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King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707670: King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707670

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707733: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707733

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707366: Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707366

Anglo Saxon king on the battlefield, wearing a wreath and armor, reserved for members of the kingdoms in the 8th century. He wears a yellow shield and wields his sword over his head. Behind him, his squire wears a blue hat and a white tunic and holds a white ecu bordered by scarlet. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707477: Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707477

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707705: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707705

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.
Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

MME4708222: Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708222

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

Mencarini, Marcello

Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701341: Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

ID: FLO4701341

Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

Portrait of musician James Galway., 1989 (photo)
Portrait of musician James Galway., 1989 (photo)

MME4701268: Portrait of musician James Galway., 1989 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4701268

Portrait of musician James Galway., 1989 (photo)

Mencarini, Marcello

Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701461: Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4701461

Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Aztec priest in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican.
Aztec priest in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican.

GIA4701317: Aztec priest in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican., Spanish School, (16th century) / Bridgeman Images

ID: GIA4701317

Aztec priest in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican.

Spanish School, (16th century)

Portrait of jazz saxophonist Stan Getz
Portrait of jazz saxophonist Stan Getz

MME4701351: Portrait of jazz saxophonist Stan Getz, Mencarini, Marcello / Bridgeman Images

ID: MME4701351

Portrait of jazz saxophonist Stan Getz

Mencarini, Marcello

Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701717: Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4701717

Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701967: Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

ID: FLO4701967

Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

Portrait of the British realizer Ken Russell around 1980.
Portrait of the British realizer Ken Russell around 1980.

MME4702353: Portrait of the British realizer Ken Russell around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4702353

Portrait of the British realizer Ken Russell around 1980.

Mencarini, Marcello

Anglo Saxon agriculture: four-wheel wagon 107, two-wheel wagon 108, plough 109, shovel, scythe and hammer 110, sickle, rake and fork 111, harvest cart 112, and farm workers threshing grain. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.
Anglo Saxon agriculture: four-wheel wagon 107, two-wheel wagon 108, plough 109, shovel, scythe and hammer 110, sickle, rake and fork 111, harvest cart 112, and farm workers threshing grain. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

FLO4702412: Anglo Saxon agriculture: four-wheel wagon 107, two-wheel wagon 108, plough 109, shovel, scythe and hammer 110, sickle, rake and fork 111, harvest cart 112, and farm workers threshing grain. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702412

Anglo Saxon agriculture: four-wheel wagon 107, two-wheel wagon 108, plough 109, shovel, scythe and hammer 110, sickle, rake and fork 111, harvest cart 112, and farm workers threshing grain. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

Spears of the Franks, 168,169, crossbow 170, arrow 171, flails or chain maces 172-174, hatchet 175, and Morgenstern (morning star) or spiked club 176. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Spears of the Franks, 168,169, crossbow 170, arrow 171, flails or chain maces 172-174, hatchet 175, and Morgenstern (morning star) or spiked club 176. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702562: Spears of the Franks, 168,169, crossbow 170, arrow 171, flails or chain maces 172-174, hatchet 175, and Morgenstern (morning star) or spiked club 176. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702562

Spears of the Franks, 168,169, crossbow 170, arrow 171, flails or chain maces 172-174, hatchet 175, and Morgenstern (morning star) or spiked club 176. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Tomb of King Dagobert I (603-639AD) in the Basilica of St. Denis. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Tomb of King Dagobert I (603-639AD) in the Basilica of St. Denis. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702610: Tomb of King Dagobert I (603-639AD) in the Basilica of St. Denis. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702610

Tomb of King Dagobert I (603-639AD) in the Basilica of St. Denis. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Fried parsley (Apium petroselinum). Hand-coloured copper engraving from an illustration by James Sowerby. Excerpt from the book of William Woodville and Sir William Jackson Hooker “” Botanique medicinale”” 1832. The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms (1797) among many other works.
Fried parsley (Apium petroselinum). Hand-coloured copper engraving from an illustration by James Sowerby. Excerpt from the book of William Woodville and Sir William Jackson Hooker “” Botanique medicinale”” 1832. The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms (1797) among many other works.

FLO4702177: Fried parsley (Apium petroselinum). Hand-coloured copper engraving from an illustration by James Sowerby. Excerpt from the book of William Woodville and Sir William Jackson Hooker “” Botanique medicinale”” 1832. The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms (1797) among many other works., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4702177

Fried parsley (Apium petroselinum). Hand-coloured copper engraving from an illustration by James Sowerby. Excerpt from the book of William Woodville and Sir William Jackson Hooker “” Botanique medicinale”” 1832. The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms (1797) among many other works.

