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Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph)
Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph)

FLO5912884: Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912884

Japanese bantams, black bantams and Pekin bantams, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.
Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

FLO5912902: Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838., Mote, William Henry (1803-1871) / Bridgeman Images

ID: FLO5912902

Portrait of Mary, daughter of George Howard, 6th Earl of Carlisle, later Mary Matilda Georgiana Labouchere, Lady Taunton. In ringlets, with satin dress decorated with ribbons and lace. Steel engraving by William Henry Mote after an illustration by John Bostock from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

Mote, William Henry (1803-1871)

Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.
Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

FLO5912908: Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838., Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: FLO5912908

Sarah Elizabeth, Susannah and Sophia Copley, daughters of John Copley, 1st Baron Lyndhurst. Two younger sisters playing with the ringlets of the oldest sister Sarah. Susannah on the left died at age 15 after this portrait was painted. They wear off the shoulder dresses decorated with ribbons, the youngest in bloomers. A parrot on a stand in the background. Steel engraving by Henry Cook after an illustration by Daniel Maclise from Charles Heath’s Portraits of the Children of the Nobility, Longmont, London, 1838.

Maclise, Daniel (1806-70) (after)

Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

FLO5912911: Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843., Mote, William Henry (1803-1871) / Bridgeman Images

ID: FLO5912911

Lady Katherine Grey Egerton, 1835-1920. Hair in ringlets, wearing off-the-shoulder dress with lace and ribbons. Steel engraving by H. Hall after an illustration by John Hayter from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.

Mote, William Henry (1803-1871)

Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving)
Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving)

FLO5912714: Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912714

Views of the spa town of Bad Liebenstein, Germany, 1817 (engraving)

British School, (19th century)

Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.
Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.

FLO5912926: Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846. / Bridgeman Images

ID: FLO5912926

Calendar for May with figures of Olee and St. Thomas, quote from Ephesians, disciples, Adam and Eve, birds, foliage and castles. From an illuminated Book of Hours of the Duke the Anjou., 1380. Chromolithograph in colors and gilt from Henry Noel Humphreys’ The Illuminated Calendar and Home Diary for 1846, Longmon, London, 1846.

Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving)
Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving)

FLO5912738: Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912738

Woburn Abbey, seat of the Duke of Bedford, 1823 (engraving)

British School, (19th century)

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912744

Title page with calligraphic title and vignette, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912759

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912789: Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

ID: FLO5912789

Priest of the Camillians or Clerics Regular, Ministers to the Sick, Clerc Regulier pour le Service des Malades. Handcoloured woodblock engraving by E. Duverger after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Bar, Jacques Charles (1740-1811)

Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912798: Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

ID: FLO5912798

Priest of the Congregation of France, or Genovefain, founded at the Abbey of Saint Genevieve, Congregation de France, Genovefains. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Bar, Jacques Charles (1740-1811)

Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912810: Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

ID: FLO5912810

Knight of the Knights Templar in battle costume, Templier en costume de guerre. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Bar, Jacques Charles (1740-1811)

Rembrandt, Dutch painter, 1827 (lithograph)
Rembrandt, Dutch painter, 1827 (lithograph)

FLO5912834: Rembrandt, Dutch painter, 1827 (lithograph) / Bridgeman Images

ID: FLO5912834

Rembrandt, Dutch painter, 1827 (lithograph)

Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)
Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)

FLO5912837: Jan Brueghel the Elder, Flemish painter, 1827 (lithograph) / Bridgeman Images

ID: FLO5912837

Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)

Black Hamburgh cock and hen, 1872 (chromolithograph)
Black Hamburgh cock and hen, 1872 (chromolithograph)

FLO5912858: Black Hamburgh cock and hen, 1872 (chromolithograph) / Bridgeman Images

ID: FLO5912858

Black Hamburgh cock and hen, 1872 (chromolithograph)

White cochin cock and hen, 1890 (chromolithograph)
White cochin cock and hen, 1890 (chromolithograph)

FLO5912864: White cochin cock and hen, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912864

White cochin cock and hen, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Henny or hennie game birds, 1890 (chromolithograph)
Henny or hennie game birds, 1890 (chromolithograph)

FLO5912876: Henny or hennie game birds, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912876

Henny or hennie game birds, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Andalusian chickens, 1890 (chromolithograph)
Andalusian chickens, 1890 (chromolithograph)

FLO5912894: Andalusian chickens, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912894

Andalusian chickens, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Male dandy in cap, lace ruff collar, short cape, quilted doublet, hose, buckle shoes, wearing a sword. Le Mignon, 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Male dandy in cap, lace ruff collar, short cape, quilted doublet, hose, buckle shoes, wearing a sword. Le Mignon, 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

FLO5912939: Male dandy in cap, lace ruff collar, short cape, quilted doublet, hose, buckle shoes, wearing a sword. Le Mignon, 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. / Bridgeman Images

ID: FLO5912939

Male dandy in cap, lace ruff collar, short cape, quilted doublet, hose, buckle shoes, wearing a sword. Le Mignon, 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

Plan and elevation for a thatched cottage, 1816 (engraving)
Plan and elevation for a thatched cottage, 1816 (engraving)

FLO5912676: Plan and elevation for a thatched cottage, 1816 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912676

Plan and elevation for a thatched cottage, 1816 (engraving)

British School, (19th century)

Ruins of the Savoy in 1816 (engraving)
Ruins of the Savoy in 1816 (engraving)

