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The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690316

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690433

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco)
The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco)

LRI4690688: The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

ID: LRI4690688

The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco)

Consolo (Magister Conxolus) (13th century)

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690797: Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690797

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Etruscan civilization: bronze helmet with inscription “” haspnas””” making reference to a model of military organization (bronze helmet with inscription referring to military organization) - From Vetulonia - 5th century BC - Dim 21 cm height - Florence, museo archeologico
Etruscan civilization: bronze helmet with inscription “” haspnas””” making reference to a model of military organization (bronze helmet with inscription referring to military organization) - From Vetulonia - 5th century BC - Dim 21 cm height - Florence, museo archeologico

LRI4689807: Etruscan civilization: bronze helmet with inscription “” haspnas””” making reference to a model of military organization (bronze helmet with inscription referring to military organization) - From Vetulonia - 5th century BC - Dim 21 cm height - Florence, museo archeologico, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689807

Etruscan civilization: bronze helmet with inscription “” haspnas””” making reference to a model of military organization (bronze helmet with inscription referring to military organization) - From Vetulonia - 5th century BC - Dim 21 cm height - Florence, museo archeologico

Etruscan, (5th century BC)

False death cap mushroom, Amanita mappa, daffodil amanita mushroom, Amanita junquillea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
False death cap mushroom, Amanita mappa, daffodil amanita mushroom, Amanita junquillea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689845: False death cap mushroom, Amanita mappa, daffodil amanita mushroom, Amanita junquillea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689845

False death cap mushroom, Amanita mappa, daffodil amanita mushroom, Amanita junquillea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Buttery collybia, Collybia butyracea, and spindleshank mushroom, Gymnopus fusipes (Collybia fusipes). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Buttery collybia, Collybia butyracea, and spindleshank mushroom, Gymnopus fusipes (Collybia fusipes). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689848: Buttery collybia, Collybia butyracea, and spindleshank mushroom, Gymnopus fusipes (Collybia fusipes). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689848

Buttery collybia, Collybia butyracea, and spindleshank mushroom, Gymnopus fusipes (Collybia fusipes). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689901: Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689901

Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689984: Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689984

Rough-stemmed bolete, Boletus scaber and red-capped scaber stalk, Leccinum aurantiacum (Boletus aurantiacus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Saint Luke the Evangelist (Fresco, 16th century )
Saint Luke the Evangelist (Fresco, 16th century )

LRI4690166: Saint Luke the Evangelist (Fresco, 16th century ), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690166

Saint Luke the Evangelist (Fresco, 16th century )

Perugino, Pietro (c.1445-1523)

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)
The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

LRI4690172: The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690172

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

Perugino, Pietro (c.1445-1523)

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)
Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

LRI4690231: Virgin and Child and Crucifixion (after restoration). 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690231

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

Sienese School, (14th century)

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690251

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Nativity. 14th century (fresco)
The Nativity. 14th century (fresco)

LRI4690255: The Nativity. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690255

The Nativity. 14th century (fresco)

Sienese School, (14th century)

The nativity and Adoration of the Magi, 14th century (fresco)
The nativity and Adoration of the Magi, 14th century (fresco)

LRI4690266: The nativity and Adoration of the Magi, 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690266

The nativity and Adoration of the Magi, 14th century (fresco)

Sienese School, (14th century)

Blackening brittlegill, Russula nigricans, and charcoal burner, Russula cyanoxantha. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Blackening brittlegill, Russula nigricans, and charcoal burner, Russula cyanoxantha. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689796: Blackening brittlegill, Russula nigricans, and charcoal burner, Russula cyanoxantha. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689796

Blackening brittlegill, Russula nigricans, and charcoal burner, Russula cyanoxantha. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Little shiitake, Lentinus tigrinus and deep root mushroom, Xerula radicata (Collybia radicata). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Little shiitake, Lentinus tigrinus and deep root mushroom, Xerula radicata (Collybia radicata). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689842: Little shiitake, Lentinus tigrinus and deep root mushroom, Xerula radicata (Collybia radicata). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689842

Little shiitake, Lentinus tigrinus and deep root mushroom, Xerula radicata (Collybia radicata). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,
Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,

FLO4690006: Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum, / Bridgeman Images