Sowerby, James (1757-1822)

Statue of a man in Anglo Saxon hauberk 76, tents 77,78, bow 79, arrow 80, quiver 81, shields 82,83, horn 84, trumpets 85,86 and chariot 87. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.
Statue of a man in Anglo Saxon hauberk 76, tents 77,78, bow 79, arrow 80, quiver 81, shields 82,83, horn 84, trumpets 85,86 and chariot 87. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

FLO4702293: Statue of a man in Anglo Saxon hauberk 76, tents 77,78, bow 79, arrow 80, quiver 81, shields 82,83, horn 84, trumpets 85,86 and chariot 87. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702293

Statue of a man in Anglo Saxon hauberk 76, tents 77,78, bow 79, arrow 80, quiver 81, shields 82,83, horn 84, trumpets 85,86 and chariot 87. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,””” Chez Collignon, Metz, 1810.

Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.
Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

FLO4702432: Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702432

Anglo Saxon grape press 114, altars 115, 116, and censers (incense burners) 117, 118. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702514: Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702514

Crowns of Clovis, Theodoric, Clotilde and Ultrogotha, 144-147, of the Franks 148,149,152-156, of Chlothar I and Fredegund 150,151, of Charlemagne 157-160, Childeric I's signet ring, 161, and Childeric's sword 162. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

French comedian Dominique Sanda
French comedian Dominique Sanda

MME4702527: French comedian Dominique Sanda, Mencarini, Marcello / Bridgeman Images

ID: MME4702527

French comedian Dominique Sanda

Mencarini, Marcello

Portal of the Abbey of St. Germain de Pres, Paris, with statues of the Frankish king Clovis, and his children Ingomer, Chlodomer, Childebert, Chlothar, Clotilde and Theuderic. Or Saint Germain, Pepin, Bertrade, Charlemagne, Carloman, Childebert, Ultrogotha and Clotaire. From Bernard de Montfaucon's Les Monumens De La Monarchy Francoise. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Portal of the Abbey of St. Germain de Pres, Paris, with statues of the Frankish king Clovis, and his children Ingomer, Chlodomer, Childebert, Chlothar, Clotilde and Theuderic. Or Saint Germain, Pepin, Bertrade, Charlemagne, Carloman, Childebert, Ultrogotha and Clotaire. From Bernard de Montfaucon's Les Monumens De La Monarchy Francoise. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702615: Portal of the Abbey of St. Germain de Pres, Paris, with statues of the Frankish king Clovis, and his children Ingomer, Chlodomer, Childebert, Chlothar, Clotilde and Theuderic. Or Saint Germain, Pepin, Bertrade, Charlemagne, Carloman, Childebert, Ultrogotha and Clotaire. From Bernard de Montfaucon's Les Monumens De La Monarchy Francoise. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702615

Portal of the Abbey of St. Germain de Pres, Paris, with statues of the Frankish king Clovis, and his children Ingomer, Chlodomer, Childebert, Chlothar, Clotilde and Theuderic. Or Saint Germain, Pepin, Bertrade, Charlemagne, Carloman, Childebert, Ultrogotha and Clotaire. From Bernard de Montfaucon's Les Monumens De La Monarchy Francoise. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702778: Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702778

Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702921: The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702921

The Rittershaal or Knights' Hall in Kleve castle, Germany, demolished in 1771. The hall was 126 feet long by 54 feet wide and had a barrel-vault ceiling. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4702936: Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4702936

Twenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Ruins of an ancient knight's castle. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Ruins of an ancient knight's castle. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703074: Ruins of an ancient knight's castle. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703074

Ruins of an ancient knight's castle. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703285: A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703285

A Wassermaschine or water-carriage with musicians in fishscale costumes and a sleeping Cupid hanging by one leg. The car is followed by two winged women in heraldic colours and a sign Dormiens Anima Cupidini. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703288: A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703288

A procession with riders mounted on a unicorn, a goat and a horse wearing heraldic colours. The male and female riders hold lances with banners. Part of the celebration of the birth of Freiderich. Taken from Delineation und Abbildung aller furstlichen Aufzug und Ritterspielen by Esaias von Hulsen, 1617. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703535: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703535

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello

Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

FLO4703127: Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages. / Bridgeman Images

ID: FLO4703127

Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.

Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.
Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.

FLO4703244: Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. / Bridgeman Images

ID: FLO4703244

Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.

Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703430: Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703430

Egyptian sacrificial priest and another priest with harp. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703558: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703558

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello


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