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Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

ID: FLO4688040

Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

King vulture, Sarcoramphus daddy. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
King vulture, Sarcoramphus daddy. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685257: King vulture, Sarcoramphus daddy. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

ID: FLO4685257

King vulture, Sarcoramphus daddy. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828.
Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828.

FLO4687839: Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828. / Bridgeman Images

ID: FLO4687839

Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828.

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688915: The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688915

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688590

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688896: Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688896

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

ID: FLO4688287

Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia).
Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia).

FLO4685457: Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia). / Bridgeman Images

ID: FLO4685457

Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia).

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688973: Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688973

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Variety of clam and petuncle shells. Variety of scallop and clam shells: Galathea, Cyrena, Cyclas and Astarte. Galathee a rays: Galathea radiata, Cyrene cordiforme: Cyrena cordiformis, Astarta of Iceland: Astarte islandica: Icelandic scallop, Cyclade des Rivieres: Cyclas rivicola. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.
Variety of clam and petuncle shells. Variety of scallop and clam shells: Galathea, Cyrena, Cyclas and Astarte. Galathee a rays: Galathea radiata, Cyrene cordiforme: Cyrena cordiformis, Astarta of Iceland: Astarte islandica: Icelandic scallop, Cyclade des Rivieres: Cyclas rivicola. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

FLO4685372: Variety of clam and petuncle shells. Variety of scallop and clam shells: Galathea, Cyrena, Cyclas and Astarte. Galathee a rays: Galathea radiata, Cyrene cordiforme: Cyrena cordiformis, Astarta of Iceland: Astarte islandica: Icelandic scallop, Cyclade des Rivieres: Cyclas rivicola. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849. / Bridgeman Images

ID: FLO4685372

Variety of clam and petuncle shells. Variety of scallop and clam shells: Galathea, Cyrena, Cyclas and Astarte. Galathee a rays: Galathea radiata, Cyrene cordiforme: Cyrena cordiformis, Astarta of Iceland: Astarte islandica: Icelandic scallop, Cyclade des Rivieres: Cyclas rivicola. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687825: Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

ID: FLO4687825

Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

The interior of a perfume factory in Nice (France), with its large distillery - Engraving by Lambert after an illustration by E. Bourdelin, extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), England, 1865 - Interior of a perfume manufacturer at Nice, showing large distillery - Woodcut engraving by Lambert after an illustration by E. Bourdelin from Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865
The interior of a perfume factory in Nice (France), with its large distillery - Engraving by Lambert after an illustration by E. Bourdelin, extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), England, 1865 - Interior of a perfume manufacturer at Nice, showing large distillery - Woodcut engraving by Lambert after an illustration by E. Bourdelin from Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865

FLO4689485: The interior of a perfume factory in Nice (France), with its large distillery - Engraving by Lambert after an illustration by E. Bourdelin, extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), England, 1865 - Interior of a perfume manufacturer at Nice, showing large distillery - Woodcut engraving by Lambert after an illustration by E. Bourdelin from Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689485

The interior of a perfume factory in Nice (France), with its large distillery - Engraving by Lambert after an illustration by E. Bourdelin, extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), England, 1865 - Interior of a perfume manufacturer at Nice, showing large distillery - Woodcut engraving by Lambert after an illustration by E. Bourdelin from Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865

Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.
Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.

FLO4685516: Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns. / Bridgeman Images

ID: FLO4685516

Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.

Sea bream (or sea bream) (Sparus aurata) is a bone fish that feeds on shellfish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Sea bream (or sea bream) (Sparus aurata) is a bone fish that feeds on shellfish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687216: Sea bream (or sea bream) (Sparus aurata) is a bone fish that feeds on shellfish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687216

Sea bream (or sea bream) (Sparus aurata) is a bone fish that feeds on shellfish. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685942: Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685942

Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Apricot Hemskirke (common apricot variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Hemskirke apricot variety, Prunus armeniaca, origin unknown. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apricot Hemskirke (common apricot variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Hemskirke apricot variety, Prunus armeniaca, origin unknown. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687811: Apricot Hemskirke (common apricot variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Hemskirke apricot variety, Prunus armeniaca, origin unknown. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

ID: FLO4687811

Apricot Hemskirke (common apricot variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Hemskirke apricot variety, Prunus armeniaca, origin unknown. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687347: Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687347

Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689079: Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689079

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688688: Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688688

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689742: Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689742

Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688201: Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

ID: FLO4688201

Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.
Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

FLO4686758: Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images

ID: FLO4686758

Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688582: The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images

