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Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa
Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa

LRI4647231: Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa, French School, (14th century) / Bridgeman Images

ID: LRI4647231

Cosmogony: representation of the works of Creation. The different circles symbolize in the center Hell (or all evil descends) then Earth, Sea, fire, different heavens. Down in the small circles, the steps representing the creation of the Universe. Page taken from the manuscript “Genealogy de la Bible”” of the French school. 14th century Cremone, biblioteca governativa

French School, (14th century)

Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638177: Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638177

Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Savin juniper or sabina, Juniperus sabina. Handcoloured lithograph by Henry Sowerby after an illustration by M.D. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Savin juniper or sabina, Juniperus sabina. Handcoloured lithograph by Henry Sowerby after an illustration by M.D. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638216: Savin juniper or sabina, Juniperus sabina. Handcoloured lithograph by Henry Sowerby after an illustration by M.D. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638216

Savin juniper or sabina, Juniperus sabina. Handcoloured lithograph by Henry Sowerby after an illustration by M.D. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Jimsonweed or devil's snare, Datura stramonium. Handcoloured lithograph by Charlotte Caroline Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Jimsonweed or devil's snare, Datura stramonium. Handcoloured lithograph by Charlotte Caroline Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638289: Jimsonweed or devil's snare, Datura stramonium. Handcoloured lithograph by Charlotte Caroline Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638289

Jimsonweed or devil's snare, Datura stramonium. Handcoloured lithograph by Charlotte Caroline Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Edward, Prince of Wales, aged 3-5, later King Edward VI of England, 1537-1553. Son of Henry VIII and Jane Seymour. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Edward, Prince of Wales, aged 3-5, later King Edward VI of England, 1537-1553. Son of Henry VIII and Jane Seymour. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638378: Edward, Prince of Wales, aged 3-5, later King Edward VI of England, 1537-1553. Son of Henry VIII and Jane Seymour. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638378

Edward, Prince of Wales, aged 3-5, later King Edward VI of England, 1537-1553. Son of Henry VIII and Jane Seymour. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638406: George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638406

George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Two Tahitian women and a dog. (Tahitian pastoral). 1893 (Oil on canvas)
Two Tahitian women and a dog. (Tahitian pastoral). 1893 (Oil on canvas)

LRI4638451: Two Tahitian women and a dog. (Tahitian pastoral). 1893 (Oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: LRI4638451

Two Tahitian women and a dog. (Tahitian pastoral). 1893 (Oil on canvas)

Gauguin, Paul (1848-1903)

The Lady Mary, daughter of King Henry VIII and Catherine of Aragon, later Queen Mary I of England (1516-1558). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
The Lady Mary, daughter of King Henry VIII and Catherine of Aragon, later Queen Mary I of England (1516-1558). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638520: The Lady Mary, daughter of King Henry VIII and Catherine of Aragon, later Queen Mary I of England (1516-1558). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638520

The Lady Mary, daughter of King Henry VIII and Catherine of Aragon, later Queen Mary I of England (1516-1558). Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638547: Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638547

Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Mary Brandon, Lady Monteagle, wife of Thomas Stanley, 2nd Baron Monteagle (1507-1560). Lady-in-waiting to Jane Seymour. Also identified as Ellen Preston. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Mary Brandon, Lady Monteagle, wife of Thomas Stanley, 2nd Baron Monteagle (1507-1560). Lady-in-waiting to Jane Seymour. Also identified as Ellen Preston. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638588: Mary Brandon, Lady Monteagle, wife of Thomas Stanley, 2nd Baron Monteagle (1507-1560). Lady-in-waiting to Jane Seymour. Also identified as Ellen Preston. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638588

Mary Brandon, Lady Monteagle, wife of Thomas Stanley, 2nd Baron Monteagle (1507-1560). Lady-in-waiting to Jane Seymour. Also identified as Ellen Preston. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638614: Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638614

Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Portrait of Seated Woman (oil on canvas)
Portrait of Seated Woman (oil on canvas)

JLJ4638675: Portrait of Seated Woman (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4638675

Portrait of Seated Woman (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Noli me tangere (Ne me pas touche) Detail du triptych de saint Vincent de Estopinan del castillo (Triptych of st Vincent of Estopinan del castillo) Painting du maitre de Estopanya (Painting of the master of Estopinan) 1350-1370 Barcelona, Museu Nacional d'Art de Catalunya
Noli me tangere (Ne me pas touche) Detail du triptych de saint Vincent de Estopinan del castillo (Triptych of st Vincent of Estopinan del castillo) Painting du maitre de Estopanya (Painting of the master of Estopinan) 1350-1370 Barcelona, Museu Nacional d'Art de Catalunya

