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View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619236: View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

ID: FLO4619236

View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Regency gentlemen in top hats playing bowls on a bowling green. The Bowling Alley, Worcester, or Characters of the Hand and Glove Club. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Regency gentlemen in top hats playing bowls on a bowling green. The Bowling Alley, Worcester, or Characters of the Hand and Glove Club. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619292: Regency gentlemen in top hats playing bowls on a bowling green. The Bowling Alley, Worcester, or Characters of the Hand and Glove Club. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

ID: FLO4619292

Regency gentlemen in top hats playing bowls on a bowling green. The Bowling Alley, Worcester, or Characters of the Hand and Glove Club. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619397: Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619397

Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823
Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823

FLO4619406: Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823 / Bridgeman Images

ID: FLO4619406

Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633956: The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633956

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634202: View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634202

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy
The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

LRI4634228: The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy, Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: LRI4634228

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634295: The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634295

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634331: Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634331

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605892: Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605892

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Red Quinquina (Cinchona cordifolia) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Red Quinquina (Cinchona cordifolia) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605915: Red Quinquina (Cinchona cordifolia) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605915

Red Quinquina (Cinchona cordifolia) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606080: Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4606080

Ler rathania (Krameria lappacea) - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4606116: Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4606116

Perennial mercuriale or perennial or dog cabbage (Mercurialis perennis) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606327: Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606327

Woman in hedgehog hairstyle tied with a ribbon. Hairstyle Herisson. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619724: Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

ID: FLO4619724

Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4619841: Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4619841

Saladin (1138-1193), first Sultan of Egypt, and Selim I (known as the Brave or the Terrible, 1470-1520), Sultan of the Ottoman Empire. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619865: Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619865

Home of Chief Ras Velletta Selasse in Antalow, Ethiopia, early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619914: African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4619914

African animals: zebra, Equus quagga, giraffe, Giraffa camelopardalis, endangered chimpanzee, Pan troglodytes, and the endangered Asian jocko (orangutan, Pongo pygmaeus). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Bust of Ferruccio Busoni (sculpture)
Bust of Ferruccio Busoni (sculpture)

LRI4619964: Bust of Ferruccio Busoni (sculpture) / Bridgeman Images

ID: LRI4619964

Bust of Ferruccio Busoni (sculpture)

Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620031: Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620031

Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo
Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo

LRI4620037: Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo, Baschenis, Evaristo (1617-77) / Bridgeman Images

ID: LRI4620037

Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo

Baschenis, Evaristo (1617-77)

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620077: Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620077

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620082: Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620082

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

The neighbourhood of our solar system - The neighbourhood of our solar system
The neighbourhood of our solar system - The neighbourhood of our solar system

PIX4634513: The neighbourhood of our solar system - The neighbourhood of our solar system / Bridgeman Images

ID: PIX4634513

The neighbourhood of our solar system - The neighbourhood of our solar system

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634596: Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634596

Costumes of the Buriats of Siberia (Russia): women with their pompoms and a family scene. Below, a hunter, a dignitary and a shaman holding a small ritual round shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of the Burat people of Siberia. Woman in coat with tassels, hunter in reindeer-skin coat with bow and quiver, noble in formal robes. Shamans in long decorated coats carrying round shields and ritual tools. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes
Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

PIX4634649: Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes / Bridgeman Images

ID: PIX4634649

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

Costumes vary from the peoples of Africa. Lithograph for the title page of the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Title page to volume two: calligraphic title and vignette of peoples of Africa. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes vary from the peoples of Africa. Lithograph for the title page of the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Title page to volume two: calligraphic title and vignette of peoples of Africa. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634710: Costumes vary from the peoples of Africa. Lithograph for the title page of the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Title page to volume two: calligraphic title and vignette of peoples of Africa. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634710

Costumes vary from the peoples of Africa. Lithograph for the title page of the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Title page to volume two: calligraphic title and vignette of peoples of Africa. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Veriete of men's turbans and hats from Egypt. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Turbans and other headdresses of Egyptian men.Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Veriete of men's turbans and hats from Egypt. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Turbans and other headdresses of Egyptian men.Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634752: Veriete of men's turbans and hats from Egypt. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Turbans and other headdresses of Egyptian men.Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634752

