FLO4675401: Apple king of pippins. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. King of Pippins apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images
FLO4675481: Dwarf prolific hazelnut. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Dwarf Prolific Nut, Corylus avellana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraved by T. Withy from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images
FLO4675530: The Predicator. Death with a stole around his neck stands behind the predicator, holding a jaw above his head, possibly meaning that he is the best predictor of both. Plate 13. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675182: Apple Pitmaston golden curnne. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Pitmaston Golden Wreath apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images
FLO4675212: Apple Taunton golden pippin. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Taunton Golden Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured woodblock engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images
FLO4675217: Strawberry Austen Scarlate. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Austen's Scarlet strawberry, Fragaria virginiana, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images
FLO4675580: The emperor. Sitting on a throne, in the presence of his courtiers, the emperor seems to be listening, or doing justice, to a poor man who is kneeling before him and complains against his rich oppressor, whom the emperor, holding the sword of justice, seems to consider with an angry face. Behind him, death puts his hand on his crown. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675675: Expulsion from heaven. Adam and Eve are preceded by death, which plays on an old man, or a beggar's lyre, as if she wanted to show her joy in the victory he obtained over man. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images
FLO4675957: Costume d'une femme de la noblesse italian, 14th century - Costume of an Italian noblewoman, 14th century - She wears a veil, a blue dress trimmed with fur and edged with gold, over a pink dress - From a painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4675962: Uniforms of Italian soldiers, 14th century - The wear tunics in Siena brown with coats of arms of Saint Mark (gold lion on red field), over suits of armour - The soldier with the banner of the church (two keys on a red field) wears a white helmet decorated with silver - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena, depicting Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barbarossa - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4675979: Vestment of an Italian cardinal, 14th century - From a painting of the Last Judgment by Ambrogio Lorenzetti in the Academy of Fine Arts, Siena - He wears a red hat, large red cape with hood, white surplice, blue cassock and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4676049: Costume d'une dame de suite d'Alienor (Eleonore) du Portugal (1434-1467) (dame d'honneur ou dame de compagnie) - Lady in Waiting to Eleanor of Portugal, Holy Roman Empress - She wears her hair tied in gold, a white blouse, blue corset and sleeves open at the shoulder, white taffeta dress, and pink cape bordered with green - From a fresco by Pinturicchio and Raphael in Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4676095: Maximilian I of Habsburg (1459-1519), Emperor of the Holy Roman Empire - Maximilian I, Holy Roman Emperor, in suit of armour and plumed helmet, mounted on an armoured horse with caparison with the coat of arms of Austria (five golden quail) and the Archdukedom of Austria (silver fess on a red field) - After a colored woodcut by Hans Gkmair, 1508 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4676242: Costume d'un magistrate florentin (Italy), 15th century - Costume of a government magistrate in Florence, 15th century - He wears a scarlet hood, pink cape and yellow tunic, all lined in ermine - From a miniature in a manuscript of Dante in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4676205: Italian military costume, 15th century - Italian military costume from the 15th century - He wears a steel helmet and cuirassed ornamented with gold, violet scarf, green doublet, pink stockings, and holds a sword - From a painting in the Sistine Chapel from Lucas Signorelli - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4683367: Apollo or mountain apollo butterfly, caterpillar and pupa, Parnassius apollo (Papilio apollo). Vulnerable. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images
FLO4683148: Common green birdwing, female, Ornithoptera priamus (Panthous butterfly, Papilio panthous). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images