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A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703288: A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703288

A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Portrait of Frederic Chopin (1810-1849), Polish composer. - drawing by Gotzenberger, 1838.
Portrait of Frederic Chopin (1810-1849), Polish composer. - drawing by Gotzenberger, 1838.

GIA4703336: Portrait of Frederic Chopin (1810-1849), Polish composer. - drawing by Gotzenberger, 1838., Goetzenberger, Jakob (1800-66) / Bridgeman Images

ID: GIA4703336

Portrait of Frederic Chopin (1810-1849), Polish composer. - drawing by Gotzenberger, 1838.

Goetzenberger, Jakob (1800-66)

Fishing harbour with fishing boat, 1880
Fishing harbour with fishing boat, 1880

LUX4703349: Fishing harbour with fishing boat, 1880 / Bridgeman Images

ID: LUX4703349

Fishing harbour with fishing boat, 1880

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707494: Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707494

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707517: Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707517

Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Galileo, astronomer (1564 - 1642) presents the telescope to the three graces. With his right hand, he indicates the planet Jupiter with his satellites discovered by himself and dedicated to the Medici family. Frontispice de “” Opere di Galileo”” Bologna, 1656.
Galileo, astronomer (1564 - 1642) presents the telescope to the three graces. With his right hand, he indicates the planet Jupiter with his satellites discovered by himself and dedicated to the Medici family. Frontispice de “” Opere di Galileo”” Bologna, 1656.

GIA4707549: Galileo, astronomer (1564 - 1642) presents the telescope to the three graces. With his right hand, he indicates the planet Jupiter with his satellites discovered by himself and dedicated to the Medici family. Frontispice de “” Opere di Galileo”” Bologna, 1656., Italian School, (17th century) / Bridgeman Images

ID: GIA4707549

Galileo, astronomer (1564 - 1642) presents the telescope to the three graces. With his right hand, he indicates the planet Jupiter with his satellites discovered by himself and dedicated to the Medici family. Frontispice de “” Opere di Galileo”” Bologna, 1656.

Italian School, (17th century)

Search for Spanish galleons shipwrecked in Vigo Bay in 1702. Page taken from “” Emporio Picturesco”” 1871
Search for Spanish galleons shipwrecked in Vigo Bay in 1702. Page taken from “” Emporio Picturesco”” 1871

GIA4707597: Search for Spanish galleons shipwrecked in Vigo Bay in 1702. Page taken from “” Emporio Picturesco”” 1871, Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4707597

Search for Spanish galleons shipwrecked in Vigo Bay in 1702. Page taken from “” Emporio Picturesco”” 1871

Unknown Artist, (19th century)

France, Rhone-Alpes, Loire (42), Roanne: The musical competition of Roanne: the distribution of awards, 1888
France, Rhone-Alpes, Loire (42), Roanne: The musical competition of Roanne: the distribution of awards, 1888

LUX4707628: France, Rhone-Alpes, Loire (42), Roanne: The musical competition of Roanne: the distribution of awards, 1888 / Bridgeman Images

ID: LUX4707628

France, Rhone-Alpes, Loire (42), Roanne: The musical competition of Roanne: the distribution of awards, 1888

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707660: Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707660

Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707670: King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707670

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

France, Midi-Pyrenees, Hautes-Pyrenees (65), Cauterets: The chasm of the Spanish Bridge, 1870
France, Midi-Pyrenees, Hautes-Pyrenees (65), Cauterets: The chasm of the Spanish Bridge, 1870

LUX4707672: France, Midi-Pyrenees, Hautes-Pyrenees (65), Cauterets: The chasm of the Spanish Bridge, 1870 / Bridgeman Images

ID: LUX4707672

France, Midi-Pyrenees, Hautes-Pyrenees (65), Cauterets: The chasm of the Spanish Bridge, 1870

Portrait of Cesare Pavese.
Portrait of Cesare Pavese.

GIA4707699: Portrait of Cesare Pavese., Anonymous / Bridgeman Images

ID: GIA4707699

Portrait of Cesare Pavese.

