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Jesus and the disciples have emmaus. Oil on canvas by Jacopo or Giacomo Bassano (1518-1592), Musee des beaux arts de Carcassonne.
Jesus and the disciples have emmaus. Oil on canvas by Jacopo or Giacomo Bassano (1518-1592), Musee des beaux arts de Carcassonne.

PCT4260278: Jesus and the disciples have emmaus. Oil on canvas by Jacopo or Giacomo Bassano (1518-1592), Musee des beaux arts de Carcassonne. / Bridgeman Images

ID: PCT4260278

Jesus and the disciples have emmaus. Oil on canvas by Jacopo or Giacomo Bassano (1518-1592), Musee des beaux arts de Carcassonne.

Series of drawings with commentaries by Gustave Dore (ca. 1860). If the one who is considered to be the most brilliant illustrator of the 19th century is not exactly the inventor of the comic book, he was one of the first to tell a story with images and a few lines of text running under each thumbnail. In addition to his genius as an engraver, G. Dore shows here his pioneering talent in caricature and comic drawing (from the anthology Planete “” Masterpieces of comic strip).
Series of drawings with commentaries by Gustave Dore (ca. 1860). If the one who is considered to be the most brilliant illustrator of the 19th century is not exactly the inventor of the comic book, he was one of the first to tell a story with images and a few lines of text running under each thumbnail. In addition to his genius as an engraver, G. Dore shows here his pioneering talent in caricature and comic drawing (from the anthology Planete “” Masterpieces of comic strip).

PCT4260305: Series of drawings with commentaries by Gustave Dore (ca. 1860). If the one who is considered to be the most brilliant illustrator of the 19th century is not exactly the inventor of the comic book, he was one of the first to tell a story with images and a few lines of text running under each thumbnail. In addition to his genius as an engraver, G. Dore shows here his pioneering talent in caricature and comic drawing (from the anthology Planete “” Masterpieces of comic strip). / Bridgeman Images

ID: PCT4260305

Series of drawings with commentaries by Gustave Dore (ca. 1860). If the one who is considered to be the most brilliant illustrator of the 19th century is not exactly the inventor of the comic book, he was one of the first to tell a story with images and a few lines of text running under each thumbnail. In addition to his genius as an engraver, G. Dore shows here his pioneering talent in caricature and comic drawing (from the anthology Planete “” Masterpieces of comic strip).

Danielle Darrieux and Albert Prejean in the film “” Caprices”” by Leo Joannon (1942).
Danielle Darrieux and Albert Prejean in the film “” Caprices”” by Leo Joannon (1942).

PCT4260333: Danielle Darrieux and Albert Prejean in the film “” Caprices”” by Leo Joannon (1942). / Bridgeman Images

ID: PCT4260333

Danielle Darrieux and Albert Prejean in the film “” Caprices”” by Leo Joannon (1942).

U.S.S. 1931: panoramic view of Moscow. Original anonymous photograph.
U.S.S. 1931: panoramic view of Moscow. Original anonymous photograph.

PCT4260422: U.S.S. 1931: panoramic view of Moscow. Original anonymous photograph. / Bridgeman Images

ID: PCT4260422

U.S.S. 1931: panoramic view of Moscow. Original anonymous photograph.

illustrated cover of a late 19th Christian teaching book (catechism, preparation for the first communion): “The religion taught to grandchildren” by Canon Soulange-Bodin in the editions Alfred Mame et fils.
illustrated cover of a late 19th Christian teaching book (catechism, preparation for the first communion): “The religion taught to grandchildren” by Canon Soulange-Bodin in the editions Alfred Mame et fils.

PCT4260460: illustrated cover of a late 19th Christian teaching book (catechism, preparation for the first communion): “The religion taught to grandchildren” by Canon Soulange-Bodin in the editions Alfred Mame et fils. / Bridgeman Images

ID: PCT4260460

illustrated cover of a late 19th Christian teaching book (catechism, preparation for the first communion): “The religion taught to grandchildren” by Canon Soulange-Bodin in the editions Alfred Mame et fils.

2 studies of female nude by photographer Etienne Carjat. Original reading prints, fonds of the photographic workshop Roth & Cie.
2 studies of female nude by photographer Etienne Carjat. Original reading prints, fonds of the photographic workshop Roth & Cie.

PCT4260493: 2 studies of female nude by photographer Etienne Carjat. Original reading prints, fonds of the photographic workshop Roth & Cie. / Bridgeman Images

ID: PCT4260493

2 studies of female nude by photographer Etienne Carjat. Original reading prints, fonds of the photographic workshop Roth & Cie.

Bear shows in Ariege around 1900.
Bear shows in Ariege around 1900.

PCT4260571: Bear shows in Ariege around 1900. / Bridgeman Images

ID: PCT4260571

Bear shows in Ariege around 1900.

