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2496451 Search Results

Coast View with the Abduction of Europa, c.1645 (oil on canvas)
Coast View with the Abduction of Europa, c.1645 (oil on canvas)

XOS3545806: Coast View with the Abduction of Europa, c.1645 (oil on canvas), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

ID: XOS3545806

Coast View with the Abduction of Europa, c.1645 (oil on canvas)

Claude Lorrain (Claude Gellee) (1600-82)

Virgin and Child with St. John the Baptist and Mary Magdalene, 1535-40 (oil on paper, laid on panel)
Virgin and Child with St. John the Baptist and Mary Magdalene, 1535-40 (oil on paper, laid on panel)

XOS3545812: Virgin and Child with St. John the Baptist and Mary Magdalene, 1535-40 (oil on paper, laid on panel), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

ID: XOS3545812

Virgin and Child with St. John the Baptist and Mary Magdalene, 1535-40 (oil on paper, laid on panel)

Parmigianino (Francesco Mazzola) (1503-40)

View of Canton in China, c. 1662-3 (oil on canvas)
View of Canton in China, c. 1662-3 (oil on canvas)

XOS3545854: View of Canton in China, c. 1662-3 (oil on canvas), Vinckeboons, Johannes (1576-1632) (attr. to) / Bridgeman Images

ID: XOS3545854

View of Canton in China, c. 1662-3 (oil on canvas)

Vinckeboons, Johannes (1576-1632) (attr. to)

Portrait of a man, possibly Pieter Gerritsz Bicker, 1529 (oil on panel)
Portrait of a man, possibly Pieter Gerritsz Bicker, 1529 (oil on panel)

XOS3545880: Portrait of a man, possibly Pieter Gerritsz Bicker, 1529 (oil on panel), Heemskerck, Maerten van (1498-1574) / Bridgeman Images

ID: XOS3545880

Portrait of a man, possibly Pieter Gerritsz Bicker, 1529 (oil on panel)

Heemskerck, Maerten van (1498-1574)

The toilet of the giant: work of the workers in charge of repainting the Eiffel Tower in Paris, 1924 (print)
The toilet of the giant: work of the workers in charge of repainting the Eiffel Tower in Paris, 1924 (print)

XEE4185426: The toilet of the giant: work of the workers in charge of repainting the Eiffel Tower in Paris, 1924 (print), Anonymous / Bridgeman Images

ID: XEE4185426

The toilet of the giant: work of the workers in charge of repainting the Eiffel Tower in Paris, 1924 (print)

Anonymous

A moving journey: Laporte, pilot of the “Le Cyclone” ball, was hit at the Grand Prix de l'aero club de France by the rope guide during the landing, 1924 (print)
A moving journey: Laporte, pilot of the “Le Cyclone” ball, was hit at the Grand Prix de l'aero club de France by the rope guide during the landing, 1924 (print)

XEE4185444: A moving journey: Laporte, pilot of the “Le Cyclone” ball, was hit at the Grand Prix de l'aero club de France by the rope guide during the landing, 1924 (print), Anonymous / Bridgeman Images

ID: XEE4185444

A moving journey: Laporte, pilot of the “Le Cyclone” ball, was hit at the Grand Prix de l'aero club de France by the rope guide during the landing, 1924 (print)

Anonymous

Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.
Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.

XEE4145651: Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145651

Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.

French School, (19th century)

First World War 1914-1918 (14-18): “The Nightmare of Germania”. Allegory of Germany frightened by the advance of the allies (France, England and Belgium). Engraving in “” Le Petit Journal””, on 25/04/1915.
First World War 1914-1918 (14-18): “The Nightmare of Germania”. Allegory of Germany frightened by the advance of the allies (France, England and Belgium). Engraving in “” Le Petit Journal””, on 25/04/1915.

XEE4186534: First World War 1914-1918 (14-18): “The Nightmare of Germania”. Allegory of Germany frightened by the advance of the allies (France, England and Belgium). Engraving in “” Le Petit Journal””, on 25/04/1915., Anonymous / Bridgeman Images

ID: XEE4186534

First World War 1914-1918 (14-18): “The Nightmare of Germania”. Allegory of Germany frightened by the advance of the allies (France, England and Belgium). Engraving in “” Le Petit Journal””, on 25/04/1915.

Anonymous

First World War 1914-1918 : Portrait of Peter I of Serbia, king of Serbia, 1915.
First World War 1914-1918 : Portrait of Peter I of Serbia, king of Serbia, 1915.

XEE4186656: First World War 1914-1918 : Portrait of Peter I of Serbia, king of Serbia, 1915., Anonymous / Bridgeman Images

ID: XEE4186656

First World War 1914-1918 : Portrait of Peter I of Serbia, king of Serbia, 1915.

