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The church of Santa Maria del Castello hit during the bombing of the French in 1684, Genoa (oil on canvas, 17th century)
The church of Santa Maria del Castello hit during the bombing of the French in 1684, Genoa (oil on canvas, 17th century)

LRI4695987: The church of Santa Maria del Castello hit during the bombing of the French in 1684, Genoa (oil on canvas, 17th century), Italian School, (17th century) / Bridgeman Images

ID: LRI4695987

The church of Santa Maria del Castello hit during the bombing of the French in 1684, Genoa (oil on canvas, 17th century)

Italian School, (17th century)

Saint Benedict fixes a broken sieve Self-portrait of the artist - Detail Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore Ore, Florence
Saint Benedict fixes a broken sieve Self-portrait of the artist - Detail Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore Ore, Florence

LRI4698584: Saint Benedict fixes a broken sieve Self-portrait of the artist - Detail Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore Ore, Florence, Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

ID: LRI4698584

Saint Benedict fixes a broken sieve Self-portrait of the artist - Detail Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore Ore, Florence

Sodoma, Giovanni Antonio Bazzi (1477-1549)

Benedict sends Maurus in France and Placid in Sicily (Benedict sends Maurus in France and Placid in Sicily) Fresco of the cloister made by Luca Signorelli recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Maggiore, Florence
Benedict sends Maurus in France and Placid in Sicily (Benedict sends Maurus in France and Placid in Sicily) Fresco of the cloister made by Luca Signorelli recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Maggiore, Florence

LRI4695175: Benedict sends Maurus in France and Placid in Sicily (Benedict sends Maurus in France and Placid in Sicily) Fresco of the cloister made by Luca Signorelli recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Maggiore, Florence, Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: LRI4695175

Benedict sends Maurus in France and Placid in Sicily (Benedict sends Maurus in France and Placid in Sicily) Fresco of the cloister made by Luca Signorelli recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1497-1498 Abbey of Monte Oliveto Maggiore, Florence

Signorelli, Luca (c.1450-1523)

The Marriage of the Virgin (oil on canvas, 17th century)
The Marriage of the Virgin (oil on canvas, 17th century)

LRI4699385: The Marriage of the Virgin (oil on canvas, 17th century), Magnasco, Stefano (1635-72) / Bridgeman Images

ID: LRI4699385

The Marriage of the Virgin (oil on canvas, 17th century)

Magnasco, Stefano (1635-72)

Bitter candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.
Bitter candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.

FLO4697809: Bitter candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4697809

Bitter candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.

Sowerby, James (1757-1822)

Ivy-leaved speedwell, Veronica hederifolia (Veronique a ivy leaves) Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.
Ivy-leaved speedwell, Veronica hederifolia (Veronique a ivy leaves) Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.

FLO4699246: Ivy-leaved speedwell, Veronica hederifolia (Veronique a ivy leaves) Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800. / Bridgeman Images

ID: FLO4699246

Ivy-leaved speedwell, Veronica hederifolia (Veronique a ivy leaves) Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.

Front view of the fetus head sunk down in the pelvis during advanced labour. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.
Front view of the fetus head sunk down in the pelvis during advanced labour. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

FLO4695894: Front view of the fetus head sunk down in the pelvis during advanced labour. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780. / Bridgeman Images

ID: FLO4695894

Front view of the fetus head sunk down in the pelvis during advanced labour. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

Meadow ladies' smock, Cardamine pratensis Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.
Meadow ladies' smock, Cardamine pratensis Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.

FLO4699167: Meadow ladies' smock, Cardamine pratensis Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800. / Bridgeman Images

ID: FLO4699167

Meadow ladies' smock, Cardamine pratensis Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.

