Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502127 Search Results

Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643290: Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643391: Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643399: Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino
Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino

LRI4643474: Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino, Luciani, Ascanio (c.1621-1706) / Bridgeman Images

A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD)
A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD)

LRI4643142: A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD), Roman, (1st century BC) / Bridgeman Images

Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643168: Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643184: Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643198: Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

Blue-headed parrot, Pionus menstruus. (Psittacus menstruus) Handcoloured copperplate engraving of an illustration by Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Blue-headed parrot, Pionus menstruus. (Psittacus menstruus) Handcoloured copperplate engraving of an illustration by Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643265: Blue-headed parrot, Pionus menstruus. (Psittacus menstruus) Handcoloured copperplate engraving of an illustration by Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643475: Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)
The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)

LRI4643505: The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863), Gamba, Enrico (1831-83) / Bridgeman Images

Sculpture made by a German goldfather in ivory, gold and enamel. Florence, Museo degli Argenti (Inv. Gem 1921, n. 2574)
Sculpture made by a German goldfather in ivory, gold and enamel. Florence, Museo degli Argenti (Inv. Gem 1921, n. 2574)

LRI4646557: Sculpture made by a German goldfather in ivory, gold and enamel. Florence, Museo degli Argenti (Inv. Gem 1921, n. 2574), German School / Bridgeman Images

Fuchsia hybrids: North Star 1, the Fair Oriana 2, and Chiswick Souvenir 3. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
Fuchsia hybrids: North Star 1, the Fair Oriana 2, and Chiswick Souvenir 3. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

FLO4646583: Fuchsia hybrids: North Star 1, the Fair Oriana 2, and Chiswick Souvenir 3. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857. / Bridgeman Images

Scarlet Provence pink, rose of Provins, Rosa gallica. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.
Scarlet Provence pink, rose of Provins, Rosa gallica. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.

FLO4646586: Scarlet Provence pink, rose of Provins, Rosa gallica. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures. / Bridgeman Images

Simple pink, pink dog rose, Rosa canina. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.
Simple pink, pink dog rose, Rosa canina. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.

FLO4646609: Simple pink, pink dog rose, Rosa canina. Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures. / Bridgeman Images

Armadillo girdled lizard, Cordylus cataphractus, cordyle, and roughtail rock agama, Laudakia stellio, Levant stellion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault.
Armadillo girdled lizard, Cordylus cataphractus, cordyle, and roughtail rock agama, Laudakia stellio, Levant stellion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault.

FLO4645347: Armadillo girdled lizard, Cordylus cataphractus, cordyle, and roughtail rock agama, Laudakia stellio, Levant stellion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

Hemp-leaved rose, Rosa cannabina, and church chandelier, Rosa gallica. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century.
Hemp-leaved rose, Rosa cannabina, and church chandelier, Rosa gallica. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century.

FLO4645436: Hemp-leaved rose, Rosa cannabina, and church chandelier, Rosa gallica. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century. / Bridgeman Images

Rose hazelnut, Rosa noisettaeana, and rose jaune, yellow rose, Rosa lutea. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century.
Rose hazelnut, Rosa noisettaeana, and rose jaune, yellow rose, Rosa lutea. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century.

FLO4645477: Rose hazelnut, Rosa noisettaeana, and rose jaune, yellow rose, Rosa lutea. Handcoloured illustration by Pancrace Bessa stipple engraved by Teillard from Charles Malos “” Histoire des Roses,”” Paris, 1818. A gift book for ladies with 12 miniature botanicals by Bessa, one of the great English flower painters of the 19th century. / Bridgeman Images

Hubble Space Telescope - Artist's View - Hubble Space Telescope - Artist's View
Hubble Space Telescope - Artist's View - Hubble Space Telescope - Artist's View

PIX4645489: Hubble Space Telescope - Artist's View - Hubble Space Telescope - Artist's View, Dixon, Don (b.1951) / Bridgeman Images

Varieties of Japanese camelias (Thea japonica Nois): Kakehoshi and Shokokou, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Varieties of Japanese camelias (Thea japonica Nois): Kakehoshi and Shokokou, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4646957: Varieties of Japanese camelias (Thea japonica Nois): Kakehoshi and Shokokou, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

Variety of camelias from Japan (Thea japonica Nois): Kokinran, with white and pink flerus. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Kokinran, with white and pink flerus. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4646988: Variety of camelias from Japan (Thea japonica Nois): Kokinran, with white and pink flerus. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

Farmer up a tree watching an American bison fight a bull. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
Farmer up a tree watching an American bison fight a bull. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

FLO4646535: Farmer up a tree watching an American bison fight a bull. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857. / Bridgeman Images

Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.
Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures.

