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Portrait of French politician Jean Francois (Jean-Francois) Cope in February 2014 - Photography
Portrait of French politician Jean Francois (Jean-Francois) Cope in February 2014 - Photography

TOU4353231: Portrait of French politician Jean Francois (Jean-Francois) Cope in February 2014 - Photography / Bridgeman Images

Portrait of the entrepreneur (Tilder) Mathias Leridon in February 2014 - Photography
Portrait of the entrepreneur (Tilder) Mathias Leridon in February 2014 - Photography

TOU4353267: Portrait of the entrepreneur (Tilder) Mathias Leridon in February 2014 - Photography / Bridgeman Images

Portrait of the writer Laurent Maugnier, 2014 Photography
Portrait of the writer Laurent Maugnier, 2014 Photography

TOU4353321: Portrait of the writer Laurent Maugnier, 2014 Photography / Bridgeman Images

Blue Beard took the mother and the two daughters to the country where they spent eight days. From the tale Beard Bleue by Charles Perrault (1628-1703). Painting on glass, for magic lantern, late 19th century, early 20th century, France.
Blue Beard took the mother and the two daughters to the country where they spent eight days. From the tale Beard Bleue by Charles Perrault (1628-1703). Painting on glass, for magic lantern, late 19th century, early 20th century, France.

LOD4353355: Blue Beard took the mother and the two daughters to the country where they spent eight days. From the tale Beard Bleue by Charles Perrault (1628-1703). Painting on glass, for magic lantern, late 19th century, early 20th century, France. / Bridgeman Images

The boot cat meets the peasants and threatens them to eat them if they refuse to say that these fields belong to the Marquis de Carabas. Then he meets the ogre. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France.
The boot cat meets the peasants and threatens them to eat them if they refuse to say that these fields belong to the Marquis de Carabas. Then he meets the ogre. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France.

LOD4353369: The boot cat meets the peasants and threatens them to eat them if they refuse to say that these fields belong to the Marquis de Carabas. Then he meets the ogre. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France. / Bridgeman Images

The boot cat honors the castle of the ogre to the king and his daughter. Then the king charmed by the Marquis of Carabas gives him his daughter to marry. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France.
The boot cat honors the castle of the ogre to the king and his daughter. Then the king charmed by the Marquis of Carabas gives him his daughter to marry. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France.

LOD4353374: The boot cat honors the castle of the ogre to the king and his daughter. Then the king charmed by the Marquis of Carabas gives him his daughter to marry. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. Painting on glass, for magic lantern, late 19th century, early 20th century, France. / Bridgeman Images

Don Quixote attends Ganache's wedding. Then he fights puppets. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France.
Don Quixote attends Ganache's wedding. Then he fights puppets. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France.

LOD4353382: Don Quixote attends Ganache's wedding. Then he fights puppets. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France. / Bridgeman Images

Don Quixote is brought back to his homes, imprisoned in a cage. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France.
Don Quixote is brought back to his homes, imprisoned in a cage. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France.

LOD4353421: Don Quixote is brought back to his homes, imprisoned in a cage. Episode of the novel L'Ingenieux Hidalgo Don Quixote de la Mancha, by Miguel de Cervantes (1547-1616). Painting on glass, for magic lantern, late 19th century, early 20th century, France. / Bridgeman Images

A village with straw houses (Senegal).
A village with straw houses (Senegal).

LOD4353447: A village with straw houses (Senegal). / Bridgeman Images

Portrait of a carabinieri officer. Oil on canvas, 19th century.
Portrait of a carabinieri officer. Oil on canvas, 19th century.

LRI4353475: Portrait of a carabinieri officer. Oil on canvas, 19th century., Gericault, Theodore (1791-1824) / Bridgeman Images

Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480
Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480

LRI4353507: Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480, Ghirlandaio, Domenico (Domenico Bigordi) (1449-94) / Bridgeman Images

Still Life on a Table - Oil on wood, 1916
Still Life on a Table - Oil on wood, 1916

LRI4353598: Still Life on a Table - Oil on wood, 1916, Gris, Juan (1887-1927) / Bridgeman Images

Suzanne and the Elders - Oil on canvas, circa 1555
Suzanne and the Elders - Oil on canvas, circa 1555

LRI4353813: Suzanne and the Elders - Oil on canvas, circa 1555, Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

Fruits, napkin and milk box - Oil on canvas, 1880
Fruits, napkin and milk box - Oil on canvas, 1880

LRI4353817: Fruits, napkin and milk box - Oil on canvas, 1880, Cezanne, Paul (1839-1906) / Bridgeman Images

The baptism of Christ - Oil on canvas, 1578-1581
The baptism of Christ - Oil on canvas, 1578-1581

LRI4353882: The baptism of Christ - Oil on canvas, 1578-1581, Tintoretto, Domenico Robusti (1560-1635) / Bridgeman Images

Roald Amundsen (1872-1928), a Norwegian polar explorer, will try to fly from the Point of Alaska to fly over the North Pole by plane. The Eskimos will announce its start by the lights lit from distance to distance. Illustration taken from “” Le pelerin”” from 24/06/1923.
Roald Amundsen (1872-1928), a Norwegian polar explorer, will try to fly from the Point of Alaska to fly over the North Pole by plane. The Eskimos will announce its start by the lights lit from distance to distance. Illustration taken from “” Le pelerin”” from 24/06/1923.

