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Maquette for Family Group, St. Bartholomews Church, East Ham, 1983 (aluminium)
Maquette for Family Group, St. Bartholomews Church, East Ham, 1983 (aluminium)

LMG876251: Maquette for Family Group, St. Bartholomews Church, East Ham, 1983 (aluminium), Bridgeman, John (1916-2004) / Bridgeman Images

ID: LMG876251

Maquette for Family Group, St. Bartholomews Church, East Ham, 1983 (aluminium)

Bridgeman, John (1916-2004)

Bust of King Haakon VII, 1944 (patinated plaster) (see also 876260-2)
Bust of King Haakon VII, 1944 (patinated plaster) (see also 876260-2)

LMG876261: Bust of King Haakon VII, 1944 (patinated plaster) (see also 876260-2), Kormis, Fred (Fritz) (1894-1986) / Bridgeman Images

ID: LMG876261

Bust of King Haakon VII, 1944 (patinated plaster) (see also 876260-2)

Kormis, Fred (Fritz) (1894-1986)

Maquette for '3.B.S.', 1984 (wood & paint) (see also 876266)
Maquette for '3.B.S.', 1984 (wood & paint) (see also 876266)

LMG876265: Maquette for '3.B.S.', 1984 (wood & paint) (see also 876266), Kitchin, L. Roy (b.1926) / Bridgeman Images

ID: LMG876265

Maquette for '3.B.S.', 1984 (wood & paint) (see also 876266)

Kitchin, L. Roy (b.1926)

Barnaby Rudge, illustration for 'Barnaby Rudge' by Charles Dickens (colour litho)
Barnaby Rudge, illustration for 'Barnaby Rudge' by Charles Dickens (colour litho)

LLM876275: Barnaby Rudge, illustration for 'Barnaby Rudge' by Charles Dickens (colour litho), Sibson, Thomas (1817-44) / Bridgeman Images

ID: LLM876275

Barnaby Rudge, illustration for 'Barnaby Rudge' by Charles Dickens (colour litho)

Sibson, Thomas (1817-44)

Bust of Alexander Pope (marble)
Bust of Alexander Pope (marble)

LMG876278: Bust of Alexander Pope (marble), Roubillac (Roubiliac), Louis-Francois (1702-62) / Bridgeman Images

ID: LMG876278

Bust of Alexander Pope (marble)

Roubillac (Roubiliac), Louis-Francois (1702-62)

Untitled, 1841 (pencil on paper)
Untitled, 1841 (pencil on paper)

DTR876288: Untitled, 1841 (pencil on paper), Cole, Thomas (1801-1848) / Bridgeman Images

ID: DTR876288

Untitled, 1841 (pencil on paper)

Cole, Thomas (1801-1848)

Sketchplate with ten heads, 1636 (etching)
Sketchplate with ten heads, 1636 (etching)

XCK877290: Sketchplate with ten heads, 1636 (etching), Palma Il Giovane (Jacopo Negretti) (1548-1628) / Bridgeman Images

ID: XCK877290

Sketchplate with ten heads, 1636 (etching)

Palma Il Giovane (Jacopo Negretti) (1548-1628)

Still life, 1949 (pencil on paper)
Still life, 1949 (pencil on paper)

CLK877292: Still life, 1949 (pencil on paper), Morandi, Giorgio (1890-1964) / Bridgeman Images

ID: CLK877292

Still life, 1949 (pencil on paper)

Morandi, Giorgio (1890-1964)

Forest Path, c.1885 (etching, softground etching & drypoint on Japan paper)
Forest Path, c.1885 (etching, softground etching & drypoint on Japan paper)

XCK877294: Forest Path, c.1885 (etching, softground etching & drypoint on Japan paper), Storm van 's Gravesande, Carel Nicolaas (1841-1924) / Bridgeman Images

ID: XCK877294

Forest Path, c.1885 (etching, softground etching & drypoint on Japan paper)

Storm van 's Gravesande, Carel Nicolaas (1841-1924)

Pretty Teachings, 1868 (etching & aquatint)
Pretty Teachings, 1868 (etching & aquatint)

XCK877295: Pretty Teachings, 1868 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCK877295

Pretty Teachings, 1868 (etching & aquatint)

Goya y Lucientes, Francisco Jose de (1746-1828)

Brig on the Water, 1856 (albumen print from wet-collodion-on-glass negative)
Brig on the Water, 1856 (albumen print from wet-collodion-on-glass negative)

XCK877305: Brig on the Water, 1856 (albumen print from wet-collodion-on-glass negative), Le Gray, Gustave (1820-1884) / Bridgeman Images

ID: XCK877305

Brig on the Water, 1856 (albumen print from wet-collodion-on-glass negative)

Le Gray, Gustave (1820-1884)

The Marriage at Cana, engraved by John Baptist Jackson (c.1701-80), 1740 (chiaroscuro woodcut from four blocks on two sheets)
The Marriage at Cana, engraved by John Baptist Jackson (c.1701-80), 1740 (chiaroscuro woodcut from four blocks on two sheets)

