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Marigold, Calendula officinalis, and true chamomile, Chamomilla vera? Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Marigold, Calendula officinalis, and true chamomile, Chamomilla vera? Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667173: Marigold, Calendula officinalis, and true chamomile, Chamomilla vera? Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4667173

Marigold, Calendula officinalis, and true chamomile, Chamomilla vera? Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Sardinia seen from space - Sardinia seen from space - Sardinia seen from the International Space Station (ISS) on 22 June 2008. Sardinia seen from the International Space Station (ISS) on June 22, 2008
Sardinia seen from space - Sardinia seen from space - Sardinia seen from the International Space Station (ISS) on 22 June 2008. Sardinia seen from the International Space Station (ISS) on June 22, 2008

PIX4667235: Sardinia seen from space - Sardinia seen from space - Sardinia seen from the International Space Station (ISS) on 22 June 2008. Sardinia seen from the International Space Station (ISS) on June 22, 2008 / Bridgeman Images

ID: PIX4667235

Sardinia seen from space - Sardinia seen from space - Sardinia seen from the International Space Station (ISS) on 22 June 2008. Sardinia seen from the International Space Station (ISS) on June 22, 2008

Sun spurge, Euphorbia helioscopia, and cypress spurge, Euphorbia cyparissias. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Sun spurge, Euphorbia helioscopia, and cypress spurge, Euphorbia cyparissias. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667310: Sun spurge, Euphorbia helioscopia, and cypress spurge, Euphorbia cyparissias. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4667310

Sun spurge, Euphorbia helioscopia, and cypress spurge, Euphorbia cyparissias. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Etna (Sicily) seen by ISS 11/2002 - Etna, one of the most active volcanoes in the world, observes from the international space station on 07/11/2002
Etna (Sicily) seen by ISS 11/2002 - Etna, one of the most active volcanoes in the world, observes from the international space station on 07/11/2002

PIX4667314: Etna (Sicily) seen by ISS 11/2002 - Etna, one of the most active volcanoes in the world, observes from the international space station on 07/11/2002 / Bridgeman Images

ID: PIX4667314

Etna (Sicily) seen by ISS 11/2002 - Etna, one of the most active volcanoes in the world, observes from the international space station on 07/11/2002

Chameleon spurge, Euphorbia dulcis, and tree spurge, Euphorbia dendroides. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Chameleon spurge, Euphorbia dulcis, and tree spurge, Euphorbia dendroides. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4667319: Chameleon spurge, Euphorbia dulcis, and tree spurge, Euphorbia dendroides. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4667319

Chameleon spurge, Euphorbia dulcis, and tree spurge, Euphorbia dendroides. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689984: Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689984

Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,
Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,

FLO4690006: Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum, / Bridgeman Images

ID: FLO4690006

Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,

Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690029: Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

ID: FLO4690029

Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690069: Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

ID: FLO4690069

Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690118: The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690118

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690247

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690251

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690269: The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690269

The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690300: The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690300

The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690316

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690333

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690345

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690433

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690481

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690532

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Pine gemming in France in the Landes at the beginning of the 20th century: in the forest a resinier and a resiniere collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) - postcard before 1914 -
Pine gemming in France in the Landes at the beginning of the 20th century: in the forest a resinier and a resiniere collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) - postcard before 1914 -

PCT4690551: Pine gemming in France in the Landes at the beginning of the 20th century: in the forest a resinier and a resiniere collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) - postcard before 1914 - / Bridgeman Images

ID: PCT4690551

Pine gemming in France in the Landes at the beginning of the 20th century: in the forest a resinier and a resiniere collect the gem (resin) by cutting the trunk of a pine and collecting the resinous juice in an earthen pot (bucket) - postcard before 1914 -

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690623

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Japanese oiran and samurai. Japanese courtesan in kimono with fan and hair ornaments, and two Japanese samurai in chonmage hairstyle wearing montsuki over hakama with two swords (katana) in their belts. (Titled Chinese in error.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Japanese oiran and samurai. Japanese courtesan in kimono with fan and hair ornaments, and two Japanese samurai in chonmage hairstyle wearing montsuki over hakama with two swords (katana) in their belts. (Titled Chinese in error.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690715: Japanese oiran and samurai. Japanese courtesan in kimono with fan and hair ornaments, and two Japanese samurai in chonmage hairstyle wearing montsuki over hakama with two swords (katana) in their belts. (Titled Chinese in error.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690715

