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Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643114: Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643114

Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

Hayes, William (1735-1802)

Satellite Giove - B - Artist's view - View of the Giove satellite - B (Galileo In - Orbit Validation Element - B), the second satellite intended to validate the positioning system of Galileo
Satellite Giove - B - Artist's view - View of the Giove satellite - B (Galileo In - Orbit Validation Element - B), the second satellite intended to validate the positioning system of Galileo

PIX4643147: Satellite Giove - B - Artist's view - View of the Giove satellite - B (Galileo In - Orbit Validation Element - B), the second satellite intended to validate the positioning system of Galileo / Bridgeman Images

ID: PIX4643147

Satellite Giove - B - Artist's view - View of the Giove satellite - B (Galileo In - Orbit Validation Element - B), the second satellite intended to validate the positioning system of Galileo

Galileo satellites - Artist view - Galileo Satellites - Artist view - Artist view of the first two Galileo In - Orbit Validation (IOV) satellites intended to validate the Galileo positioning system. The Galileo network of European satellites will consist of 30 satellites at approximately 24,000 km of altitude (27 operationals, 3 reserve). Artist view of the first two Galileo In - Orbit Validation satellites. The operational Galileo system will consist of 30 satellites (27 operational+3 active spares), deployed in circular Medium Earth Orbit (MEO) at an altitude of 23,616 km altitude
Galileo satellites - Artist view - Galileo Satellites - Artist view - Artist view of the first two Galileo In - Orbit Validation (IOV) satellites intended to validate the Galileo positioning system. The Galileo network of European satellites will consist of 30 satellites at approximately 24,000 km of altitude (27 operationals, 3 reserve). Artist view of the first two Galileo In - Orbit Validation satellites. The operational Galileo system will consist of 30 satellites (27 operational+3 active spares), deployed in circular Medium Earth Orbit (MEO) at an altitude of 23,616 km altitude

PIX4643156: Galileo satellites - Artist view - Galileo Satellites - Artist view - Artist view of the first two Galileo In - Orbit Validation (IOV) satellites intended to validate the Galileo positioning system. The Galileo network of European satellites will consist of 30 satellites at approximately 24,000 km of altitude (27 operationals, 3 reserve). Artist view of the first two Galileo In - Orbit Validation satellites. The operational Galileo system will consist of 30 satellites (27 operational+3 active spares), deployed in circular Medium Earth Orbit (MEO) at an altitude of 23,616 km altitude / Bridgeman Images

ID: PIX4643156

Galileo satellites - Artist view - Galileo Satellites - Artist view - Artist view of the first two Galileo In - Orbit Validation (IOV) satellites intended to validate the Galileo positioning system. The Galileo network of European satellites will consist of 30 satellites at approximately 24,000 km of altitude (27 operationals, 3 reserve). Artist view of the first two Galileo In - Orbit Validation satellites. The operational Galileo system will consist of 30 satellites (27 operational+3 active spares), deployed in circular Medium Earth Orbit (MEO) at an altitude of 23,616 km altitude

Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643168: Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643168

Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

Hayes, William (1735-1802)

Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643198: Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643198

Alexandrine parakeet, Psittacula eupatria. (Psittacus alexandri) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

Hayes, William (1735-1802)

Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643219: Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643219

Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

Hayes, William (1735-1802)

Red-billed quelea, Quelea quelea, female. (Black-faced bunting, Embereza quelea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Red-billed quelea, Quelea quelea, female. (Black-faced bunting, Embereza quelea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643249: Red-billed quelea, Quelea quelea, female. (Black-faced bunting, Embereza quelea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643249

Red-billed quelea, Quelea quelea, female. (Black-faced bunting, Embereza quelea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Pure-naped lory, Lorius domicella. Endangered. Black-capped lory, Psittacus domicilla. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Pure-naped lory, Lorius domicella. Endangered. Black-capped lory, Psittacus domicilla. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643285: Pure-naped lory, Lorius domicella. Endangered. Black-capped lory, Psittacus domicilla. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643285

Pure-naped lory, Lorius domicella. Endangered. Black-capped lory, Psittacus domicilla. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Representation of a camerlinguist, assistant of a copyist, 1388 (painting on wood)
Representation of a camerlinguist, assistant of a copyist, 1388 (painting on wood)

