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The Adoration of the Magi, detail of Cosimo de'Medici, called il Vecchio, 1475 (tempera on wood)
The Adoration of the Magi, detail of Cosimo de'Medici, called il Vecchio, 1475 (tempera on wood)

LRI4571029: The Adoration of the Magi, detail of Cosimo de'Medici, called il Vecchio, 1475 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

Gaston de Foix, Duke of Nemours, military commander 1489-1512. Handcoloured lithograph after a tapestry in Roger de Gaignieres' portfolio VII 94 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Gaston de Foix, Duke of Nemours, military commander 1489-1512. Handcoloured lithograph after a tapestry in Roger de Gaignieres' portfolio VII 94 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570874: Gaston de Foix, Duke of Nemours, military commander 1489-1512. Handcoloured lithograph after a tapestry in Roger de Gaignieres' portfolio VII 94 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Francois de la Rochefoucauld, chamberlain to kings Charles VIII and Louis XII, d. 1517. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 141 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Francois de la Rochefoucauld, chamberlain to kings Charles VIII and Louis XII, d. 1517. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 141 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570932: Francois de la Rochefoucauld, chamberlain to kings Charles VIII and Louis XII, d. 1517. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 141 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571058: Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Eleanor of Austria, Queen of France, wife of King Charles IX. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 14 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Eleanor of Austria, Queen of France, wife of King Charles IX. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 14 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571319: Eleanor of Austria, Queen of France, wife of King Charles IX. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 14 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

King Henry II of France. Illustration drawn and lithographed by Leopold Massard from a portrait in Roger de Gaignieres' gallery (portfolio VIII 91). Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Henry II of France. Illustration drawn and lithographed by Leopold Massard from a portrait in Roger de Gaignieres' gallery (portfolio VIII 91). Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571231: King Henry II of France. Illustration drawn and lithographed by Leopold Massard from a portrait in Roger de Gaignieres' gallery (portfolio VIII 91). Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Comete - Illustration - Comet - Illustratio
Comete - Illustration - Comet - Illustratio

PIX4571399: Comete - Illustration - Comet - Illustratio / Bridgeman Images

Francois de Fougerolles, doctor and physician of Montpellier, reign of King Henry III of France. Drawn and lithographed by Alexandre Massard after a portrait in Roger de Gaignieres' gallery portfolio IX 112 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Francois de Fougerolles, doctor and physician of Montpellier, reign of King Henry III of France. Drawn and lithographed by Alexandre Massard after a portrait in Roger de Gaignieres' gallery portfolio IX 112 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571477: Francois de Fougerolles, doctor and physician of Montpellier, reign of King Henry III of France. Drawn and lithographed by Alexandre Massard after a portrait in Roger de Gaignieres' gallery portfolio IX 112 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Young lady of quality at a masked ball, Demoiselle de qualité, France, 1586. She holds a mask in her right hand and a cantenance (muff) in her left. A mirror and fan hang from her belt. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 120 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Young lady of quality at a masked ball, Demoiselle de qualité, France, 1586. She holds a mask in her right hand and a cantenance (muff) in her left. A mirror and fan hang from her belt. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 120 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571514: Young lady of quality at a masked ball, Demoiselle de qualité, France, 1586. She holds a mask in her right hand and a cantenance (muff) in her left. A mirror and fan hang from her belt. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 120 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Member of the King's Swiss Guard, King Henry III of France, 1586. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 152 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Member of the King's Swiss Guard, King Henry III of France, 1586. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 152 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571500: Member of the King's Swiss Guard, King Henry III of France, 1586. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 152 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Walk in the Garden, 19th century (oil on canvas)
Walk in the Garden, 19th century (oil on canvas)

JLJ4571761: Walk in the Garden, 19th century (oil on canvas), Lega, Silvestro (1826-95) / Bridgeman Images

