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Yellow Gagee or Wood or Yellow Star (Ornithogalum luteum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Yellow Gagee or Wood or Yellow Star (Ornithogalum luteum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701163: Yellow Gagee or Wood or Yellow Star (Ornithogalum luteum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

Portrait of Licio Gelli, former Maconic Grand Master of Lodge P2. at Villa Wanda where he lives in a supervised residence following its implications in numerous scandals, Arezzo, Italy. 1992
Portrait of Licio Gelli, former Maconic Grand Master of Lodge P2. at Villa Wanda where he lives in a supervised residence following its implications in numerous scandals, Arezzo, Italy. 1992

MME4701292: Portrait of Licio Gelli, former Maconic Grand Master of Lodge P2. at Villa Wanda where he lives in a supervised residence following its implications in numerous scandals, Arezzo, Italy. 1992, Mencarini, Marcello / Bridgeman Images

Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701341: Silene de nuit (Silene noctiflora) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701461: Stream saxifrage or ciliee saxifrage or bird's bread (Saxifraga aizoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

Portrait of economist John Kenneth Galbraith in 1990.
Portrait of economist John Kenneth Galbraith in 1990.

MME4701190: Portrait of economist John Kenneth Galbraith in 1990., Mencarini, Marcello / Bridgeman Images

Portrait of musician James Galway., 1989 (photo)
Portrait of musician James Galway., 1989 (photo)

MME4701268: Portrait of musician James Galway., 1989 (photo), Mencarini, Marcello / Bridgeman Images

Aztec warrior in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican.
Aztec warrior in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican.

GIA4701230: Aztec warrior in Codex Vaticanus 3738 (Codex Vat. Rios). Facsimile of the manuscript by Dominican Pedro de los Rios, between 1570 and 1589, Bibl. Vatican., Spanish School, (16th century) / Bridgeman Images

Arbutus unedo - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Arbutus unedo - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701286: Arbutus unedo - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

Alisma false buttercup (Baldellia ranunculoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Alisma false buttercup (Baldellia ranunculoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701378: Alisma false buttercup (Baldellia ranunculoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

Pyrole unilaterale (Orthilia secunda) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Pyrole unilaterale (Orthilia secunda) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701649: Pyrole unilaterale (Orthilia secunda) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

Portrait of jazz saxophonist Dexter Gordon, 1986 (photo)
Portrait of jazz saxophonist Dexter Gordon, 1986 (photo)

MME4701693: Portrait of jazz saxophonist Dexter Gordon, 1986 (photo), Mencarini, Marcello / Bridgeman Images

Tulip of wood or wild tulip (Tulipa sylvestris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Tulip of wood or wild tulip (Tulipa sylvestris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701781: Tulip of wood or wild tulip (Tulipa sylvestris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701717: Red cranberry (Vaccinium vitis-idaea) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701967: Rumex has two stigmas (Rumex digynus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

Protiro of the cathedral , end 13th-beginning 14th century
Protiro of the cathedral , end 13th-beginning 14th century

LRI4688306: Protiro of the cathedral , end 13th-beginning 14th century, Italian School, (13th century) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688326: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688344: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688518: Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688568: Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Stool used during rituals. 850-800 BC (bronze)
Stool used during rituals. 850-800 BC (bronze)

LRI4688717: Stool used during rituals. 850-800 BC (bronze), Etruscan / Bridgeman Images

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy
Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

LRI4688840: Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy, Etruscan, (8th century BC) / Bridgeman Images

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688892: Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688896: Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688915: The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982
Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

LRI4688995: Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982, Etruscan, (7th century BC) / Bridgeman Images

Little silver vase with snakes, 675-650 BC
Little silver vase with snakes, 675-650 BC

LRI4689046: Little silver vase with snakes, 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

Golden brooch, 480 BC
Golden brooch, 480 BC

LRI4689053: Golden brooch, 480 BC, Etruscan, (5th century BC) / Bridgeman Images

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046
Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy
Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy

LRI4689267: Etruscan civilization: “” the deity of war Laran”” Bronze sculpture, 450-440 BC Dim 33 cm (the etruscan god of war Laran, bronze sculpture) 450-440 BC Florence, Museo Archeologico, inv 586 - Etruscan civilization: Bronze statuette of Laran, god of war, 450-440 BC. 33 cm. Museum of Archaeology, inv 586, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

Piece of crater from Gravisca,  550-525 BC
Piece of crater from Gravisca,  550-525 BC

LRI4688858: Piece of crater from Gravisca, 550-525 BC, Etruscan, (6th century BC) / Bridgeman Images

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688891: Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688994: Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Bronze biconical vase with double handles and lid, 680-670 BC
Bronze biconical vase with double handles and lid, 680-670 BC

LRI4689013: Bronze biconical vase with double handles and lid, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765
Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

LRI4689017: Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765, Etruscan, (4th century BC) / Bridgeman Images

Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802
Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802

LRI4689037: Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802, Etruscan, (5th century BC) / Bridgeman Images


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