LGM5973004: Pope John Paul on his visit to Ireland, 1979 (photo) / Bridgeman Images

EVC5963441: Love and Death by Woody Allen, 1975 / Bridgeman Images

LGM5973016: Campaign for Nuclear Disarmament, CND banner during CND Trafalgar Square rally in protest to President Regan's visit to London, 7th June 1984 (photo) / Bridgeman Images

EVC5963465: Max Havelaar by Fons Rademakers, 1976 / Bridgeman Images

LGM5973033: The Cobb, Lyme Regis, Dorset, England, Great Britain, UK (photo) / Bridgeman Images

LGM5973042: Drug addict cutting class A drugs,heroin, either to smoke or inject, Liverpool, UK (photo) / Bridgeman Images

EVC5963525: ROAMIN' HOLIDAY, US poster, top from left: spanky McFarland, Dickie Moore, Jackie Cooper, center from left: Mary Ann Jackson, Bobby 'Wheezer' Hutchins, Allen 'Farina' Hoskins, bottom from left: Matthe 'Stymie' Beard, Norman 'chubby' Chaney, Pete the Pup, 1937 / Bridgeman Images

EVC5963531: Satan's Cheerleaders by Greydon Clark, 1977 / Bridgeman Images

LGM5973072: St Enedoc's church where Poet Laureate John Betjeman is buried, Trebetherick, Cornwall, UK (photo) / Bridgeman Images

EVC5963564: SMILIN' THROUGH, from left, Gene Raymond, John Hubbard, Jeanette MacDonald, 1941 / Bridgeman Images

LGM5973104: Typical Dorset landscape, Dorset County, England, Great Britain, UK (photo) / Bridgeman Images

LGM5973107: Port Isaac, Atlantic coast fishing village in North Cornwall, England, UK (photo) / Bridgeman Images

LGM5973110: Padstow to Rock passenger ferry, River Camel, North Cornwall, UK (photo) / Bridgeman Images

EVC5963891: THE FIRST GENTLEMAN, (aka AFFAIRS OF A ROGUE), from left: Joan Hopkins, Cecil Parker, 1948 / Bridgeman Images

PDB5973229: Angel, 1520-21 (detached fresco mounted on canvas), Luini, Bernardino (c.1480-1532) / Bridgeman Images

PDB5973232: Annunciation to St. Anne, in the background St. Joachim and the Angel, 1520-21 (detached fresco mounted on canvas), Luini, Bernardino (c.1480-1532) / Bridgeman Images

EVC5964036: ALL AT SEA, from left: George K. Arthur, Karl Dane, 1929 / Bridgeman Images

EVC5964084: ALEXANDER HAMILTON, George Arliss on set, 1931 / Bridgeman Images

EVC5964090: ALIBI, from left, Margaret Lockwood, Hugh Sinclair, 1942 / Bridgeman Images

PDB5973325: Man with a Mace, c.1486 (detached fresco mounted on canvas), Bramante, Donato (1444-1514) / Bridgeman Images

EVC5964105: All in a Night's Work by Joseph Anthony, 1961 / Bridgeman Images

EVC5964120: ALIAS MARY DOW, Sally Eilers, 1935 / Bridgeman Images

EVC5964126: ALL MINE TO GIVE, from / Bridgeman Images

EVC5964144: ALL OF ME, from left, Fredric March, Miriam Hopkins, 1934 / Bridgeman Images

EVC5964162: ALBERT SCHWEITZER, voice-over Fredric March (left), on-set, 1957 / Bridgeman Images

SPY5978198: Flower Song, 2019 (acrylic and collage), Paul, Sylvia / Bridgeman Images

SZT5978797: St. Stephen's Cathedral and monument to King Maximilian Joseph I, Passau, Germany, 2000 (photo) / Bridgeman Images

SIL5978895: View of the staircase (during the resaturation of 2016) with the facade of the church of Trinità dei Monti, Rome, Italy, 2016 (photo) / Bridgeman Images

EVC5969963: ESCAPE ME NEVER, Ida Lupino, 1947 / Bridgeman Images

EVC5969979: ESCAPE TO GLORY, from left: Constance Bennett, Pat O'Brien on set, 1940 / Bridgeman Images

EVC5969982: ESCAPE TO GLORY, from left: director John Brahm presented with an axe accompanied by a note reading 'Buried Forever' by Constance Bennett on the last day of shooting on set, 1940 / Bridgeman Images

EVC5970012: La ragazza che sapeva troppo by Mario Bava, 1963 / Bridgeman Images

EVC5970018: EVERY GIRL SHOULD BE MARRIED, Betsy Drake, 1948 / Bridgeman Images

EVC5970054: EXCLUSIVE, from left, Charles Ruggles, Fred MacMurray, Frances Farmer, 1937 / Bridgeman Images

EVC5970063: THE EXILE, Douglas Fairbanks, Jr., 1947 / Bridgeman Images

EVC5970081: Exposed by James Toback, 1983 / Bridgeman Images