1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497571 Search Results

Musee Cognacq Jay (Cognacq-Jay), 4 rue Elzevir, Paris 75003. Photography 29/10/10
Musee Cognacq Jay (Cognacq-Jay), 4 rue Elzevir, Paris 75003. Photography 29/10/10

ITR4594554: Musee Cognacq Jay (Cognacq-Jay), 4 rue Elzevir, Paris 75003. Photography 29/10/10 / Bridgeman Images

ID: ITR4594554

Musee Cognacq Jay (Cognacq-Jay), 4 rue Elzevir, Paris 75003. Photography 29/10/10

The Southern Milky Way and south celestial pole - The Octant constellation houses the southern Celestial pole. See annotee image a - cst98 - 00005 to identify the different constellations present in the image. This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603
The Southern Milky Way and south celestial pole - The Octant constellation houses the southern Celestial pole. See annotee image a - cst98 - 00005 to identify the different constellations present in the image. This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603

PIX4594597: The Southern Milky Way and south celestial pole - The Octant constellation houses the southern Celestial pole. See annotee image a - cst98 - 00005 to identify the different constellations present in the image. This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603 / Bridgeman Images

ID: PIX4594597

The Southern Milky Way and south celestial pole - The Octant constellation houses the southern Celestial pole. See annotee image a - cst98 - 00005 to identify the different constellations present in the image. This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainte

The Southern Milky Way and south celestial pole - The Southern Milky Way and south celestial pole - The Octant constellation houses the south celeste pole (mark of a cross) This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603
The Southern Milky Way and south celestial pole - The Southern Milky Way and south celestial pole - The Octant constellation houses the south celeste pole (mark of a cross) This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603

PIX4594601: The Southern Milky Way and south celestial pole - The Southern Milky Way and south celestial pole - The Octant constellation houses the south celeste pole (mark of a cross) This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603 / Bridgeman Images

ID: PIX4594601

The Southern Milky Way and south celestial pole - The Southern Milky Way and south celestial pole - The Octant constellation houses the south celeste pole (mark of a cross) This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the cons

Urban furniture, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements, new benches, candelabres, lights, kiosks.
Urban furniture, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements, new benches, candelabres, lights, kiosks.

TEC4594642: Urban furniture, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements, new benches, candelabres, lights, kiosks. / Bridgeman Images

ID: TEC4594642

Urban furniture, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements, new benches, candelabres, lights, kiosks.

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).
L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).

TEC4594697: L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). / Bridgeman Images

ID: TEC4594697

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932).

Christian constellations - Christian constellations - Map of the sky with the classical Christian constellations. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Second hemisphere with the christianized constellations. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661
Christian constellations - Christian constellations - Map of the sky with the classical Christian constellations. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Second hemisphere with the christianized constellations. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661

PIX4594703: Christian constellations - Christian constellations - Map of the sky with the classical Christian constellations. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Second hemisphere with the christianized constellations. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661 / Bridgeman Images

ID: PIX4594703

Christian constellations - Christian constellations - Map of the sky with the classical Christian constellations. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Second hemisphere with the christianized constellations. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661

Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.
Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.

TEC4594794: Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows. / Bridgeman Images

ID: TEC4594794

Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.

Star sky and light pollution - Starry sky and light pollution - Orion faces the Bull on the horizon. Higher, the Gemels and the Coach in the heart of the Lactee Way. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. Constellations of Orion and Taurus near horizon; above, Gemini and Auriga. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added
Star sky and light pollution - Starry sky and light pollution - Orion faces the Bull on the horizon. Higher, the Gemels and the Coach in the heart of the Lactee Way. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. Constellations of Orion and Taurus near horizon; above, Gemini and Auriga. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added

PIX4594875: Star sky and light pollution - Starry sky and light pollution - Orion faces the Bull on the horizon. Higher, the Gemels and the Coach in the heart of the Lactee Way. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. Constellations of Orion and Taurus near horizon; above, Gemini and Auriga. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added / Bridgeman Images

ID: PIX4594875

Star sky and light pollution - Starry sky and light pollution - Orion faces the Bull on the horizon. Higher, the Gemels and the Coach in the heart of the Lactee Way. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. Constellations of Orion and Taurus near horizon; above, Gemini and Auriga. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added

