863213: Lane II (acrylic on board), Powis, Paul / Bridgeman Images

IO Islamic 887, f.14r, Image of the sanctuary at Mecca showing signs of touching, from a sixteenth-century copy of the Futuh al-Haramayn (vellum)
IO Islamic 887, f.14r, Image of the sanctuary at Mecca showing signs of touching, from a sixteenth-century copy of the Futuh al-Haramayn (vellum)

BL5863237: IO Islamic 887, f.14r, Image of the sanctuary at Mecca showing signs of touching, from a sixteenth-century copy of the Futuh al-Haramayn (vellum), Islamic School, (16th century) / Bridgeman Images

Elephant Ear, 2019 (w/c on arches)
Elephant Ear, 2019 (w/c on arches)

GDE5863242: Elephant Ear, 2019 (w/c on arches), Dean, Graham (b.1951) / Bridgeman Images

THE BROWNING VERSION, Jean Kent, 1951 (b/w photo)
THE BROWNING VERSION, Jean Kent, 1951 (b/w photo)

EVT5863253: THE BROWNING VERSION, Jean Kent, 1951 (b/w photo) / Bridgeman Images

Black Jack by Julien Duvivier, 1950
Black Jack by Julien Duvivier, 1950

EVT5863257: Black Jack by Julien Duvivier, 1950 / Bridgeman Images

Caravan by Arthur Crabtree, 1946
Caravan by Arthur Crabtree, 1946

EVT5863263: Caravan by Arthur Crabtree, 1946 / Bridgeman Images

Caravan by Arthur Crabtree, 1946
Caravan by Arthur Crabtree, 1946

EVT5863267: Caravan by Arthur Crabtree, 1946 / Bridgeman Images

Circle of Danger by Jacques Tourneur, 1951
Circle of Danger by Jacques Tourneur, 1951

EVT5863275: Circle of Danger by Jacques Tourneur, 1951 / Bridgeman Images

TROTTIE TRUE, (aka THE GAY LADY), Jean Kent, 1949 (b/w photo)
TROTTIE TRUE, (aka THE GAY LADY), Jean Kent, 1949 (b/w photo)

EVT5863277: TROTTIE TRUE, (aka THE GAY LADY), Jean Kent, 1949 (b/w photo) / Bridgeman Images

JASSY, from left, Patricia Roc, Dermot Walsh, 1947 (b/w photo)
JASSY, from left, Patricia Roc, Dermot Walsh, 1947 (b/w photo)

EVT5863286: JASSY, from left, Patricia Roc, Dermot Walsh, 1947 (b/w photo) / Bridgeman Images

The Magic Bow by Bernard Knowles, 1946
The Magic Bow by Bernard Knowles, 1946

EVT5863300: The Magic Bow by Bernard Knowles, 1946 / Bridgeman Images

The Man Within by Bernard Knowles, 1947
The Man Within by Bernard Knowles, 1947

EVT5863312: The Man Within by Bernard Knowles, 1947 / Bridgeman Images

THE PERFECT WOMAN, from left, Stanley Holloway, Patricia Roc, Nigel Patrick, 1949 (b/w photo)
THE PERFECT WOMAN, from left, Stanley Holloway, Patricia Roc, Nigel Patrick, 1949 (b/w photo)

EVT5863314: THE PERFECT WOMAN, from left, Stanley Holloway, Patricia Roc, Nigel Patrick, 1949 (b/w photo) / Bridgeman Images

The Perfect Woman by Bernard Knowles, 1949
The Perfect Woman by Bernard Knowles, 1949

EVT5863315: The Perfect Woman by Bernard Knowles, 1949 / Bridgeman Images

The Rake's Progress by Sidney Gilliat, 1945
The Rake's Progress by Sidney Gilliat, 1945

EVT5863322: The Rake's Progress by Sidney Gilliat, 1945 / Bridgeman Images

SO WELL REMEMBERED, from left, Patricia Roc, John Mills, 1947 (b/w photo)
SO WELL REMEMBERED, from left, Patricia Roc, John Mills, 1947 (b/w photo)

EVT5863331: SO WELL REMEMBERED, from left, Patricia Roc, John Mills, 1947 (b/w photo) / Bridgeman Images

SO WELL REMEMBERED, Patricia Roc, 1947 (b/w photo)
SO WELL REMEMBERED, Patricia Roc, 1947 (b/w photo)

EVT5863332: SO WELL REMEMBERED, Patricia Roc, 1947 (b/w photo) / Bridgeman Images

The Wicked Lady by Leslie Arliss, 1945
The Wicked Lady by Leslie Arliss, 1945

EVT5863350: The Wicked Lady by Leslie Arliss, 1945 / Bridgeman Images

The Woman in Question by Anthony Asquith, 1950
The Woman in Question by Anthony Asquith, 1950

EVT5863356: The Woman in Question by Anthony Asquith, 1950 / Bridgeman Images

The Woman in Question by Anthony Asquith, 1950
The Woman in Question by Anthony Asquith, 1950

EVT5863357: The Woman in Question by Anthony Asquith, 1950 / Bridgeman Images

THE WOMAN IN QUESTION, (aka FIVE ANGLES ON MURDER), Jean Kent, 1950 (b/w photo)
THE WOMAN IN QUESTION, (aka FIVE ANGLES ON MURDER), Jean Kent, 1950 (b/w photo)

EVT5863360: THE WOMAN IN QUESTION, (aka FIVE ANGLES ON MURDER), Jean Kent, 1950 (b/w photo) / Bridgeman Images

Millions Like Us by Sidney Gilliat, 1943
Millions Like Us by Sidney Gilliat, 1943

EVT5863365: Millions Like Us by Sidney Gilliat, 1943 / Bridgeman Images


Back to top