XEE4354048: Roald Amundsen (1872-1928), a Norwegian polar explorer, will try to fly from the Point of Alaska to fly over the North Pole by plane. The Eskimos will announce its start by the lights lit from distance to distance. Illustration taken from “” Le pelerin”” from 24/06/1923. / Bridgeman Images

Tuna fishing in Tunisia: tuna is caught in the last fishing net, the “corpo”, and then cast into the fishing boat. Illustration taken from “” Le pelerin””, 30/08/1925
Tuna fishing in Tunisia: tuna is caught in the last fishing net, the “corpo”, and then cast into the fishing boat. Illustration taken from “” Le pelerin””, 30/08/1925

XEE4354099: Tuna fishing in Tunisia: tuna is caught in the last fishing net, the “corpo”, and then cast into the fishing boat. Illustration taken from “” Le pelerin””, 30/08/1925 / Bridgeman Images

Frontispice of “” The automatons” by Heron of Alexandria (1st century) 1589
Frontispice of “” The automatons” by Heron of Alexandria (1st century) 1589

MAJ4354545: Frontispice of “” The automatons” by Heron of Alexandria (1st century) 1589 / Bridgeman Images

Internal View of Apet Temple in Karnak, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection
Internal View of Apet Temple in Karnak, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection

MAJ4354593: Internal View of Apet Temple in Karnak, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection / Bridgeman Images

Peristyle of the Temple of Isis in the Island of Philae, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection
Peristyle of the Temple of Isis in the Island of Philae, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection

MAJ4354621: Peristyle of the Temple of Isis in the Island of Philae, Egypt Illustration from the Atlas of Egypt, 1881 Private Collection / Bridgeman Images

View of the desert of Morocco
View of the desert of Morocco

LSE4356753: View of the desert of Morocco / Bridgeman Images

Schiite Mosquee, Damascus, Syria.
Schiite Mosquee, Damascus, Syria.

GUF4358178: Schiite Mosquee, Damascus, Syria. / Bridgeman Images

Poster with religious leaders, Damascus, Syria.
Poster with religious leaders, Damascus, Syria.

GUF4358229: Poster with religious leaders, Damascus, Syria. / Bridgeman Images

Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.
Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.

GUF4358234: Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria. / Bridgeman Images

Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.
Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.

GUF4358250: Prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria. / Bridgeman Images

Herd of sheep and rams, Syria.
Herd of sheep and rams, Syria.

GUF4358251: Herd of sheep and rams, Syria. / Bridgeman Images

Byzantine Cross, Monastery of Saint Simeon, Syria.
Byzantine Cross, Monastery of Saint Simeon, Syria.

GUF4358257: Byzantine Cross, Monastery of Saint Simeon, Syria. / Bridgeman Images

Women veiled in souk Hamidiye, Damascus, Syria.
Women veiled in souk Hamidiye, Damascus, Syria.

GUF4358264: Women veiled in souk Hamidiye, Damascus, Syria. / Bridgeman Images

Clock Tower, Aleppo, Syria.
Clock Tower, Aleppo, Syria.

GUF4358269: Clock Tower, Aleppo, Syria. / Bridgeman Images

Men praying, prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.
Men praying, prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria.

GUF4358291: Men praying, prayer room, inside the mosque of Umayyads (Umayyads, Umayyads), Damascus, Syria. / Bridgeman Images

Citadel of Aleppo, Syria.
Citadel of Aleppo, Syria.

GUF4358333: Citadel of Aleppo, Syria. / Bridgeman Images

Damascus from Mount Kassioun, 2003, Syria
Damascus from Mount Kassioun, 2003, Syria

GUF4358345: Damascus from Mount Kassioun, 2003, Syria / Bridgeman Images

Women's clothing store, Hamidiye souk, Damascus, Syria.
Women's clothing store, Hamidiye souk, Damascus, Syria.

GUF4358359: Women's clothing store, Hamidiye souk, Damascus, Syria. / Bridgeman Images

Women's lingerie dealers, souk Hamidiye, Damascus, Syria.
Women's lingerie dealers, souk Hamidiye, Damascus, Syria.

GUF4358363: Women's lingerie dealers, souk Hamidiye, Damascus, Syria. / Bridgeman Images

Silhouettes of people, Damascus, Syria.
Silhouettes of people, Damascus, Syria.

GUF4358367: Silhouettes of people, Damascus, Syria. / Bridgeman Images

Narghileh, souk of Damascus, Syria.
Narghileh, souk of Damascus, Syria.

GUF4358382: Narghileh, souk of Damascus, Syria. / Bridgeman Images


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