Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2501897 Search Results

Chinese art: porcelain statuette representing a knight from the Ming period, 17th century (porcelain)
Chinese art: porcelain statuette representing a knight from the Ming period, 17th century (porcelain)

JLJ4652300: Chinese art: porcelain statuette representing a knight from the Ming period, 17th century (porcelain), Chinese School, (17th century) / Bridgeman Images

Claude Renoir Playing, 1905 (oil on canvas)
Claude Renoir Playing, 1905 (oil on canvas)

LRI4652630: Claude Renoir Playing, 1905 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Lettrine with representation of Aeolus, the keeper of the winds. (Miniature, 15th century)
Lettrine with representation of Aeolus, the keeper of the winds. (Miniature, 15th century)

LRI4652669: Lettrine with representation of Aeolus, the keeper of the winds. (Miniature, 15th century), Liberale (Bonfanti) da Verona, (c.1445-1527) / Bridgeman Images

King David (oil on canvas, 17th century)
King David (oil on canvas, 17th century)

LRI4652772: King David (oil on canvas, 17th century), Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

Portrait of Claude Monet  (oil on canvas, 1875)
Portrait of Claude Monet  (oil on canvas, 1875)

LRI4652813: Portrait of Claude Monet (oil on canvas, 1875), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652833: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.
Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries.

MDA4652868: Hotel de Ville de Boulogne Billancourt (Hauts de Seine). Architect Tony Garnier (1869-1948), 1931-1934. Built of weapon concrete, the building is seen as an exemplary town hall for the 20th century, a municipal factory characterized by the transparency of the counter hall with its three levels of suspended galleries., Garnier, Tony (1869-1948) / Bridgeman Images

Portrait of a Woman An elegant woman of the aristocracy, 19th century (oil on canvas)
Portrait of a Woman An elegant woman of the aristocracy, 19th century (oil on canvas)

JLJ4652921: Portrait of a Woman An elegant woman of the aristocracy, 19th century (oil on canvas), Deveria, Eugene (1808-65) / Bridgeman Images

The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.
The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007.

TEC4660986: The Gare du Nord in Paris 75010. Architect Jacob Hittorf (1792-1867), 1861-1865. Photography 2007. / Bridgeman Images

Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul
Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

LRI4661185: Islamic representation of Adam and Eve hunts from Earth Paradise by Archangel Gabriel Miniature from the manuscript “Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul, Islamic School, (16th century) / Bridgeman Images

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

TEC4661233: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

The German Emperor William II visited the former imperial Eugenia, 1907 (print)
The German Emperor William II visited the former imperial Eugenia, 1907 (print)

JLJ4661291: The German Emperor William II visited the former imperial Eugenia, 1907 (print) / Bridgeman Images

Venus and Mars Representation of the two deities kissing. Painting of the School of Fontainebleau, 15th century (painting)
Venus and Mars Representation of the two deities kissing. Painting of the School of Fontainebleau, 15th century (painting)

JLJ4644096: Venus and Mars Representation of the two deities kissing. Painting of the School of Fontainebleau, 15th century (painting), Fontainebleau School, (16th century) / Bridgeman Images

Building, 13 rue des Amiraux, Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927.
Building, 13 rue des Amiraux, Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927.

TEC4652997: Building, 13 rue des Amiraux, Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927. / Bridgeman Images

Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing)
Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing)

JLJ4644440: Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.
The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989.

JSN4653348: The church of Notre Dame de Tout Grace at the Plateau d'Assy in Passy (Haute Savoie). Architect Maurice Novarina (1907-2002), 1946. Decor Fernand Leger (1881-1955). The village, located at 1200 meters above sea level, was the village of sanatoriums. In 1935, Canon Devemy, Chaplain of the Sanatarium of Sancellemoz, had the idea of building the church of the sick on the Plateau d'Assy. The entrance facade recalls the famous and robust Savoyard chalets of the Vallee d'Abondance built with the stone of the country. Photography 1989., Leger, Fernand (1881-1955) / Bridgeman Images

First World War: Luigi Cadorna (right) meets Joseph Joffre, Aristide Briand, Theodore Tissier and General Roques, Paris, 1916 (print)
First World War: Luigi Cadorna (right) meets Joseph Joffre, Aristide Briand, Theodore Tissier and General Roques, Paris, 1916 (print)

LRI4644536: First World War: Luigi Cadorna (right) meets Joseph Joffre, Aristide Briand, Theodore Tissier and General Roques, Paris, 1916 (print), Unknown photographer, (20th century) / Bridgeman Images

Panathenaic ceramic amphora with black figures representing athletes running a running, 500-401 BC (ceramic)
Panathenaic ceramic amphora with black figures representing athletes running a running, 500-401 BC (ceramic)

