ATH249458:
Whig mass meeting on Boston Common during the presidential election, 19th September, 1844 (tinted litho), Sheldon, Joshua (1809-90) (after) / Bridgeman Images
ID: ATH249458
Whig mass meeting on Boston Common during the presidential election, 19th September, 1844 (tinted litho)
ATH249470:
Corner of Park Street and Tremont Street, Boston, 1843 (hand-tinted litho), Sharp, William (1803-75) (after) / Bridgeman Images
ID: ATH249470
Corner of Park Street and Tremont Street, Boston, 1843 (hand-tinted litho)
Sharp, William (1803-75) (after)
IMA249678:
Six panel screen with birds and flowers of the twelve months (ink, colour & gold leaf on paper), Mitsunari, Tosa (1646-1710) / Bridgeman Images
ID: IMA249678
Six panel screen with birds and flowers of the twelve months (ink, colour & gold leaf on paper)
Mitsunari, Tosa (1646-1710)
IMA249679:
Six panel screen with birds and flowers of the twelve months (ink, colour & gold leaf on paper), Mitsunari, Tosa (1646-1710) / Bridgeman Images
ID: IMA249679
Six panel screen with birds and flowers of the twelve months (ink, colour & gold leaf on paper)
Mitsunari, Tosa (1646-1710)
WAM250028:
Landscape (oil on panel), American School / Bridgeman Images
ID: WAM250028
Landscape (oil on panel)
American School
WAM250033:
Lillie (albumen prints from dry-plate collodion negatives), Eakins, Thomas Cowperthwait (1844-1916) / Bridgeman Images
ID: WAM250033
Lillie (albumen prints from dry-plate collodion negatives)
Eakins, Thomas Cowperthwait (1844-1916)
WAM250035:
Across the Harbour, Salem (w/c & gouache over graphite on paper), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images
ID: WAM250035
Across the Harbour, Salem (w/c & gouache over graphite on paper)
Prendergast, Maurice Brazil (1858-1924)
WAM250042:
Italian landscape with Ruins (oil on panel), Hulst, Pieter van der (1583-1628) / Bridgeman Images
ID: WAM250042
Italian landscape with Ruins (oil on panel)
Hulst, Pieter van der (1583-1628)
WAM250068:
Portrait of Edward Savage Jr. (oil on canvas), Savage, Edward (1761-1817) / Bridgeman Images
ID: WAM250068
Portrait of Edward Savage Jr. (oil on canvas)
Savage, Edward (1761-1817)
NGV123218:
Coogee Bay, 1888 (oil on academy board), Conder, Charles Edward (1868-1909) / Bridgeman Images
ID: NGV123218
Coogee Bay, 1888 (oil on academy board)
Conder, Charles Edward (1868-1909)
NGV123242:
Head of an Aborigine (oil on cardboard), Nerli, Count Girolamo Pieri (1863-1926) / Bridgeman Images
ID: NGV123242
Head of an Aborigine (oil on cardboard)
Nerli, Count Girolamo Pieri (1863-1926)
NGV123244:
The Virgin Enthroned (altarpiece triptych) 1951 (oil on canvas), O'Brien, Justin (1917-96) / Bridgeman Images
ID: NGV123244
The Virgin Enthroned (altarpiece triptych) 1951 (oil on canvas)
O'Brien, Justin (1917-96)
NGV123246:
Slumbering Sea, Mentone, 1887 (oil on canvas), Roberts, Thomas William (1856-1931) / Bridgeman Images
ID: NGV123246
Slumbering Sea, Mentone, 1887 (oil on canvas)
Roberts, Thomas William (1856-1931)
NGV123255:
'The Purple Noon's Transparent Might', 1896 (oil on canvas), Streeton, Ernest Arthur (1867-1943) / Bridgeman Images
ID: NGV123255
'The Purple Noon's Transparent Might', 1896 (oil on canvas)
Streeton, Ernest Arthur (1867-1943)
NGV123260:
Mount Kosciusko, seen from the Victorian Border (Mount Hope Ranges) 1866 (oil on canvas), Guerard, Eugen von (1811-1901) / Bridgeman Images
ID: NGV123260
Mount Kosciusko, seen from the Victorian Border (Mount Hope Ranges) 1866 (oil on canvas)
Guerard, Eugen von (1811-1901)
NGV123266:
Birds and Flowers in a Landscape, left screen, 1575 (ink & colour on paper mounted on six-panel folding screens), Tosatsu, Hagetsu (1516-85) / Bridgeman Images
ID: NGV123266
Birds and Flowers in a Landscape, left screen, 1575 (ink & colour on paper mounted on six-panel folding screens)
Tosatsu, Hagetsu (1516-85)
NGV123282:
Nativity, c.1650-60 (oil on panel), Italian School, (17th century) / Bridgeman Images
ID: NGV123282
Nativity, c.1650-60 (oil on panel)
Italian School, (17th century)