How Benedict predicts the destruction of Monte Cassino (St Benedict predicts the destruction of Monte Cassino) Detail - fresco of the cloister made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore, Florence
How Benedict predicts the destruction of Monte Cassino (St Benedict predicts the destruction of Monte Cassino) Detail - fresco of the cloister made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore, Florence

LRI4695222: How Benedict predicts the destruction of Monte Cassino (St Benedict predicts the destruction of Monte Cassino) Detail - fresco of the cloister made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore, Florence, Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

ID: LRI4695222

How Benedict predicts the destruction of Monte Cassino (St Benedict predicts the destruction of Monte Cassino) Detail - fresco of the cloister made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggiore, Florence

Sodoma, Giovanni Antonio Bazzi (1477-1549)

Triunfus Amoris (love triumph) by Francesco Petrarca (Petrarca).
Triunfus Amoris (love triumph) by Francesco Petrarca (Petrarca).

GIA4698072: Triunfus Amoris (love triumph) by Francesco Petrarca (Petrarca)., Unknown Artist, (15th century) / Bridgeman Images

ID: GIA4698072

Triunfus Amoris (love triumph) by Francesco Petrarca (Petrarca).

Unknown Artist, (15th century)

How a priest brought food to Benedict on Easter (a priest brought food to Benedict on Easter) Detail - Cloister fresco made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggigigiore Ore, Florence
How a priest brought food to Benedict on Easter (a priest brought food to Benedict on Easter) Detail - Cloister fresco made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggigigiore Ore, Florence

LRI4698450: How a priest brought food to Benedict on Easter (a priest brought food to Benedict on Easter) Detail - Cloister fresco made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggigigiore Ore, Florence, Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

ID: LRI4698450

How a priest brought food to Benedict on Easter (a priest brought food to Benedict on Easter) Detail - Cloister fresco made by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Oliveto Maggigigiore Ore, Florence

Sodoma, Giovanni Antonio Bazzi (1477-1549)

Kadoo, a native of the Caroline Islands, with elongated earlobes, necklace and tattoos. Handcoloured stipple engraving from Frederic Shoberl's The World in Miniature. After an illustration by Louis Choris in Otto von Kotzebue's Picturesque voyage around the world, 1822.
Kadoo, a native of the Caroline Islands, with elongated earlobes, necklace and tattoos. Handcoloured stipple engraving from Frederic Shoberl's The World in Miniature. After an illustration by Louis Choris in Otto von Kotzebue's Picturesque voyage around the world, 1822.

FLO4695709: Kadoo, a native of the Caroline Islands, with elongated earlobes, necklace and tattoos. Handcoloured stipple engraving from Frederic Shoberl's The World in Miniature. After an illustration by Louis Choris in Otto von Kotzebue's Picturesque voyage around the world, 1822. / Bridgeman Images

ID: FLO4695709

Kadoo, a native of the Caroline Islands, with elongated earlobes, necklace and tattoos. Handcoloured stipple engraving from Frederic Shoberl's The World in Miniature. After an illustration by Louis Choris in Otto von Kotzebue's Picturesque voyage around the world, 1822.

Yellow rattle, Rhinanthus crista-galli Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.
Yellow rattle, Rhinanthus crista-galli Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.

FLO4698084: Yellow rattle, Rhinanthus crista-galli Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799. / Bridgeman Images

ID: FLO4698084

Yellow rattle, Rhinanthus crista-galli Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.

Vernal or spring squill, Scilla verna (Spring Scille) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1791.
Vernal or spring squill, Scilla verna (Spring Scille) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1791.

FLO4697471: Vernal or spring squill, Scilla verna (Spring Scille) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1791., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4697471

Vernal or spring squill, Scilla verna (Spring Scille) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1791.

Sowerby, James (1757-1822)

Sea lavender, Limonium vulgare (Statice limonium) (sea lavender) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.
Sea lavender, Limonium vulgare (Statice limonium) (sea lavender) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.

FLO4696400: Sea lavender, Limonium vulgare (Statice limonium) (sea lavender) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4696400

Sea lavender, Limonium vulgare (Statice limonium) (sea lavender) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.

Sowerby, James (1757-1822)

Fetus head helped through the birth canal with forceps. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.
Fetus head helped through the birth canal with forceps. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

FLO4695927: Fetus head helped through the birth canal with forceps. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780. / Bridgeman Images

ID: FLO4695927

Fetus head helped through the birth canal with forceps. Copperplate engraving by Andrew Bell after an illustration by Jan van Rymsdyk from William Smellie's A Set of Anatomical Tables, Charles Elliot, Edinburgh, 1780.

