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View from under the Portico of the Temple at Dendarah, from
View from under the Portico of the Temple at Dendarah, from

STC67181: View from under the Portico of the Temple at Dendarah, from "Egypt and Nubia", Vol.1 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67181

View from under the Portico of the Temple at Dendarah, from "Egypt and Nubia", Vol.1 (litho)

Roberts, David (1796-1864)

SCP65135: "Jar with the Hoard", c.2500-2400 BC (terracotta, alabaster, copper from Oman and stone) / Bridgeman Images

ID: SCP65135

"Jar with the Hoard", c.2500-2400 BC (terracotta, alabaster, copper from Oman and stone)

Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551)
Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551)

BAT66549: Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551), Giotto, Ambrogio Bondone (c.1266-1337) (workshop) / Bridgeman Images

ID: BAT66549

Wounded Christ from the Coronation of the Virgin Polyptych (centre predella) (see also 65540-65551)

Giotto, Ambrogio Bondone (c.1266-1337) (workshop)

Bowl and support decorated with floral designs and Arabic inscriptions, Persian, 8th century (pottery)
Bowl and support decorated with floral designs and Arabic inscriptions, Persian, 8th century (pottery)

LOU69514: Bowl and support decorated with floral designs and Arabic inscriptions, Persian, 8th century (pottery), Unknown Artist / Bridgeman Images

ID: LOU69514

Bowl and support decorated with floral designs and Arabic inscriptions, Persian, 8th century (pottery)

Unknown Artist

MS 11060-11061 Hours of the Cross: Matin and Laudes, The Betrayal by Judas, from the 'Tres Riches Heures du Duc de Berry' (vellum)
MS 11060-11061 Hours of the Cross: Matin and Laudes, The Betrayal by Judas, from the 'Tres Riches Heures du Duc de Berry' (vellum)

STC67625: MS 11060-11061 Hours of the Cross: Matin and Laudes, The Betrayal by Judas, from the 'Tres Riches Heures du Duc de Berry' (vellum), Hesdin, Jacquemart de (fl.1380-1411) / Bridgeman Images

ID: STC67625

MS 11060-11061 Hours of the Cross: Matin and Laudes, The Betrayal by Judas, from the 'Tres Riches Heures du Duc de Berry' (vellum)

Hesdin, Jacquemart de (fl.1380-1411)

Communion Cup, Plate and Fistulae of the Cathedral Chapter of Wilten of cast silver, engraved and partly gilt niello, Innsbruck, 1160-70 (silver gilt)
Communion Cup, Plate and Fistulae of the Cathedral Chapter of Wilten of cast silver, engraved and partly gilt niello, Innsbruck, 1160-70 (silver gilt)

XAM69417: Communion Cup, Plate and Fistulae of the Cathedral Chapter of Wilten of cast silver, engraved and partly gilt niello, Innsbruck, 1160-70 (silver gilt) / Bridgeman Images

ID: XAM69417

Communion Cup, Plate and Fistulae of the Cathedral Chapter of Wilten of cast silver, engraved and partly gilt niello, Innsbruck, 1160-70 (silver gilt)

Tomb of Maximilian I (1459-1519): view of three bronze tomb figures of female mourners, possibly ancestors, relatives or contempories, made in the workshop of Peter Vischer (c.1460-1529); in the background the figure of Maximilian kneeling in prayer on the marble sarcophagus, the design of the monument attributed to Gilg Sesselschreiber, court painter to Maximilian, 16th century (black and white photo) (see also 1031, 1033, 68697)
Tomb of Maximilian I (1459-1519): view of three bronze tomb figures of female mourners, possibly ancestors, relatives or contempories, made in the workshop of Peter Vischer (c.1460-1529); in the background the figure of Maximilian kneeling in prayer on the marble sarcophagus, the design of the monument attributed to Gilg Sesselschreiber, court painter to Maximilian, 16th century (black and white photo) (see also 1031, 1033, 68697)

XAM68696: Tomb of Maximilian I (1459-1519): view of three bronze tomb figures of female mourners, possibly ancestors, relatives or contempories, made in the workshop of Peter Vischer (c.1460-1529); in the background the figure of Maximilian kneeling in prayer on the marble sarcophagus, the design of the monument attributed to Gilg Sesselschreiber, court painter to Maximilian, 16th century (black and white photo) (see also 1031, 1033, 68697) / Bridgeman Images