ID: FLO4690006

Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum,

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690247

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690481

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690532

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

The four doctors of the Roman Church, detail: Saint Jerome and the evangelist Saint Luke.14th century (fresco)
The four doctors of the Roman Church, detail: Saint Jerome and the evangelist Saint Luke.14th century (fresco)

LRI4690571: The four doctors of the Roman Church, detail: Saint Jerome and the evangelist Saint Luke.14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690571

The four doctors of the Roman Church, detail: Saint Jerome and the evangelist Saint Luke.14th century (fresco)

Sienese School, (14th century)

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691069: Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691069

Quagga, Equus quagga (extinct) and onager, Equus hemionus (endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688167: House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

ID: FLO4688167

House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

The world of women: various toiletries, including necklace, comb, jewellery, cosmetics, oils and perfumes - Chromolithography from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Mundus muliebris or a woman's world: objects of a woman's toilet including necklace, comb, jewelry, cosmetics, oils and fumes - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870.
The world of women: various toiletries, including necklace, comb, jewellery, cosmetics, oils and perfumes - Chromolithography from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Mundus muliebris or a woman's world: objects of a woman's toilet including necklace, comb, jewelry, cosmetics, oils and fumes - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870.

FLO4689568: The world of women: various toiletries, including necklace, comb, jewellery, cosmetics, oils and perfumes - Chromolithography from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Mundus muliebris or a woman's world: objects of a woman's toilet including necklace, comb, jewelry, cosmetics, oils and fumes - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870. / Bridgeman Images

ID: FLO4689568

The world of women: various toiletries, including necklace, comb, jewellery, cosmetics, oils and perfumes - Chromolithography from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Mundus muliebris or a woman's world: objects of a woman's toilet including necklace, comb, jewelry, cosmetics, oils and fumes - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870.

A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688357: A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688357

A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688435: Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688435

Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Black bulgar, Bulgaria inquinans, candlestick fungus, Xylaria hypoxylon, Elaphomyces muricatus (Elaphomyces variegatus), black truffle, Tuber melanosporum, and summer truffle, Tuber aestivum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Black bulgar, Bulgaria inquinans, candlestick fungus, Xylaria hypoxylon, Elaphomyces muricatus (Elaphomyces variegatus), black truffle, Tuber melanosporum, and summer truffle, Tuber aestivum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689651: Black bulgar, Bulgaria inquinans, candlestick fungus, Xylaria hypoxylon, Elaphomyces muricatus (Elaphomyces variegatus), black truffle, Tuber melanosporum, and summer truffle, Tuber aestivum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689651

Black bulgar, Bulgaria inquinans, candlestick fungus, Xylaria hypoxylon, Elaphomyces muricatus (Elaphomyces variegatus), black truffle, Tuber melanosporum, and summer truffle, Tuber aestivum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Etruscan civilization: “” woman's head in clay”” From Catona near Arezzo, Italy - 2nd century BC Dim 18 cm Arezzo Museo Archeologico G Clinio Mecenate, inv 87674
Etruscan civilization: “” woman's head in clay”” From Catona near Arezzo, Italy - 2nd century BC Dim 18 cm Arezzo Museo Archeologico G Clinio Mecenate, inv 87674

LRI4689679: Etruscan civilization: “” woman's head in clay”” From Catona near Arezzo, Italy - 2nd century BC Dim 18 cm Arezzo Museo Archeologico G Clinio Mecenate, inv 87674, Etruscan, (2nd century BC) / Bridgeman Images

ID: LRI4689679

Etruscan civilization: “” woman's head in clay”” From Catona near Arezzo, Italy - 2nd century BC Dim 18 cm Arezzo Museo Archeologico G Clinio Mecenate, inv 87674

Etruscan, (2nd century BC)

Soap-scented toadstool, Tricholoma saponaceum, and grey knight mushroom, Tricholoma terreum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Soap-scented toadstool, Tricholoma saponaceum, and grey knight mushroom, Tricholoma terreum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689709: Soap-scented toadstool, Tricholoma saponaceum, and grey knight mushroom, Tricholoma terreum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689709

Soap-scented toadstool, Tricholoma saponaceum, and grey knight mushroom, Tricholoma terreum. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688645: Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688645

Huntsman in hunting pink (scarlet) jacket, breeches and boots holding a brassy hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688662: Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688662

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688729: Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688729

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688743: Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688743

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688892: Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688892

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688896: Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688896

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).


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