Black horehound, Ballota nigra (Ballote noire) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.
Black horehound, Ballota nigra (Ballote noire) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.

FLO4697654: Black horehound, Ballota nigra (Ballote noire) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4697654

Black horehound, Ballota nigra (Ballote noire) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1792.

Sowerby, James (1757-1822)

Woman of Manila, on the island of Luzon, the Philippines. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.
Woman of Manila, on the island of Luzon, the Philippines. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

FLO4695511: Woman of Manila, on the island of Luzon, the Philippines. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824. / Bridgeman Images

ID: FLO4695511

Woman of Manila, on the island of Luzon, the Philippines. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

Brooklime, Veronica beccabunga Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.
Brooklime, Veronica beccabunga Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.

FLO4698076: Brooklime, Veronica beccabunga Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799. / Bridgeman Images

ID: FLO4698076

Brooklime, Veronica beccabunga Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1799.

Man of Rawak Island near Waigeo, Papua New Guinea, making a fire. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.
Man of Rawak Island near Waigeo, Papua New Guinea, making a fire. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

FLO4695527: Man of Rawak Island near Waigeo, Papua New Guinea, making a fire. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824. / Bridgeman Images

ID: FLO4695527

Man of Rawak Island near Waigeo, Papua New Guinea, making a fire. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

Common rush, Juncus conglomeratus Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1801.
Common rush, Juncus conglomeratus Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1801.

FLO4699614: Common rush, Juncus conglomeratus Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1801. / Bridgeman Images

ID: FLO4699614

Common rush, Juncus conglomeratus Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1801.

Round-headed rampion, Phyteuma orbiculare (Phyteuma orbicularis) (Orbicular Rapunzel) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.
Round-headed rampion, Phyteuma orbiculare (Phyteuma orbicularis) (Orbicular Rapunzel) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.

FLO4696879: Round-headed rampion, Phyteuma orbiculare (Phyteuma orbicularis) (Orbicular Rapunzel) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4696879

Round-headed rampion, Phyteuma orbiculare (Phyteuma orbicularis) (Orbicular Rapunzel) Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1793.

Sowerby, James (1757-1822)

Australian aboriginal dancing at a corroboree. Body painted with pipe clay and red ochre. Native of New South Wales dancing. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.
Australian aboriginal dancing at a corroboree. Body painted with pipe clay and red ochre. Native of New South Wales dancing. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

FLO4695397: Australian aboriginal dancing at a corroboree. Body painted with pipe clay and red ochre. Native of New South Wales dancing. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824. / Bridgeman Images

ID: FLO4695397

Australian aboriginal dancing at a corroboree. Body painted with pipe clay and red ochre. Native of New South Wales dancing. Handcoloured copperplate engraving from Frederic Shoberl's The World in Miniature: The Asiatic Islands and New Holland, R. Ackermann, London, 1824.

Children attacked by a giant octopus on the Istrian coast. Cover of
Children attacked by a giant octopus on the Istrian coast. Cover of

GIA4697507: Children attacked by a giant octopus on the Istrian coast. Cover of ""L'Illustrazione del Popolo"" dated 31/07/1932., Italian School, (20th century) / Bridgeman Images

ID: GIA4697507

Children attacked by a giant octopus on the Istrian coast. Cover of ""L'Illustrazione del Popolo"" dated 31/07/1932.

Italian School, (20th century)

Diver of the Artiglio dressed as a rigid diving suit - articulated on the ship
Diver of the Artiglio dressed as a rigid diving suit - articulated on the ship

GIA4699650: Diver of the Artiglio dressed as a rigid diving suit - articulated on the ship ""Egypt"" sunk in the sea. sd. early 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4699650

Diver of the Artiglio dressed as a rigid diving suit - articulated on the ship ""Egypt"" sunk in the sea. sd. early 20th century.