XCK877309: The Marriage at Cana, engraved by John Baptist Jackson (c.1701-80), 1740 (chiaroscuro woodcut from four blocks on two sheets), Veronese, (Paolo Caliari) (1528-88) (after) / Bridgeman Images

ID: XCK877309

The Marriage at Cana, engraved by John Baptist Jackson (c.1701-80), 1740 (chiaroscuro woodcut from four blocks on two sheets)

Veronese, (Paolo Caliari) (1528-88) (after)

Martinique Pastorals, 1889 (zincograph on yellow wove paper)
Martinique Pastorals, 1889 (zincograph on yellow wove paper)

XCK877196: Martinique Pastorals, 1889 (zincograph on yellow wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XCK877196

Martinique Pastorals, 1889 (zincograph on yellow wove paper)

Gauguin, Paul (1848-1903)

The Urchin, 1862 (litho on cream chine collé on white wove paper)
The Urchin, 1862 (litho on cream chine collé on white wove paper)

XCK877206: The Urchin, 1862 (litho on cream chine collé on white wove paper), Manet, Edouard (1832-83) / Bridgeman Images

ID: XCK877206

The Urchin, 1862 (litho on cream chine collé on white wove paper)

Manet, Edouard (1832-83)

Child with Lamp, 1896 (litho in green, blue, pink, red, beige-pink on China paper)
Child with Lamp, 1896 (litho in green, blue, pink, red, beige-pink on China paper)

XCK877209: Child with Lamp, 1896 (litho in green, blue, pink, red, beige-pink on China paper), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: XCK877209

Child with Lamp, 1896 (litho in green, blue, pink, red, beige-pink on China paper)

Bonnard, Pierre (1867-1947)

The Servant Girl Marketing, 1888 (etching & drypoint on paper)
The Servant Girl Marketing, 1888 (etching & drypoint on paper)

XCK877210: The Servant Girl Marketing, 1888 (etching & drypoint on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: XCK877210

The Servant Girl Marketing, 1888 (etching & drypoint on paper)

Pissarro, Camille (1830-1903)

The Visit, c.1881 (softground aquatint, drypoint & etching on paper)
The Visit, c.1881 (softground aquatint, drypoint & etching on paper)

XCK877218: The Visit, c.1881 (softground aquatint, drypoint & etching on paper), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images

ID: XCK877218

The Visit, c.1881 (softground aquatint, drypoint & etching on paper)

Cassatt, Mary Stevenson (1844-1926)

Two Dancers, c.1878-79 (aquatint & drypoint on paper)
Two Dancers, c.1878-79 (aquatint & drypoint on paper)

XCK877220: Two Dancers, c.1878-79 (aquatint & drypoint on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCK877220

Two Dancers, c.1878-79 (aquatint & drypoint on paper)

Degas, Edgar (1834-1917)

Saint Eustace, c.1501 (engraving)
Saint Eustace, c.1501 (engraving)

XCK877241: Saint Eustace, c.1501 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XCK877241

Saint Eustace, c.1501 (engraving)

Dürer or Duerer, Albrecht (1471-1528)

Adam and Eve, 1504 (engraving)
Adam and Eve, 1504 (engraving)

XCK877244: Adam and Eve, 1504 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XCK877244

Adam and Eve, 1504 (engraving)

Dürer or Duerer, Albrecht (1471-1528)

Saint Jerome in his Study, 1514 (engraving)
Saint Jerome in his Study, 1514 (engraving)

XCK877247: Saint Jerome in his Study, 1514 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XCK877247

Saint Jerome in his Study, 1514 (engraving)

Dürer or Duerer, Albrecht (1471-1528)

Bowl from the Swan Service, c.1738–39 (hard paste porcelain)
Bowl from the Swan Service, c.1738–39 (hard paste porcelain)

XCK877259: Bowl from the Swan Service, c.1738–39 (hard paste porcelain), Meissen Porcelain Manufactory (fl.1710-present) / Bridgeman Images

ID: XCK877259

Bowl from the Swan Service, c.1738–39 (hard paste porcelain)

Meissen Porcelain Manufactory (fl.1710-present)

Coastal Scene in Moonlight, 1769 (oil on canvas)
Coastal Scene in Moonlight, 1769 (oil on canvas)

XCK877267: Coastal Scene in Moonlight, 1769 (oil on canvas), Vernet, Claude Joseph (1714-89) / Bridgeman Images

ID: XCK877267

Coastal Scene in Moonlight, 1769 (oil on canvas)

Vernet, Claude Joseph (1714-89)

Decanter and stopper, probably Boston and Sandwich Glass Works, c.1825-40 (mold-blown glass)
Decanter and stopper, probably Boston and Sandwich Glass Works, c.1825-40 (mold-blown glass)

