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Cuisiniere - Female cook, Paris, early 19th century, in striped bonnet, lace collar, white apron over white top and cream petticoat - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Cuisiniere - Female cook, Paris, early 19th century, in striped bonnet, lace collar, white apron over white top and cream petticoat - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658346: Cuisiniere - Female cook, Paris, early 19th century, in striped bonnet, lace collar, white apron over white top and cream petticoat - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

ID: FLO4658346

Cuisiniere - Female cook, Paris, early 19th century, in striped bonnet, lace collar, white apron over white top and cream petticoat - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823

FLO4658583: Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

ID: FLO4658583

Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823

Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658552: Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

ID: FLO4658552

Hair Braider of hair, Paris, early 19th century, in long dress, black apron, lace collar, with her hair in ringlets - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

Hamerkop, Scopus umbretta (Tufted umbre). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Hamerkop, Scopus umbretta (Tufted umbre). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658812: Hamerkop, Scopus umbretta (Tufted umbre). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4658812

Hamerkop, Scopus umbretta (Tufted umbre). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

Latham, John (1740-1837)

Black-faced ibis, Theristicus melanopis (Tantalus melanops). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Black-faced ibis, Theristicus melanopis (Tantalus melanops). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658880: Black-faced ibis, Theristicus melanopis (Tantalus melanops). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4658880

Black-faced ibis, Theristicus melanopis (Tantalus melanops). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

Latham, John (1740-1837)

Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658895: Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4658895

Greater paint-snipe, Rostratula benghalensis (Cape snipe, Scolopax capensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

Latham, John (1740-1837)

Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658907: Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4658907

Buff-banded rail, Gallirallus philippensis (Philippine rail, Rallus philippensis). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

Latham, John (1740-1837)

Parasitic jaeger, arctic skua or parasitic skua, Stercorarius parasiticus (Arctic gull, Larus parasiticus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Parasitic jaeger, arctic skua or parasitic skua, Stercorarius parasiticus (Arctic gull, Larus parasiticus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4659057: Parasitic jaeger, arctic skua or parasitic skua, Stercorarius parasiticus (Arctic gull, Larus parasiticus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4659057

Parasitic jaeger, arctic skua or parasitic skua, Stercorarius parasiticus (Arctic gull, Larus parasiticus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

Latham, John (1740-1837)

Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.
Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

FLO4659237: Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822., Latham, John (1740-1837) / Bridgeman Images

ID: FLO4659237

Gang-gang cockatoo, Callocephalon fimbriatum (Red-crowned parrot, Psittacus galeatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

Latham, John (1740-1837)

Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia
Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia

LRI4659310: Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4659310

Etruscan antiquite: terracotta oinochoe in the shape of a feminine head. From Vulci. 4th century BC. Sun 24 cm Rome Museo Nazionale di Villa Giulia

Etruscan, (4th century BC)

Pear, variety Susette de Bavay. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Susette de Bavay pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear, variety Susette de Bavay. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Susette de Bavay pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675522: Pear, variety Susette de Bavay. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Susette de Bavay pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675522

Pear, variety Susette de Bavay. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Susette de Bavay pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675580

The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Apple king of pippins. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. King of Pippins apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple king of pippins. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. King of Pippins apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675401: Apple king of pippins. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. King of Pippins apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675401

Apple king of pippins. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. King of Pippins apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Common plum, nectarine variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Nectarine plum, Prunus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common plum, nectarine variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Nectarine plum, Prunus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675453: Common plum, nectarine variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Nectarine plum, Prunus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675453

Common plum, nectarine variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Nectarine plum, Prunus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Dwarf prolific hazelnut. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Dwarf Prolific Nut, Corylus avellana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraved by T. Withy from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Dwarf prolific hazelnut. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Dwarf Prolific Nut, Corylus avellana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraved by T. Withy from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675481: Dwarf prolific hazelnut. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Dwarf Prolific Nut, Corylus avellana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraved by T. Withy from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675481

Dwarf prolific hazelnut. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Dwarf Prolific Nut, Corylus avellana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraved by T. Withy from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Common pear, Aremberg butter variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Aremberg pear butter, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common pear, Aremberg butter variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Aremberg pear butter, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675487: Common pear, Aremberg butter variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Aremberg pear butter, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675487

Common pear, Aremberg butter variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Aremberg pear butter, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

The Predicator. Death with a stole around his neck stands behind the predicator, holding a jaw above his head, possibly meaning that he is the best predictor of both. Plate 13. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Predicator. Death with a stole around his neck stands behind the predicator, holding a jaw above his head, possibly meaning that he is the best predictor of both. Plate 13. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675530: The Predicator. Death with a stole around his neck stands behind the predicator, holding a jaw above his head, possibly meaning that he is the best predictor of both. Plate 13. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675530