FLO4646637: Handcoloured copperplate engraving of an illustration by Miss Prudhomme from “” Hommage rendu a la Rose,”” Paris, circa 1815. A gift book with the history of the rose and a dozen botanical miniatures. / Bridgeman Images

Mushrooms: varieties of milk precoces (edible) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Hatsudake and sahatsudake mushrooms, Lactarius hatsudake Tanaka - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916
Mushrooms: varieties of milk precoces (edible) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Hatsudake and sahatsudake mushrooms, Lactarius hatsudake Tanaka - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916

FLO4646650: Mushrooms: varieties of milk precoces (edible) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Hatsudake and sahatsudake mushrooms, Lactarius hatsudake Tanaka - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916 / Bridgeman Images

Mushrooms: shimeji varietes (white and pink) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Yabushimeji mushroom varieties - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: shimeji varietes (white and pink) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Yabushimeji mushroom varieties - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646739: Mushrooms: shimeji varietes (white and pink) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Yabushimeji mushroom varieties - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646925: Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

Varieties of Japanese camelias (Thea japonica Nois): Watashi mori and Hinazuru, with white flowers with pink lines. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Varieties of Japanese camelias (Thea japonica Nois): Watashi mori and Hinazuru, with white flowers with pink lines. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647019: Varieties of Japanese camelias (Thea japonica Nois): Watashi mori and Hinazuru, with white flowers with pink lines. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

Knight in armor with spear and epee on both sides of the coat of arms of the 15th century, tombstone of Oswald von Wolkenstein, died 1408 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor with spear and epee on both sides of the coat of arms of the 15th century, tombstone of Oswald von Wolkenstein, died 1408 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643624: Knight in armor with spear and epee on both sides of the coat of arms of the 15th century, tombstone of Oswald von Wolkenstein, died 1408 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail of a religious images seller and water merchant - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino
La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail of a religious images seller and water merchant - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

LRI4643635: La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail of a religious images seller and water merchant - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino, Gigante, Gaetano (1770-1840) / Bridgeman Images

View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples
View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples

LRI4643649: View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples, Unknown Artist, (19th century) / Bridgeman Images

Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643690: Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883
Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883

FLO4643872: Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883 / Bridgeman Images

Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643930: Costumes mid-15th century: a knight kneels in prayer with two women, wearing long dresses and coats (from an embroidery of the Sacristy of Domes in Aachen, Germany) and three women with their headdresses, based on a drawing by a Dutch master of the Berlin library (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Vermeil cup and email, 1462, from Vienna (Austria) -Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Vermeil cup and email, 1462, from Vienna (Austria) -Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643951: Vermeil cup and email, 1462, from Vienna (Austria) -Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Knight of the mid-15th century, wearing a tunic with checkered over his armor and stockings, above him, two angels hold his coat of arms on both sides, including a sword with an engraved blade and a war hammer - According to the Dresden Engraving Museum, the Wurzburg Historical Society and the Munthoich Museum (Germany) - Chromoliich Museum Graphic , drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight of the mid-15th century, wearing a tunic with checkered over his armor and stockings, above him, two angels hold his coat of arms on both sides, including a sword with an engraved blade and a war hammer - According to the Dresden Engraving Museum, the Wurzburg Historical Society and the Munthoich Museum (Germany) - Chromoliich Museum Graphic , drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643987: Knight of the mid-15th century, wearing a tunic with checkered over his armor and stockings, above him, two angels hold his coat of arms on both sides, including a sword with an engraved blade and a war hammer - According to the Dresden Engraving Museum, the Wurzburg Historical Society and the Munthoich Museum (Germany) - Chromoliich Museum Graphic , drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

King Henry VI of England (1421-1471), with two dragons wings holding his coat of arms, composed of lions and lilies, according to the journal of the knights of Ehingen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century the””, published by Heinrich Keller, Frankfurt, 1883
King Henry VI of England (1421-1471), with two dragons wings holding his coat of arms, composed of lions and lilies, according to the journal of the knights of Ehingen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century the””, published by Heinrich Keller, Frankfurt, 1883

FLO4644018: King Henry VI of England (1421-1471), with two dragons wings holding his coat of arms, composed of lions and lilies, according to the journal of the knights of Ehingen - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century the””, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images


Back to top