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Staircase of the Mediatheque of Nancy. Architecture Christian Francois and Patricia Henrion, 1994. Photography 1994.
Staircase of the Mediatheque of Nancy. Architecture Christian Francois and Patricia Henrion, 1994. Photography 1994.

OMG4558474: Staircase of the Mediatheque of Nancy. Architecture Christian Francois and Patricia Henrion, 1994. Photography 1994. / Bridgeman Images

Lycee Jules Ferry to Paris 9th arrondissement.
Lycee Jules Ferry to Paris 9th arrondissement.

TEC4559472: Lycee Jules Ferry to Paris 9th arrondissement. / Bridgeman Images

Prickly pear, Italy
Prickly pear, Italy

CUB4541449: Prickly pear, Italy / Bridgeman Images

Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy
Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy

CUB4541482: Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy / Bridgeman Images

Church of Crocifisso, Galatone, Salento, Puglia, Italy
Church of Crocifisso, Galatone, Salento, Puglia, Italy

CUB4541581: Church of Crocifisso, Galatone, Salento, Puglia, Italy / Bridgeman Images

The ancient core of the city, Gallipoli, Salento, Puglia, Italy
The ancient core of the city, Gallipoli, Salento, Puglia, Italy

CUB4541590: The ancient core of the city, Gallipoli, Salento, Puglia, Italy / Bridgeman Images

The ancient core of the city, Gallipoli, Salento, Puglia, Italy
The ancient core of the city, Gallipoli, Salento, Puglia, Italy

CUB4541614: The ancient core of the city, Gallipoli, Salento, Puglia, Italy / Bridgeman Images

Life in the ancient core of the city, Gallipoli, Salento, Puglia, Italy
Life in the ancient core of the city, Gallipoli, Salento, Puglia, Italy

CUB4541632: Life in the ancient core of the city, Gallipoli, Salento, Puglia, Italy / Bridgeman Images

A defensive tower along the coast, Salento, Puglia, Italy
A defensive tower along the coast, Salento, Puglia, Italy

CUB4541695: A defensive tower along the coast, Salento, Puglia, Italy / Bridgeman Images

Lycee Montaigne in Paris 6th arrondisssement. Architect Charles Lecoeur (1830-1906).
Lycee Montaigne in Paris 6th arrondisssement. Architect Charles Lecoeur (1830-1906).

TEC4559544: Lycee Montaigne in Paris 6th arrondisssement. Architect Charles Lecoeur (1830-1906). / Bridgeman Images

Lycee Sophie Germain in Paris 3rd arrondissement.
Lycee Sophie Germain in Paris 3rd arrondissement.

TEC4559550: Lycee Sophie Germain in Paris 3rd arrondissement. / Bridgeman Images

Lycee Jacques Decour in Paris 3rd arrondissement.
Lycee Jacques Decour in Paris 3rd arrondissement.

TEC4559556: Lycee Jacques Decour in Paris 3rd arrondissement. / Bridgeman Images

Lycee Lamartine in Paris 16th arrondissement.
Lycee Lamartine in Paris 16th arrondissement.

TEC4559559: Lycee Lamartine in Paris 16th arrondissement. / Bridgeman Images

Detail, Otranto, Salento, Puglia, Italy
Detail, Otranto, Salento, Puglia, Italy

CUB4541771: Detail, Otranto, Salento, Puglia, Italy / Bridgeman Images

The harbour, Otranto, Salento, Puglia, Italy
The harbour, Otranto, Salento, Puglia, Italy

CUB4541789: The harbour, Otranto, Salento, Puglia, Italy / Bridgeman Images

Porta Terra behind Alfonsina tower, Otranto, Salento, Puglia, Italy
Porta Terra behind Alfonsina tower, Otranto, Salento, Puglia, Italy

CUB4541813: Porta Terra behind Alfonsina tower, Otranto, Salento, Puglia, Italy / Bridgeman Images

The old town, Gallipoli, Salento, Puglia, Italy
The old town, Gallipoli, Salento, Puglia, Italy

CUB4541822: The old town, Gallipoli, Salento, Puglia, Italy / Bridgeman Images

Interior of a Haussmann building in Paris
Interior of a Haussmann building in Paris

OMG4551656: Interior of a Haussmann building in Paris / Bridgeman Images

The European Central Bank in Frankfurt, Germany (The European Central Bank in Frankfurt). Photography 13/09/2007.
The European Central Bank in Frankfurt, Germany (The European Central Bank in Frankfurt). Photography 13/09/2007.

OMG4551768: The European Central Bank in Frankfurt, Germany (The European Central Bank in Frankfurt). Photography 13/09/2007. / Bridgeman Images

L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard.
L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard.

TEC4552805: L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard. / Bridgeman Images

La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882.
La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882.

OMG4553120: La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882. / Bridgeman Images

La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882.
La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882.