Unknown Artist, (20th century)

Allegorie charity. Painting by Jan Massys (Matsys or Metsys or Matsijs) (1509-1575) 1549-1550 Dim. 126x93 cm Genes, Musei di Strada Nuova (ex Palazzo Bianco)
Allegorie charity. Painting by Jan Massys (Matsys or Metsys or Matsijs) (1509-1575) 1549-1550 Dim. 126x93 cm Genes, Musei di Strada Nuova (ex Palazzo Bianco)

LRI4699747: Allegorie charity. Painting by Jan Massys (Matsys or Metsys or Matsijs) (1509-1575) 1549-1550 Dim. 126x93 cm Genes, Musei di Strada Nuova (ex Palazzo Bianco), Massys or Matsys, Quentin (c.1466-1530) / Bridgeman Images

ID: LRI4699747

Allegorie charity. Painting by Jan Massys (Matsys or Metsys or Matsijs) (1509-1575) 1549-1550 Dim. 126x93 cm Genes, Musei di Strada Nuova (ex Palazzo Bianco)

Massys or Matsys, Quentin (c.1466-1530)

Entombment of Jesus (Painting, 16th century)
Entombment of Jesus (Painting, 16th century)

LRI4696809: Entombment of Jesus (Painting, 16th century), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

ID: LRI4696809

Entombment of Jesus (Painting, 16th century)

Vaga, Perino del (Pietro Buonaccorsi) (1501-47)

Tools of a carpenter at the beginning of the 18th century.
Tools of a carpenter at the beginning of the 18th century.

GIA4697698: Tools of a carpenter at the beginning of the 18th century., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4697698

Tools of a carpenter at the beginning of the 18th century.

Unknown artist, (18th century)

The apotheosis of the Republic of Genes with the Allegory of Divine Knowledge (in the center) On top, Liguria distributes tresors to the Provinces and on bottom Janus making a sacrifice for Peace. Fresco by Carlo Giuseppe Ratti (1737-1795) 1780-1782 Dim. 250x500 cm Voute of the Council Room of the Ducal Palace in Genes, Italy
The apotheosis of the Republic of Genes with the Allegory of Divine Knowledge (in the center) On top, Liguria distributes tresors to the Provinces and on bottom Janus making a sacrifice for Peace. Fresco by Carlo Giuseppe Ratti (1737-1795) 1780-1782 Dim. 250x500 cm Voute of the Council Room of the Ducal Palace in Genes, Italy

LRI4696007: The apotheosis of the Republic of Genes with the Allegory of Divine Knowledge (in the center) On top, Liguria distributes tresors to the Provinces and on bottom Janus making a sacrifice for Peace. Fresco by Carlo Giuseppe Ratti (1737-1795) 1780-1782 Dim. 250x500 cm Voute of the Council Room of the Ducal Palace in Genes, Italy, Ratti, Carlo Giuseppe (1737-1795) / Bridgeman Images

ID: LRI4696007

The apotheosis of the Republic of Genes with the Allegory of Divine Knowledge (in the center) On top, Liguria distributes tresors to the Provinces and on bottom Janus making a sacrifice for Peace. Fresco by Carlo Giuseppe Ratti (1737-1795) 1780-1782 Dim. 250x500 cm Voute of the Council Room of the Ducal Palace in Genes, Italy

Ratti, Carlo Giuseppe (1737-1795)

How the demon broke the bell of Benoit's basket (The devil broke the bell of st Benedict of Nursia's basket) - Detail - Wall fresco made by Antonio Bazzi dit il Sodoma (1477-1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Maggiore, Florence
How the demon broke the bell of Benoit's basket (The devil broke the bell of st Benedict of Nursia's basket) - Detail - Wall fresco made by Antonio Bazzi dit il Sodoma (1477-1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Maggiore, Florence

LRI4698524: How the demon broke the bell of Benoit's basket (The devil broke the bell of st Benedict of Nursia's basket) - Detail - Wall fresco made by Antonio Bazzi dit il Sodoma (1477-1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Maggiore, Florence, Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

ID: LRI4698524

How the demon broke the bell of Benoit's basket (The devil broke the bell of st Benedict of Nursia's basket) - Detail - Wall fresco made by Antonio Bazzi dit il Sodoma (1477-1549) recounting the life of Saint Benedict of Nursia (480 - 567) founder of the Order of Benedictine 1503 - 1508 Abbey of Monte Maggiore, Florence

