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2492217 Search Results

Path at the entrance of the forest, c.1879 (oil and pencil on canvas)
Path at the entrance of the forest, c.1879 (oil and pencil on canvas)

CH987391: Path at the entrance of the forest, c.1879 (oil and pencil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: CH987391

Path at the entrance of the forest, c.1879 (oil and pencil on canvas)

Cezanne, Paul (1839-1906)

With the red triangle hits the whites! , propaganda poster, 1920 (poster)
With the red triangle hits the whites! , propaganda poster, 1920 (poster)

GIA4694432: With the red triangle hits the whites! , propaganda poster, 1920 (poster), Lissitzky, (El) Eliezer Markowich (1890-1941) / Bridgeman Images

ID: GIA4694432

With the red triangle hits the whites! , propaganda poster, 1920 (poster)

Lissitzky, (El) Eliezer Markowich (1890-1941)

The Cabbage Field, 1914 (oil on canvas)
The Cabbage Field, 1914 (oil on canvas)

CH984949: The Cabbage Field, 1914 (oil on canvas), Curran, Charles Courtney (1861-1942) / Bridgeman Images

ID: CH984949

The Cabbage Field, 1914 (oil on canvas)

Curran, Charles Courtney (1861-1942)

Rose, Anemone and Clematis, engraved by Victor, from 'Choix des Plus Belles Fleurs et des Plus Beaux Fruits', 1827-33 (coloured engraving)
Rose, Anemone and Clematis, engraved by Victor, from 'Choix des Plus Belles Fleurs et des Plus Beaux Fruits', 1827-33 (coloured engraving)

BMT945304: Rose, Anemone and Clematis, engraved by Victor, from 'Choix des Plus Belles Fleurs et des Plus Beaux Fruits', 1827-33 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: BMT945304

Rose, Anemone and Clematis, engraved by Victor, from 'Choix des Plus Belles Fleurs et des Plus Beaux Fruits', 1827-33 (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

William Morris Wallpaper Sample with Chrysanthemum, 1877 (colour woodblock print)
William Morris Wallpaper Sample with Chrysanthemum, 1877 (colour woodblock print)

GRC1126501: William Morris Wallpaper Sample with Chrysanthemum, 1877 (colour woodblock print), Morris, William (1834-96) / Bridgeman Images

ID: GRC1126501

William Morris Wallpaper Sample with Chrysanthemum, 1877 (colour woodblock print)

Morris, William (1834-96)

Portrait of Gabrielle Emilie le Tonnelier de Breteuil, Marquise du Chatelet (oil on canvas)
Portrait of Gabrielle Emilie le Tonnelier de Breteuil, Marquise du Chatelet (oil on canvas)

CH1076374: Portrait of Gabrielle Emilie le Tonnelier de Breteuil, Marquise du Chatelet (oil on canvas), Largilliere, Nicolas de (1656-1746) / Bridgeman Images

ID: CH1076374

Portrait of Gabrielle Emilie le Tonnelier de Breteuil, Marquise du Chatelet (oil on canvas)

Largilliere, Nicolas de (1656-1746)

Many fall in battle and King Harold is killed, Bayeux Tapestry (wool embroidery on linen)
Many fall in battle and King Harold is killed, Bayeux Tapestry (wool embroidery on linen)

XCF451816: Many fall in battle and King Harold is killed, Bayeux Tapestry (wool embroidery on linen), Unknown Artist, (11th century) / Bridgeman Images

ID: XCF451816

Many fall in battle and King Harold is killed, Bayeux Tapestry (wool embroidery on linen)

Unknown Artist, (11th century)

Members of the Nabis group sitting in the garden of the Relais, the Natansons' home in Villeneuve sur Yonne (b/w photo)
Members of the Nabis group sitting in the garden of the Relais, the Natansons' home in Villeneuve sur Yonne (b/w photo)

CHT475995: Members of the Nabis group sitting in the garden of the Relais, the Natansons' home in Villeneuve sur Yonne (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: CHT475995

Members of the Nabis group sitting in the garden of the Relais, the Natansons' home in Villeneuve sur Yonne (b/w photo)

French Photographer, (19th century)

The Bridge at Argenteuil and the Seine, c.1883 (oil on canvas)
The Bridge at Argenteuil and the Seine, c.1883 (oil on canvas)