Catherine de Bourbon, wife of Henry II le Bon, Duke of Lorraine, sister to King Henry IV of France, Duchesse de Bar. Handcoloured lithograph after a print of the wedding of Henri IV and Marie de Medici from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Catherine de Bourbon, wife of Henry II le Bon, Duke of Lorraine, sister to King Henry IV of France, Duchesse de Bar. Handcoloured lithograph after a print of the wedding of Henri IV and Marie de Medici from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571599: Catherine de Bourbon, wife of Henry II le Bon, Duke of Lorraine, sister to King Henry IV of France, Duchesse de Bar. Handcoloured lithograph after a print of the wedding of Henri IV and Marie de Medici from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Antoine Coiffier de Ruze, Marquis d'Effiat, Marshal of France and Superintendent of Finance to King Louis XIII, 1581-1632. Handcoloured lithograph after a print by Jean Valdor from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Antoine Coiffier de Ruze, Marquis d'Effiat, Marshal of France and Superintendent of Finance to King Louis XIII, 1581-1632. Handcoloured lithograph after a print by Jean Valdor from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571738: Antoine Coiffier de Ruze, Marquis d'Effiat, Marshal of France and Superintendent of Finance to King Louis XIII, 1581-1632. Handcoloured lithograph after a print by Jean Valdor from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567562: Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567589: Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Aloe d'eau (Stratiotes aloides) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Aloe d'eau (Stratiotes aloides) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567659: Aloe d'eau (Stratiotes aloides) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Pimprenelle (Poterium sanguisorba) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Pimprenelle (Poterium sanguisorba) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567755: Pimprenelle (Poterium sanguisorba) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Carex (Carex recurva) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Carex (Carex recurva) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567760: Carex (Carex recurva) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Black Camarine (Empetrum nigrum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Black Camarine (Empetrum nigrum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567825: Black Camarine (Empetrum nigrum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Amarante livide (Amaranthus blitum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Amarante livide (Amaranthus blitum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567865: Amarante livide (Amaranthus blitum) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Small Calament or Calaminth (Calamentha nepta) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Small Calament or Calaminth (Calamentha nepta) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567883: Small Calament or Calaminth (Calamentha nepta) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Renee bisorte. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Bistort or snakeweed, Polygonum bistorta. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Renee bisorte. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Bistort or snakeweed, Polygonum bistorta. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567930: Renee bisorte. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Bistort or snakeweed, Polygonum bistorta. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Common sage or pre sage. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Meadow wise, Salvia pratensis. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Common sage or pre sage. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Meadow wise, Salvia pratensis. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568009: Common sage or pre sage. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Meadow wise, Salvia pratensis. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Page of musical score of Siegfried, opera by Wagner
Page of musical score of Siegfried, opera by Wagner

LRI4567765: Page of musical score of Siegfried, opera by Wagner, Unknown Artist, (19th century) / Bridgeman Images

The liberal arts: Music (engraving, 1508)
The liberal arts: Music (engraving, 1508)

LRI4567938: The liberal arts: Music (engraving, 1508), Unknown Artist, (16th century) / Bridgeman Images

Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567961: Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.
Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.

FLO4568446: Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England. / Bridgeman Images

Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.
Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.

FLO4568576: Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England. / Bridgeman Images

Diving bell with two divers on board, circa 1820. An improved version of Edmond Halley's diving bell, this hermetically sealed diving chamber was supplied by air through a copper pipe from the surface. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Diving bell with two divers on board, circa 1820. An improved version of Edmond Halley's diving bell, this hermetically sealed diving chamber was supplied by air through a copper pipe from the surface. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569087: Diving bell with two divers on board, circa 1820. An improved version of Edmond Halley's diving bell, this hermetically sealed diving chamber was supplied by air through a copper pipe from the surface. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781.
Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781.

FLO4568752: Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781. / Bridgeman Images

Frontispiece of Recanetum de musica aurea by Stephanus Aureus, 1533
Frontispiece of Recanetum de musica aurea by Stephanus Aureus, 1533

LRI4568902: Frontispiece of Recanetum de musica aurea by Stephanus Aureus, 1533, Unknown Artist, (16th century) / Bridgeman Images

Drooping she-oak or drooping sheoak, Allocasuarina verticillata (Casuarina quadrivalvis). Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Drooping she-oak or drooping sheoak, Allocasuarina verticillata (Casuarina quadrivalvis). Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568915: Drooping she-oak or drooping sheoak, Allocasuarina verticillata (Casuarina quadrivalvis). Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1598
Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1598

LRI4568940: Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1598, Unknown Artist, (16th century) / Bridgeman Images

Smooth newt, Lissotriton vulgaris: female 1, male 2, female depositing eggs on an aquatic leaf 3, egg 4, development of the young 5-12. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Smooth newt, Lissotriton vulgaris: female 1, male 2, female depositing eggs on an aquatic leaf 3, egg 4, development of the young 5-12. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569151: Smooth newt, Lissotriton vulgaris: female 1, male 2, female depositing eggs on an aquatic leaf 3, egg 4, development of the young 5-12. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Asian palm civet, Paradoxurus hermaphroditus 1 and African civet, Civettictis civetta 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Asian palm civet, Paradoxurus hermaphroditus 1 and African civet, Civettictis civetta 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569169: Asian palm civet, Paradoxurus hermaphroditus 1 and African civet, Civettictis civetta 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.
Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.

FLO4568743: Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780. / Bridgeman Images


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