LRI4643321: Representation of a camerlinguist, assistant of a copyist, 1388 (painting on wood), Italian School, (14th century) / Bridgeman Images

ID: LRI4643321

Representation of a camerlinguist, assistant of a copyist, 1388 (painting on wood)

Italian School, (14th century)

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.
La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

TEC4649634: La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97. / Bridgeman Images

ID: TEC4649634

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.
La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

TEC4649637: La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97. / Bridgeman Images

ID: TEC4649637

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.
La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

TEC4649640: La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97. / Bridgeman Images

ID: TEC4649640

La Casa de Pilatos (1540), Quartier Santa Cruz in Seville (Spain). Finish in the first third of the 16th century, this palace, owned by the Duke of Medinaceli, combines in an astonishing way mudejar art, flamboyant Gothic and Renaissance art. According to popular belief, this palace is the reproduction of Pontius Pilate's palace in Jerusalem. Photography 10/03/97.

Magellan's Fox or Magellan's Wolf, Lycalopex culpaeus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839
Magellan's Fox or Magellan's Wolf, Lycalopex culpaeus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839

FLO4649670: Magellan's Fox or Magellan's Wolf, Lycalopex culpaeus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839 / Bridgeman Images

ID: FLO4649670

Magellan's Fox or Magellan's Wolf, Lycalopex culpaeus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839

Falkland Wolf or Falkland Fox or Antarctic Wolf - Lithograph by William Lizars, illustration by Charles Hamilton Smith, from “” Naturalist Library: Canides”, 1839 - Falkland Island Aguara-dog, Dusicyon australis, Extinct around 1870 - Handcoloured engraving by William Lizars from a drawing by Colonel Charles Hamilton Smith from Sir William Jardine's “” Naturalist's Library: Dogs”” Edinburgh, 1839
Falkland Wolf or Falkland Fox or Antarctic Wolf - Lithograph by William Lizars, illustration by Charles Hamilton Smith, from “” Naturalist Library: Canides”, 1839 - Falkland Island Aguara-dog, Dusicyon australis, Extinct around 1870 - Handcoloured engraving by William Lizars from a drawing by Colonel Charles Hamilton Smith from Sir William Jardine's “” Naturalist's Library: Dogs”” Edinburgh, 1839

FLO4649673: Falkland Wolf or Falkland Fox or Antarctic Wolf - Lithograph by William Lizars, illustration by Charles Hamilton Smith, from “” Naturalist Library: Canides”, 1839 - Falkland Island Aguara-dog, Dusicyon australis, Extinct around 1870 - Handcoloured engraving by William Lizars from a drawing by Colonel Charles Hamilton Smith from Sir William Jardine's “” Naturalist's Library: Dogs”” Edinburgh, 1839 / Bridgeman Images

ID: FLO4649673

Falkland Wolf or Falkland Fox or Antarctic Wolf - Lithograph by William Lizars, illustration by Charles Hamilton Smith, from “” Naturalist Library: Canides”, 1839 - Falkland Island Aguara-dog, Dusicyon australis, Extinct around 1870 - Handcoloured engraving by William Lizars from a drawing by Colonel Charles Hamilton Smith from Sir William Jardine's “” Naturalist's Library: Dogs”” Edinburgh, 1839

Knife made of ulna's beef, from the Cavern of the White sands (Arene Candide). Lower Neolithic. (bone)
Knife made of ulna's beef, from the Cavern of the White sands (Arene Candide). Lower Neolithic. (bone)

LRI4649688: Knife made of ulna's beef, from the Cavern of the White sands (Arene Candide). Lower Neolithic. (bone), Prehistoric / Bridgeman Images

ID: LRI4649688

Knife made of ulna's beef, from the Cavern of the White sands (Arene Candide). Lower Neolithic. (bone)

Prehistoric

Rose and sweet pea. Handcoloured botanical copperplate engraving by an unknown artist for “” Le Jardinier Fleuriste, dedie aux dames,”” Paris, 1819. The verses are signed by Laurent-Pierre Berenger (1749-1822), who may be the author of this work.
Rose and sweet pea. Handcoloured botanical copperplate engraving by an unknown artist for “” Le Jardinier Fleuriste, dedie aux dames,”” Paris, 1819. The verses are signed by Laurent-Pierre Berenger (1749-1822), who may be the author of this work.

