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Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)
Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)

MEP4704381: Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic) / Bridgeman Images

ID: MEP4704381

Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)

Violinist Isaac Stern in 1995.
Violinist Isaac Stern in 1995.

MME4704416: Violinist Isaac Stern in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4704416

Violinist Isaac Stern in 1995.

Mencarini, Marcello

Portrait of the French maker Claude Sautet
Portrait of the French maker Claude Sautet

MME4704154: Portrait of the French maker Claude Sautet, Mencarini, Marcello / Bridgeman Images

ID: MME4704154

Portrait of the French maker Claude Sautet

Mencarini, Marcello

A Jewish woman and captured Hebrew standing under a palm tree next to two shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
A Jewish woman and captured Hebrew standing under a palm tree next to two shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704299: A Jewish woman and captured Hebrew standing under a palm tree next to two shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704299

A Jewish woman and captured Hebrew standing under a palm tree next to two shields. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Indian men accompanying a widow to a funeral pyre (sati). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Indian men accompanying a widow to a funeral pyre (sati). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704351: Indian men accompanying a widow to a funeral pyre (sati). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704351

Indian men accompanying a widow to a funeral pyre (sati). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704156: Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704156

Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704204: Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704204

Ceremonial election of a duke among the Franks. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Emblem from House of the Centenario, floor, 1st Century (mosaic)
Emblem from House of the Centenario, floor, 1st Century (mosaic)

MEP4704547: Emblem from House of the Centenario, floor, 1st Century (mosaic) / Bridgeman Images

ID: MEP4704547

Emblem from House of the Centenario, floor, 1st Century (mosaic)

Portrait of the German composer Karlheinz Stockhausen, circa 1985
Portrait of the German composer Karlheinz Stockhausen, circa 1985

MME4704742: Portrait of the German composer Karlheinz Stockhausen, circa 1985, Mencarini, Marcello / Bridgeman Images

ID: MME4704742

Portrait of the German composer Karlheinz Stockhausen, circa 1985

Mencarini, Marcello

Pair of greaves, Court of the Gladiators, Pompeii, 69-96 DC (bronze)
Pair of greaves, Court of the Gladiators, Pompeii, 69-96 DC (bronze)

MEP4704791: Pair of greaves, Court of the Gladiators, Pompeii, 69-96 DC (bronze) / Bridgeman Images

ID: MEP4704791

Pair of greaves, Court of the Gladiators, Pompeii, 69-96 DC (bronze)

Portrait of the German composer Karlheinz Stockhausen, circa 1985
Portrait of the German composer Karlheinz Stockhausen, circa 1985

MME4704716: Portrait of the German composer Karlheinz Stockhausen, circa 1985, Mencarini, Marcello / Bridgeman Images

ID: MME4704716

Portrait of the German composer Karlheinz Stockhausen, circa 1985

Mencarini, Marcello

Refined Roman women and their surroundings. One sits in a family chair called a catheder. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Refined Roman women and their surroundings. One sits in a family chair called a catheder. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4704789: Refined Roman women and their surroundings. One sits in a family chair called a catheder. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

ID: FLO4704789

Refined Roman women and their surroundings. One sits in a family chair called a catheder. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Portrait of the German composer Karlheinz Stockhausen, 1989.
Portrait of the German composer Karlheinz Stockhausen, 1989.

MME4704814: Portrait of the German composer Karlheinz Stockhausen, 1989., Mencarini, Marcello / Bridgeman Images

ID: MME4704814

Portrait of the German composer Karlheinz Stockhausen, 1989.

Mencarini, Marcello

Silesian bride on her way to church. Gold-decorated hat, long full dress and cloak made up of squares of fur. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Silesian bride on her way to church. Gold-decorated hat, long full dress and cloak made up of squares of fur. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4704917: Silesian bride on her way to church. Gold-decorated hat, long full dress and cloak made up of squares of fur. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4704917

Silesian bride on her way to church. Gold-decorated hat, long full dress and cloak made up of squares of fur. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Girl of Swabia, Germany, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Girl of Swabia, Germany, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4704953: Girl of Swabia, Germany, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4704953

Girl of Swabia, Germany, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Nobleman of Poland and a woman of Lithuania. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Nobleman of Poland and a woman of Lithuania. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4704978: Nobleman of Poland and a woman of Lithuania. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4704978

Nobleman of Poland and a woman of Lithuania. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Nobleman of Meissen, 1577.
Nobleman of Meissen, 1577.

FLO4705796: Nobleman of Meissen, 1577. / Bridgeman Images

ID: FLO4705796

Nobleman of Meissen, 1577.

Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive
Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive

UTD4705887: Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705887

Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706326: Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706326

Maria Theresa (1638-1683), Infanta of Spain, 1660. Illustration copied from Laumosnier's painting “” Meeting between Louis XIV of France and Philippe IV of Spain.”” Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Nobleman of England with unusual spiked shield, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Nobleman of England with unusual spiked shield, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706465: Nobleman of England with unusual spiked shield, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706465

Nobleman of England with unusual spiked shield, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706711: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706711

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706692: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706692

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.
Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.

MME4706776: Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4706776

Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.

Mencarini, Marcello

Rich London Merchant, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Rich London Merchant, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706546: Rich London Merchant, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706546

Rich London Merchant, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837, Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.
Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837, Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

FLO4706568: Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837, Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590. / Bridgeman Images

ID: FLO4706568

Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837, Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

Armed Muscovite on football, 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.
Armed Muscovite on football, 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

FLO4706580: Armed Muscovite on football, 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590. / Bridgeman Images

ID: FLO4706580

Armed Muscovite on football, 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706693: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706693

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706902: Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706902

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of French chief operator Henri Alekan in 1989.
Portrait of French chief operator Henri Alekan in 1989.

MME4706905: Portrait of French chief operator Henri Alekan in 1989., Mencarini, Marcello / Bridgeman Images

ID: MME4706905

Portrait of French chief operator Henri Alekan in 1989.

Mencarini, Marcello

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706964: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4706964

Portrait of French comedian Sandrine Bonnaire in 1985.

Mencarini, Marcello

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008
Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

MME4706865: Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008, Mencarini, Marcello / Bridgeman Images

ID: MME4706865

Portrait of the Dutch conductor and harpsichord player Gustav Leonhardt in 2008

Mencarini, Marcello

Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706921: Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706921

Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706978: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4706978

Portrait of French comedian Sandrine Bonnaire in 1985.

Mencarini, Marcello

Angel's Message. Illustration (undated) by German painter Julius Schnorr von Carolsfeld (1794 - 1872). Image date: 1910. Carl Simon Archive
Angel's Message. Illustration (undated) by German painter Julius Schnorr von Carolsfeld (1794 - 1872). Image date: 1910. Carl Simon Archive

UTD4707146: Angel's Message. Illustration (undated) by German painter Julius Schnorr von Carolsfeld (1794 - 1872). Image date: 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4707146

Angel's Message. Illustration (undated) by German painter Julius Schnorr von Carolsfeld (1794 - 1872). Image date: 1910. Carl Simon Archive

Simon, Carl (1873-1952)

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707184: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707184

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707088: Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707088

Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.


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