Postcard showing a scene from the film “Vercingetorix “”, shot between 1902 and 1906 by the company Pathe.
Postcard showing a scene from the film “Vercingetorix “”, shot between 1902 and 1906 by the company Pathe.

PCT4260611: Postcard showing a scene from the film “Vercingetorix “”, shot between 1902 and 1906 by the company Pathe. / Bridgeman Images

ID: PCT4260611

Postcard showing a scene from the film “Vercingetorix “”, shot between 1902 and 1906 by the company Pathe.

Gavage of poultry (foie gras) in the southwest of France around 1900: farmer making grain swallow a goose with a funnel under the eyes of a small child.
Gavage of poultry (foie gras) in the southwest of France around 1900: farmer making grain swallow a goose with a funnel under the eyes of a small child.

PCT4260614: Gavage of poultry (foie gras) in the southwest of France around 1900: farmer making grain swallow a goose with a funnel under the eyes of a small child. / Bridgeman Images

ID: PCT4260614

Gavage of poultry (foie gras) in the southwest of France around 1900: farmer making grain swallow a goose with a funnel under the eyes of a small child.

Revolt des vignerons in 1907: portrait of the apostre des vignerons Marcelin (Marcellin) Albert, by Narbonnais photographer L. Collet. Photo edited in postcard and dedicated by Mr. Albert, in “” historical memory””.
Revolt des vignerons in 1907: portrait of the apostre des vignerons Marcelin (Marcellin) Albert, by Narbonnais photographer L. Collet. Photo edited in postcard and dedicated by Mr. Albert, in “” historical memory””.

PCT4260640: Revolt des vignerons in 1907: portrait of the apostre des vignerons Marcelin (Marcellin) Albert, by Narbonnais photographer L. Collet. Photo edited in postcard and dedicated by Mr. Albert, in “” historical memory””. / Bridgeman Images

ID: PCT4260640

Revolt des vignerons in 1907: portrait of the apostre des vignerons Marcelin (Marcellin) Albert, by Narbonnais photographer L. Collet. Photo edited in postcard and dedicated by Mr. Albert, in “” historical memory””.

Winemakers revolt 1907: Secret message sent by the Apotre des vignerons Marcelin (Marcellin) Albert on August 6, two days after his release from Montpellier prison. The text was hidden under the postcard stamp. It reads: Tomorrow arrives in Carcassonne at 3 o'clock. I spend the day there. Come to the station. The next day I go to Paris.
Winemakers revolt 1907: Secret message sent by the Apotre des vignerons Marcelin (Marcellin) Albert on August 6, two days after his release from Montpellier prison. The text was hidden under the postcard stamp. It reads: Tomorrow arrives in Carcassonne at 3 o'clock. I spend the day there. Come to the station. The next day I go to Paris.

PCT4260642: Winemakers revolt 1907: Secret message sent by the Apotre des vignerons Marcelin (Marcellin) Albert on August 6, two days after his release from Montpellier prison. The text was hidden under the postcard stamp. It reads: Tomorrow arrives in Carcassonne at 3 o'clock. I spend the day there. Come to the station. The next day I go to Paris. / Bridgeman Images

ID: PCT4260642

Winemakers revolt 1907: Secret message sent by the Apotre des vignerons Marcelin (Marcellin) Albert on August 6, two days after his release from Montpellier prison. The text was hidden under the postcard stamp. It reads: Tomorrow arrives in Carcassonne at 3 o'clock. I spend the day there. Come to the station. The next day I go to Paris.

Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.
Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.

PCT4260685: Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907. / Bridgeman Images

ID: PCT4260685

Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.

Revolt du Midi Vineyard in 1907. Ernest Ferroul, mayor of Narbonne, among the demonstrators, alongside a young woman holding a baniere with the inscription: “Death to the fraudsters””.
Revolt du Midi Vineyard in 1907. Ernest Ferroul, mayor of Narbonne, among the demonstrators, alongside a young woman holding a baniere with the inscription: “Death to the fraudsters””.

PCT4260689: Revolt du Midi Vineyard in 1907. Ernest Ferroul, mayor of Narbonne, among the demonstrators, alongside a young woman holding a baniere with the inscription: “Death to the fraudsters””. / Bridgeman Images

ID: PCT4260689

Revolt du Midi Vineyard in 1907. Ernest Ferroul, mayor of Narbonne, among the demonstrators, alongside a young woman holding a baniere with the inscription: “Death to the fraudsters””.

Mormons in North America in the 19th century. Prophet Joseph Smith preaching a tribe of Indians around 1930. Drawing by Mettais - Engraving of the newspaper “” Le tour du monde””.
Mormons in North America in the 19th century. Prophet Joseph Smith preaching a tribe of Indians around 1930. Drawing by Mettais - Engraving of the newspaper “” Le tour du monde””.