FLO4649724: Rose and sweet pea. Handcoloured botanical copperplate engraving by an unknown artist for “” Le Jardinier Fleuriste, dedie aux dames,”” Paris, 1819. The verses are signed by Laurent-Pierre Berenger (1749-1822), who may be the author of this work. / Bridgeman Images

ID: FLO4649724

Rose and sweet pea. Handcoloured botanical copperplate engraving by an unknown artist for “” Le Jardinier Fleuriste, dedie aux dames,”” Paris, 1819. The verses are signed by Laurent-Pierre Berenger (1749-1822), who may be the author of this work.

Shuttle Atlantis - Last Shuttle Flight - July 2011 - Liftoff of Space Shuttle Atlantis - Final mission of Space Shuttle Program. July 2011 - Launch of the Atlantis space shuttle on July 8, 2011. Mission STS-135, last flight of American space shuttles. The engines ignite beneath space shuttle Atlantis on Launch Pad 39A on the Atlantic coastline at Nasa's Kennedy Space Center in Florida. Atlantis began its final flight, the STS - 135 mission to the International Space Station, at 11:29 a.m. EDT July 8. STS-135 will deliver the Raffaello multi-purpose logistics module packed with supplies and spare parts to the orbiting laboratory. Atlantis also is flying the Robotic Refueling Mission experiment that will investigate the potential for robotically refueling existing satellites in orbit. In addition, a failed ammonia pump module will be returned to Earth aboard Atlantis to help NASA better understand the failure mechanism and improve pump designs for future systems. STS - 135 is the 33rd flight of Atlantis, the 37th shuttle mission to the space station, and the 135th and final mission of NASA's Space Shuttle Program
Shuttle Atlantis - Last Shuttle Flight - July 2011 - Liftoff of Space Shuttle Atlantis - Final mission of Space Shuttle Program. July 2011 - Launch of the Atlantis space shuttle on July 8, 2011. Mission STS-135, last flight of American space shuttles. The engines ignite beneath space shuttle Atlantis on Launch Pad 39A on the Atlantic coastline at Nasa's Kennedy Space Center in Florida. Atlantis began its final flight, the STS - 135 mission to the International Space Station, at 11:29 a.m. EDT July 8. STS-135 will deliver the Raffaello multi-purpose logistics module packed with supplies and spare parts to the orbiting laboratory. Atlantis also is flying the Robotic Refueling Mission experiment that will investigate the potential for robotically refueling existing satellites in orbit. In addition, a failed ammonia pump module will be returned to Earth aboard Atlantis to help NASA better understand the failure mechanism and improve pump designs for future systems. STS - 135 is the 33rd flight of Atlantis, the 37th shuttle mission to the space station, and the 135th and final mission of NASA's Space Shuttle Program

PIX4649733: Shuttle Atlantis - Last Shuttle Flight - July 2011 - Liftoff of Space Shuttle Atlantis - Final mission of Space Shuttle Program. July 2011 - Launch of the Atlantis space shuttle on July 8, 2011. Mission STS-135, last flight of American space shuttles. The engines ignite beneath space shuttle Atlantis on Launch Pad 39A on the Atlantic coastline at Nasa's Kennedy Space Center in Florida. Atlantis began its final flight, the STS - 135 mission to the International Space Station, at 11:29 a.m. EDT July 8. STS-135 will deliver the Raffaello multi-purpose logistics module packed with supplies and spare parts to the orbiting laboratory. Atlantis also is flying the Robotic Refueling Mission experiment that will investigate the potential for robotically refueling existing satellites in orbit. In addition, a failed ammonia pump module will be returned to Earth aboard Atlantis to help NASA better understand the failure mechanism and improve pump designs for future systems. STS - 135 is the 33rd flight of Atlantis, the 37th shuttle mission to the space station, and the 135th and final mission of NASA's Space Shuttle Program / Bridgeman Images