Apollo mission: astronaut training - Apollo desert survival training - Three astronauts participate in survival training in the desert (Washington State). From left to right, astronauts Charles M. Duke, Jr. and Thomas K. Mattingly, Colonel Bohart, and astronaut John L. Swigert. August 1967. Three astronauts participating in Apollo desert survival training in Washington state pose with Air Force Col. Chester Bohart (second from right). Standing from left to right are Charles M. Duke, Jr., Thomas K Mattingly, Col. Bohart, and John L. Swigert. Since the Mercury Program, astronauts have taken survival courses in case they are forced to land on a remote part of the Earth where they may need to do without human help for several weeks. August 1967
Apollo mission: astronaut training - Apollo desert survival training - Three astronauts participate in survival training in the desert (Washington State). From left to right, astronauts Charles M. Duke, Jr. and Thomas K. Mattingly, Colonel Bohart, and astronaut John L. Swigert. August 1967. Three astronauts participating in Apollo desert survival training in Washington state pose with Air Force Col. Chester Bohart (second from right). Standing from left to right are Charles M. Duke, Jr., Thomas K Mattingly, Col. Bohart, and John L. Swigert. Since the Mercury Program, astronauts have taken survival courses in case they are forced to land on a remote part of the Earth where they may need to do without human help for several weeks. August 1967

PIX4594943: Apollo mission: astronaut training - Apollo desert survival training - Three astronauts participate in survival training in the desert (Washington State). From left to right, astronauts Charles M. Duke, Jr. and Thomas K. Mattingly, Colonel Bohart, and astronaut John L. Swigert. August 1967. Three astronauts participating in Apollo desert survival training in Washington state pose with Air Force Col. Chester Bohart (second from right). Standing from left to right are Charles M. Duke, Jr., Thomas K Mattingly, Col. Bohart, and John L. Swigert. Since the Mercury Program, astronauts have taken survival courses in case they are forced to land on a remote part of the Earth where they may need to do without human help for several weeks. August 1967 / Bridgeman Images

ID: PIX4594943

Apollo mission: astronaut training - Apollo desert survival training - Three astronauts participate in survival training in the desert (Washington State). From left to right, astronauts Charles M. Duke, Jr. and Thomas K. Mattingly, Colonel Bohart, and astronaut John L. Swigert. August 1967. Three astronauts participating in Apollo desert survival training in Washington state pose with Air Force Col. Chester Bohart (second from right). Standing from left to right are Charles M. Duke, Jr., Thomas K Mattingly, Col. Bohart, and John L. Swigert. Since the Mercury Program, astronauts have taken survival courses in case they are forced to land on a remote part of the Earth where they may need to do without human help for several weeks. August 1967

Theatre Marigny, 1 avenue de Marigny, Paris 8th arrondissement. Construction 1883-1884, architect Charles Garnier (1825-1898). Old panorama, transformed into a music hall under the name of Folies-Marigny in 1893, it did not acquire its status as a theatre until 1925.
Theatre Marigny, 1 avenue de Marigny, Paris 8th arrondissement. Construction 1883-1884, architect Charles Garnier (1825-1898). Old panorama, transformed into a music hall under the name of Folies-Marigny in 1893, it did not acquire its status as a theatre until 1925.

TEC4594949: Theatre Marigny, 1 avenue de Marigny, Paris 8th arrondissement. Construction 1883-1884, architect Charles Garnier (1825-1898). Old panorama, transformed into a music hall under the name of Folies-Marigny in 1893, it did not acquire its status as a theatre until 1925. / Bridgeman Images

ID: TEC4594949

Theatre Marigny, 1 avenue de Marigny, Paris 8th arrondissement. Construction 1883-1884, architect Charles Garnier (1825-1898). Old panorama, transformed into a music hall under the name of Folies-Marigny in 1893, it did not acquire its status as a theatre until 1925.

Decollage Apollo 4 - 11/1967 - Apollo 4 launch - Decollage of the Saturn V/Apollo 4 rocket on 9/11/1967. Apollo 4 was launched from Pad A Launch Complex 39 on Nov 9 1967. The successful objectives of the Apollo 4 Earth - orbital unmanned space mission obtained included flight information on launch vehicle and spacecraft structural integrity and compatibility, flight loads, stage separation, subsystem operation, emergency detection subsystem operation, and evaluation of the Apollo Command Module heat shield under conditions encountered on return from a moon mission
Decollage Apollo 4 - 11/1967 - Apollo 4 launch - Decollage of the Saturn V/Apollo 4 rocket on 9/11/1967. Apollo 4 was launched from Pad A Launch Complex 39 on Nov 9 1967. The successful objectives of the Apollo 4 Earth - orbital unmanned space mission obtained included flight information on launch vehicle and spacecraft structural integrity and compatibility, flight loads, stage separation, subsystem operation, emergency detection subsystem operation, and evaluation of the Apollo Command Module heat shield under conditions encountered on return from a moon mission