ID: XAM68696

Tomb of Maximilian I (1459-1519): view of three bronze tomb figures of female mourners, possibly ancestors, relatives or contempories, made in the workshop of Peter Vischer (c.1460-1529); in the background the figure of Maximilian kneeling in prayer on the marble sarcophagus, the design of the monument attributed to Gilg Sesselschreiber, court painter to Maximilian, 16th century (black and white photo) (see also 1031, 1033, 68697)

The Return of Francis I of Austria (II of Holy Roman Empire) (1768-1835) to Presburg on 27th November 1809, 1828-32 (encaustic)
The Return of Francis I of Austria (II of Holy Roman Empire) (1768-1835) to Presburg on 27th November 1809, 1828-32 (encaustic)

XAM68926: The Return of Francis I of Austria (II of Holy Roman Empire) (1768-1835) to Presburg on 27th November 1809, 1828-32 (encaustic), Krafft, Johann Peter (1780-1856) / Bridgeman Images

ID: XAM68926

The Return of Francis I of Austria (II of Holy Roman Empire) (1768-1835) to Presburg on 27th November 1809, 1828-32 (encaustic)

Krafft, Johann Peter (1780-1856)

The Sower, c.1575 (oil on canvas)
The Sower, c.1575 (oil on canvas)

XAM65692: The Sower, c.1575 (oil on canvas), Bassano, Francesco (Francesco da Ponte) (1549-92) / Bridgeman Images

ID: XAM65692

The Sower, c.1575 (oil on canvas)

Bassano, Francesco (Francesco da Ponte) (1549-92)

Portrait of Madame Louise of France (1737-87), c.1770 (oil on canvas)
Portrait of Madame Louise of France (1737-87), c.1770 (oil on canvas)

XIR66177: Portrait of Madame Louise of France (1737-87), c.1770 (oil on canvas), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

ID: XIR66177

Portrait of Madame Louise of France (1737-87), c.1770 (oil on canvas)

Nattier, Jean-Marc (1685-1766)

Happy Valley, Southend-on-Sea, c.1908-10 (postcard)
Happy Valley, Southend-on-Sea, c.1908-10 (postcard)

BAL68295: Happy Valley, Southend-on-Sea, c.1908-10 (postcard) / Bridgeman Images

ID: BAL68295

Happy Valley, Southend-on-Sea, c.1908-10 (postcard)

The Investiture of Joseph II (1741-90) Emperor of Germany in Frankfurt Cathedral, following his coronation, 1764 (detail of 67401)
The Investiture of Joseph II (1741-90) Emperor of Germany in Frankfurt Cathedral, following his coronation, 1764 (detail of 67401)

XAM67405: The Investiture of Joseph II (1741-90) Emperor of Germany in Frankfurt Cathedral, following his coronation, 1764 (detail of 67401), Mytens or Meytens, Martin van (1695-1770) (school of) / Bridgeman Images

ID: XAM67405

The Investiture of Joseph II (1741-90) Emperor of Germany in Frankfurt Cathedral, following his coronation, 1764 (detail of 67401)

Mytens or Meytens, Martin van (1695-1770) (school of)

Calais Pier (w/c)
Calais Pier (w/c)

BAL66153: Calais Pier (w/c), Cox, David (1783-1859) / Bridgeman Images

ID: BAL66153

Calais Pier (w/c)

Cox, David (1783-1859)

The Banquet at Guildhall, 9th November 1837, by W. Lake, pub. by E. Davies, London (lithograph) (see also 65954)
The Banquet at Guildhall, 9th November 1837, by W. Lake, pub. by E. Davies, London (lithograph) (see also 65954)

GHL65953: The Banquet at Guildhall, 9th November 1837, by W. Lake, pub. by E. Davies, London (lithograph) (see also 65954), Unknown Artist, (19th century) / Bridgeman Images

ID: GHL65953

The Banquet at Guildhall, 9th November 1837, by W. Lake, pub. by E. Davies, London (lithograph) (see also 65954)

Unknown Artist, (19th century)

T801 Map of Africa, from the
T801 Map of Africa, from the

RGS65569: T801 Map of Africa, from the "Theatrum Orbis Terrarum", pub. by Abraham Ortel Ortelius (1527-98), Antwerp, c.1570 / Bridgeman Images