Anonymous

Sliders in Norway to navigate on the ice. , on 5/02/1922.
Sliders in Norway to navigate on the ice. , on 5/02/1922.

XEE4186772: Sliders in Norway to navigate on the ice. , on 5/02/1922., Anonymous / Bridgeman Images

ID: XEE4186772

Sliders in Norway to navigate on the ice. , on 5/02/1922.

Anonymous

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du doigt medium et de l'annulaire gauche - Engraving In “” La Science francaise”, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the middle finger and the left ring finger - Engraving from “” La Science francaise””””
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du doigt medium et de l'annulaire gauche - Engraving In “” La Science francaise”, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the middle finger and the left ring finger - Engraving from “” La Science francaise””””

XEE4145813: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du doigt medium et de l'annulaire gauche - Engraving In “” La Science francaise”, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the middle finger and the left ring finger - Engraving from “” La Science francaise””””, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145813

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure du doigt medium et de l'annulaire gauche - Engraving In “” La Science francaise”, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the middle finger and the left ring finger - Engraving from “” La Science francaise””””

Unknown Artist, (19th century)

Portrait of Jules Louis Philippe Coignet (1798-1860), French painter. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860.
Portrait of Jules Louis Philippe Coignet (1798-1860), French painter. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860.

XEE4145818: Portrait of Jules Louis Philippe Coignet (1798-1860), French painter. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145818

Portrait of Jules Louis Philippe Coignet (1798-1860), French painter. Engraving in “” Le Monde Illustré”” n°158 of 21 April 1860.

French School, (19th century)

Ball of the Legion of Honour at the Opera, 1922 (illustration)
Ball of the Legion of Honour at the Opera, 1922 (illustration)

XEE4186962: Ball of the Legion of Honour at the Opera, 1922 (illustration) / Bridgeman Images

ID: XEE4186962

Ball of the Legion of Honour at the Opera, 1922 (illustration)

South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865
South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865

XEE4145868: South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145868

South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865

Unknown Artist, (19th century)

Reception of Charles XV, King of Sweden, at the castle of Saint Cloud by Napoleon III August 8, 1861 (engraving)
Reception of Charles XV, King of Sweden, at the castle of Saint Cloud by Napoleon III August 8, 1861 (engraving)

XEE4145922: Reception of Charles XV, King of Sweden, at the castle of Saint Cloud by Napoleon III August 8, 1861 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145922

Reception of Charles XV, King of Sweden, at the castle of Saint Cloud by Napoleon III August 8, 1861 (engraving)

Unknown Artist, (19th century)

The Royal Carrousel, given in 1662, in front of the Palais des Tuileries in Paris under Louis XIV known as Le Roi-Soleil, 1904 (chromo)
The Royal Carrousel, given in 1662, in front of the Palais des Tuileries in Paris under Louis XIV known as Le Roi-Soleil, 1904 (chromo)

XEE4187262: The Royal Carrousel, given in 1662, in front of the Palais des Tuileries in Paris under Louis XIV known as Le Roi-Soleil, 1904 (chromo), Leloir, Maurice (1853-1940) / Bridgeman Images

ID: XEE4187262

The Royal Carrousel, given in 1662, in front of the Palais des Tuileries in Paris under Louis XIV known as Le Roi-Soleil, 1904 (chromo)

Leloir, Maurice (1853-1940)

Portrait of a Woman, c. 1635 (oil on canvas)
Portrait of a Woman, c. 1635 (oil on canvas)

XOS3545920: Portrait of a Woman, c. 1635 (oil on canvas), Hals, Frans (1582/3-1666) / Bridgeman Images

ID: XOS3545920

Portrait of a Woman, c. 1635 (oil on canvas)

Hals, Frans (1582/3-1666)

Reflection in Blue, 1887 (oil on canvas)
Reflection in Blue, 1887 (oil on canvas)

XOS3588392: Reflection in Blue, 1887 (oil on canvas), Bonnier, Eva (1857-1909) / Bridgeman Images

ID: XOS3588392

Reflection in Blue, 1887 (oil on canvas)

Bonnier, Eva (1857-1909)

Fruit dish on a Garden Chair, c.1890 (oil on canvas)
Fruit dish on a Garden Chair, c.1890 (oil on canvas)

XOS3588464: Fruit dish on a Garden Chair, c.1890 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XOS3588464

Fruit dish on a Garden Chair, c.1890 (oil on canvas)

Gauguin, Paul (1848-1903)

Cornfield, 1660 (oil on canvas)
Cornfield, 1660 (oil on canvas)

XOS3588556: Cornfield, 1660 (oil on canvas), Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82) / Bridgeman Images