PCT4261695: Mormons in North America in the 19th century. Prophet Joseph Smith preaching a tribe of Indians around 1930. Drawing by Mettais - Engraving of the newspaper “” Le tour du monde””. / Bridgeman Images

ID: PCT4261695

Mormons in North America in the 19th century. Prophet Joseph Smith preaching a tribe of Indians around 1930. Drawing by Mettais - Engraving of the newspaper “” Le tour du monde””.

Claimed for a portable darkroom for civil and military painters and cartoonists - last cover of the travel journal “” Le Tour du Monde”” 19/12/1891
Claimed for a portable darkroom for civil and military painters and cartoonists - last cover of the travel journal “” Le Tour du Monde”” 19/12/1891

PCT4261706: Claimed for a portable darkroom for civil and military painters and cartoonists - last cover of the travel journal “” Le Tour du Monde”” 19/12/1891 / Bridgeman Images

ID: PCT4261706

Claimed for a portable darkroom for civil and military painters and cartoonists - last cover of the travel journal “” Le Tour du Monde”” 19/12/1891

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4261719: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261719

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot.
Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot.

PCT4261731: Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot. / Bridgeman Images

ID: PCT4261731

Self-reclame published in December 1940 for the 3 press titles created by Jacques Coeur (pseudonym of Abbé Jean Courtois) and Jean Vaillant (pseudonym of Jean Pihan). Family reading newspapers. The magazine exalts Catholic religion, patriotism, scouting and admiration at Marechal Petain. drawing by Robert Rigot.

Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m.
Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m.

PCT4261768: Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m. / Bridgeman Images

ID: PCT4261768

Last cover illustration of the Petière Journal (illustrated supplement) n°1126 of 16 June 1912: scaphandrier attacked by a large octopus in Toulon, in the Missiessy dock. The octopus weighed over 60 kg and its tentacles were over 8 m.

Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.
Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.

PCT4261821: Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261821

Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.

Unknown photographer, (20th century)

postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.
postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.

PCT4261851: postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261851

postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.

Unknown photographer, (20th century)

2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.
2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.

PCT4261857: 2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261857

2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.

Unknown photographer, (20th century)

Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm.
Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm.

PCT4262045: Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm. / Bridgeman Images

ID: PCT4262045

Marseille circa 1900: view of the city with the cathedrale (new Major batie between 1852 and 1893 in the Byzantine style) Sainte Marie Maggiore (Sainte-Marie-Maggiore) (known as “” la Major”) and entrance to the port with lighthouse, sailing and steam boats - anonymous stereo cliche on glass plate, 2 times 4x4,5 cm.

5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.
5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.

PCT4262049: 5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm. / Bridgeman Images

ID: PCT4262049

5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.

A knights tournament under Henry 2: vignette in the way of Epinal's images, extracted from the large leaflet “History of France by the image” offered by Le Petity Journal
A knights tournament under Henry 2: vignette in the way of Epinal's images, extracted from the large leaflet “History of France by the image” offered by Le Petity Journal

PCT4262074: A knights tournament under Henry 2: vignette in the way of Epinal's images, extracted from the large leaflet “History of France by the image” offered by Le Petity Journal / Bridgeman Images

ID: PCT4262074

A knights tournament under Henry 2: vignette in the way of Epinal's images, extracted from the large leaflet “History of France by the image” offered by Le Petity Journal

Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.
Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.

PCT4262148: Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine. / Bridgeman Images

ID: PCT4262148

Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.

Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched.
Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched.

PCT4262151: Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched. / Bridgeman Images

ID: PCT4262151

Dealers of rosaries and pious objects in Bethleem at the beginning of the 20th century. The manufacture of these precious memories made of mother-of-pearl, coral or black stone for the pelerins was one of the main industries of the Christian population of Palestine. Black and white photography retouched.

The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.
The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.

PCT4262199: The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4262199

The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.

Robida, Albert (1848-1926)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262245: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262245

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262253: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262253

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262260: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262260

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262272: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262272

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262275: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262275

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262309: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4262309

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons.
Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons.

PCT4262355: Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons. / Bridgeman Images

ID: PCT4262355

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. View of an astronomical bezel, the most powerful in Europe in the 19th century (telescope of Mr Newall, amateur astronomer in Newcastle, England). Designers: Cook & Sons.

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system.
Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system.

PCT4262378: Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system. / Bridgeman Images

ID: PCT4262378

Engraving from Camille Flammarion's book “Les Terres du Ciel””, 2nd edition 1877. The new telescope of the Paris Obsrvatoire was installed in 1876 by the optician Martin, following Newton's system.

man contemplating a glass of wine. Illustration of anonymous cover of the magazine “Grand crus et vins de France”” December 1934.
man contemplating a glass of wine. Illustration of anonymous cover of the magazine “Grand crus et vins de France”” December 1934.

PCT4262408: man contemplating a glass of wine. Illustration of anonymous cover of the magazine “Grand crus et vins de France”” December 1934. / Bridgeman Images

ID: PCT4262408

man contemplating a glass of wine. Illustration of anonymous cover of the magazine “Grand crus et vins de France”” December 1934.


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