ID: RGS65569

T801 Map of Africa, from the "Theatrum Orbis Terrarum", pub. by Abraham Ortel Ortelius (1527-98), Antwerp, c.1570

A February Morning, East Knoyle, Wiltshire, 1917 (oil on canvas)
A February Morning, East Knoyle, Wiltshire, 1917 (oil on canvas)

SAG65021: A February Morning, East Knoyle, Wiltshire, 1917 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

ID: SAG65021

A February Morning, East Knoyle, Wiltshire, 1917 (oil on canvas)

Pissarro, Lucien (1863-1944)

Landscape (oil on canvas)
Landscape (oil on canvas)

FIT69702: Landscape (oil on canvas), Diaz de la Pena, Narcisse Virgile (1807-76) / Bridgeman Images

ID: FIT69702

Landscape (oil on canvas)

Diaz de la Pena, Narcisse Virgile (1807-76)

Classical landscape (oil on copper)
Classical landscape (oil on copper)

FIT69690: Classical landscape (oil on copper), Bourdon, Sebastien (1616-71) / Bridgeman Images

ID: FIT69690

Classical landscape (oil on copper)

Bourdon, Sebastien (1616-71)

Waiting for a Bite
Waiting for a Bite

BON67731: Waiting for a Bite, Bromley, William III (c.1815-c.88) / Bridgeman Images

ID: BON67731

Waiting for a Bite

Bromley, William III (c.1815-c.88)

Interior of a palace, Seville (w/c on paper)
Interior of a palace, Seville (w/c on paper)

BON65276: Interior of a palace, Seville (w/c on paper), Aceves, Tomas (19th century) / Bridgeman Images

ID: BON65276

Interior of a palace, Seville (w/c on paper)

Aceves, Tomas (19th century)

Cheeky Mouse! (board)
Cheeky Mouse! (board)

BON65042: Cheeky Mouse! (board), Wain, Louis (1860-1939) / Bridgeman Images

ID: BON65042

Cheeky Mouse! (board)

Wain, Louis (1860-1939)

Funerary mask, 5th-4th century BC (embossed gold)
Funerary mask, 5th-4th century BC (embossed gold)

LOU69543: Funerary mask, 5th-4th century BC (embossed gold), Phoenician / Bridgeman Images

ID: LOU69543

Funerary mask, 5th-4th century BC (embossed gold)

Phoenician

Nubian Women at Kortie on the Nile, from
Nubian Women at Kortie on the Nile, from

STC67155: Nubian Women at Kortie on the Nile, from "Egypt and Nubia", Vol.1 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: STC67155

Nubian Women at Kortie on the Nile, from "Egypt and Nubia", Vol.1 (litho)

Roberts, David (1796-1864)

MS 11060-11061 Hours of the Cross: Vespers, the Descent from the Cross (vellum)
MS 11060-11061 Hours of the Cross: Vespers, the Descent from the Cross (vellum)

STC67630: MS 11060-11061 Hours of the Cross: Vespers, the Descent from the Cross (vellum), Hesdin, Jacquemart de (fl.1380-1411) / Bridgeman Images

ID: STC67630

MS 11060-11061 Hours of the Cross: Vespers, the Descent from the Cross (vellum)

Hesdin, Jacquemart de (fl.1380-1411)

Self Portrait, 1848 (oil on cardboard)
Self Portrait, 1848 (oil on cardboard)

SRM67574: Self Portrait, 1848 (oil on cardboard), Bryullov, Karl Pavlovich (1799-1852) / Bridgeman Images

ID: SRM67574

Self Portrait, 1848 (oil on cardboard)

Bryullov, Karl Pavlovich (1799-1852)

I Samuel 17 1-58 David defeats Goliath and meets Saul, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
I Samuel 17 1-58 David defeats Goliath and meets Saul, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67509: I Samuel 17 1-58 David defeats Goliath and meets Saul, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

ID: STC67509

I Samuel 17 1-58 David defeats Goliath and meets Saul, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

German School, (15th century)

The Little Fruitseller, 1822 (engraving)
The Little Fruitseller, 1822 (engraving)

BAL66836: The Little Fruitseller, 1822 (engraving), Chalon, John James (1778-1854) / Bridgeman Images