Anonymous

Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart
Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

TEC4707740: Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart / Bridgeman Images

ID: TEC4707740

Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

France, Centre, Eure-et-Loir (28), Chartres: Cathedrale de Chartres: the south portal, 1885
France, Centre, Eure-et-Loir (28), Chartres: Cathedrale de Chartres: the south portal, 1885

LUX4707753: France, Centre, Eure-et-Loir (28), Chartres: Cathedrale de Chartres: the south portal, 1885 / Bridgeman Images

ID: LUX4707753

France, Centre, Eure-et-Loir (28), Chartres: Cathedrale de Chartres: the south portal, 1885

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707756: Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707756

Margarita, Countess of Flanders (1145-1194), horseback with a hawk and the dwarf Turold, guiding two horses. The Franks wore cups similar to that worn by Marguerite (103). Turold (104), sent by Guillaume (William), Duke of Normandy, known as the Conquerant then William I of England (1027-1087), represented as described by Bernard de Montfaucon in Monument de la Monarchy Francaise. (Copy of a tapestry earlier than that of Bayeux or Queen Mathilde, 11th century). He wears clothes under his suit, the cut and shape of his hat are very special. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart
Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

TEC4707760: Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart / Bridgeman Images

ID: TEC4707760

Statue of Louis XIV by Antoine de Coysevox in the courtyard of the Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architecture by Nicolas Dupuis in 1560 and refurbished in 1660 by Francois Mansart

France, Pays de la Loire, Maine-et-Loire (49), Angers: Panorama of the city of Angers, view of the Chateau, 1885
France, Pays de la Loire, Maine-et-Loire (49), Angers: Panorama of the city of Angers, view of the Chateau, 1885

LUX4707818: France, Pays de la Loire, Maine-et-Loire (49), Angers: Panorama of the city of Angers, view of the Chateau, 1885 / Bridgeman Images

ID: LUX4707818

France, Pays de la Loire, Maine-et-Loire (49), Angers: Panorama of the city of Angers, view of the Chateau, 1885

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

France, Lower Normandy, Manche (50), Mont Saint Michel (Mont-Saint-Michel): general view, 1880
France, Lower Normandy, Manche (50), Mont Saint Michel (Mont-Saint-Michel): general view, 1880

LUX4707918: France, Lower Normandy, Manche (50), Mont Saint Michel (Mont-Saint-Michel): general view, 1880 / Bridgeman Images

ID: LUX4707918

France, Lower Normandy, Manche (50), Mont Saint Michel (Mont-Saint-Michel): general view, 1880

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707988: Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707988

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

France, Pays de la Loire, Loire-Atlantique (44), Nantes: la Chateau interieur de la cour, 1880 - Sexer A. optique & mathematique 13-15 passage Pommeraye
France, Pays de la Loire, Loire-Atlantique (44), Nantes: la Chateau interieur de la cour, 1880 - Sexer A. optique & mathematique 13-15 passage Pommeraye

LUX4708002: France, Pays de la Loire, Loire-Atlantique (44), Nantes: la Chateau interieur de la cour, 1880 - Sexer A. optique & mathematique 13-15 passage Pommeraye / Bridgeman Images

ID: LUX4708002

France, Pays de la Loire, Loire-Atlantique (44), Nantes: la Chateau interieur de la cour, 1880 - Sexer A. optique & mathematique 13-15 passage Pommeraye

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

France, Poitou-Charentes, Charente-Maritime (17), Royan: A fishing boat returns to port, 1880
France, Poitou-Charentes, Charente-Maritime (17), Royan: A fishing boat returns to port, 1880

LUX4708064: France, Poitou-Charentes, Charente-Maritime (17), Royan: A fishing boat returns to port, 1880 / Bridgeman Images

ID: LUX4708064

France, Poitou-Charentes, Charente-Maritime (17), Royan: A fishing boat returns to port, 1880

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149: The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Harem by Luigi Crosio. 1901.
Harem by Luigi Crosio. 1901.

GIA4708160: Harem by Luigi Crosio. 1901., Crosio, Luigi (1835-1915) / Bridgeman Images

ID: GIA4708160

Harem by Luigi Crosio. 1901.