NGV123285:
The Houses at the Back: Frosty Morning, 1913 (oil on canvas), Clausen, George (1852-1944) / Bridgeman Images
ID: NGV123285
The Houses at the Back: Frosty Morning, 1913 (oil on canvas)
Clausen, George (1852-1944)
NGV123286:
The Finding of the True Cross, c.1516-33 (tempera & oil on panel), Cola dell'Amatrice (Nicola di Filotesio) (1489-c.1550) / Bridgeman Images
ID: NGV123286
The Finding of the True Cross, c.1516-33 (tempera & oil on panel)
Cola dell'Amatrice (Nicola di Filotesio) (1489-c.1550)
NGV123287:
The Quarters behind Alresford Hall, 1816 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images
ID: NGV123287
The Quarters behind Alresford Hall, 1816 (oil on canvas)
Constable, John (1776-1837)
NGV123299:
Portrait of a Cardinal (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images
ID: NGV123299
Portrait of a Cardinal (oil on canvas)
Greco, El (Domenico Theotocopuli) (1541-1614)
NGV123324:
The Artist's Wife, 1928 (oil on canvas mounted on cardboard), Lamb, Henry (1883-1960) / Bridgeman Images
ID: NGV123324
The Artist's Wife, 1928 (oil on canvas mounted on cardboard)
Lamb, Henry (1883-1960)
NGV123341:
The Baptism of Christ (oil on panel), Palmezzano, Marco (1458-1539) / Bridgeman Images
ID: NGV123341
The Baptism of Christ (oil on panel)
Palmezzano, Marco (1458-1539)
NGV123349:
The Countess of Cavan, c.1751 (oil on canvas), Ramsay, Allan (1713-84) / Bridgeman Images
ID: NGV123349
The Countess of Cavan, c.1751 (oil on canvas)
Ramsay, Allan (1713-84)
NGV123373:
Pont du Jour, Banks of the Seine, 1901 (oil on canvas), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images
ID: NGV123373
Pont du Jour, Banks of the Seine, 1901 (oil on canvas)
Vallotton, Felix Edouard (1865-1925)
NGV123375:
Bridge over the Seine at Chatou, c.1908-12 (oil on canvas), Vlaminck, Maurice de (1876-1958) / Bridgeman Images
ID: NGV123375
Bridge over the Seine at Chatou, c.1908-12 (oil on canvas)
Vlaminck, Maurice de (1876-1958)
NGV123502:
Folio 78v. The Three Quick and the Three Dead, from The Wharncliffe Hours, c.1475-80 (vellum), French School, (15th century) / Bridgeman Images
ID: NGV123502
Folio 78v. The Three Quick and the Three Dead, from The Wharncliffe Hours, c.1475-80 (vellum)
French School, (15th century)
NGV123504:
Folio 61r. David and Abigail, from The Wharncliffe Hours, c.1475-80 (vellum), French School, (15th century) / Bridgeman Images
ID: NGV123504
Folio 61r. David and Abigail, from The Wharncliffe Hours, c.1475-80 (vellum)
French School, (15th century)
NGV123506:
Folio 34v. The Annunciation and the Trinity, from The Wharncliffe Hours, c.1475-80 (vellum), French School, (15th century) / Bridgeman Images
ID: NGV123506
Folio 34v. The Annunciation and the Trinity, from The Wharncliffe Hours, c.1475-80 (vellum)
French School, (15th century)
FOG123547:
Un Scapin, 1860-62 (oil on cradled panel), Daumier, Honore (1808-79) / Bridgeman Images
ID: FOG123547
Un Scapin, 1860-62 (oil on cradled panel)
Daumier, Honore (1808-79)
FOG123548:
Christ Appearing to a Nobleman, c.1580 (oil on canvas), Bassano, Leandro da Ponte (1557-1622) / Bridgeman Images
ID: FOG123548
Christ Appearing to a Nobleman, c.1580 (oil on canvas)
Bassano, Leandro da Ponte (1557-1622)
FOG123563:
Ballet Dancer, c.1888-94 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images
ID: FOG123563
Ballet Dancer, c.1888-94 (oil on canvas)
Degas, Edgar (1834-1917)
WCC123634:
Engraved watch and case, made by James Vautrollier, London, 17th century / Bridgeman Images
ID: WCC123634
Engraved watch and case, made by James Vautrollier, London, 17th century
WCC123640:
Pocket chronometer made by Henri Motel, bearing the cypher of Queen Amelie, wife of Louis Philippe of France, Paris, France, 19th century / Bridgeman Images
ID: WCC123640
Pocket chronometer made by Henri Motel, bearing the cypher of Queen Amelie, wife of Louis Philippe of France, Paris, France, 19th century
DAM125137:
Charles Fairfax Murray (1849-1919) (photo), Gibbons, J. H., (19th century) / Bridgeman Images