ID: PIX4649733

Shuttle Atlantis - Last Shuttle Flight - July 2011 - Liftoff of Space Shuttle Atlantis - Final mission of Space Shuttle Program. July 2011 - Launch of the Atlantis space shuttle on July 8, 2011. Mission STS-135, last flight of American space shuttles. The engines ignite beneath space shuttle Atlantis on Launch Pad 39A on the Atlantic coastline at Nasa's Kennedy Space Center in Florida. Atlantis began its final flight, the STS - 135 mission to the International Space Station, at 11:29 a.m. EDT July 8. STS-135 will deliver the Raffaello multi-purpose logistics module packed with supplies and spare parts to the orbiting laboratory. Atlantis also is flying the Robotic Refueling Mission experiment that will investigate the potential for robotically refueling existing satellites in orbit. In addition, a failed ammonia pump module will be returned to Earth aboard Atlantis to help NASA better understand the failure mechanism and improve pump designs for future systems. STS - 135 is the 33rd fl

Santa Cruz district in Seville (Spain).
Santa Cruz district in Seville (Spain).

TEC4649739: Santa Cruz district in Seville (Spain). / Bridgeman Images

ID: TEC4649739

Santa Cruz district in Seville (Spain).

Santa Cruz district in Seville (Spain).
Santa Cruz district in Seville (Spain).

TEC4649754: Santa Cruz district in Seville (Spain). / Bridgeman Images

ID: TEC4649754

Santa Cruz district in Seville (Spain).

Santa Cruz district in Seville (Spain).
Santa Cruz district in Seville (Spain).

TEC4649796: Santa Cruz district in Seville (Spain). / Bridgeman Images

ID: TEC4649796

Santa Cruz district in Seville (Spain).

Female statuette from Jalangac Depe, 4000-3500 BC (clay)
Female statuette from Jalangac Depe, 4000-3500 BC (clay)

LRI4649808: Female statuette from Jalangac Depe, 4000-3500 BC (clay), Prehistoric / Bridgeman Images

ID: LRI4649808

Female statuette from Jalangac Depe, 4000-3500 BC (clay)

Prehistoric

The Malakoff district seen from the Ile Beaulieu Anantes (Loire Atlantique).
The Malakoff district seen from the Ile Beaulieu Anantes (Loire Atlantique).

MDA4649850: The Malakoff district seen from the Ile Beaulieu Anantes (Loire Atlantique)., Denance, Michel / Bridgeman Images

ID: MDA4649850

The Malakoff district seen from the Ile Beaulieu Anantes (Loire Atlantique).

Denance, Michel

Tetragonopterus chalceus (Schomburgk's tetragonopterus, Tetragonopterus schomburgkii). Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Robert Schomburg's Fishes of Guiana, part of Sir William Jardine's Naturalist's Library: Ichthyology, Edinburgh, 1841.
Tetragonopterus chalceus (Schomburgk's tetragonopterus, Tetragonopterus schomburgkii). Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Robert Schomburg's Fishes of Guiana, part of Sir William Jardine's Naturalist's Library: Ichthyology, Edinburgh, 1841.

FLO4649883: Tetragonopterus chalceus (Schomburgk's tetragonopterus, Tetragonopterus schomburgkii). Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Robert Schomburg's Fishes of Guiana, part of Sir William Jardine's Naturalist's Library: Ichthyology, Edinburgh, 1841. / Bridgeman Images

ID: FLO4649883

Tetragonopterus chalceus (Schomburgk's tetragonopterus, Tetragonopterus schomburgkii). Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Robert Schomburg's Fishes of Guiana, part of Sir William Jardine's Naturalist's Library: Ichthyology, Edinburgh, 1841.

Extra Release - Vehicle B.Mac Candless STS - 41 - B - 02/1984 - B.Mac Candless space walk. 02/1984 - Astronaut Bruce McCandless, II uses his hands to control his movements in space while using the MMU (Manned Maneuvering Unit), a standalone space chair allowing him to move away from the Challenger Space Shuttle by several meters without being connected. 11 - 02 - 1984. Astronaut Bruce McCandless, II, mission specialist, uses his hands to control his movement in space while using the nitrogen propelled manned maneuvering unit (MMU). He is participating in a extravehicular activity (EVA), a few meters away from the cabin of the shuttle Challenger. He is floating without tethers attaching him to the shuttle. Feb 11 1984
Extra Release - Vehicle B.Mac Candless STS - 41 - B - 02/1984 - B.Mac Candless space walk. 02/1984 - Astronaut Bruce McCandless, II uses his hands to control his movements in space while using the MMU (Manned Maneuvering Unit), a standalone space chair allowing him to move away from the Challenger Space Shuttle by several meters without being connected. 11 - 02 - 1984. Astronaut Bruce McCandless, II, mission specialist, uses his hands to control his movement in space while using the nitrogen propelled manned maneuvering unit (MMU). He is participating in a extravehicular activity (EVA), a few meters away from the cabin of the shuttle Challenger. He is floating without tethers attaching him to the shuttle. Feb 11 1984

