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Artist's view of an alien radio telescope listening to the sky
Artist's view of an alien radio telescope listening to the sky

PIX4573746: Artist's view of an alien radio telescope listening to the sky, Dixon, Don (b.1951) / Bridgeman Images

Hops (or climbing hops) (male and female) and coriander - Hops, Humulus lupulus, male 1, female 2, and coriander, Coriandrum sativum 3. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795.
Hops (or climbing hops) (male and female) and coriander - Hops, Humulus lupulus, male 1, female 2, and coriander, Coriandrum sativum 3. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795.

FLO4573784: Hops (or climbing hops) (male and female) and coriander - Hops, Humulus lupulus, male 1, female 2, and coriander, Coriandrum sativum 3. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795. / Bridgeman Images

White mustard and tarragon - White mustard, Sinapis alba 1, and tarragon, Artemisia dracunculus 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1802.
White mustard and tarragon - White mustard, Sinapis alba 1, and tarragon, Artemisia dracunculus 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1802.

FLO4573849: White mustard and tarragon - White mustard, Sinapis alba 1, and tarragon, Artemisia dracunculus 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1802. / Bridgeman Images

Silver maple and potato - Silver maple, Acer saccharinum 1, and potato, Solanum tuberosum 2, tubers a, b, c. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795.
Silver maple and potato - Silver maple, Acer saccharinum 1, and potato, Solanum tuberosum 2, tubers a, b, c. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795.

FLO4573889: Silver maple and potato - Silver maple, Acer saccharinum 1, and potato, Solanum tuberosum 2, tubers a, b, c. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1795. / Bridgeman Images

Meadow jumping mouse, Zapus hudsonius 1, sandy mole rat, Spalax arenarius 2, grey dwarf hamster, Cricetulus migratorius 3, Siberian hamster, Phodopus sungorus 4, Chinese hamster Cricetulus barabensis 5, northern mole vole, Ellobius talpinus 6, and Cape mole rat, Georychus capus ensis 7. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1798. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.
Meadow jumping mouse, Zapus hudsonius 1, sandy mole rat, Spalax arenarius 2, grey dwarf hamster, Cricetulus migratorius 3, Siberian hamster, Phodopus sungorus 4, Chinese hamster Cricetulus barabensis 5, northern mole vole, Ellobius talpinus 6, and Cape mole rat, Georychus capus ensis 7. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1798. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

FLO4573962: Meadow jumping mouse, Zapus hudsonius 1, sandy mole rat, Spalax arenarius 2, grey dwarf hamster, Cricetulus migratorius 3, Siberian hamster, Phodopus sungorus 4, Chinese hamster Cricetulus barabensis 5, northern mole vole, Ellobius talpinus 6, and Cape mole rat, Georychus capus ensis 7. Handcoloured copperplate engraving from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1798. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830. / Bridgeman Images

Page of musical score of the overture of William Tell, opera by Gioacchino Rossini
Page of musical score of the overture of William Tell, opera by Gioacchino Rossini

LRI4568259: Page of musical score of the overture of William Tell, opera by Gioacchino Rossini, Unknown Artist, (19th century) / Bridgeman Images

Ballote. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Black horehound, Ballota nigra. Handcoloured copperplate engraving by Charles Mathews of a drawing by G.H. from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Ballote. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Black horehound, Ballota nigra. Handcoloured copperplate engraving by Charles Mathews of a drawing by G.H. from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568164: Ballote. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Black horehound, Ballota nigra. Handcoloured copperplate engraving by Charles Mathews of a drawing by G.H. from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Fireworks Store - Victorian children pulling a Guy in a cart on Guy Fawkes night in front of L. Squibling's fireworks shop. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Fireworks Store - Victorian children pulling a Guy in a cart on Guy Fawkes night in front of L. Squibling's fireworks shop. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568306: Fireworks Store - Victorian children pulling a Guy in a cart on Guy Fawkes night in front of L. Squibling's fireworks shop. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

Victorian butcher and butcher's boy on horseback in a village street. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian butcher and butcher's boy on horseback in a village street. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568410: Victorian butcher and butcher's boy on horseback in a village street. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568427: Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568445: Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.
Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.

FLO4568446: Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England. / Bridgeman Images

Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568457: Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

Portrait of actress Elizabeth Hartley (1750-1824) in the role of Hermione in William Shakespeare's Winter Tale (1564-1616). She performed this role in 1774 and was described as the most refined figer on the London scene. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.
Portrait of actress Elizabeth Hartley (1750-1824) in the role of Hermione in William Shakespeare's Winter Tale (1564-1616). She performed this role in 1774 and was described as the most refined figer on the London scene. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.

FLO4568595: Portrait of actress Elizabeth Hartley (1750-1824) in the role of Hermione in William Shakespeare's Winter Tale (1564-1616). She performed this role in 1774 and was described as the most refined figer on the London scene. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England. / Bridgeman Images

Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.
Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.