Crosio, Luigi (1835-1915)

France, Centre, Indre-et-Loire (37), Chenonceaux: Le Chateau, the Renaissance dining room, 1890
France, Centre, Indre-et-Loire (37), Chenonceaux: Le Chateau, the Renaissance dining room, 1890

LUX4708212: France, Centre, Indre-et-Loire (37), Chenonceaux: Le Chateau, the Renaissance dining room, 1890 / Bridgeman Images

ID: LUX4708212

France, Centre, Indre-et-Loire (37), Chenonceaux: Le Chateau, the Renaissance dining room, 1890

Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.
Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

FLO4708217: Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800. / Bridgeman Images

ID: FLO4708217

Knights fighters on foot, spear duel, during a tournament. The one on the left wears a crimson skirt over his armor, and has three red feathers on his helm. The one on the right uses his spear to prevent his opponent's attack. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1800.

France, Centre, Indre-et-Loire (37), Chenonceaux: La Chateau, western facade, 1880
France, Centre, Indre-et-Loire (37), Chenonceaux: La Chateau, western facade, 1880

LUX4708228: France, Centre, Indre-et-Loire (37), Chenonceaux: La Chateau, western facade, 1880 / Bridgeman Images

ID: LUX4708228

France, Centre, Indre-et-Loire (37), Chenonceaux: La Chateau, western facade, 1880

France, Centre, Indre-et-Loire (37), Loches: La porte medievale Picois (Picoys) (1435-1543), 1875
France, Centre, Indre-et-Loire (37), Loches: La porte medievale Picois (Picoys) (1435-1543), 1875

LUX4708237: France, Centre, Indre-et-Loire (37), Loches: La porte medievale Picois (Picoys) (1435-1543), 1875 / Bridgeman Images

ID: LUX4708237

France, Centre, Indre-et-Loire (37), Loches: La porte medievale Picois (Picoys) (1435-1543), 1875

France, Haute-Normandie, Seine-Maritime (76), Dieppe: The casino by the sea, 1890
France, Haute-Normandie, Seine-Maritime (76), Dieppe: The casino by the sea, 1890

LUX4708254: France, Haute-Normandie, Seine-Maritime (76), Dieppe: The casino by the sea, 1890 / Bridgeman Images

ID: LUX4708254

France, Haute-Normandie, Seine-Maritime (76), Dieppe: The casino by the sea, 1890

Harem. 19th century chromolithography.
Harem. 19th century chromolithography.

GIA4708302: Harem. 19th century chromolithography., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4708302

Harem. 19th century chromolithography.

Unknown Artist, (19th century)

France, Haute-Normandie, Seine-Maritime (76), Rouen: Portal of the cathedrale, 1885
France, Haute-Normandie, Seine-Maritime (76), Rouen: Portal of the cathedrale, 1885

LUX4708324: France, Haute-Normandie, Seine-Maritime (76), Rouen: Portal of the cathedrale, 1885 / Bridgeman Images

ID: LUX4708324

France, Haute-Normandie, Seine-Maritime (76), Rouen: Portal of the cathedrale, 1885

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708365: Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708365

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

France, Haute-Normandie, Seine-Maritime (76), Rouen: Eglise Saint Vincent, 1885
France, Haute-Normandie, Seine-Maritime (76), Rouen: Eglise Saint Vincent, 1885

LUX4708370: France, Haute-Normandie, Seine-Maritime (76), Rouen: Eglise Saint Vincent, 1885 / Bridgeman Images

ID: LUX4708370

France, Haute-Normandie, Seine-Maritime (76), Rouen: Eglise Saint Vincent, 1885

France, Haute-Normandie, Seine-Maritime (76), Rouen: Palais de Justice, 1885 - Roulland Le roux
France, Haute-Normandie, Seine-Maritime (76), Rouen: Palais de Justice, 1885 - Roulland Le roux

LUX4708388: France, Haute-Normandie, Seine-Maritime (76), Rouen: Palais de Justice, 1885 - Roulland Le roux / Bridgeman Images

ID: LUX4708388

France, Haute-Normandie, Seine-Maritime (76), Rouen: Palais de Justice, 1885 - Roulland Le roux

France, Haute-Normandie, Seine-Maritime (76), Rouen: General view of the church Saint Ouen, 1885
France, Haute-Normandie, Seine-Maritime (76), Rouen: General view of the church Saint Ouen, 1885

LUX4708390: France, Haute-Normandie, Seine-Maritime (76), Rouen: General view of the church Saint Ouen, 1885 / Bridgeman Images

ID: LUX4708390

France, Haute-Normandie, Seine-Maritime (76), Rouen: General view of the church Saint Ouen, 1885


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