CH482758: The Bridge at Argenteuil and the Seine, c.1883 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: CH482758

The Bridge at Argenteuil and the Seine, c.1883 (oil on canvas)

Caillebotte, Gustave (1848-94)

Rainy Evening on Hennepin Avenue, c.1902 (oil on canvas)
Rainy Evening on Hennepin Avenue, c.1902 (oil on canvas)

MNS487894: Rainy Evening on Hennepin Avenue, c.1902 (oil on canvas), Koehler, Robert (1850-1917) / Bridgeman Images

ID: MNS487894

Rainy Evening on Hennepin Avenue, c.1902 (oil on canvas)

Koehler, Robert (1850-1917)

'Hudson River' - Logging, 1892 (watercolour over graphite on white wove watercolour paper)
'Hudson River' - Logging, 1892 (watercolour over graphite on white wove watercolour paper)

XOS466552: 'Hudson River' - Logging, 1892 (watercolour over graphite on white wove watercolour paper), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XOS466552

'Hudson River' - Logging, 1892 (watercolour over graphite on white wove watercolour paper)

Homer, Winslow (1836-1910)

Portrait of Marc Chagall, c.1910 (oil on canvas)
Portrait of Marc Chagall, c.1910 (oil on canvas)

XAB356483: Portrait of Marc Chagall, c.1910 (oil on canvas), Pen, Yuri Moiseyevich (1854-1937) / Bridgeman Images

ID: XAB356483

Portrait of Marc Chagall, c.1910 (oil on canvas)

Pen, Yuri Moiseyevich (1854-1937)

Ducks on a riverbank (oil on canvas)
Ducks on a riverbank (oil on canvas)

XPG359489: Ducks on a riverbank (oil on canvas), Artz, David Adolph Constant (1837-90) / Bridgeman Images

ID: XPG359489

Ducks on a riverbank (oil on canvas)

Artz, David Adolph Constant (1837-90)

Sappho, 1903 (oil on canvas)
Sappho, 1903 (oil on canvas)

PNH353122: Sappho, 1903 (oil on canvas), Godward, John William (1861-1922) / Bridgeman Images

ID: PNH353122

Sappho, 1903 (oil on canvas)

Godward, John William (1861-1922)

Boys bathing in the park, Clapham 1926 (sepia photo)
Boys bathing in the park, Clapham 1926 (sepia photo)

STC347631: Boys bathing in the park, Clapham 1926 (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC347631

Boys bathing in the park, Clapham 1926 (sepia photo)

English Photographer, (20th century)

The Kilmainham Brooch, from Kilmainham, County Dublin, 8th-9th century (silver & gold)
The Kilmainham Brooch, from Kilmainham, County Dublin, 8th-9th century (silver & gold)

XBP341841: The Kilmainham Brooch, from Kilmainham, County Dublin, 8th-9th century (silver & gold), Celtic / Bridgeman Images

ID: XBP341841

The Kilmainham Brooch, from Kilmainham, County Dublin, 8th-9th century (silver & gold)

Celtic

Theodor Fontane, 1896 (charcoal on paper)
Theodor Fontane, 1896 (charcoal on paper)

XPH324141: Theodor Fontane, 1896 (charcoal on paper), Liebermann, Max (1847-1935) / Bridgeman Images

ID: XPH324141

Theodor Fontane, 1896 (charcoal on paper)

Liebermann, Max (1847-1935)

Cavour makes the first Italian national parliament applaud King Victor Emmanuel II (1820-78) on the 18th February 1861, illustration from an album on the history of Risorgimento made for the chocolate Talmone, late 19th century (chromolitho)
Cavour makes the first Italian national parliament applaud King Victor Emmanuel II (1820-78) on the 18th February 1861, illustration from an album on the history of Risorgimento made for the chocolate Talmone, late 19th century (chromolitho)

REV287629: Cavour makes the first Italian national parliament applaud King Victor Emmanuel II (1820-78) on the 18th February 1861, illustration from an album on the history of Risorgimento made for the chocolate Talmone, late 19th century (chromolitho), Italian School, (19th century) / Bridgeman Images

ID: REV287629

Cavour makes the first Italian national parliament applaud King Victor Emmanuel II (1820-78) on the 18th February 1861, illustration from an album on the history of Risorgimento made for the chocolate Talmone, late 19th century (chromolitho)