ID: XOS3588556

Cornfield, 1660 (oil on canvas)

Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82)

Illustration for 'Peter Schlemihl' by Adalbert von Chamisso, 1915 (colour woodcut)
Illustration for 'Peter Schlemihl' by Adalbert von Chamisso, 1915 (colour woodcut)

XOS3597128: Illustration for 'Peter Schlemihl' by Adalbert von Chamisso, 1915 (colour woodcut), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: XOS3597128

Illustration for 'Peter Schlemihl' by Adalbert von Chamisso, 1915 (colour woodcut)

Kirchner, Ernst Ludwig (1880-1938)

Floods in Spain: King Alfonso XIII visits the sinister suburbs of Seville, on 25/02/1912.
Floods in Spain: King Alfonso XIII visits the sinister suburbs of Seville, on 25/02/1912.

XEE4187490: Floods in Spain: King Alfonso XIII visits the sinister suburbs of Seville, on 25/02/1912., Anonymous / Bridgeman Images

ID: XEE4187490

Floods in Spain: King Alfonso XIII visits the sinister suburbs of Seville, on 25/02/1912.

Anonymous

They also have some in America: four bandits gun weapons take forty people in a restaurant in New York, United States, on 28/04/1912.
They also have some in America: four bandits gun weapons take forty people in a restaurant in New York, United States, on 28/04/1912.

XEE4187549: They also have some in America: four bandits gun weapons take forty people in a restaurant in New York, United States, on 28/04/1912., Anonymous / Bridgeman Images

ID: XEE4187549

They also have some in America: four bandits gun weapons take forty people in a restaurant in New York, United States, on 28/04/1912.

Anonymous

At the scene of the disaster, the last prayers for the victims of the Titanic, 1912 (print)
At the scene of the disaster, the last prayers for the victims of the Titanic, 1912 (print)

XEE4187566: At the scene of the disaster, the last prayers for the victims of the Titanic, 1912 (print), Anonymous / Bridgeman Images

ID: XEE4187566

At the scene of the disaster, the last prayers for the victims of the Titanic, 1912 (print)

Anonymous

In Morocco, General Moinier decorates with the cross of the Legion of Honour the officers wounded in the battle of Haj Rakoula on 21/07/1912.
In Morocco, General Moinier decorates with the cross of the Legion of Honour the officers wounded in the battle of Haj Rakoula on 21/07/1912.

XEE4187645: In Morocco, General Moinier decorates with the cross of the Legion of Honour the officers wounded in the battle of Haj Rakoula on 21/07/1912., Anonymous / Bridgeman Images

ID: XEE4187645

In Morocco, General Moinier decorates with the cross of the Legion of Honour the officers wounded in the battle of Haj Rakoula on 21/07/1912.

Anonymous

First World War; the work of Flemish lace in the ruins near Bailleul in the North, revive the art of lace, traditional in the region, in 1918, 1920 (print)
First World War; the work of Flemish lace in the ruins near Bailleul in the North, revive the art of lace, traditional in the region, in 1918, 1920 (print)

XEE4188229: First World War; the work of Flemish lace in the ruins near Bailleul in the North, revive the art of lace, traditional in the region, in 1918, 1920 (print), Anonymous / Bridgeman Images

ID: XEE4188229

First World War; the work of Flemish lace in the ruins near Bailleul in the North, revive the art of lace, traditional in the region, in 1918, 1920 (print)

Anonymous

Capture of the town of Seringapatam capital of Mysore (Maissour) in India by the British army in 1799 (chromo)
Capture of the town of Seringapatam capital of Mysore (Maissour) in India by the British army in 1799 (chromo)

XEE4188390: Capture of the town of Seringapatam capital of Mysore (Maissour) in India by the British army in 1799 (chromo), English School, (19th century) / Bridgeman Images

ID: XEE4188390

Capture of the town of Seringapatam capital of Mysore (Maissour) in India by the British army in 1799 (chromo)

English School, (19th century)

Montenegro tradition: King Nicholas I of Montenegro reviews the dead and wounded during the First Balkan War, 1912 (print)
Montenegro tradition: King Nicholas I of Montenegro reviews the dead and wounded during the First Balkan War, 1912 (print)

XEE4188515: Montenegro tradition: King Nicholas I of Montenegro reviews the dead and wounded during the First Balkan War, 1912 (print), Anonymous / Bridgeman Images

ID: XEE4188515

Montenegro tradition: King Nicholas I of Montenegro reviews the dead and wounded during the First Balkan War, 1912 (print)

Anonymous

First Balkan War: Montenegrin women cross the mountains on foot to ensure the supply of weapons. From 17/11/1912
First Balkan War: Montenegrin women cross the mountains on foot to ensure the supply of weapons. From 17/11/1912

