2491557 Search Results
FLO4680128: Roman mythology: the Occasion, allegorical figure of opportunite, described in full course - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 -Occasio, Roman allegorical figure of opportunity, shown running - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images
FLO4680225: Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images
FLO4680353: Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images
FLO4680367: Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images
LRI4671824: Imperial Dalmatic Knowed as Charlemagne Dalmatic, 11th Century, Salle de la cattedra, Museo del Tesoro della Basilica di San Pietro in Vaticano, Rome Italy, Unknown Artist, (11th century) / Bridgeman Images
FLO4672222: Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4672080: Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images
FLO4672529: Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4672652: Internal muscles of the back. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4672926: The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4673112: Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4672981: Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4672987: Arm and hand circulatory system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4673300: English noble couple hunting with falcons, 13th century. He wears a crown, long green robe, gauntlets and long cracows or foals. She wears her hair tied with pearls, green hood and red robe, and holds a falcon on her gauntlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images
FLO4673005: Veins of the legs and foot. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
JLJ4673377: Portrait of Pablo Picasso, 1956 (oil on canvas), Mac-Avoy, Edouard Georges (1905-91) / Bridgeman Images
FLO4673145: Brain sections, cerebellum and ventricles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images
FLO4673360: Mace-bearer or sergeant at arms, 14th century. He wears a type of turban called a chaperon, red leotaucorps (shirt), short furlined wool doublet with puff sleeves, red stockings, black cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images
FLO4676677: Costume d'une femme de la nobility de Forence (Italy), 14th century - Noblewoman of Florence, 14th century - She wears a white transparent veil, white robe embroidered with gold, fastened at the front with a gold clasp, and white falcon's gauntlet - Allegorical figure of mystic theology from Taddeo Gaddis fresco in the church of Santa Maria Novella, Florence - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4676686: The Doge of Venice, Sebastian Ziani (died 1178) presents his sword to Pope Alexander III (Rolando Bandinelli, circa 1105-1181), as a sign of commitment to the fight against Emperor Frederic Barberousse (Frederic I de Hohenstaufen, 1122-1190) - Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barossa, 14th century - The Pope wears a papal tiara, scarlet chasuble, white pallium, and white gloves - The Doge wears a ducal bonnet, tunic in Siena brown with coats of arms of Saint Mark (gold lion on red field) over a suit of plate armour and chainmail - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena - Handcoloured illustration drawn and lithographed Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4677236: A Middle Ages man plays billiards with a woman who lays chalk on the tail she uses (billiards was only popular in the 19th century) - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre happy, by Francis Cowley Burnand (1836-1917), 1873 - Medieval man playing a game of snooker (pool) while a woman chalks her cue and watches (Snooker was not popular until the 19th century) - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images
TEC4676926: Accommodation in Emerainville (Marne la Vallee). Realisation 1986, architect Lucien Kroll. Photography 1986., Kroll, Lucien (b. 1927) / Bridgeman Images
FLO4676956: Cansignorio della Scala (1340-1375), Italian condottiere, headdress of a liripion - Cansignorio della Scala, lord of Verona, 14th century - He wears a scarlet hood and hanging-sleeved tabard lined with ermine, stockings, gauntlets, belt and holds a two-handed illustration sword - From the tomb of the Scaligers in Verona - Handcoloured drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4677639: Woman balancing on a candlestick on a table, while a child walks on its hands. Later, Madame Herculanus fixes two anchors in curling papers to her hair, and lifts an anvil with her hands as if picking up a hairpin.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images
FLO4677099: Costume d'un homme de la noblesse italian, 14th century - Costume of an Italian noble man, 14th century - He wears a gold-bordered black hat surmounted by plumes, a damask tabard with huge ermine-lined sleeves, panlottes and stockings - From a painting by Domenico Bartoli - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images
FLO4672265: Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
JLJ4673288: Potato Pickers, 1956 (oil on canvas), Rohner, Georges (1913-2000) / Bridgeman Images
FLO4674116: Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images
FLO4671786: Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
FLO4672045: King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4672088: Men's costumes 13th-14th century, wearing short tunics and colored stockings, at the time of King Edward I Plantagenet (1239-1307) and Edward II (1284-1327). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4672159: Woman's costume in the time of Richard II (1367-1400), from a royal manuscript. The hairstyle is inspired by an effigy of the wife of Ralph Neville (1364-1425), Earl of Westmorland. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4671769: Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
FLO4672284: William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images
FLO4671833: Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
FLO4671952: Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images