PIX4594993: Decollage Apollo 4 - 11/1967 - Apollo 4 launch - Decollage of the Saturn V/Apollo 4 rocket on 9/11/1967. Apollo 4 was launched from Pad A Launch Complex 39 on Nov 9 1967. The successful objectives of the Apollo 4 Earth - orbital unmanned space mission obtained included flight information on launch vehicle and spacecraft structural integrity and compatibility, flight loads, stage separation, subsystem operation, emergency detection subsystem operation, and evaluation of the Apollo Command Module heat shield under conditions encountered on return from a moon mission / Bridgeman Images

ID: PIX4594993

Decollage Apollo 4 - 11/1967 - Apollo 4 launch - Decollage of the Saturn V/Apollo 4 rocket on 9/11/1967. Apollo 4 was launched from Pad A Launch Complex 39 on Nov 9 1967. The successful objectives of the Apollo 4 Earth - orbital unmanned space mission obtained included flight information on launch vehicle and spacecraft structural integrity and compatibility, flight loads, stage separation, subsystem operation, emergency detection subsystem operation, and evaluation of the Apollo Command Module heat shield under conditions encountered on return from a moon mission

Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building, built for the 1900 Universal Exhibition, architect Charles Girault (1851-1932), today houses the Musee des Beaux Arts of the City of Paris, which includes many works from antiquite to the 19th century.
Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building, built for the 1900 Universal Exhibition, architect Charles Girault (1851-1932), today houses the Musee des Beaux Arts of the City of Paris, which includes many works from antiquite to the 19th century.

TEC4595020: Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building, built for the 1900 Universal Exhibition, architect Charles Girault (1851-1932), today houses the Musee des Beaux Arts of the City of Paris, which includes many works from antiquite to the 19th century. / Bridgeman Images

ID: TEC4595020

Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building, built for the 1900 Universal Exhibition, architect Charles Girault (1851-1932), today houses the Musee des Beaux Arts of the City of Paris, which includes many works from antiquite to the 19th century.

Apollo 9: Saturn V rocket - Apollo 9: Saturn V roll out - Saturn V rocket en route to its fire pad at the Kennedy space center. January 3, 1969. Aerial view of the Apollo 9 (Spacecraft 104/Lunar Module 3/Saturn 504) space vehicle on the way from the Vehicle Assembly Building to Pad A, Launch Complex 39, Kennedy Space Center. The Saturn V stack and its mobile launch tower are atop a huge crawler - transporter. (view looking toward Pad A) Jan 3, 1969
Apollo 9: Saturn V rocket - Apollo 9: Saturn V roll out - Saturn V rocket en route to its fire pad at the Kennedy space center. January 3, 1969. Aerial view of the Apollo 9 (Spacecraft 104/Lunar Module 3/Saturn 504) space vehicle on the way from the Vehicle Assembly Building to Pad A, Launch Complex 39, Kennedy Space Center. The Saturn V stack and its mobile launch tower are atop a huge crawler - transporter. (view looking toward Pad A) Jan 3, 1969

PIX4595151: Apollo 9: Saturn V rocket - Apollo 9: Saturn V roll out - Saturn V rocket en route to its fire pad at the Kennedy space center. January 3, 1969. Aerial view of the Apollo 9 (Spacecraft 104/Lunar Module 3/Saturn 504) space vehicle on the way from the Vehicle Assembly Building to Pad A, Launch Complex 39, Kennedy Space Center. The Saturn V stack and its mobile launch tower are atop a huge crawler - transporter. (view looking toward Pad A) Jan 3, 1969 / Bridgeman Images

ID: PIX4595151

Apollo 9: Saturn V rocket - Apollo 9: Saturn V roll out - Saturn V rocket en route to its fire pad at the Kennedy space center. January 3, 1969. Aerial view of the Apollo 9 (Spacecraft 104/Lunar Module 3/Saturn 504) space vehicle on the way from the Vehicle Assembly Building to Pad A, Launch Complex 39, Kennedy Space Center. The Saturn V stack and its mobile launch tower are atop a huge crawler - transporter. (view looking toward Pad A) Jan 3, 1969

