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Utensils and tools of the Malagasy people of Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Utensils and tools of the Malagasy people of Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620389: Utensils and tools of the Malagasy people of Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620435: Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Portrait of Alade Banti in white, 1866 (painting)
Portrait of Alade Banti in white, 1866 (painting)

LRI4620450: Portrait of Alade Banti in white, 1866 (painting), Boldini, Giovanni (1842-1931) / Bridgeman Images

Force Allegory, c.1470 (tempera on wood)
Force Allegory, c.1470 (tempera on wood)

LRI4620503: Force Allegory, c.1470 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620585: Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620749: Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620241: The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620382: House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620414: Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Costumes of the Malagasy people of Madagascar. Woman with parasol carried in a sedan chair by servants. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the Malagasy people of Madagascar. Woman with parasol carried in a sedan chair by servants. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620430: Costumes of the Malagasy people of Madagascar. Woman with parasol carried in a sedan chair by servants. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620551: Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620700: Bedouin arabs of Egypt, 1820s, with basket, stick, and mother carrying a baby on her back. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620704: Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620742: Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620240: Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620326: Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4620357: Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620476: Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Wedding feast in an Egyptian harem, 1820, with bride and groom surrounded by female dancers and musicians. Handcoloured copperplate engraving by Andrea Bernieri after a painting by Giovanni Bigatti from Giulio Ferrario's Costumes Antique and Modern of All Peoples, 1843.
Wedding feast in an Egyptian harem, 1820, with bride and groom surrounded by female dancers and musicians. Handcoloured copperplate engraving by Andrea Bernieri after a painting by Giovanni Bigatti from Giulio Ferrario's Costumes Antique and Modern of All Peoples, 1843.

FLO4620527: Wedding feast in an Egyptian harem, 1820, with bride and groom surrounded by female dancers and musicians. Handcoloured copperplate engraving by Andrea Bernieri after a painting by Giovanni Bigatti from Giulio Ferrario's Costumes Antique and Modern of All Peoples, 1843. / Bridgeman Images

Virgin and Child, 1517-1518 (oil on canvas)
Virgin and Child, 1517-1518 (oil on canvas)

LRI4620741: Virgin and Child, 1517-1518 (oil on canvas), Correggio, (Antonio Allegri) (c.1489-1534) / Bridgeman Images

Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621188: Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

The visit to the nurse (oil on canvas, 1873)
The visit to the nurse (oil on canvas, 1873)

LRI4621281: The visit to the nurse (oil on canvas, 1873), Lega, Silvestro (1826-95) / Bridgeman Images

Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)
Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)

LRI4621000: Path to the Olive trees with Walkers, 1885-1895 (oil on canvas), Fattori, Giovanni (1825-1908) / Bridgeman Images

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621021: View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621076: Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620803: Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna
The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna

LRI4620902: The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna, Nittis, Giuseppe or Joseph de (1846-84) / Bridgeman Images

Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621007: Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621067: Golden lion tamarin, Leontopithecus rosalia (endangered), Andean condor, Vultur gryphus, and cacao tree, Theobroma cacao. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621207: Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621247: Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621283: Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621286: Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Saturn from his satellite Titan - Saturn from his satellite Tita
Saturn from his satellite Titan - Saturn from his satellite Tita

PIX4625952: Saturn from his satellite Titan - Saturn from his satellite Tita, Dixon, Don (b.1951) / Bridgeman Images

Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4625956: Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4626006: Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images


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