PIX4649892: Extra Release - Vehicle B.Mac Candless STS - 41 - B - 02/1984 - B.Mac Candless space walk. 02/1984 - Astronaut Bruce McCandless, II uses his hands to control his movements in space while using the MMU (Manned Maneuvering Unit), a standalone space chair allowing him to move away from the Challenger Space Shuttle by several meters without being connected. 11 - 02 - 1984. Astronaut Bruce McCandless, II, mission specialist, uses his hands to control his movement in space while using the nitrogen propelled manned maneuvering unit (MMU). He is participating in a extravehicular activity (EVA), a few meters away from the cabin of the shuttle Challenger. He is floating without tethers attaching him to the shuttle. Feb 11 1984 / Bridgeman Images

ID: PIX4649892

Extra Release - Vehicle B.Mac Candless STS - 41 - B - 02/1984 - B.Mac Candless space walk. 02/1984 - Astronaut Bruce McCandless, II uses his hands to control his movements in space while using the MMU (Manned Maneuvering Unit), a standalone space chair allowing him to move away from the Challenger Space Shuttle by several meters without being connected. 11 - 02 - 1984. Astronaut Bruce McCandless, II, mission specialist, uses his hands to control his movement in space while using the nitrogen propelled manned maneuvering unit (MMU). He is participating in a extravehicular activity (EVA), a few meters away from the cabin of the shuttle Challenger. He is floating without tethers attaching him to the shuttle. Feb 11 1984

The course of the 50 hostages in Nantes (Loire Atlantique).
The course of the 50 hostages in Nantes (Loire Atlantique).

MDA4649901: The course of the 50 hostages in Nantes (Loire Atlantique)., Denance, Michel / Bridgeman Images

ID: MDA4649901

The course of the 50 hostages in Nantes (Loire Atlantique).

Denance, Michel

General view with the tower of Brittany in Nantes (Loire Atlantique).
General view with the tower of Brittany in Nantes (Loire Atlantique).

MDA4649907: General view with the tower of Brittany in Nantes (Loire Atlantique)., Denance, Michel / Bridgeman Images

ID: MDA4649907

General view with the tower of Brittany in Nantes (Loire Atlantique).

Denance, Michel

Telescope Gemini North - Gemini North Telescope - The 8.2 meter Gemini North telescope, at the Mauna Kea Observatory, Hawaii. Mauna Kea observatory, Hawaii, USA. The 8,2m Gemini North telescope
Telescope Gemini North - Gemini North Telescope - The 8.2 meter Gemini North telescope, at the Mauna Kea Observatory, Hawaii. Mauna Kea observatory, Hawaii, USA. The 8,2m Gemini North telescope

PIX4655051: Telescope Gemini North - Gemini North Telescope - The 8.2 meter Gemini North telescope, at the Mauna Kea Observatory, Hawaii. Mauna Kea observatory, Hawaii, USA. The 8,2m Gemini North telescope / Bridgeman Images

ID: PIX4655051

Telescope Gemini North - Gemini North Telescope - The 8.2 meter Gemini North telescope, at the Mauna Kea Observatory, Hawaii. Mauna Kea observatory, Hawaii, USA. The 8,2m Gemini North telescope

Manta ray, Manta birostris, devil ray, Mobula mobular, and reef manta ray, Manta alfredi. Handcoloured copperplate engraving by Dequevauviller after an illustration by Jean-Gabriel Pretre from Bernard Germain de Lacepede's Natural History of Oviparous Quadrupeds, Snakes, Fish and Cetaceans, Eymery, Paris, 1825.
Manta ray, Manta birostris, devil ray, Mobula mobular, and reef manta ray, Manta alfredi. Handcoloured copperplate engraving by Dequevauviller after an illustration by Jean-Gabriel Pretre from Bernard Germain de Lacepede's Natural History of Oviparous Quadrupeds, Snakes, Fish and Cetaceans, Eymery, Paris, 1825.

