NCM95473:
Portrait of Sir Edward Coke (1552-1634) 1587 (oil on panel), English School, (16th century) / Bridgeman Images
ID: NCM95473
Portrait of Sir Edward Coke (1552-1634) 1587 (oil on panel)
English School, (16th century)
SRM96265:
Torso, Transformation to a New Shape, 1928-32 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images
ID: SRM96265
Torso, Transformation to a New Shape, 1928-32 (oil on canvas)
Malevich, Kazimir Severinovich (1878-1935)
STC88734:
Fountain and Square of St. Sophia, Istanbul, engraved by T. Higham, c.1850 (aquatint), Bartlett, William Henry (1809-54) (after) / Bridgeman Images
ID: STC88734
Fountain and Square of St. Sophia, Istanbul, engraved by T. Higham, c.1850 (aquatint)
Bartlett, William Henry (1809-54) (after)
TRI99025:
The Royal Institution of Great Britain, Albemarle Street, c.1838 (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images
ID: TRI99025
The Royal Institution of Great Britain, Albemarle Street, c.1838 (w/c on paper)
Shepherd, Thomas Hosmer (1792-1864)
MNY94362:
Naval Parade, held in honor of commander George Dewey (1837-1917) 1898 (oil on canvas), Pansing, Fred (1844-1912) / Bridgeman Images
ID: MNY94362
Naval Parade, held in honor of commander George Dewey (1837-1917) 1898 (oil on canvas)
Pansing, Fred (1844-1912)
RGS33831:
Victoria Falls with Stampeding Buffalo, Baines, Thomas (1820-75) / Bridgeman Images
ID: RGS33831
Victoria Falls with Stampeding Buffalo
Baines, Thomas (1820-75)
XIR39440:
The Gallery of Cardinal Silvio Valenti-Gonzaga in Rome, 1749 (oil on canvas), Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images
ID: XIR39440
The Gallery of Cardinal Silvio Valenti-Gonzaga in Rome, 1749 (oil on canvas)
Pannini or Panini, Giovanni Paolo (1691/2-1765)
XIR33177:
The Tuileries (study) 1875 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images
ID: XIR33177
The Tuileries (study) 1875 (oil on canvas)
Monet, Claude (1840-1926)
XIR17686:
The Medici Cycle: The Birth of Marie de Medici (1573-1647) 26th April 1573, 1621-25 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images
ID: XIR17686
The Medici Cycle: The Birth of Marie de Medici (1573-1647) 26th April 1573, 1621-25 (oil on canvas)
Rubens, Peter Paul (1577-1640)
FER95997:
A Game of Patience (Miss Margaret Austin-Jones) 1937 (oil on canvas), Frampton, Meredith (1894-1984) / Bridgeman Images
ID: FER95997
A Game of Patience (Miss Margaret Austin-Jones) 1937 (oil on canvas)
Frampton, Meredith (1894-1984)
STC138827:
Reproduction of a poster advertising 'Violin Lessons', Rue Denfert-Rochereau, Paris, 1898 (colour litho), Berthon, Paul (1872-1909) / Bridgeman Images
ID: STC138827
Reproduction of a poster advertising 'Violin Lessons', Rue Denfert-Rochereau, Paris, 1898 (colour litho)
Berthon, Paul (1872-1909)
XKH141333:
Moonrise on the Sea (Sunset across the Sea) (sepia ink and pencil on paper), Friedrich, Caspar David (1774-1840) / Bridgeman Images
ID: XKH141333
Moonrise on the Sea (Sunset across the Sea) (sepia ink and pencil on paper)
Friedrich, Caspar David (1774-1840)
KWE102327:
A Wagon Train Heading West in the 1860s (engraving), Pannemaker, Stephane (1847-1930) / Bridgeman Images
ID: KWE102327
A Wagon Train Heading West in the 1860s (engraving)
Pannemaker, Stephane (1847-1930)
XIR105390:
The Names of the Jury of Life and Death, 1649 (engraving) (b&w photo), English School, (17th century) / Bridgeman Images
ID: XIR105390
The Names of the Jury of Life and Death, 1649 (engraving) (b&w photo)
English School, (17th century)
XJF105422:
Not So Very Unreasonable, Eh?', cartoon from Punch Magazine, 1848 (engraving), English School, (19th century) / Bridgeman Images