ID: FLO4688582

The Mint, Sha-ko-ka, a Mandan or Numakiki girl. A very pretty and modest girl, 12 years of age, with grey hair peculiar to the Mandan nation. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Catlin, George (1796-1872)

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688809: Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688809

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688550: The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images

ID: FLO4688550

The Soup, Nah-Pope, a Sauk warrior (Bags and Fox Nation). Soup was second in command to Black Hawk during the war and brother of The Prophet. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Catlin, George (1796-1872)

Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686877: Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

ID: FLO4686877

Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

Discanno, Geremia (1839-1907)

Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687124: Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881. / Bridgeman Images

ID: FLO4687124

Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

Visitation, 1445 (miniature)
Visitation, 1445 (miniature)

JLJ4687493: Visitation, 1445 (miniature), Fouquet, Jean (c.1420-80) / Bridgeman Images

ID: JLJ4687493

Visitation, 1445 (miniature)

Fouquet, Jean (c.1420-80)

Dancers in the Antilles, 19th century (engraving)
Dancers in the Antilles, 19th century (engraving)

JLJ4687878: Dancers in the Antilles, 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4687878

Dancers in the Antilles, 19th century (engraving)

French School, (19th century)

Presume portrait of Jean Baptiste Colbert (1619-1683), intendant of finance of Louis XIV, 17th century (oil on canvas)
Presume portrait of Jean Baptiste Colbert (1619-1683), intendant of finance of Louis XIV, 17th century (oil on canvas)

JLJ4686752: Presume portrait of Jean Baptiste Colbert (1619-1683), intendant of finance of Louis XIV, 17th century (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: JLJ4686752

Presume portrait of Jean Baptiste Colbert (1619-1683), intendant of finance of Louis XIV, 17th century (oil on canvas)

Champaigne, Philippe de (1602-74)

Man Portrait, 1648 (oil on canvas)
Man Portrait, 1648 (oil on canvas)

JLJ4686854: Man Portrait, 1648 (oil on canvas), Champaigne, Philippe de (1602-74) / Bridgeman Images

ID: JLJ4686854

Man Portrait, 1648 (oil on canvas)

Champaigne, Philippe de (1602-74)

Bouquet Of Flowers From The Fields, 1912 (pastel)
Bouquet Of Flowers From The Fields, 1912 (pastel)

JLJ4686505: Bouquet Of Flowers From The Fields, 1912 (pastel), Redon, Odilon (1840-1916) / Bridgeman Images

ID: JLJ4686505

Bouquet Of Flowers From The Fields, 1912 (pastel)

Redon, Odilon (1840-1916)

Turkish astrology: the seven planets and the different metiers. Manuscript from the Middle Ages (miniature)
Turkish astrology: the seven planets and the different metiers. Manuscript from the Middle Ages (miniature)

JLJ4687511: Turkish astrology: the seven planets and the different metiers. Manuscript from the Middle Ages (miniature), Turkish School / Bridgeman Images

ID: JLJ4687511

Turkish astrology: the seven planets and the different metiers. Manuscript from the Middle Ages (miniature)

Turkish School

Sleeping Don Quixote fights the skins.
Sleeping Don Quixote fights the skins.

JLJ4686576: Sleeping Don Quixote fights the skins. "The Ingenious Gentleman Don Quixote of La Mancha", 1716 (oil on canvas), Coypel, Antoine (1661-1722) / Bridgeman Images

ID: JLJ4686576

Sleeping Don Quixote fights the skins. "The Ingenious Gentleman Don Quixote of La Mancha", 1716 (oil on canvas)

Coypel, Antoine (1661-1722)

Battle Plan of Cales Males on 30 June 1596 (engraving)
Battle Plan of Cales Males on 30 June 1596 (engraving)

JLJ4686278: Battle Plan of Cales Males on 30 June 1596 (engraving), Unknown Artist, (16th century) / Bridgeman Images

ID: JLJ4686278

Battle Plan of Cales Males on 30 June 1596 (engraving)

Unknown Artist, (16th century)

The Favorite Of Gaetano Donizetti Illustration For The Opera
The Favorite Of Gaetano Donizetti Illustration For The Opera

JLJ4685466: The Favorite Of Gaetano Donizetti Illustration For The Opera "La Favorite", 1840 (oil on canvas), Bazin, Charles Louis (1802-59) / Bridgeman Images

ID: JLJ4685466

The Favorite Of Gaetano Donizetti Illustration For The Opera "La Favorite", 1840 (oil on canvas)

Bazin, Charles Louis (1802-59)


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