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Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613224: Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613224

Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Great crested grebe, Podiceps cristatus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Great crested grebe, Podiceps cristatus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613309: Great crested grebe, Podiceps cristatus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613309

Great crested grebe, Podiceps cristatus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Corn bunting, Miliaria calandra. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Corn bunting, Miliaria calandra. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613194: Corn bunting, Miliaria calandra. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613194

Corn bunting, Miliaria calandra. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)
The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)

LRI4613308: The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4613308

The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Red-throated loon or diver, Gavia stellata. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Red-throated loon or diver, Gavia stellata. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613385: Red-throated loon or diver, Gavia stellata. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613385

Red-throated loon or diver, Gavia stellata. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Virgin and child with six saints, Peter, Cosmas and Damian, St John, St Lawrence and St Francis. Detail of Annalena altarpiece (Wood painting, 1437-1438)
Virgin and child with six saints, Peter, Cosmas and Damian, St John, St Lawrence and St Francis. Detail of Annalena altarpiece (Wood painting, 1437-1438)

LRI4613423: Virgin and child with six saints, Peter, Cosmas and Damian, St John, St Lawrence and St Francis. Detail of Annalena altarpiece (Wood painting, 1437-1438), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4613423

Virgin and child with six saints, Peter, Cosmas and Damian, St John, St Lawrence and St Francis. Detail of Annalena altarpiece (Wood painting, 1437-1438)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613092: Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613092

Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)
Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)

LRI4613456: Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4613456

Descent from the cross, or Altarpiece of the Holy Trinity (Tempera on wood, 1437-1455)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613181: Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613181

Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Small digital. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Small digital. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609528: Small digital. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609528

Small digital. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Mountain Soldanelle. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Mountain Soldanelle. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609546: Mountain Soldanelle. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609546

Mountain Soldanelle. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609635: Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609635

Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Passion of Christ: Jesus and Pontius Pilate (oil on wood, 1434)
Passion of Christ: Jesus and Pontius Pilate (oil on wood, 1434)

LRI4609649: Passion of Christ: Jesus and Pontius Pilate (oil on wood, 1434), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

ID: LRI4609649

Passion of Christ: Jesus and Pontius Pilate (oil on wood, 1434)

Vaga, Perino del (Pietro Buonaccorsi) (1501-47)

Hewittia malabarica (Convolvulus bicolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1821.
Hewittia malabarica (Convolvulus bicolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609700: Hewittia malabarica (Convolvulus bicolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

ID: FLO4609700

Hewittia malabarica (Convolvulus bicolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1821.

White lily variete. Copper engraving, starring John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
White lily variete. Copper engraving, starring John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609363: White lily variete. Copper engraving, starring John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609363

White lily variete. Copper engraving, starring John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Gentian viscous or kind. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Gentian viscous or kind. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609372: Gentian viscous or kind. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609372

Gentian viscous or kind. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

The Tower Side by Side, construction 2007 in Almere in the Netherlands- photo 10/07/07 (photo)
The Tower Side by Side, construction 2007 in Almere in the Netherlands- photo 10/07/07 (photo)

LBY4609414: The Tower Side by Side, construction 2007 in Almere in the Netherlands- photo 10/07/07 (photo), Koolhaas, Rem (b.1944) / Bridgeman Images

ID: LBY4609414

The Tower Side by Side, construction 2007 in Almere in the Netherlands- photo 10/07/07 (photo)

Koolhaas, Rem (b.1944)

Rodhodendron calendule of flame color.Copper engraving, starring John Curtis and grave by Weddell, published in the “” Botanical Magazine of Curtis”, in 1820, by Samuel Curtis, London, England.
Rodhodendron calendule of flame color.Copper engraving, starring John Curtis and grave by Weddell, published in the “” Botanical Magazine of Curtis”, in 1820, by Samuel Curtis, London, England.

FLO4609418: Rodhodendron calendule of flame color.Copper engraving, starring John Curtis and grave by Weddell, published in the “” Botanical Magazine of Curtis”, in 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609418

Rodhodendron calendule of flame color.Copper engraving, starring John Curtis and grave by Weddell, published in the “” Botanical Magazine of Curtis”, in 1820, by Samuel Curtis, London, England.

Field oxytropic. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Field oxytropic. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609434: Field oxytropic. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609434

Field oxytropic. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609476: Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609476

Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Portrait of Don Biagio Milanesi, General of the Order of the Abbey of Vallombrosa Profile of a monk from the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)
Portrait of Don Biagio Milanesi, General of the Order of the Abbey of Vallombrosa Profile of a monk from the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)

LRI4609691: Portrait of Don Biagio Milanesi, General of the Order of the Abbey of Vallombrosa Profile of a monk from the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4609691

Portrait of Don Biagio Milanesi, General of the Order of the Abbey of Vallombrosa Profile of a monk from the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)

Perugino, Pietro (c.1445-1523)

Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822.
Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609822: Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

ID: FLO4609822

Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822.

Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609881: Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4609881

Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Perseus Freeing Andromeda, detail (1510, oil on canvas)
Perseus Freeing Andromeda, detail (1510, oil on canvas)

LRI4609905: Perseus Freeing Andromeda, detail (1510, oil on canvas), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: LRI4609905

Perseus Freeing Andromeda, detail (1510, oil on canvas)

Cosimo, Piero di (c.1462-1521)

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)
Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

LRI4609982: Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: LRI4609982

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

Cosimo, Piero di (c.1462-1521)

Coleoptere: violet carabus and belladonna plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Carabus exasperatus, Carabus violaceus, Portland Carabus, and deadly nightshade, Atropa belladonna. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Coleoptere: violet carabus and belladonna plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Carabus exasperatus, Carabus violaceus, Portland Carabus, and deadly nightshade, Atropa belladonna. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610007: Coleoptere: violet carabus and belladonna plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Carabus exasperatus, Carabus violaceus, Portland Carabus, and deadly nightshade, Atropa belladonna. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610007

Coleoptere: violet carabus and belladonna plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Carabus exasperatus, Carabus violaceus, Portland Carabus, and deadly nightshade, Atropa belladonna. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: variete of elophore and sea rupee plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Insect: variete of elophore and sea rupee plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4610080: Insect: variete of elophore and sea rupee plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4610080

Insect: variete of elophore and sea rupee plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610125: Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610125

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Adoration of the Magi (oil on wood, 1519-1520)
Adoration of the Magi (oil on wood, 1519-1520)

LRI4610155: Adoration of the Magi (oil on wood, 1519-1520), Pontormo, Jacopo (1494-1557) / Bridgeman Images

ID: LRI4610155

Adoration of the Magi (oil on wood, 1519-1520)

Pontormo, Jacopo (1494-1557)

Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610099: Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610099

Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4610154: Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4610154

Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Insect: lepidoptere, genus ephemeroptere with an aquatic yarrow plant u whorled myriophyll. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Acentropus garnonsii, Acentria nivea, Fale-caddis Water-veneer moth, with whorled milfoil, Myriophyllum verticillatum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: lepidoptere, genus ephemeroptere with an aquatic yarrow plant u whorled myriophyll. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Acentropus garnonsii, Acentria nivea, Fale-caddis Water-veneer moth, with whorled milfoil, Myriophyllum verticillatum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610181: Insect: lepidoptere, genus ephemeroptere with an aquatic yarrow plant u whorled myriophyll. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Acentropus garnonsii, Acentria nivea, Fale-caddis Water-veneer moth, with whorled milfoil, Myriophyllum verticillatum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610181

Insect: lepidoptere, genus ephemeroptere with an aquatic yarrow plant u whorled myriophyll. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Acentropus garnonsii, Acentria nivea, Fale-caddis Water-veneer moth, with whorled milfoil, Myriophyllum verticillatum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Flowers of passion fruit or passion flowers, narcissus and nigella. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Nectarium of the passionflower Passiflora (1), daffodil Narcissus (2), and love in a mist Nigella (3,4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Flowers of passion fruit or passion flowers, narcissus and nigella. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Nectarium of the passionflower Passiflora (1), daffodil Narcissus (2), and love in a mist Nigella (3,4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610314: Flowers of passion fruit or passion flowers, narcissus and nigella. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Nectarium of the passionflower Passiflora (1), daffodil Narcissus (2), and love in a mist Nigella (3,4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610314

Flowers of passion fruit or passion flowers, narcissus and nigella. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Nectarium of the passionflower Passiflora (1), daffodil Narcissus (2), and love in a mist Nigella (3,4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Rose, rose flower hundred leaves. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Rose, Rosa centifolia. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Rose, rose flower hundred leaves. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Rose, Rosa centifolia. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610344: Rose, rose flower hundred leaves. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Rose, Rosa centifolia. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610344

Rose, rose flower hundred leaves. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Rose, Rosa centifolia. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

The Pregnant Woman (La Gravida) (oil on wood, 1505-1506)
The Pregnant Woman (La Gravida) (oil on wood, 1505-1506)

LRI4610400: The Pregnant Woman (La Gravida) (oil on wood, 1505-1506), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: LRI4610400

The Pregnant Woman (La Gravida) (oil on wood, 1505-1506)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610535: Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610535

Germination of radish seeds, common wheat and common barley. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seed of the radish Raphanus sativus (1-7), wheat Triticumum aestivum (8) and barley Hordeum vulgare (9). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)


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