2501809 Search Results
FLO4689496: Egyptian Perfume Vases - Engraving by Emile Duhousset (1823-19?) , from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Egyptian vases - Woodcut engraving by E. Duhousset from Eugene Rimmel's Livres des Parfums, Paris, 1870 / Bridgeman Images
LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images
FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images
LRI4689267: Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images
LRI4689403: Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate, Etruscan, (5th century BC) / Bridgeman Images
FLO4689442: The Green Parrot and Mascarin of the Reunion. Engraving by Madame Thorel after a drawing by Edouard Travies, published in Les Oeuvres completes de Buffon, by Richard, published in Paris, by Pourrat Freres, 1839. / Bridgeman Images
FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690715: Japanese oiran and samurai. Japanese courtesan in kimono with fan and hair ornaments, and two Japanese samurai in chonmage hairstyle wearing montsuki over hakama with two swords (katana) in their belts. (Titled Chinese in error.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
LRI4690688: The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images
FLO4690797: Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4690869: Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827. / Bridgeman Images
FLO4690734: Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691097: Giraffe, Giraffa camelopardalis, female. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691069: Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691183: Broad-tailed sheep, Ovis aries laticaudata, and merino sheep, Ovis aries hispanica. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691182: Plains zebra, Equus quagga, and mountain zebra, Equus zebra, vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691368: Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829. / Bridgeman Images
FLO4691378: Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images
FLO4691230: Barbary lion, female, Panthera leo barbaricus (Felis leoena barbarica) extinct. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images
FLO4691390: Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images
FLO4691629: Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4691327: Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images
LRI4690166: Saint Luke the Evangelist (Fresco, 16th century ), Perugino, Pietro (c.1445-1523) / Bridgeman Images
LRI4690172: The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century), Perugino, Pietro (c.1445-1523) / Bridgeman Images
LRI4690231: Virgin and Child and Crucifixion (after restoration). 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images
FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690255: The Nativity. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images
FLO4690269: The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690524: The Annunciation. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images
FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690300: The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690571: The four doctors of the Roman Church, detail: Saint Jerome and the evangelist Saint Luke.14th century (fresco), Sienese School, (14th century) / Bridgeman Images
LRI4690579: View of the presbytery of the Upper Church with the main altar in cosmatesque style. 13th century (photography), Italian School, (13th century) / Bridgeman Images
FLO4690069: Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images