The Predicator. Death with a stole around his neck stands behind the predicator, holding a jaw above his head, possibly meaning that he is the best predictor of both. Plate 13. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675675: Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675675

Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675806: The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675806

The blind. Death grabs the stick of the Blind and drains it with it. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Liberation party, detail. Festival in an Alsatian village of the liberation of France in 1945 under the flags of the USSR with folk dance, 20th century (painting)
Liberation party, detail. Festival in an Alsatian village of the liberation of France in 1945 under the flags of the USSR with folk dance, 20th century (painting)

LRI4675913: Liberation party, detail. Festival in an Alsatian village of the liberation of France in 1945 under the flags of the USSR with folk dance, 20th century (painting), Bauchant, Andre (1873-1958) / Bridgeman Images

ID: LRI4675913

Liberation party, detail. Festival in an Alsatian village of the liberation of France in 1945 under the flags of the USSR with folk dance, 20th century (painting)

Bauchant, Andre (1873-1958)

Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4675939: Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675939

Boniface, Duke of Tuscany - Boniface III, Margrave of Tuscany (c 985-1052) - He wears a gold hat decorated with precious stones, green chlamys bordered in gold, blue tunic, red stockings with gold bands and shoes - The throne is yellow with cushions and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis” - Handcoloured” - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675614: The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675614

The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Variety of true carnation (Dianthus Ferruginus), yellow in colour.
Variety of true carnation (Dianthus Ferruginus), yellow in colour.

FLO4674869: Variety of true carnation (Dianthus Ferruginus), yellow in colour. / Bridgeman Images

ID: FLO4674869

Variety of true carnation (Dianthus Ferruginus), yellow in colour.

Apple Pitmaston golden curnne. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pitmaston Golden Wreath apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Pitmaston golden curnne. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pitmaston Golden Wreath apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675182: Apple Pitmaston golden curnne. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pitmaston Golden Wreath apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675182

Apple Pitmaston golden curnne. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pitmaston Golden Wreath apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Variete of Gesneria (G.elongata) has ecarlate red flowers. Illustration by Miss R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Gesneria (G.elongata) has ecarlate red flowers. Illustration by Miss R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674783: Variete of Gesneria (G.elongata) has ecarlate red flowers. Illustration by Miss R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674783

Variete of Gesneria (G.elongata) has ecarlate red flowers. Illustration by Miss R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of immortelle (Helichrysum macranthum), a large white flower slightly tinged with rose. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of immortelle (Helichrysum macranthum), a large white flower slightly tinged with rose. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4675018: Variete of immortelle (Helichrysum macranthum), a large white flower slightly tinged with rose. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4675018

Variete of immortelle (Helichrysum macranthum), a large white flower slightly tinged with rose. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Pear variete nec plus die. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ne Plus Meuris pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear variete nec plus die. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ne Plus Meuris pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675098: Pear variete nec plus die. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ne Plus Meuris pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675098

Pear variete nec plus die. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ne Plus Meuris pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Auch's pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pear d'Auch pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Auch's pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pear d'Auch pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675216: Auch's pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pear d'Auch pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675216

Auch's pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pear d'Auch pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple elford pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Elford Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple elford pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Elford Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675386: Apple elford pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Elford Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675386

Apple elford pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Elford Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680295: Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680295

Locust, grasshopper variety. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.
Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

FLO4680440: Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793. / Bridgeman Images

ID: FLO4680440

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680830: The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680830

The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680719: Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680719

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Tichodroma muraria. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Wall creeper, Tichodroma muraria. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Tichodroma muraria. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Wall creeper, Tichodroma muraria. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680874: Tichodroma muraria. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Wall creeper, Tichodroma muraria. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680874

Tichodroma muraria. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Wall creeper, Tichodroma muraria. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Shielded dogwhelk, Nassarius arcularia plicatus (Marbled buccinum, Buccinum rumphii). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.
Shielded dogwhelk, Nassarius arcularia plicatus (Marbled buccinum, Buccinum rumphii). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

FLO4680951: Shielded dogwhelk, Nassarius arcularia plicatus (Marbled buccinum, Buccinum rumphii). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803. / Bridgeman Images

ID: FLO4680951

Shielded dogwhelk, Nassarius arcularia plicatus (Marbled buccinum, Buccinum rumphii). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

Anchor worm (lernaea) is a parasite of fish and crustaceans. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Anchor worms, Lernaeae, copepod crustacean fish parasite. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Anchor worm (lernaea) is a parasite of fish and crustaceans. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Anchor worms, Lernaeae, copepod crustacean fish parasite. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680881: Anchor worm (lernaea) is a parasite of fish and crustaceans. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Anchor worms, Lernaeae, copepod crustacean fish parasite. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680881

Anchor worm (lernaea) is a parasite of fish and crustaceans. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Anchor worms, Lernaeae, copepod crustacean fish parasite. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.


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