Veriete of men's turbans and hats from Egypt. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Turbans and other headdresses of Egyptian men.Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634768: An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634768

An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Hooknose, Agonus cataphractus (Pogge or armed bull-head, Cottus cataphractus). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.
Hooknose, Agonus cataphractus (Pogge or armed bull-head, Cottus cataphractus). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

FLO4614028: Hooknose, Agonus cataphractus (Pogge or armed bull-head, Cottus cataphractus). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4614028

Hooknose, Agonus cataphractus (Pogge or armed bull-head, Cottus cataphractus). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

Donovan, Edward (1768-1837)

Jupiter et Io vus d'Europe - Jupiter and Io seen from Conamara Chaos on Europa.: Jupiter seen from his satellite Europe- Illustration - Jupiter seen from Europa. Artwork
Jupiter et Io vus d'Europe - Jupiter and Io seen from Conamara Chaos on Europa.: Jupiter seen from his satellite Europe- Illustration - Jupiter seen from Europa. Artwork

PIX4614085: Jupiter et Io vus d'Europe - Jupiter and Io seen from Conamara Chaos on Europa.: Jupiter seen from his satellite Europe- Illustration - Jupiter seen from Europa. Artwork / Bridgeman Images

ID: PIX4614085

Jupiter et Io vus d'Europe - Jupiter and Io seen from Conamara Chaos on Europa.: Jupiter seen from his satellite Europe- Illustration - Jupiter seen from Europa. Artwork

Mandan warrior San-ja-ka-ko-kah, Deceiving Wolf, and his family, showing the distinctive long hair dyed red and falling almost to the knees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan warrior San-ja-ka-ko-kah, Deceiving Wolf, and his family, showing the distinctive long hair dyed red and falling almost to the knees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601274: Mandan warrior San-ja-ka-ko-kah, Deceiving Wolf, and his family, showing the distinctive long hair dyed red and falling almost to the knees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601274

Mandan warrior San-ja-ka-ko-kah, Deceiving Wolf, and his family, showing the distinctive long hair dyed red and falling almost to the knees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

River lamprey, Lampetra fluviatilis (Lampern or lesser lamprey, Petromyzon fluviatilis). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.
River lamprey, Lampetra fluviatilis (Lampern or lesser lamprey, Petromyzon fluviatilis). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

FLO4614318: River lamprey, Lampetra fluviatilis (Lampern or lesser lamprey, Petromyzon fluviatilis). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4614318

River lamprey, Lampetra fluviatilis (Lampern or lesser lamprey, Petromyzon fluviatilis). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

Donovan, Edward (1768-1837)

Young man Sculpture by Desiderio da Settignano (ca. 1430-1464) 1450-1455 Dim 40x34,5 cm Florence, Museo Nazionale del Bargello
Young man Sculpture by Desiderio da Settignano (ca. 1430-1464) 1450-1455 Dim 40x34,5 cm Florence, Museo Nazionale del Bargello

LRI4614351: Young man Sculpture by Desiderio da Settignano (ca. 1430-1464) 1450-1455 Dim 40x34,5 cm Florence, Museo Nazionale del Bargello, Desiderio da Settignano (1428-64) / Bridgeman Images

ID: LRI4614351

Young man Sculpture by Desiderio da Settignano (ca. 1430-1464) 1450-1455 Dim 40x34,5 cm Florence, Museo Nazionale del Bargello

Desiderio da Settignano (1428-64)

Allis shad, Alosa alosa (Shad, Clupea alosa). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.
Allis shad, Alosa alosa (Shad, Clupea alosa). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

FLO4614394: Allis shad, Alosa alosa (Shad, Clupea alosa). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4614394

Allis shad, Alosa alosa (Shad, Clupea alosa). Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

Donovan, Edward (1768-1837)

Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601630: Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601630

Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.


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