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Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611670: Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611670

Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Times Square in New York (United States).
Times Square in New York (United States).

TEC4611680: Times Square in New York (United States). / Bridgeman Images

ID: TEC4611680

Times Square in New York (United States).

View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas)
View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas)

JLJ4611681: View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images

ID: JLJ4611681

View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas)

Martin, Pierre-Denis (1663-1742)

Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611686: Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611686

Disarm after parrying the carte thrust, Second position of the disarm and disarm on thrust in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611687: Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611687

Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Portrait of Venetian Senator Painting by Jacopo Robusti dit Tintoretto (the Tintoret) (1518-1594) 1580 approx. Sun. 77x63 cm Madrid, Prado Museum
Portrait of Venetian Senator Painting by Jacopo Robusti dit Tintoretto (the Tintoret) (1518-1594) 1580 approx. Sun. 77x63 cm Madrid, Prado Museum

LRI4611692: Portrait of Venetian Senator Painting by Jacopo Robusti dit Tintoretto (the Tintoret) (1518-1594) 1580 approx. Sun. 77x63 cm Madrid, Prado Museum, Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: LRI4611692

Portrait of Venetian Senator Painting by Jacopo Robusti dit Tintoretto (the Tintoret) (1518-1594) 1580 approx. Sun. 77x63 cm Madrid, Prado Museum

Tintoretto, Jacopo Robusti (1518-94)

The Jester Barbarroja (oil on canvas, 1635)
The Jester Barbarroja (oil on canvas, 1635)

LRI4612133: The Jester Barbarroja (oil on canvas, 1635), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: LRI4612133

The Jester Barbarroja (oil on canvas, 1635)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Side view of the skull of a dodo. Lithograph from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.
Side view of the skull of a dodo. Lithograph from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

FLO4612152: Side view of the skull of a dodo. Lithograph from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848. / Bridgeman Images

ID: FLO4612152

Side view of the skull of a dodo. Lithograph from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10
The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10

TEC4612174: The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10 / Bridgeman Images

ID: TEC4612174

The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10

Portrait of Paulus Van Beresteyn (1588-1636), 1630 (oil on canvas)
Portrait of Paulus Van Beresteyn (1588-1636), 1630 (oil on canvas)

JLJ4612204: Portrait of Paulus Van Beresteyn (1588-1636), 1630 (oil on canvas), Soutman, Pieter Claesz (c.1593-1657) / Bridgeman Images

ID: JLJ4612204

Portrait of Paulus Van Beresteyn (1588-1636), 1630 (oil on canvas)

Soutman, Pieter Claesz (c.1593-1657)

The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10
The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10

TEC4612210: The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10 / Bridgeman Images

ID: TEC4612210

The promenade planted on the High Line in New York (New York), United States (United States). Photography 26/09/10

Common kingfisher, Alcedo atthis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common kingfisher, Alcedo atthis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612220: Common kingfisher, Alcedo atthis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612220

Common kingfisher, Alcedo atthis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Greater white-fronted goose, Anser albifrons. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Greater white-fronted goose, Anser albifrons. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612236: Greater white-fronted goose, Anser albifrons. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612236

Greater white-fronted goose, Anser albifrons. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Goldfinch, Carduelis carduelis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Goldfinch, Carduelis carduelis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612241: Goldfinch, Carduelis carduelis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612241

Goldfinch, Carduelis carduelis. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612247: Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612247

Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Chelsea district, New York (New York), United States (USA).
Chelsea district, New York (New York), United States (USA).

TEC4612307: Chelsea district, New York (New York), United States (USA). / Bridgeman Images

ID: TEC4612307

Chelsea district, New York (New York), United States (USA).