FLO5912694: Ruins of the Savoy in 1816 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912694

Ruins of the Savoy in 1816 (engraving)

British School, (19th century)

Westminster Penitentiary viewed from the River Thames, 1817 (engraving)
Westminster Penitentiary viewed from the River Thames, 1817 (engraving)

FLO5912703: Westminster Penitentiary viewed from the River Thames, 1817 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912703

Westminster Penitentiary viewed from the River Thames, 1817 (engraving)

British School, (19th century)

Plan and elevation of a Regency thatched cottage, 1817 (engraving)
Plan and elevation of a Regency thatched cottage, 1817 (engraving)

FLO5912709: Plan and elevation of a Regency thatched cottage, 1817 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912709

Plan and elevation of a Regency thatched cottage, 1817 (engraving)

British School, (19th century)

The Ruins, Windsor, a Gothic pile built by John Wyatt for the king, 1823 (engraving)
The Ruins, Windsor, a Gothic pile built by John Wyatt for the king, 1823 (engraving)

FLO5912721: The Ruins, Windsor, a Gothic pile built by John Wyatt for the king, 1823 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912721

The Ruins, Windsor, a Gothic pile built by John Wyatt for the king, 1823 (engraving)

British School, (19th century)

Chiswick House, 1823 (engraving)
Chiswick House, 1823 (engraving)

FLO5912724: Chiswick House, 1823 (engraving), British School, (19th century) / Bridgeman Images

ID: FLO5912724

Chiswick House, 1823 (engraving)

British School, (19th century)

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912754

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912763

Revellers in costume at a masked ball in a large theater, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Nun of the Congregation of the Sisters of Our Lady of Mercy, Religieuse de Notre-Dame de la Misericorde. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Nun of the Congregation of the Sisters of Our Lady of Mercy, Religieuse de Notre-Dame de la Misericorde. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912796: Nun of the Congregation of the Sisters of Our Lady of Mercy, Religieuse de Notre-Dame de la Misericorde. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

ID: FLO5912796

Nun of the Congregation of the Sisters of Our Lady of Mercy, Religieuse de Notre-Dame de la Misericorde. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Bar, Jacques Charles (1740-1811)

Nun of the Knights Hospitaller of the monastery in Toulouse, Order of Knights of the Hospital of Saint John of Jerusalem, Religieuse de l’Ordre de Saint Jean de Jerusalem. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.
Nun of the Knights Hospitaller of the monastery in Toulouse, Order of Knights of the Hospital of Saint John of Jerusalem, Religieuse de l’Ordre de Saint Jean de Jerusalem. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

FLO5912808: Nun of the Knights Hospitaller of the monastery in Toulouse, Order of Knights of the Hospital of Saint John of Jerusalem, Religieuse de l’Ordre de Saint Jean de Jerusalem. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845., Bar, Jacques Charles (1740-1811) / Bridgeman Images

ID: FLO5912808

Nun of the Knights Hospitaller of the monastery in Toulouse, Order of Knights of the Hospital of Saint John of Jerusalem, Religieuse de l’Ordre de Saint Jean de Jerusalem. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tiron’s Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Bar, Jacques Charles (1740-1811)

Albrecht Durer, German Renaissance painter, 1471-1528. From a self portrait woodcut. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1828.
Albrecht Durer, German Renaissance painter, 1471-1528. From a self portrait woodcut. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1828.

FLO5912829: Albrecht Durer, German Renaissance painter, 1471-1528. From a self portrait woodcut. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1828., Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

ID: FLO5912829

Albrecht Durer, German Renaissance painter, 1471-1528. From a self portrait woodcut. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1828.

Durer or Duerer, Albrecht (1471-1528) (after)

Annibale Carracci, Italian painter, 1827 (lithograph)
Annibale Carracci, Italian painter, 1827 (lithograph)

FLO5912838: Annibale Carracci, Italian painter, 1827 (lithograph), Carracci, Annibale (1560-1609) (after) / Bridgeman Images

ID: FLO5912838

Annibale Carracci, Italian painter, 1827 (lithograph)

Carracci, Annibale (1560-1609) (after)

Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.
Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

FLO5912850: Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837., Lewis, Frederick Christian (1779-1856) / Bridgeman Images

ID: FLO5912850

Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmore’s Cabinet of Gems, Ackermann, London, 1837.

Lewis, Frederick Christian (1779-1856)

Buff cochin cock, 1890 (chromolithograph)
Buff cochin cock, 1890 (chromolithograph)

FLO5912853: Buff cochin cock, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912853

Buff cochin cock, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Silver spangled Polish cock and hen, 1890 (chromolithograph)
Silver spangled Polish cock and hen, 1890 (chromolithograph)

FLO5912856: Silver spangled Polish cock and hen, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912856

Silver spangled Polish cock and hen, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Golden spangled Polish cock and hen, 1890 (chromolithograph)
Golden spangled Polish cock and hen, 1890 (chromolithograph)

FLO5912859: Golden spangled Polish cock and hen, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912859

Golden spangled Polish cock and hen, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)

Brown-breasted red game birds, 1890 (chromolithograph)
Brown-breasted red game birds, 1890 (chromolithograph)

FLO5912868: Brown-breasted red game birds, 1890 (chromolithograph), Ludlow, J. W. (fl.1850s) (after) / Bridgeman Images

ID: FLO5912868

Brown-breasted red game birds, 1890 (chromolithograph)

Ludlow, J. W. (fl.1850s) (after)


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