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Flame violet, Episcia lilacina (Cyrtodeira chontalensis). Costa Rica rainforest. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Flame violet, Episcia lilacina (Cyrtodeira chontalensis). Costa Rica rainforest. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4628676: Flame violet, Episcia lilacina (Cyrtodeira chontalensis). Costa Rica rainforest. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

Venus slipper orchid, Paphiopedilum barbatum (Cypripedium barbatum grandiflorum). Native to Mount Ophir, Malaysia. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Venus slipper orchid, Paphiopedilum barbatum (Cypripedium barbatum grandiflorum). Native to Mount Ophir, Malaysia. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4628719: Venus slipper orchid, Paphiopedilum barbatum (Cypripedium barbatum grandiflorum). Native to Mount Ophir, Malaysia. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630869: Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631032: Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631051: Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Marquesas Islanders wearing headdresses in war canoes or outrigger canoes in Resolution Bay or Vaitahu. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Marquesas Islanders wearing headdresses in war canoes or outrigger canoes in Resolution Bay or Vaitahu. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624540: Marquesas Islanders wearing headdresses in war canoes or outrigger canoes in Resolution Bay or Vaitahu. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Visconti-Sforza tarot decks: the horse of denari (painting on parchment on cardboard, 15th century)
Visconti-Sforza tarot decks: the horse of denari (painting on parchment on cardboard, 15th century)

LRI4624693: Visconti-Sforza tarot decks: the horse of denari (painting on parchment on cardboard, 15th century), Bembo, Bonifacio (c.1420-82) / Bridgeman Images

Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624709: Masters of the Horse, Hungarian Army, 18th century. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624892: Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Stamp, 20th century (mixed media)
Stamp, 20th century (mixed media)

LRI4619026: Stamp, 20th century (mixed media), Arman (Pierre Fernandez Armand) (1928-2005) / Bridgeman Images

Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy
Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy

LRI4622728: Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy, Dyck, Anthony van (1599-1641) / Bridgeman Images

Giuseppe, the Patriarch of Constantinople, as one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)
Giuseppe, the Patriarch of Constantinople, as one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco)

LRI4619163: Giuseppe, the Patriarch of Constantinople, as one of the Three Kings, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco), Gozzoli, Benozzo di Lese di Sandro (1420-97) / Bridgeman Images

View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619236: View of the Regency gents betting on the St. Leger horse race at Doncaster race track, 1825. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619348: Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619376: Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622838: Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Edward of Woodstock - Edward the Black Prince (kneeling) and Joan of Kent 4, Queen Philippa of Hainault with sceptre and crown 3, and King Richard II in chainmail and plate armour 4. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Edward of Woodstock - Edward the Black Prince (kneeling) and Joan of Kent 4, Queen Philippa of Hainault with sceptre and crown 3, and King Richard II in chainmail and plate armour 4. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622880: Edward of Woodstock - Edward the Black Prince (kneeling) and Joan of Kent 4, Queen Philippa of Hainault with sceptre and crown 3, and King Richard II in chainmail and plate armour 4. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Oliver Cromwell dissolving the long parliament, 1653, and receiving the mace from a soldier. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Oliver Cromwell dissolving the long parliament, 1653, and receiving the mace from a soldier. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622908: Oliver Cromwell dissolving the long parliament, 1653, and receiving the mace from a soldier. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623100: Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Carpet tapestry and Runic inscriptions of the Vikings. Handcoloured copperplate engraving by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Carpet tapestry and Runic inscriptions of the Vikings. Handcoloured copperplate engraving by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623111: Carpet tapestry and Runic inscriptions of the Vikings. Handcoloured copperplate engraving by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619397: Caladium or two-tone caladion or palette of painter - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Angel wings, heart of Jesus, or two-coloured caladium, Caladium bicolor - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823
Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823

FLO4619406: Anemie, flowering fern - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Anemia oblongifolia fern (Dwarf anemia, Anemia humilis) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh , 1823 / Bridgeman Images

Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619724: Greenleaf Taenitis - Lithography by J. Swan, based on illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Gras-leaved taenitis, Taenitis graminifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

Humboldt nectarine. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Fleuriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Humboldt nectarine. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Fleuriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625019: Humboldt nectarine. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Fleuriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Variety of lemon jewel. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Variety of lemon jewel. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625074: Variety of lemon jewel. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Golden frogmore fishing variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Golden frogmore fishing variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625138: Golden frogmore fishing variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Bust of Emperor Trajan, detail (marble sculpture)
Bust of Emperor Trajan, detail (marble sculpture)

LRI4625261: Bust of Emperor Trajan, detail (marble sculpture), Roman, (1st century AD) / Bridgeman Images

Winter red reinette apple variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Winter red reinette apple variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625331: Winter red reinette apple variete. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano
Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano

LRI4625370: Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano, Roman, (3rd century AD) / Bridgeman Images

Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842
Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842

FLO4623497: Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842 / Bridgeman Images

Portrait of Horatio Nelson, 1799
Portrait of Horatio Nelson, 1799

LRI4623511: Portrait of Horatio Nelson, 1799, Guzzardi, Leonardo (fl.1798-1800) / Bridgeman Images

Alice crosses the mirror, from
Alice crosses the mirror, from

JLJ4623602: Alice crosses the mirror, from "Through the Looking-Glass" by Lewis Carroll, 20th century (print), Maraja, Libico (1912-83) / Bridgeman Images

Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas)
Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas)

LRI4623605: Portrait of Galeazzo Sanvitale, Duke of Fontanellato, Husband of Paola Gonzaga, 1524 (oil on canvas), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy
Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy

LRI4625404: Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy, Roman, (3rd century AD) / Bridgeman Images

Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4625602: Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images

Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4625642: Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images


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