Portrait of the painter Jean Louis Forain in his studio, 1926 (oil on canvas)
Portrait of the painter Jean Louis Forain in his studio, 1926 (oil on canvas)

LRI4612321: Portrait of the painter Jean Louis Forain in his studio, 1926 (oil on canvas), Vuillard, Edouard (1868-1940) / Bridgeman Images

ID: LRI4612321

Portrait of the painter Jean Louis Forain in his studio, 1926 (oil on canvas)

Vuillard, Edouard (1868-1940)

Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10
Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10

TEC4612326: Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10 / Bridgeman Images

ID: TEC4612326

Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10

Corn crake, Crex crex. Near threatened. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Corn crake, Crex crex. Near threatened. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612339: Corn crake, Crex crex. Near threatened. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612339

Corn crake, Crex crex. Near threatened. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Virgin and Child with Three Angels, 1509 (oil on canvas)
Virgin and Child with Three Angels, 1509 (oil on canvas)

JLJ4612341: Virgin and Child with Three Angels, 1509 (oil on canvas), Massys or Matsys, Quentin (c.1466-1530) / Bridgeman Images

ID: JLJ4612341

Virgin and Child with Three Angels, 1509 (oil on canvas)

Massys or Matsys, Quentin (c.1466-1530)

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612357: Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612357

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612392: Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612392

Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612407: Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612407

Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Rousette et bat cephalote - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Rousette et bat cephalote - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610991: Rousette et bat cephalote - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4610991

Rousette et bat cephalote - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610996: Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4610996

Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Costume of peasants from the region of La Rochelle. Carpentier, 19th century (engraving)
Costume of peasants from the region of La Rochelle. Carpentier, 19th century (engraving)

JLJ4611012: Costume of peasants from the region of La Rochelle. Carpentier, 19th century (engraving), Charpentier, Pierre Henri (1771-1854) / Bridgeman Images

ID: JLJ4611012

Costume of peasants from the region of La Rochelle. Carpentier, 19th century (engraving)

Charpentier, Pierre Henri (1771-1854)

Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837
Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

FLO4611018: Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

ID: FLO4611018

Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

St. Patrick's Cathedral (1853-1878), 5th Avenue Manhattan in New York (United States). Photography 10/04/03.
St. Patrick's Cathedral (1853-1878), 5th Avenue Manhattan in New York (United States). Photography 10/04/03.

TEC4611048: St. Patrick's Cathedral (1853-1878), 5th Avenue Manhattan in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611048

St. Patrick's Cathedral (1853-1878), 5th Avenue Manhattan in New York (United States). Photography 10/04/03.

The UN, United Nations headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.
The UN, United Nations headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.

TEC4611065: The UN, United Nations headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611065

The UN, United Nations headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.

Graphic detail of the LVMH Tower (construction 2001, architect Christian de Porzamparc), 57th Street/Madison Avenue in Manhattan, United Nations Headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.
Graphic detail of the LVMH Tower (construction 2001, architect Christian de Porzamparc), 57th Street/Madison Avenue in Manhattan, United Nations Headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.

TEC4611072: Graphic detail of the LVMH Tower (construction 2001, architect Christian de Porzamparc), 57th Street/Madison Avenue in Manhattan, United Nations Headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611072

Graphic detail of the LVMH Tower (construction 2001, architect Christian de Porzamparc), 57th Street/Madison Avenue in Manhattan, United Nations Headquarters, (construction 1951, architect Wallace K.Harrison) along the Hudson River in New York (United States). Photography 10/04/03.

African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611079: African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611079

African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4611086: Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611086

Bat nocturtilion (Noctilio albiventris) and bat frugivorous (Phyllostomus hastatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Bulldog bat and speech-nosed bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Picnic under cherry blossoms in Assaakayama. Japanese print by Torii Kiyonaga (1752-1815), Ukiyo-E style, 1787 (print)
Picnic under cherry blossoms in Assaakayama. Japanese print by Torii Kiyonaga (1752-1815), Ukiyo-E style, 1787 (print)

JLJ4611099: Picnic under cherry blossoms in Assaakayama. Japanese print by Torii Kiyonaga (1752-1815), Ukiyo-E style, 1787 (print), Kuyonaga, Torii (18th-19th century) / Bridgeman Images

ID: JLJ4611099

Picnic under cherry blossoms in Assaakayama. Japanese print by Torii Kiyonaga (1752-1815), Ukiyo-E style, 1787 (print)

Kuyonaga, Torii (18th-19th century)

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.
The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.

TEC4611110: The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611110

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.
The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.

TEC4611117: The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611117

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.
The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.

TEC4611126: The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03. / Bridgeman Images

ID: TEC4611126

The New York Stock Exchange (1901-1903), 11 Wall Street in New York (United States). Photography 10/04/03.


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