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Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)
Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)

LRI4627554: Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4627554

Portrait of Tommaso Antonio Vitali Modoni, Italian composer and violinist. 18th century (painting)

Unknown artist, (18th century)

Total solar eclipse in Antarctica. - Total solar eclipse. Antarctica. - Total eclipse of Sun at the southern pole, 24 November 2003. Total solar eclipse at South Pole on November 24th, 2003
Total solar eclipse in Antarctica. - Total solar eclipse. Antarctica. - Total eclipse of Sun at the southern pole, 24 November 2003. Total solar eclipse at South Pole on November 24th, 2003

PIX4627783: Total solar eclipse in Antarctica. - Total solar eclipse. Antarctica. - Total eclipse of Sun at the southern pole, 24 November 2003. Total solar eclipse at South Pole on November 24th, 2003 / Bridgeman Images

ID: PIX4627783

Total solar eclipse in Antarctica. - Total solar eclipse. Antarctica. - Total eclipse of Sun at the southern pole, 24 November 2003. Total solar eclipse at South Pole on November 24th, 2003

Shamrock pea or blue oxalis. Parochetus communis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.
Shamrock pea or blue oxalis. Parochetus communis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

FLO4627734: Shamrock pea or blue oxalis. Parochetus communis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65. / Bridgeman Images

ID: FLO4627734

Shamrock pea or blue oxalis. Parochetus communis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

Snowball plant, Saussurea gossypiphora (Aplotaxis gossypina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.
Snowball plant, Saussurea gossypiphora (Aplotaxis gossypina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

FLO4627822: Snowball plant, Saussurea gossypiphora (Aplotaxis gossypina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65. / Bridgeman Images

ID: FLO4627822

Snowball plant, Saussurea gossypiphora (Aplotaxis gossypina). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

Soft vanda orchid, Vanda tricolor var. suavis (Vanda suavis hrubyana). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.
Soft vanda orchid, Vanda tricolor var. suavis (Vanda suavis hrubyana). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

FLO4627865: Soft vanda orchid, Vanda tricolor var. suavis (Vanda suavis hrubyana). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65. / Bridgeman Images

ID: FLO4627865

Soft vanda orchid, Vanda tricolor var. suavis (Vanda suavis hrubyana). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

Acanthophoenix crinita palm tree. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Acanthophoenix crinita palm tree. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4627875: Acanthophoenix crinita palm tree. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

ID: FLO4627875

Acanthophoenix crinita palm tree. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

Rudgea macrophylla. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Rudgea macrophylla. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4627894: Rudgea macrophylla. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images

ID: FLO4627894

Rudgea macrophylla. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624612: Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624612

Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Captain of the Hungarian Guards, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Captain of the Hungarian Guards, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624657: Captain of the Hungarian Guards, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624657

Captain of the Hungarian Guards, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

English military: Hunter or Jaeger corps in shacko with horn and axe 1, mace and axe, and colonel in pelisse coat 3, Turkish corps in turban 4, and Wallachian soldier 5. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
English military: Hunter or Jaeger corps in shacko with horn and axe 1, mace and axe, and colonel in pelisse coat 3, Turkish corps in turban 4, and Wallachian soldier 5. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624762: English military: Hunter or Jaeger corps in shacko with horn and axe 1, mace and axe, and colonel in pelisse coat 3, Turkish corps in turban 4, and Wallachian soldier 5. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624762

English military: Hunter or Jaeger corps in shacko with horn and axe 1, mace and axe, and colonel in pelisse coat 3, Turkish corps in turban 4, and Wallachian soldier 5. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Russian nobles and travelers on sleds and sleighs on a frozen river, and men on a horse-driven carriage on the riverbank, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Russian nobles and travelers on sleds and sleighs on a frozen river, and men on a horse-driven carriage on the riverbank, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624871: Russian nobles and travelers on sleds and sleighs on a frozen river, and men on a horse-driven carriage on the riverbank, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624871

Russian nobles and travelers on sleds and sleighs on a frozen river, and men on a horse-driven carriage on the riverbank, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624675: Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624675

Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

National costumes of the Hungarians, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
National costumes of the Hungarians, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624684: National costumes of the Hungarians, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624684

National costumes of the Hungarians, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624709: Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624709

Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Step to Entropy, 2003 (sculpture)
Step to Entropy, 2003 (sculpture)

TEC4634200: Step to Entropy, 2003 (sculpture), Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634200

Step to Entropy, 2003 (sculpture)

Artschwager, Richard (b.1923)

Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe
Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe

PIX4634203: Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634203

Quintessence - Artist's view of Quintessence, a dark form of energy that could accelerate the expansion of the universe

Dixon, Don (b.1951)

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy
The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

LRI4634228: The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy, Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: LRI4634228

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634295: The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634295

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634331: Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634331

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.
Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.

TEC4634351: Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09., Hajdu, Etienne (1907-1996) / Bridgeman Images

ID: TEC4634351

Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.

Hajdu, Etienne (1907-1996)

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634380: Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634380

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Space-time -Artist's view
Space-time -Artist's view

PIX4634384: Space-time -Artist's view / Bridgeman Images

ID: PIX4634384

Space-time -Artist's view

Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed
Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed

PIX4634421: Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed / Bridgeman Images

ID: PIX4634421

Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy
Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

PIX4634527: Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634527

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

Dixon, Don (b.1951)

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09
Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

TEC4634190: Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09, Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634190

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

Artschwager, Richard (b.1923)

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634202: View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634202

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634223: A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634223

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634304: The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634304

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The neighbourhood of our solar system - The neighbourhood of our solar system
The neighbourhood of our solar system - The neighbourhood of our solar system

PIX4634513: The neighbourhood of our solar system - The neighbourhood of our solar system / Bridgeman Images

ID: PIX4634513

The neighbourhood of our solar system - The neighbourhood of our solar system

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time
Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

PIX4634142: Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634142

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

Dixon, Don (b.1951)

The nap, 1878. (Oil on canvas)
The nap, 1878. (Oil on canvas)

LRI4634497: The nap, 1878. (Oil on canvas), Belimbau, Adolfo (1845-1938) / Bridgeman Images

ID: LRI4634497

The nap, 1878. (Oil on canvas)

Belimbau, Adolfo (1845-1938)

Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634531: Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634531

Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634586: The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634586

The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634596: Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634596

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634646: An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634646

An itelmen man driving a dog sledding in the snowy plains of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen man in furlined clothes riding a dogsled driven by five dogs in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634707: Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634707

Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.


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