OMG4553157: La Sagrada Familia in Barcelona (Spain). Architect Antoni Gaudi, 1882. / Bridgeman Images

The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554060: The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Galerie Karl Lagerfeld (Lagerfeld Gallery), 20 rue de Seine, Paris 75006. Photography 2000
Galerie Karl Lagerfeld (Lagerfeld Gallery), 20 rue de Seine, Paris 75006. Photography 2000

OMG4554267: Galerie Karl Lagerfeld (Lagerfeld Gallery), 20 rue de Seine, Paris 75006. Photography 2000 / Bridgeman Images

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554692: Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996. / Bridgeman Images

Le Train Bleu, Gare de Lyon, Paris 12. Architecture, 1900. The railway company PLM wanted to offer the Gare de Lyon for the 1900 World Exhibition a buffet that it wanted sublime. Ornaments and fresco, the former “buffet of the Gare de Lyon” perfectly represents the fine style of the second empire. On April 7, 1901, it was even inaugurated by the President of the Republic, Emile Loubet. It was not until 1963 that it was renamed “” Le Train bleu”” in honour of the legendary Paris-Ventimille train (Paris Ventimille)
Le Train Bleu, Gare de Lyon, Paris 12. Architecture, 1900. The railway company PLM wanted to offer the Gare de Lyon for the 1900 World Exhibition a buffet that it wanted sublime. Ornaments and fresco, the former “buffet of the Gare de Lyon” perfectly represents the fine style of the second empire. On April 7, 1901, it was even inaugurated by the President of the Republic, Emile Loubet. It was not until 1963 that it was renamed “” Le Train bleu”” in honour of the legendary Paris-Ventimille train (Paris Ventimille)

OMG4554714: Le Train Bleu, Gare de Lyon, Paris 12. Architecture, 1900. The railway company PLM wanted to offer the Gare de Lyon for the 1900 World Exhibition a buffet that it wanted sublime. Ornaments and fresco, the former “buffet of the Gare de Lyon” perfectly represents the fine style of the second empire. On April 7, 1901, it was even inaugurated by the President of the Republic, Emile Loubet. It was not until 1963 that it was renamed “” Le Train bleu”” in honour of the legendary Paris-Ventimille train (Paris Ventimille) / Bridgeman Images

Extension of the fair, Europa Quarter in Barcelona, Spain.
Extension of the fair, Europa Quarter in Barcelona, Spain.

OMG4556295: Extension of the fair, Europa Quarter in Barcelona, Spain. / Bridgeman Images

Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.
Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.

TEC4556555: Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986. / Bridgeman Images

Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.
Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.

TEC4556561: Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986. / Bridgeman Images

Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.
Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.

TEC4556576: Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986. / Bridgeman Images

Saint Sophia of Constantinopolis in Istanbul (Turkey), built in 537.
Saint Sophia of Constantinopolis in Istanbul (Turkey), built in 537.

OMG4553057: Saint Sophia of Constantinopolis in Istanbul (Turkey), built in 537. / Bridgeman Images

The Cathedrale Notre Dame, Place du Parvis Notre Dame, Paris 4. Construction XIIIth, XIIIth, XIXth century, rehabilitation by Eugene Viollet-le-Duc.
The Cathedrale Notre Dame, Place du Parvis Notre Dame, Paris 4. Construction XIIIth, XIIIth, XIXth century, rehabilitation by Eugene Viollet-le-Duc.

LBY4553253: The Cathedrale Notre Dame, Place du Parvis Notre Dame, Paris 4. Construction XIIIth, XIIIth, XIXth century, rehabilitation by Eugene Viollet-le-Duc. / Bridgeman Images

The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553543: The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

One of the bronze angels drew by Chavanne in the 18th century, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
One of the bronze angels drew by Chavanne in the 18th century, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553552: One of the bronze angels drew by Chavanne in the 18th century, Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Dore bronze by Francois Girardon from the old church of the Capuchines in Place Vendome. Transports to Notre-Dame after the Concordat to be an altar front, it was placed by Viollet-le-Duc in the basement of the Pieta. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Dore bronze by Francois Girardon from the old church of the Capuchines in Place Vendome. Transports to Notre-Dame after the Concordat to be an altar front, it was placed by Viollet-le-Duc in the basement of the Pieta. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553564: Dore bronze by Francois Girardon from the old church of the Capuchines in Place Vendome. Transports to Notre-Dame after the Concordat to be an altar front, it was placed by Viollet-le-Duc in the basement of the Pieta. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

At the bedside, stained glass windows histories (by Marechal de Metz, 19th century), with, in the center, the scene of the Glorification of the Virgin already crowned Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
At the bedside, stained glass windows histories (by Marechal de Metz, 19th century), with, in the center, the scene of the Glorification of the Virgin already crowned Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553603: At the bedside, stained glass windows histories (by Marechal de Metz, 19th century), with, in the center, the scene of the Glorification of the Virgin already crowned Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images


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