Italian School, (19th century)

Compass Rose, from a Blaue Atlas, published in Amsterdam, 1697 (coloured engraving)
Compass Rose, from a Blaue Atlas, published in Amsterdam, 1697 (coloured engraving)

CHT341991: Compass Rose, from a Blaue Atlas, published in Amsterdam, 1697 (coloured engraving), Dutch School, (17th century) / Bridgeman Images

ID: CHT341991

Compass Rose, from a Blaue Atlas, published in Amsterdam, 1697 (coloured engraving)

Dutch School, (17th century)

Lepidoptera, Pl.XLI, illustration from, 'Recueil d'observation de zoologie et d'anatomie comparee, Deuxieme Partie, by Al. v. Humboldt et A. Bonplant, Paris, 1821 (colour engraving)
Lepidoptera, Pl.XLI, illustration from, 'Recueil d'observation de zoologie et d'anatomie comparee, Deuxieme Partie, by Al. v. Humboldt et A. Bonplant, Paris, 1821 (colour engraving)

HMB306125: Lepidoptera, Pl.XLI, illustration from, 'Recueil d'observation de zoologie et d'anatomie comparee, Deuxieme Partie, by Al. v. Humboldt et A. Bonplant, Paris, 1821 (colour engraving), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

ID: HMB306125

Lepidoptera, Pl.XLI, illustration from, 'Recueil d'observation de zoologie et d'anatomie comparee, Deuxieme Partie, by Al. v. Humboldt et A. Bonplant, Paris, 1821 (colour engraving)

Humboldt, Friedrich Alexander, Baron von (1769-1859) (after)

Portrait of the philosopher and esotericist Rudolf Steiner (b/w photo)
Portrait of the philosopher and esotericist Rudolf Steiner (b/w photo)

XBH366668: Portrait of the philosopher and esotericist Rudolf Steiner (b/w photo), Russian Photographer / Bridgeman Images

ID: XBH366668

Portrait of the philosopher and esotericist Rudolf Steiner (b/w photo)

Russian Photographer

Female Nude Kneeling and Bending Forward to the Left, 1918 (w/c & black crayon on paper)
Female Nude Kneeling and Bending Forward to the Left, 1918 (w/c & black crayon on paper)

CH376779: Female Nude Kneeling and Bending Forward to the Left, 1918 (w/c & black crayon on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: CH376779

Female Nude Kneeling and Bending Forward to the Left, 1918 (w/c & black crayon on paper)

Schiele, Egon (1890-1918)

Advertisement for Hutchinson tyres, c.1937 (lithograph)
Advertisement for Hutchinson tyres, c.1937 (lithograph)

SIT398530: Advertisement for Hutchinson tyres, c.1937 (lithograph), Liebeaux, Michel, called Mich (1881-1923) (after) / Bridgeman Images

ID: SIT398530

Advertisement for Hutchinson tyres, c.1937 (lithograph)

Liebeaux, Michel, called Mich (1881-1923) (after)

Sarah Siddons as the Tragic Muse, 1783-84 (oil on canvas)
Sarah Siddons as the Tragic Muse, 1783-84 (oil on canvas)

HEH416331: Sarah Siddons as the Tragic Muse, 1783-84 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

ID: HEH416331

Sarah Siddons as the Tragic Muse, 1783-84 (oil on canvas)

Reynolds, Joshua (1723-92)

The Last Judgement, west portal tympanum (photo)
The Last Judgement, west portal tympanum (photo)

PWI98087: The Last Judgement, west portal tympanum (photo), French School, (12th century) / Bridgeman Images

ID: PWI98087

The Last Judgement, west portal tympanum (photo)

French School, (12th century)

Mrs Thrale and her Daughter Hester (Queeney) 1777-78 (oil on canvas)
Mrs Thrale and her Daughter Hester (Queeney) 1777-78 (oil on canvas)

XZL148181: Mrs Thrale and her Daughter Hester (Queeney) 1777-78 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images

ID: XZL148181

Mrs Thrale and her Daughter Hester (Queeney) 1777-78 (oil on canvas)

Reynolds, Joshua (1723-92)

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas)
Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas)

XZL148125: Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas), Meulen, Adam Frans van der (1632-90) / Bridgeman Images

ID: XZL148125

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas)

Meulen, Adam Frans van der (1632-90)