FLO4568576: Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England. / Bridgeman Images

Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568596: Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568633: Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale
Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale

LRI4568645: Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale, Stradella, Antonio (1639-1682) / Bridgeman Images

Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776.
Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

FLO4568694: Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776. / Bridgeman Images

Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568731: Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.
Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.

FLO4568743: Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780. / Bridgeman Images

Portrait of dancer Adelaide Simonet, in the role of princess in the great ballet Ninette at the court. A.Simonet, nee De Camp, from a family of French musicians and comedians, married Louis Simonet and accompanied him to England in the 1770s. They had three girls who made careers as dancers and singers. Engraving by Thornthwaite, based on a drawing by J.Roberts, published in Bell's British Theatre in 1781.
Portrait of dancer Adelaide Simonet, in the role of princess in the great ballet Ninette at the court. A.Simonet, nee De Camp, from a family of French musicians and comedians, married Louis Simonet and accompanied him to England in the 1770s. They had three girls who made careers as dancers and singers. Engraving by Thornthwaite, based on a drawing by J.Roberts, published in Bell's British Theatre in 1781.

FLO4568760: Portrait of dancer Adelaide Simonet, in the role of princess in the great ballet Ninette at the court. A.Simonet, nee De Camp, from a family of French musicians and comedians, married Louis Simonet and accompanied him to England in the 1770s. They had three girls who made careers as dancers and singers. Engraving by Thornthwaite, based on a drawing by J.Roberts, published in Bell's British Theatre in 1781. / Bridgeman Images

Title page of Sonatas for violin, cello and harpsichord (litho)
Title page of Sonatas for violin, cello and harpsichord (litho)

LRI4568784: Title page of Sonatas for violin, cello and harpsichord (litho) / Bridgeman Images

Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho)
Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho)

LRI4568817: Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho), Italian School, (18th century) / Bridgeman Images

Sea lamprey, Petromyzon marinus, planehead filefish, Stephanolepis hispidus, elephantfish, Callorhinchus callorynchus, spotted wobbegong, Orectolobus maculatus, and seahorse, Hippocampus hippocampus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Sea lamprey, Petromyzon marinus, planehead filefish, Stephanolepis hispidus, elephantfish, Callorhinchus callorynchus, spotted wobbegong, Orectolobus maculatus, and seahorse, Hippocampus hippocampus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568895: Sea lamprey, Petromyzon marinus, planehead filefish, Stephanolepis hispidus, elephantfish, Callorhinchus callorynchus, spotted wobbegong, Orectolobus maculatus, and seahorse, Hippocampus hippocampus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Interior of the Abu Simbel rock temples to Pharaoh Ramesses II (Ramses Ii) and his queen Nefertiti, Nubia, southern Egypt. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Interior of the Abu Simbel rock temples to Pharaoh Ramesses II (Ramses Ii) and his queen Nefertiti, Nubia, southern Egypt. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568965: Interior of the Abu Simbel rock temples to Pharaoh Ramesses II (Ramses Ii) and his queen Nefertiti, Nubia, southern Egypt. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Endangered bottlenose skate, Rostroraja alba, dorsal 1, ventral 2, eyed electric ray, Torpedo torpedo 3, and marbled electric ray, Torpedo marmorata 4. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Endangered bottlenose skate, Rostroraja alba, dorsal 1, ventral 2, eyed electric ray, Torpedo torpedo 3, and marbled electric ray, Torpedo marmorata 4. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569156: Endangered bottlenose skate, Rostroraja alba, dorsal 1, ventral 2, eyed electric ray, Torpedo torpedo 3, and marbled electric ray, Torpedo marmorata 4. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Poster for painting 'Valentine' showing the silhouette of a man with a brush, 1929 (oil on canvas)
Poster for painting 'Valentine' showing the silhouette of a man with a brush, 1929 (oil on canvas)

JLJ4567646: Poster for painting 'Valentine' showing the silhouette of a man with a brush, 1929 (oil on canvas), Loupot, Charles (1892-1962) / Bridgeman Images

Page of musical score of Siegfried, opera by Wagner
Page of musical score of Siegfried, opera by Wagner

LRI4567765: Page of musical score of Siegfried, opera by Wagner, Unknown Artist, (19th century) / Bridgeman Images

The liberal arts: Music (engraving, 1508)
The liberal arts: Music (engraving, 1508)

LRI4567938: The liberal arts: Music (engraving, 1508), Unknown Artist, (16th century) / Bridgeman Images

Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567961: Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Portrait of the French writer Colette, c.1950 (drawing)
Portrait of the French writer Colette, c.1950 (drawing)

JLJ4568095: Portrait of the French writer Colette, c.1950 (drawing), Cocteau, Jean (1889-1963) / Bridgeman Images

Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796.
Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796.

FLO4568785: Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796. / Bridgeman Images

Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778.
Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778.

FLO4568847: Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778. / Bridgeman Images

Apollo and the Muses. Page from  Recanetum de musica aurea, 1533
Apollo and the Muses. Page from  Recanetum de musica aurea, 1533

LRI4568905: Apollo and the Muses. Page from Recanetum de musica aurea, 1533, Unknown Artist, (16th century) / Bridgeman Images

Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568924: Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images


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