ID: BAL66836

The Little Fruitseller, 1822 (engraving)

Chalon, John James (1778-1854)

Little Red Riding Hood, illustration from a book of children's fairy tales, early 19th century
Little Red Riding Hood, illustration from a book of children's fairy tales, early 19th century

XTD69955: Little Red Riding Hood, illustration from a book of children's fairy tales, early 19th century / Bridgeman Images

ID: XTD69955

Little Red Riding Hood, illustration from a book of children's fairy tales, early 19th century

View on the Nile looking towards the Pyramids of Dahshur and Saqqarah, from
View on the Nile looking towards the Pyramids of Dahshur and Saqqarah, from

XCF67184: View on the Nile looking towards the Pyramids of Dahshur and Saqqarah, from "Egypt and Nubia", Vol.1 (litho), Roberts, David (1796-1864) / Bridgeman Images

ID: XCF67184

View on the Nile looking towards the Pyramids of Dahshur and Saqqarah, from "Egypt and Nubia", Vol.1 (litho)

Roberts, David (1796-1864)

Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas)
Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas)

XAM66732: Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: XAM66732

Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas)

Teniers, David the Younger (1610-90)

Autumn (Grape Harvest), c.1585-90 (oil on canvas)
Autumn (Grape Harvest), c.1585-90 (oil on canvas)

XAM65683: Autumn (Grape Harvest), c.1585-90 (oil on canvas), Bassano, Francesco (Francesco da Ponte) (1549-92) / Bridgeman Images

ID: XAM65683

Autumn (Grape Harvest), c.1585-90 (oil on canvas)

Bassano, Francesco (Francesco da Ponte) (1549-92)

In the Public Gardens, Vienna, 1893 (w/c)
In the Public Gardens, Vienna, 1893 (w/c)

XAM66729: In the Public Gardens, Vienna, 1893 (w/c), Ledeli, Moritz (1856-1920) / Bridgeman Images

ID: XAM66729

In the Public Gardens, Vienna, 1893 (w/c)

Ledeli, Moritz (1856-1920)

The London to Brighton Coach at Cheapside, 1831 (oil on panel)
The London to Brighton Coach at Cheapside, 1831 (oil on panel)

GHA65032: The London to Brighton Coach at Cheapside, 1831 (oil on panel), Turner, William 'de Lond' (fl.1767-1826) / Bridgeman Images

ID: GHA65032

The London to Brighton Coach at Cheapside, 1831 (oil on panel)

Turner, William 'de Lond' (fl.1767-1826)

Outside Cintra, Portugal (oil on panel)
Outside Cintra, Portugal (oil on panel)

PFA69419: Outside Cintra, Portugal (oil on panel), Sharp, Dorothea (1874-1955) / Bridgeman Images

ID: PFA69419

Outside Cintra, Portugal (oil on panel)

Sharp, Dorothea (1874-1955)

An ornamental garden with a young girl dancing to a fiddle (observed from behind a wall by a mother holding a child with elegant company beside her, a young boy playing with a dog and a servant slicing watermelons)
An ornamental garden with a young girl dancing to a fiddle (observed from behind a wall by a mother holding a child with elegant company beside her, a young boy playing with a dog and a servant slicing watermelons)

PFA69876: An ornamental garden with a young girl dancing to a fiddle (observed from behind a wall by a mother holding a child with elegant company beside her, a young boy playing with a dog and a servant slicing watermelons), Falciatore, Filippo (1718-68) / Bridgeman Images

ID: PFA69876

An ornamental garden with a young girl dancing to a fiddle (observed from behind a wall by a mother holding a child with elegant company beside her, a young boy playing with a dog and a servant slicing watermelons)

Falciatore, Filippo (1718-68)

Thebes, December 4th 1838, plate 12 from Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) pub. 1846 (litho) (see also 87428)
Thebes, December 4th 1838, plate 12 from Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) pub. 1846 (litho) (see also 87428)

XCF67033: Thebes, December 4th 1838, plate 12 from Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) pub. 1846 (litho) (see also 87428), Roberts, David (1796-1864) / Bridgeman Images

ID: XCF67033

Thebes, December 4th 1838, plate 12 from Volume I of 'Egypt and Nubia', engraved by Louis Haghe (1806-85) pub. 1846 (litho) (see also 87428)

Roberts, David (1796-1864)


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