Japanese oiran and samurai. Japanese courtesan in kimono with fan and hair ornaments, and two Japanese samurai in chonmage hairstyle wearing montsuki over hakama with two swords (katana) in their belts. (Titled Chinese in error.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690734: Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690734

Kamehameha I, King of Hawaii (as Tammeamea I, King of the Sandwich Islands), and Naba Leba, Queen of Solor, Indonesia. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Australian aborigines of the Malay race. Mour-Re-Mour-Ga, man in turban, Y-Erran-Gou-La-Ga, man with face painting, and Ou-Re-Kine, woman in bandana (after Nicolas-Martin Petite). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Australian aborigines of the Malay race. Mour-Re-Mour-Ga, man in turban, Y-Erran-Gou-La-Ga, man with face painting, and Ou-Re-Kine, woman in bandana (after Nicolas-Martin Petite). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690754: Australian aborigines of the Malay race. Mour-Re-Mour-Ga, man in turban, Y-Erran-Gou-La-Ga, man with face painting, and Ou-Re-Kine, woman in bandana (after Nicolas-Martin Petite). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690754

Australian aborigines of the Malay race. Mour-Re-Mour-Ga, man in turban, Y-Erran-Gou-La-Ga, man with face painting, and Ou-Re-Kine, woman in bandana (after Nicolas-Martin Petite). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690774: Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690774

Kalaimanokahoowaha or Kanaina, chief with helmet and cloak made of feathers, and Poeta, his wife, in a feather lei necklace and beads in her hair. (Both after John Webber.) Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690797: Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690797

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690844: Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690844

Tayadaneega, Thayendanegea or Joseph Brant (1743-1807), Mohawk chief and leader. He wears a feather headdress, metal gorget, shirt, and chain earring. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.
Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

FLO4690869: Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827. / Bridgeman Images

ID: FLO4690869

Black-headed uakari, Cacajao melanocephalus ouakary (Brachyurus ouakari) and brown-backed bearded saki, Chiropotes israelita (Brachyurus israelita). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

Polar bear, Ursus maritimus (Ursus polaris) on an ice flow. Vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Polar bear, Ursus maritimus (Ursus polaris) on an ice flow. Vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690963: Polar bear, Ursus maritimus (Ursus polaris) on an ice flow. Vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690963

Polar bear, Ursus maritimus (Ursus polaris) on an ice flow. Vulnerable. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Pointer, Canis avicularius, dachshund, Canis vertagus, and basset hound, all breeds of Canis lupus familiaris. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Pointer, Canis avicularius, dachshund, Canis vertagus, and basset hound, all breeds of Canis lupus familiaris. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691012: Pointer, Canis avicularius, dachshund, Canis vertagus, and basset hound, all breeds of Canis lupus familiaris. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691012

Pointer, Canis avicularius, dachshund, Canis vertagus, and basset hound, all breeds of Canis lupus familiaris. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691069: Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691069

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Giraffe, Giraffa camelopardalis, female. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Giraffe, Giraffa camelopardalis, female. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691097: Giraffe, Giraffa camelopardalis, female. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691097

Giraffe, Giraffa camelopardalis, female. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687728: Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687728

Sea cow (Trichechus manati), a herbivorous mammal of shallow coastal waters of the Atlantic Tropical Zone. Illustration by Thomas Pennant (1726-1798), based on the specimen of the Leverian Museum. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687739: Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

ID: FLO4687739

Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

The Paradise Tree (or Bird of Paradise) Great Emerald (Paridisaea apoda), bird native to New Guinean and Indonesia.
The Paradise Tree (or Bird of Paradise) Great Emerald (Paridisaea apoda), bird native to New Guinean and Indonesia.

FLO4687794: The Paradise Tree (or Bird of Paradise) Great Emerald (Paridisaea apoda), bird native to New Guinean and Indonesia. / Bridgeman Images

ID: FLO4687794

The Paradise Tree (or Bird of Paradise) Great Emerald (Paridisaea apoda), bird native to New Guinean and Indonesia.


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