Buffet Pepi, Pepi Sciavo, Trieste, Friuli Venezia Giulia, Italy
Buffet Pepi, Pepi Sciavo, Trieste, Friuli Venezia Giulia, Italy

CUB4524733: Buffet Pepi, Pepi Sciavo, Trieste, Friuli Venezia Giulia, Italy / Bridgeman Images

ID: CUB4524733

Buffet Pepi, Pepi Sciavo, Trieste, Friuli Venezia Giulia, Italy

Arcadia wine restaurant, Milan, Lombardy, Italy
Arcadia wine restaurant, Milan, Lombardy, Italy

CUB4524758: Arcadia wine restaurant, Milan, Lombardy, Italy / Bridgeman Images

ID: CUB4524758

Arcadia wine restaurant, Milan, Lombardy, Italy

Trattoria del Carmine, Milan, Lombardy, Italy
Trattoria del Carmine, Milan, Lombardy, Italy

CUB4524760: Trattoria del Carmine, Milan, Lombardy, Italy / Bridgeman Images

ID: CUB4524760

Trattoria del Carmine, Milan, Lombardy, Italy

Piazza del Carmine by night, Milan, Lombardy, Italy
Piazza del Carmine by night, Milan, Lombardy, Italy

CUB4524783: Piazza del Carmine by night, Milan, Lombardy, Italy / Bridgeman Images

ID: CUB4524783

Piazza del Carmine by night, Milan, Lombardy, Italy

Playing cards, Bairro Alto quarter, Lisbona, Portugal, Europe
Playing cards, Bairro Alto quarter, Lisbona, Portugal, Europe

CUB4524867: Playing cards, Bairro Alto quarter, Lisbona, Portugal, Europe / Bridgeman Images

ID: CUB4524867

Playing cards, Bairro Alto quarter, Lisbona, Portugal, Europe

Hors d'oeuvre, Terreira do Paço restaurant, Lisbona, Portugal, Europe
Hors d'oeuvre, Terreira do Paço restaurant, Lisbona, Portugal, Europe

CUB4524912: Hors d'oeuvre, Terreira do Paço restaurant, Lisbona, Portugal, Europe / Bridgeman Images

ID: CUB4524912

Hors d'oeuvre, Terreira do Paço restaurant, Lisbona, Portugal, Europe

Miradouro de Santa Caterina lookout, Lisbona, Portugal, Europe
Miradouro de Santa Caterina lookout, Lisbona, Portugal, Europe

CUB4524925: Miradouro de Santa Caterina lookout, Lisbona, Portugal, Europe / Bridgeman Images

ID: CUB4524925

Miradouro de Santa Caterina lookout, Lisbona, Portugal, Europe

The colonnade of Gian Lorenzo (Gianlorenzo) Bernini known as The Bernini (1598-1680) in the Piazza Saint Peter in Rome. Bernini colonnade, San Pietro square, Rome, Lazio, Italy
The colonnade of Gian Lorenzo (Gianlorenzo) Bernini known as The Bernini (1598-1680) in the Piazza Saint Peter in Rome. Bernini colonnade, San Pietro square, Rome, Lazio, Italy

CUB4524997: The colonnade of Gian Lorenzo (Gianlorenzo) Bernini known as The Bernini (1598-1680) in the Piazza Saint Peter in Rome. Bernini colonnade, San Pietro square, Rome, Lazio, Italy / Bridgeman Images

ID: CUB4524997

The colonnade of Gian Lorenzo (Gianlorenzo) Bernini known as The Bernini (1598-1680) in the Piazza Saint Peter in Rome. Bernini colonnade, San Pietro square, Rome, Lazio, Italy

Cathedral, Plasencia, Spain, Europe
Cathedral, Plasencia, Spain, Europe

CUB4525039: Cathedral, Plasencia, Spain, Europe / Bridgeman Images

ID: CUB4525039

Cathedral, Plasencia, Spain, Europe

Mixed fry, Il Saraceno restaurant, Lampedusa island, Sicily, Italy
Mixed fry, Il Saraceno restaurant, Lampedusa island, Sicily, Italy

CUB4525057: Mixed fry, Il Saraceno restaurant, Lampedusa island, Sicily, Italy / Bridgeman Images

ID: CUB4525057

Mixed fry, Il Saraceno restaurant, Lampedusa island, Sicily, Italy

Village, Riale, Val Formazza, Piedmont, Italy
Village, Riale, Val Formazza, Piedmont, Italy