ID: XJF105422
Not So Very Unreasonable, Eh?', cartoon from Punch Magazine, 1848 (engraving)
English School, (19th century)
XYC118544:
L'Enfant du Regiment (The Random Shot) 1855 (oil on paper laid down on board), Millais, John Everett (1829-96) / Bridgeman Images
ID: XYC118544
L'Enfant du Regiment (The Random Shot) 1855 (oil on paper laid down on board)
Millais, John Everett (1829-96)
NP125912:
Narcissus gouani (double daffodil), engraved by Bessin, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images
ID: NP125912
Narcissus gouani (double daffodil), engraved by Bessin, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)
Redoute, Pierre Joseph (1759-1840) (after)
AGR127720:
Kazimierz Pulawski (1747-79) at the Battle of Czestochowa, December 1770, 1883 (w/c on cardboard), Kossak, Juliusz Fortunat (1824-99) / Bridgeman Images
ID: AGR127720
Kazimierz Pulawski (1747-79) at the Battle of Czestochowa, December 1770, 1883 (w/c on cardboard)
Kossak, Juliusz Fortunat (1824-99)
LMG123002:
The Return of Ulysses, 1840/53 (oil on canvas), Armitage, Edward (1817-96) / Bridgeman Images
ID: LMG123002
The Return of Ulysses, 1840/53 (oil on canvas)
Armitage, Edward (1817-96)
MMP123510:
Pigeons, 1888 (oil on canvas), Ruiz Blasco, Jose (1841-1913) / Bridgeman Images
ID: MMP123510
Pigeons, 1888 (oil on canvas)
Ruiz Blasco, Jose (1841-1913)
BAL124557:
Representation of the Capture of the City of Washington by the British forces, August 24th 1814, from 'The Stationer's Almanack', pub. by I. Ryland, 1815 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images
ID: BAL124557
Representation of the Capture of the City of Washington by the British forces, August 24th 1814, from 'The Stationer's Almanack', pub. by I. Ryland, 1815 (engraving) (b&w photo)
American School, (19th century)
XIR126393:
Edward VI (1537-53) (oil on panel), Scrots, Guillaume (fl.1537-53) (attr. to) / Bridgeman Images
STC134504:
Plan, Section and Elevation of Florence Cathedral, from 'Fragments d'Architecture du Moyen Age et de la Renaissance', engraved by Jules Adolphe Chauvet (b.1828) (litho), Duquesne, Eugene (fl. 19th century) (after) / Bridgeman Images
ID: STC134504
Plan, Section and Elevation of Florence Cathedral, from 'Fragments d'Architecture du Moyen Age et de la Renaissance', engraved by Jules Adolphe Chauvet (b.1828) (litho)
Duquesne, Eugene (fl. 19th century) (after)
GHL132867:
Granville Sharp Esquire (1735-1813) engraved by Charles Turner (1773-1857) 1806 (engraving), Abbott, Lemuel Francis (c.1760-1803) (after) / Bridgeman Images
ID: GHL132867
Granville Sharp Esquire (1735-1813) engraved by Charles Turner (1773-1857) 1806 (engraving)
Abbott, Lemuel Francis (c.1760-1803) (after)
VFS109719:
Nameless and Friendless, 1857 (oil on canvas), Osborn, Emily Mary (1834-93) / Bridgeman Images
ID: VFS109719
Nameless and Friendless, 1857 (oil on canvas)
Osborn, Emily Mary (1834-93)
LMG109180:
Woodcock, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images
ID: LMG109180
Woodcock, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper)
Turner, Joseph Mallord William (1775-1851)
XIR108505:
Madonna and Child with SS. Stephen, Jerome and Maurice (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images
ID: XIR108505
Madonna and Child with SS. Stephen, Jerome and Maurice (oil on canvas)
Titian (Tiziano Vecellio) (c.1488-1576)
LMG112931:
Stonehenge, 1872 (oil on canvas), Inchbold, John William (1830-88) / Bridgeman Images
ID: LMG112931
Stonehenge, 1872 (oil on canvas)
Inchbold, John William (1830-88)
XJF107414:
Louis Pasteur (1822-95) (b&w photo), French Photographer, (19th century) / Bridgeman Images