Sodoma, Giovanni Antonio Bazzi (1477-1549)

Shepherd playing bagpipes with his sheep Painting by Giovanni Francesco Castiglione (1641/42-1716) Genes, Musei di Strada Nuova (ex Palazzo Bianco)
Shepherd playing bagpipes with his sheep Painting by Giovanni Francesco Castiglione (1641/42-1716) Genes, Musei di Strada Nuova (ex Palazzo Bianco)

LRI4697969: Shepherd playing bagpipes with his sheep Painting by Giovanni Francesco Castiglione (1641/42-1716) Genes, Musei di Strada Nuova (ex Palazzo Bianco), Castiglione, Giovanni Francesco (1641-1716) / Bridgeman Images

ID: LRI4697969

Shepherd playing bagpipes with his sheep Painting by Giovanni Francesco Castiglione (1641/42-1716) Genes, Musei di Strada Nuova (ex Palazzo Bianco)

Castiglione, Giovanni Francesco (1641-1716)

Poster policy of self-sufficiency in Italy: “” non togliete il pane ai figli dei nostri lavoratori, acouistate produtti italiani (do not cut bread to the sons of our workers, buy Italian products)””, 1931.
Poster policy of self-sufficiency in Italy: “” non togliete il pane ai figli dei nostri lavoratori, acouistate produtti italiani (do not cut bread to the sons of our workers, buy Italian products)””, 1931.

GIA4698520: Poster policy of self-sufficiency in Italy: “” non togliete il pane ai figli dei nostri lavoratori, acouistate produtti italiani (do not cut bread to the sons of our workers, buy Italian products)””, 1931., Italian School, (20th century) / Bridgeman Images

ID: GIA4698520

Poster policy of self-sufficiency in Italy: “” non togliete il pane ai figli dei nostri lavoratori, acouistate produtti italiani (do not cut bread to the sons of our workers, buy Italian products)””, 1931.

Italian School, (20th century)

Magellan Strait. 16th century atlas.
Magellan Strait. 16th century atlas.

GIA4698014: Magellan Strait. 16th century atlas., Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4698014

Magellan Strait. 16th century atlas.

Unknown Artist, (16th century)

Allegory of the thirteen values of the republic: the heroism (Painting, after 1783)
Allegory of the thirteen values of the republic: the heroism (Painting, after 1783)

LRI4696081: Allegory of the thirteen values of the republic: the heroism (Painting, after 1783), Ratti, Carlo Giuseppe (1737-1795) / Bridgeman Images

ID: LRI4696081

Allegory of the thirteen values of the republic: the heroism (Painting, after 1783)

Ratti, Carlo Giuseppe (1737-1795)

Mabouya skink, Mabuya mabouya, and galliwasp, Celestus occiduus (extinct). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from General Zoology: Amphibia, G. Kearsley, London, 1802.
Mabouya skink, Mabuya mabouya, and galliwasp, Celestus occiduus (extinct). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from General Zoology: Amphibia, G. Kearsley, London, 1802.

FLO4695218: Mabouya skink, Mabuya mabouya, and galliwasp, Celestus occiduus (extinct). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from General Zoology: Amphibia, G. Kearsley, London, 1802. / Bridgeman Images

ID: FLO4695218

Mabouya skink, Mabuya mabouya, and galliwasp, Celestus occiduus (extinct). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from General Zoology: Amphibia, G. Kearsley, London, 1802.

Spotted turtle, Clemmys guttata (Spotted tortoise, Testudo guttata) and painted turtle, Chrysemys picta (Painted tortoise, Testudo picta). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Spotted turtle, Clemmys guttata (Spotted tortoise, Testudo guttata) and painted turtle, Chrysemys picta (Painted tortoise, Testudo picta). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4695281: Spotted turtle, Clemmys guttata (Spotted tortoise, Testudo guttata) and painted turtle, Chrysemys picta (Painted tortoise, Testudo picta). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4695281

Spotted turtle, Clemmys guttata (Spotted tortoise, Testudo guttata) and painted turtle, Chrysemys picta (Painted tortoise, Testudo picta). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.


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