LRI4638683: Noli me tangere (Ne me pas touche) Detail du triptych de saint Vincent de Estopinan del castillo (Triptych of st Vincent of Estopinan del castillo) Painting du maitre de Estopanya (Painting of the master of Estopinan) 1350-1370 Barcelona, Museu Nacional d'Art de Catalunya, Master of Estopinan, (active c.1350-70) / Bridgeman Images

ID: LRI4638683

Noli me tangere (Ne me pas touche) Detail du triptych de saint Vincent de Estopinan del castillo (Triptych of st Vincent of Estopinan del castillo) Painting du maitre de Estopanya (Painting of the master of Estopinan) 1350-1370 Barcelona, Museu Nacional d'Art de Catalunya

Master of Estopinan, (active c.1350-70)

Dot moth, Melanchra persicalae, hummingbird hawk-moth, Macroglossum stellatarum, feeding on the greater bindweed, Convolvulus species. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Dot moth, Melanchra persicalae, hummingbird hawk-moth, Macroglossum stellatarum, feeding on the greater bindweed, Convolvulus species. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638759: Dot moth, Melanchra persicalae, hummingbird hawk-moth, Macroglossum stellatarum, feeding on the greater bindweed, Convolvulus species. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638759

Dot moth, Melanchra persicalae, hummingbird hawk-moth, Macroglossum stellatarum, feeding on the greater bindweed, Convolvulus species. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Purple emperor butterfly, Apatura iris, common emerald, Hemithea aestivaria, and orchard ermine, Yponomeuta padella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Purple emperor butterfly, Apatura iris, common emerald, Hemithea aestivaria, and orchard ermine, Yponomeuta padella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638798: Purple emperor butterfly, Apatura iris, common emerald, Hemithea aestivaria, and orchard ermine, Yponomeuta padella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638798

Purple emperor butterfly, Apatura iris, common emerald, Hemithea aestivaria, and orchard ermine, Yponomeuta padella. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638849: Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638849

Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Death's head, bee tiger or jasmine hawk-moth, Acherontia atropos, with caterpillar on a jasmine branch and flower, Jasminum officinale. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Death's head, bee tiger or jasmine hawk-moth, Acherontia atropos, with caterpillar on a jasmine branch and flower, Jasminum officinale. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638856: Death's head, bee tiger or jasmine hawk-moth, Acherontia atropos, with caterpillar on a jasmine branch and flower, Jasminum officinale. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638856

Death's head, bee tiger or jasmine hawk-moth, Acherontia atropos, with caterpillar on a jasmine branch and flower, Jasminum officinale. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638889: Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638889

Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Puss moth, Cerula vinula, and heath or pearl-bordered likeness fritillary butterfly, Melitaea athalia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Puss moth, Cerula vinula, and heath or pearl-bordered likeness fritillary butterfly, Melitaea athalia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638901: Puss moth, Cerula vinula, and heath or pearl-bordered likeness fritillary butterfly, Melitaea athalia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638901

Puss moth, Cerula vinula, and heath or pearl-bordered likeness fritillary butterfly, Melitaea athalia. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Aerial view of residential buildings in Bijlmermeer, 1990 ca - Photography
Aerial view of residential buildings in Bijlmermeer, 1990 ca - Photography

LRI4655929: Aerial view of residential buildings in Bijlmermeer, 1990 ca - Photography / Bridgeman Images

ID: LRI4655929

Aerial view of residential buildings in Bijlmermeer, 1990 ca - Photography

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4655998: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

ID: FLO4655998

Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)

Unknown Artist, (19th century)

Aerial view of tulip plantations, 1990 ca - Photography
Aerial view of tulip plantations, 1990 ca - Photography

LRI4656005: Aerial view of tulip plantations, 1990 ca - Photography / Bridgeman Images

ID: LRI4656005

Aerial view of tulip plantations, 1990 ca - Photography

Aerial view of Loosdrecht, 1990 ca - Photography
Aerial view of Loosdrecht, 1990 ca - Photography

LRI4656063: Aerial view of Loosdrecht, 1990 ca - Photography / Bridgeman Images

ID: LRI4656063

Aerial view of Loosdrecht, 1990 ca - Photography

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656112: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

ID: FLO4656112

Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)

Unknown Artist, (19th century)

Aerial view of the Centro direzionale of Milan (photography)
Aerial view of the Centro direzionale of Milan (photography)

LRI4656183: Aerial view of the Centro direzionale of Milan (photography) / Bridgeman Images

ID: LRI4656183

Aerial view of the Centro direzionale of Milan (photography)

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656200: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

ID: FLO4656200

Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)

Unknown Artist, (19th century)