XCK877274: Decanter and stopper, probably Boston and Sandwich Glass Works, c.1825-40 (mold-blown glass) , American School, (19th century) / Bridgeman Images

ID: XCK877274

Decanter and stopper, probably Boston and Sandwich Glass Works, c.1825-40 (mold-blown glass)

American School, (19th century)

Sheet of studies for painting in the Salone del Maggior Consiglio, Ducal Palace, Venice, c.1578 (pen & brown ink on laid paper)
Sheet of studies for painting in the Salone del Maggior Consiglio, Ducal Palace, Venice, c.1578 (pen & brown ink on laid paper)

XCK877278: Sheet of studies for painting in the Salone del Maggior Consiglio, Ducal Palace, Venice, c.1578 (pen & brown ink on laid paper), Palma Il Giovane (Jacopo Negretti) (1548-1628) / Bridgeman Images

ID: XCK877278

Sheet of studies for painting in the Salone del Maggior Consiglio, Ducal Palace, Venice, c.1578 (pen & brown ink on laid paper)

Palma Il Giovane (Jacopo Negretti) (1548-1628)

Academic figure study: male nude holding a staff, 1844 (charcoal & stumping on beige laid paper)
Academic figure study: male nude holding a staff, 1844 (charcoal & stumping on beige laid paper)

XCK877279: Academic figure study: male nude holding a staff, 1844 (charcoal & stumping on beige laid paper), Stevens, Alfred Emile (1823-1906) / Bridgeman Images

ID: XCK877279

Academic figure study: male nude holding a staff, 1844 (charcoal & stumping on beige laid paper)

Stevens, Alfred Emile (1823-1906)

Portrait of a woman, 1890 (pastel on prepared canvas)
Portrait of a woman, 1890 (pastel on prepared canvas)

XCK877281: Portrait of a woman, 1890 (pastel on prepared canvas), Blanche, Jacques-Emile (1861-1942) / Bridgeman Images

ID: XCK877281

Portrait of a woman, 1890 (pastel on prepared canvas)

Blanche, Jacques-Emile (1861-1942)

Intermezzi, Opus IV, Bl. 5: Fighting Centaurs, 1881 (etching & aquatint)
Intermezzi, Opus IV, Bl. 5: Fighting Centaurs, 1881 (etching & aquatint)

XCK877289: Intermezzi, Opus IV, Bl. 5: Fighting Centaurs, 1881 (etching & aquatint), Klinger, Max (1857-1920) / Bridgeman Images

ID: XCK877289

Intermezzi, Opus IV, Bl. 5: Fighting Centaurs, 1881 (etching & aquatint)

Klinger, Max (1857-1920)

Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)
Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)

XJF869833: Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869833

Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)

English School, (19th century)

Office of the Illustrated London News, 1842 (engraving)
Office of the Illustrated London News, 1842 (engraving)

XJF869840: Office of the Illustrated London News, 1842 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869840

Office of the Illustrated London News, 1842 (engraving)

English School, (19th century)

Old Entrance to the Crown and Anchor Tavern,1851 (engraving)
Old Entrance to the Crown and Anchor Tavern,1851 (engraving)

XJF869841: Old Entrance to the Crown and Anchor Tavern,1851 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869841

Old Entrance to the Crown and Anchor Tavern,1851 (engraving)

English School, (19th century)

St. Martin's Church from Charing Cross,1837 (engraving)
St. Martin's Church from Charing Cross,1837 (engraving)

XJF869846: St. Martin's Church from Charing Cross,1837 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869846

St. Martin's Church from Charing Cross,1837 (engraving)

English School, (19th century)

Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)
Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)

XJF869853: Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869853

Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)

English School, (19th century)

Programme cover from the Windmill Theatre's production - Reudeville -
Programme cover from the Windmill Theatre's production - Reudeville -

XJF869868: Programme cover from the Windmill Theatre's production - Reudeville - "I'm 21 today Hooray", 1953 (photograph), English School, (20th century) / Bridgeman Images

ID: XJF869868

Programme cover from the Windmill Theatre's production - Reudeville - "I'm 21 today Hooray", 1953 (photograph)

English School, (20th century)

Harry Lauder, Scottish music hall comedian and singer, 20 Century (photograph)
Harry Lauder, Scottish music hall comedian and singer, 20 Century (photograph)

XJF869870: Harry Lauder, Scottish music hall comedian and singer, 20 Century (photograph), Scottish School, (20th century) / Bridgeman Images

ID: XJF869870

Harry Lauder, Scottish music hall comedian and singer, 20 Century (photograph)

Scottish School, (20th century)

The Social Pinch, print made by William Kay, 1784-1813 (etching)
The Social Pinch, print made by William Kay, 1784-1813 (etching)

XJF869873: The Social Pinch, print made by William Kay, 1784-1813 (etching), English School, (19th century) / Bridgeman Images

ID: XJF869873

The Social Pinch, print made by William Kay, 1784-1813 (etching)

English School, (19th century)


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