Trissotin Reading his Sonnet, from 'Les Femmes Savantes' by Moliere (1622-73) 1846 (oil on canvas)
Trissotin Reading his Sonnet, from 'Les Femmes Savantes' by Moliere (1622-73) 1846 (oil on canvas)

XZL148185: Trissotin Reading his Sonnet, from 'Les Femmes Savantes' by Moliere (1622-73) 1846 (oil on canvas), Leslie, Charles Robert (1794-1859) / Bridgeman Images

ID: XZL148185

Trissotin Reading his Sonnet, from 'Les Femmes Savantes' by Moliere (1622-73) 1846 (oil on canvas)

Leslie, Charles Robert (1794-1859)

Tiger and Snake, 1858 (oil on paper mounted on panel)
Tiger and Snake, 1858 (oil on paper mounted on panel)

XKH144525: Tiger and Snake, 1858 (oil on paper mounted on panel), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XKH144525

Tiger and Snake, 1858 (oil on paper mounted on panel)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Navaho woman carrying a papoose on her back, c.1914 (b/w photo)
Navaho woman carrying a papoose on her back, c.1914 (b/w photo)

BAL144988: Navaho woman carrying a papoose on her back, c.1914 (b/w photo), Carpenter, William J. (b.1861) / Bridgeman Images

ID: BAL144988

Navaho woman carrying a papoose on her back, c.1914 (b/w photo)

Carpenter, William J. (b.1861)

Battle of Alesia, Gallic Wars, 52 BC (engraving)
Battle of Alesia, Gallic Wars, 52 BC (engraving)

XRH1732558: Battle of Alesia, Gallic Wars, 52 BC (engraving), French School, (19th century) / Bridgeman Images

ID: XRH1732558

Battle of Alesia, Gallic Wars, 52 BC (engraving)

French School, (19th century)

First Steps, after Millet, 1890 (oil on canvas)
First Steps, after Millet, 1890 (oil on canvas)

XOS3613962: First Steps, after Millet, 1890 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: XOS3613962

First Steps, after Millet, 1890 (oil on canvas)

Gogh, Vincent van (1853-90)

The Port au Ble and the Pont Notre-Dame, 1782 (w/c on paper)
The Port au Ble and the Pont Notre-Dame, 1782 (w/c on paper)

XIR171525: The Port au Ble and the Pont Notre-Dame, 1782 (w/c on paper), Lespinasse, Louis-Nicolas de (1734-1808) / Bridgeman Images

ID: XIR171525

The Port au Ble and the Pont Notre-Dame, 1782 (w/c on paper)

Lespinasse, Louis-Nicolas de (1734-1808)

Francois I (1497-1547) (oil on panel)
Francois I (1497-1547) (oil on panel)

XIR171546: Francois I (1497-1547) (oil on panel), Cleve, Joos van (c.1485-1541) (attr. to) / Bridgeman Images

ID: XIR171546

Francois I (1497-1547) (oil on panel)

Cleve, Joos van (c.1485-1541) (attr. to)

Self Portrait, c.1845-46 (charcoal and pencil on paper)
Self Portrait, c.1845-46 (charcoal and pencil on paper)

XIR169301: Self Portrait, c.1845-46 (charcoal and pencil on paper), Millet, Jean-Francois (1814-75) / Bridgeman Images

ID: XIR169301

Self Portrait, c.1845-46 (charcoal and pencil on paper)

Millet, Jean-Francois (1814-75)

The Reception of the Ambassadors of the Thirteen Swiss Cantons by Louis XIV (1638-1715) at the Louvre, 11th November 1663, 1664 (oil on canvas)
The Reception of the Ambassadors of the Thirteen Swiss Cantons by Louis XIV (1638-1715) at the Louvre, 11th November 1663, 1664 (oil on canvas)

XIR176706: The Reception of the Ambassadors of the Thirteen Swiss Cantons by Louis XIV (1638-1715) at the Louvre, 11th November 1663, 1664 (oil on canvas), Meulen, Adam Frans van der (1632-90) / Bridgeman Images

ID: XIR176706

The Reception of the Ambassadors of the Thirteen Swiss Cantons by Louis XIV (1638-1715) at the Louvre, 11th November 1663, 1664 (oil on canvas)

Meulen, Adam Frans van der (1632-90)


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