Paris must choose the most beautiful goddess to receive the golden apple, 1914 (plaster)
Paris must choose the most beautiful goddess to receive the golden apple, 1914 (plaster)

JLJ4656310: Paris must choose the most beautiful goddess to receive the golden apple, 1914 (plaster), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4656310

Paris must choose the most beautiful goddess to receive the golden apple, 1914 (plaster)

Renoir, Pierre Auguste (1841-1919)

A hunting lunch in the 18th century, 18th century (oil on canvas)
A hunting lunch in the 18th century, 18th century (oil on canvas)

JLJ4656375: A hunting lunch in the 18th century, 18th century (oil on canvas), Lami, Eugene-Louis (1800-90) / Bridgeman Images

ID: JLJ4656375

A hunting lunch in the 18th century, 18th century (oil on canvas)

Lami, Eugene-Louis (1800-90)

Portrait of Antonio Stradivari dit Stradivarius (1644 - 1737), Italian luthier (engraving)
Portrait of Antonio Stradivari dit Stradivarius (1644 - 1737), Italian luthier (engraving)

JLJ4656384: Portrait of Antonio Stradivari dit Stradivarius (1644 - 1737), Italian luthier (engraving) / Bridgeman Images

ID: JLJ4656384

Portrait of Antonio Stradivari dit Stradivarius (1644 - 1737), Italian luthier (engraving)

Varieties of Japanese camelias (Thea japonica Nois): Shusukane and Karakureoru, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Varieties of Japanese camelias (Thea japonica Nois): Shusukane and Karakureoru, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647314: Varieties of Japanese camelias (Thea japonica Nois): Shusukane and Karakureoru, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647314

Varieties of Japanese camelias (Thea japonica Nois): Shusukane and Karakureoru, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

French Revolution: fraternal meal in honour of freedom in June 1793 (watercolour)
French Revolution: fraternal meal in honour of freedom in June 1793 (watercolour)

JLJ4647323: French Revolution: fraternal meal in honour of freedom in June 1793 (watercolour), French School, (18th century) / Bridgeman Images

ID: JLJ4647323

French Revolution: fraternal meal in honour of freedom in June 1793 (watercolour)

French School, (18th century)

Panoramic view of the Potsdamerplatz in Berlin (Germany).
Panoramic view of the Potsdamerplatz in Berlin (Germany).

TEC4647343: Panoramic view of the Potsdamerplatz in Berlin (Germany). / Bridgeman Images

ID: TEC4647343

Panoramic view of the Potsdamerplatz in Berlin (Germany).

Variety of camelias from Japan (Thea japonica Nois): Tamatebako, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Tamatebako, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

FLO4647383: Variety of camelias from Japan (Thea japonica Nois): Tamatebako, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. / Bridgeman Images

ID: FLO4647383

Variety of camelias from Japan (Thea japonica Nois): Tamatebako, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

Variete of Japanese camelias (Thea japonica Nois): Hiraki Tsubaki, red flower bud. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Variete of Japanese camelias (Thea japonica Nois): Hiraki Tsubaki, red flower bud. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647406: Variete of Japanese camelias (Thea japonica Nois): Hiraki Tsubaki, red flower bud. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647406

Variete of Japanese camelias (Thea japonica Nois): Hiraki Tsubaki, red flower bud. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

Royalists mock Jacobins:
Royalists mock Jacobins:

JLJ4647419: Royalists mock Jacobins: "On M'on Expectations aux Feuillants", 1791 (engraving), French School, (18th century) / Bridgeman Images

ID: JLJ4647419

Royalists mock Jacobins: "On M'on Expectations aux Feuillants", 1791 (engraving)

French School, (18th century)

The Konzerthaus (1821, architect Karl Friedrich Schinkel (1781-1841)) and the French cathedral (or temple of the Friedrichstadt on Gendarmenmarkt Square in Berlin (Germany). Photography 15/08/03.
The Konzerthaus (1821, architect Karl Friedrich Schinkel (1781-1841)) and the French cathedral (or temple of the Friedrichstadt on Gendarmenmarkt Square in Berlin (Germany). Photography 15/08/03.

TEC4647452: The Konzerthaus (1821, architect Karl Friedrich Schinkel (1781-1841)) and the French cathedral (or temple of the Friedrichstadt on Gendarmenmarkt Square in Berlin (Germany). Photography 15/08/03. / Bridgeman Images

ID: TEC4647452

The Konzerthaus (1821, architect Karl Friedrich Schinkel (1781-1841)) and the French cathedral (or temple of the Friedrichstadt on Gendarmenmarkt Square in Berlin (Germany). Photography 15/08/03.


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