CUB4525142: Village, Riale, Val Formazza, Piedmont, Italy / Bridgeman Images

ID: CUB4525142

Village, Riale, Val Formazza, Piedmont, Italy

Countryside, Trujillo, Extremadura region, Spain, Europe
Countryside, Trujillo, Extremadura region, Spain, Europe

CUB4525188: Countryside, Trujillo, Extremadura region, Spain, Europe / Bridgeman Images

ID: CUB4525188

Countryside, Trujillo, Extremadura region, Spain, Europe

Plaza Major, Càceres, Extremadura region, Spain, Europe
Plaza Major, Càceres, Extremadura region, Spain, Europe

CUB4525201: Plaza Major, Càceres, Extremadura region, Spain, Europe / Bridgeman Images

ID: CUB4525201

Plaza Major, Càceres, Extremadura region, Spain, Europe

Cityscape from Alcazaba (fortress), Trujillo, Extremadura region, Spain, Europe
Cityscape from Alcazaba (fortress), Trujillo, Extremadura region, Spain, Europe

CUB4525228: Cityscape from Alcazaba (fortress), Trujillo, Extremadura region, Spain, Europe / Bridgeman Images

ID: CUB4525228

Cityscape from Alcazaba (fortress), Trujillo, Extremadura region, Spain, Europe

Fresco, Poppea villa, Oplontis, Campania, Italy
Fresco, Poppea villa, Oplontis, Campania, Italy

CUB4525242: Fresco, Poppea villa, Oplontis, Campania, Italy / Bridgeman Images

ID: CUB4525242

Fresco, Poppea villa, Oplontis, Campania, Italy

Naracu Nieddu beach, Lu Litarroni, Gallura, Sardinia, Italy
Naracu Nieddu beach, Lu Litarroni, Gallura, Sardinia, Italy

CUB4525273: Naracu Nieddu beach, Lu Litarroni, Gallura, Sardinia, Italy / Bridgeman Images

ID: CUB4525273

Naracu Nieddu beach, Lu Litarroni, Gallura, Sardinia, Italy

Historical centre, La Maddalena island, Sardinia, Italy
Historical centre, La Maddalena island, Sardinia, Italy

CUB4525296: Historical centre, La Maddalena island, Sardinia, Italy / Bridgeman Images

ID: CUB4525296

Historical centre, La Maddalena island, Sardinia, Italy

L'Agnata farm holidays, Tempio Pausania, Sardinia, Italy
L'Agnata farm holidays, Tempio Pausania, Sardinia, Italy

CUB4525313: L'Agnata farm holidays, Tempio Pausania, Sardinia, Italy / Bridgeman Images

ID: CUB4525313

L'Agnata farm holidays, Tempio Pausania, Sardinia, Italy

Beach, Amanwella Hotel, Tongalle, Sri Lanka, Asia
Beach, Amanwella Hotel, Tongalle, Sri Lanka, Asia

CUB4525431: Beach, Amanwella Hotel, Tongalle, Sri Lanka, Asia / Bridgeman Images

ID: CUB4525431

Beach, Amanwella Hotel, Tongalle, Sri Lanka, Asia

Rows of poplar trees, Cremona countryside, Lombardy, Italy
Rows of poplar trees, Cremona countryside, Lombardy, Italy

CUB4525587: Rows of poplar trees, Cremona countryside, Lombardy, Italy / Bridgeman Images

ID: CUB4525587

Rows of poplar trees, Cremona countryside, Lombardy, Italy

Procaccini castle, Chignolo Po, Lombardy, Italy
Procaccini castle, Chignolo Po, Lombardy, Italy

CUB4525622: Procaccini castle, Chignolo Po, Lombardy, Italy / Bridgeman Images

ID: CUB4525622

Procaccini castle, Chignolo Po, Lombardy, Italy

Tai Chi Chuan at Chater Garden, Hong Kong, China, Asia
Tai Chi Chuan at Chater Garden, Hong Kong, China, Asia

CUB4525631: Tai Chi Chuan at Chater Garden, Hong Kong, China, Asia / Bridgeman Images

ID: CUB4525631

Tai Chi Chuan at Chater Garden, Hong Kong, China, Asia

The golden bauhinia sculpture and Skyline, Hong Kong (photo)
The golden bauhinia sculpture and Skyline, Hong Kong (photo)

CUB4525654: The golden bauhinia sculpture and Skyline, Hong Kong (photo) / Bridgeman Images

ID: CUB4525654

The golden bauhinia sculpture and Skyline, Hong Kong (photo)


Back to top