FLO4655069: Manta ray, Manta birostris, devil ray, Mobula mobular, and reef manta ray, Manta alfredi. Handcoloured copperplate engraving by Dequevauviller after an illustration by Jean-Gabriel Pretre from Bernard Germain de Lacepede's Natural History of Oviparous Quadrupeds, Snakes, Fish and Cetaceans, Eymery, Paris, 1825. / Bridgeman Images

ID: FLO4655069

Manta ray, Manta birostris, devil ray, Mobula mobular, and reef manta ray, Manta alfredi. Handcoloured copperplate engraving by Dequevauviller after an illustration by Jean-Gabriel Pretre from Bernard Germain de Lacepede's Natural History of Oviparous Quadrupeds, Snakes, Fish and Cetaceans, Eymery, Paris, 1825.

View of the organ, 1709 (photography)
View of the organ, 1709 (photography)

LRI4655111: View of the organ, 1709 (photography), Silbermann, Andre (1678-1734) / Bridgeman Images

ID: LRI4655111

View of the organ, 1709 (photography)

Silbermann, Andre (1678-1734)

Marble bust, Sculpture, 1786 (marble)
Marble bust, Sculpture, 1786 (marble)

JLJ4655129: Marble bust, Sculpture, 1786 (marble), Houdon, Jean-Antoine (1741-1828) / Bridgeman Images

ID: JLJ4655129

Marble bust, Sculpture, 1786 (marble)

Houdon, Jean-Antoine (1741-1828)

Tiger attacking a deer, 19th century (bronze)
Tiger attacking a deer, 19th century (bronze)

JLJ4655144: Tiger attacking a deer, 19th century (bronze), Barye, Antoine Louis (1796-1875) / Bridgeman Images

ID: JLJ4655144

Tiger attacking a deer, 19th century (bronze)

Barye, Antoine Louis (1796-1875)

Mauna Kea Observatory - Radiotelescope CSO - Mauna Kea Observatory - Radiotelescope CSO - The 10.4 m CSO (Caltech Submillimeter Telescope), Mauna Kea Observatory, Hawaii
Mauna Kea Observatory - Radiotelescope CSO - Mauna Kea Observatory - Radiotelescope CSO - The 10.4 m CSO (Caltech Submillimeter Telescope), Mauna Kea Observatory, Hawaii

PIX4655183: Mauna Kea Observatory - Radiotelescope CSO - Mauna Kea Observatory - Radiotelescope CSO - The 10.4 m CSO (Caltech Submillimeter Telescope), Mauna Kea Observatory, Hawaii / Bridgeman Images

ID: PIX4655183

Mauna Kea Observatory - Radiotelescope CSO - Mauna Kea Observatory - Radiotelescope CSO - The 10.4 m CSO (Caltech Submillimeter Telescope), Mauna Kea Observatory, Hawaii

View of the abbey of Saint-Savin-sur-Gartempe, 11th century (photography)
View of the abbey of Saint-Savin-sur-Gartempe, 11th century (photography)

LRI4655204: View of the abbey of Saint-Savin-sur-Gartempe, 11th century (photography), Romanesque, (12th century) / Bridgeman Images

ID: LRI4655204

View of the abbey of Saint-Savin-sur-Gartempe, 11th century (photography)

Romanesque, (12th century)

Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643399: Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643399

Yellow finch, Fringilla butyracea. Extinct? Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

White-crowned pigeon, Patagioenas leucocephala. Near threatened. (Columba leucocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
White-crowned pigeon, Patagioenas leucocephala. Near threatened. (Columba leucocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643421: White-crowned pigeon, Patagioenas leucocephala. Near threatened. (Columba leucocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643421

White-crowned pigeon, Patagioenas leucocephala. Near threatened. (Columba leucocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

Hayes, William (1735-1802)

Side view of the Cathedral Notre Dame (photography)
Side view of the Cathedral Notre Dame (photography)

LRI4655300: Side view of the Cathedral Notre Dame (photography), French School, (13th century) / Bridgeman Images

ID: LRI4655300

Side view of the Cathedral Notre Dame (photography)

French School, (13th century)


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