XEE4188528: First Balkan War: Montenegrin women cross the mountains on foot to ensure the supply of weapons. From 17/11/1912, Anonymous / Bridgeman Images

ID: XEE4188528

First Balkan War: Montenegrin women cross the mountains on foot to ensure the supply of weapons. From 17/11/1912

Anonymous

First Balkan War, King Nicholas I of Montenegro kissing dead and wounded soldiers on the Front, 1912 (print)
First Balkan War, King Nicholas I of Montenegro kissing dead and wounded soldiers on the Front, 1912 (print)

XEE4188601: First Balkan War, King Nicholas I of Montenegro kissing dead and wounded soldiers on the Front, 1912 (print), French School, (20th century) / Bridgeman Images

ID: XEE4188601

First Balkan War, King Nicholas I of Montenegro kissing dead and wounded soldiers on the Front, 1912 (print)

French School, (20th century)

Cirque national des Champs Elysees in the 19th century - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
Cirque national des Champs Elysees in the 19th century - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146540: Cirque national des Champs Elysees in the 19th century - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

ID: XEE4146540

Cirque national des Champs Elysees in the 19th century - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

French School, (19th century)

The Innocents march in Paris with the fountain - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
The Innocents march in Paris with the fountain - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146682: The Innocents march in Paris with the fountain - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

ID: XEE4146682

The Innocents march in Paris with the fountain - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

French School, (19th century)

Boulevard des Capucines (South Coast) - Rue de la Paix, place et colonne Vendome - Engraving in “Tableau-de-Paris” by Edmond Texier 1852
Boulevard des Capucines (South Coast) - Rue de la Paix, place et colonne Vendome - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

XEE4146761: Boulevard des Capucines (South Coast) - Rue de la Paix, place et colonne Vendome - Engraving in “Tableau-de-Paris” by Edmond Texier 1852, French School, (19th century) / Bridgeman Images

ID: XEE4146761

Boulevard des Capucines (South Coast) - Rue de la Paix, place et colonne Vendome - Engraving in “Tableau-de-Paris” by Edmond Texier 1852

French School, (19th century)

Le reservoir de Montsouris (reservoir de la Vanne), one of the five main water reservoirs of Paris - Engraving in “” Sciences brought to the grateboard of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
Le reservoir de Montsouris (reservoir de la Vanne), one of the five main water reservoirs of Paris - Engraving in “” Sciences brought to the grateboard of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4146815: Le reservoir de Montsouris (reservoir de la Vanne), one of the five main water reservoirs of Paris - Engraving in “” Sciences brought to the grateboard of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

ID: XEE4146815

Le reservoir de Montsouris (reservoir de la Vanne), one of the five main water reservoirs of Paris - Engraving in “” Sciences brought to the grateboard of all - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

French School, (19th century)

Portrait of Eugene Bethmont (1804-1860), French lawyer and politician, former Minister of Justice. Engraving in “” Le Monde Illustré”” n°156 of 7 April 1860.
Portrait of Eugene Bethmont (1804-1860), French lawyer and politician, former Minister of Justice. Engraving in “” Le Monde Illustré”” n°156 of 7 April 1860.

XEE4146948: Portrait of Eugene Bethmont (1804-1860), French lawyer and politician, former Minister of Justice. Engraving in “” Le Monde Illustré”” n°156 of 7 April 1860., French School, (19th century) / Bridgeman Images

ID: XEE4146948

Portrait of Eugene Bethmont (1804-1860), French lawyer and politician, former Minister of Justice. Engraving in “” Le Monde Illustré”” n°156 of 7 April 1860.

French School, (19th century)

The House of Lords during the trial of Queen Caroline in 1820 - MR Brougham's speech for the defence - Caroline of Brunswick-Wolgenbuttel (Brunswick Wolgenbuttel) (1768-1821), consort of George IV of Great Britain and Ireland
The House of Lords during the trial of Queen Caroline in 1820 - MR Brougham's speech for the defence - Caroline of Brunswick-Wolgenbuttel (Brunswick Wolgenbuttel) (1768-1821), consort of George IV of Great Britain and Ireland

XEE4147013: The House of Lords during the trial of Queen Caroline in 1820 - MR Brougham's speech for the defence - Caroline of Brunswick-Wolgenbuttel (Brunswick Wolgenbuttel) (1768-1821), consort of George IV of Great Britain and Ireland, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4147013

The House of Lords during the trial of Queen Caroline in 1820 - MR Brougham's speech for the defence - Caroline of Brunswick-Wolgenbuttel (Brunswick Wolgenbuttel) (1768-1821), consort of George IV of Great Britain and Ireland

Unknown Artist, (19th century)


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