JLJ4644586: Panathenaic ceramic amphora with black figures representing athletes running a running, 500-401 BC (ceramic), Kleophrades Painter (Epiktetos II) (fl.500-475 BC) / Bridgeman Images

Marine Ships and sailboats moored, 19th century (oil on canvas)
Marine Ships and sailboats moored, 19th century (oil on canvas)

JLJ4653655: Marine Ships and sailboats moored, 19th century (oil on canvas), Fowles, Arthur Wellington (c.1815-78) / Bridgeman Images

Aerial view of Bavaria with german alps, 1990 - Photography
Aerial view of Bavaria with german alps, 1990 - Photography

LRI4653663: Aerial view of Bavaria with german alps, 1990 - Photography / Bridgeman Images

Balcony in Paris 75017.
Balcony in Paris 75017.

TEC4644801: Balcony in Paris 75017. / Bridgeman Images

Figure of fantasy: portrait of Abbe Richard de Saint-Non (1727-1791) (oil on canvas)
Figure of fantasy: portrait of Abbe Richard de Saint-Non (1727-1791) (oil on canvas)

JLJ4653930: Figure of fantasy: portrait of Abbe Richard de Saint-Non (1727-1791) (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

Portrait of Napoleon Bonaparte (1769-1821), 19th century (watercolour)
Portrait of Napoleon Bonaparte (1769-1821), 19th century (watercolour)

JLJ4653981: Portrait of Napoleon Bonaparte (1769-1821), 19th century (watercolour), Gros, Antoine Jean (1771-1835) / Bridgeman Images

Aerial view of Opel car factories in Bochum, 1990 - Photography
Aerial view of Opel car factories in Bochum, 1990 - Photography

LRI4654097: Aerial view of Opel car factories in Bochum, 1990 - Photography / Bridgeman Images

Ottoman art: detail of the columns inside the Blue Mosquee built between 1609 and 1617
Ottoman art: detail of the columns inside the Blue Mosquee built between 1609 and 1617

LRI4645319: Ottoman art: detail of the columns inside the Blue Mosquee built between 1609 and 1617, Aga, Mehmet (c.1540-1617) / Bridgeman Images

Ottoman architecture: view of the city with the Suleymaniye mosque (1550-1557)
Ottoman architecture: view of the city with the Suleymaniye mosque (1550-1557)

LRI4645333: Ottoman architecture: view of the city with the Suleymaniye mosque (1550-1557), Sinan, Mimar (c.1500-88) / Bridgeman Images

The Annunciation, 1638 (oil on canvas)
The Annunciation, 1638 (oil on canvas)

JLJ4645357: The Annunciation, 1638 (oil on canvas), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

Accommodation, 13 rue des Amiraux in Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927.
Accommodation, 13 rue des Amiraux in Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927.

TEC4645402: Accommodation, 13 rue des Amiraux in Paris 75018. Architect Henri Sauvage (1873-1932), 1922-1927. / Bridgeman Images

Boulevard Barbes in Paris 75018.
Boulevard Barbes in Paris 75018.

TEC4645545: Boulevard Barbes in Paris 75018. / Bridgeman Images

View of the green mosque
View of the green mosque

LRI4645573: View of the green mosque, Ottoman School, (15th century) / Bridgeman Images

View of the Mosque (1575)
View of the Mosque (1575)

LRI4645607: View of the Mosque (1575), Ottoman School, (16th century) / Bridgeman Images

The metro station Barbes Rochechouart in Paris 75018.
The metro station Barbes Rochechouart in Paris 75018.

TEC4645640: The metro station Barbes Rochechouart in Paris 75018. / Bridgeman Images

View of the apse of the Basilica of Santa Maria Maggiore (Santa Maria Maggiore) by Domenico Fontana (1543-1607), Flaminio Ponzio (17th century) and Carlo Rinaldi, Rome.
View of the apse of the Basilica of Santa Maria Maggiore (Santa Maria Maggiore) by Domenico Fontana (1543-1607), Flaminio Ponzio (17th century) and Carlo Rinaldi, Rome.

LRI4645788: View of the apse of the Basilica of Santa Maria Maggiore (Santa Maria Maggiore) by Domenico Fontana (1543-1607), Flaminio Ponzio (17th century) and Carlo Rinaldi, Rome., Fontana, Domenico (1543-1607) / Bridgeman Images

Cabaret Lapin Agile, 22, rue des Saules in Paris 75018.
Cabaret Lapin Agile, 22, rue des Saules in Paris 75018.

LBY4645808: Cabaret Lapin Agile, 22, rue des Saules in Paris 75018., Boegly, Luc / Bridgeman Images

Aerial view of the city center, 1990 - Photography
Aerial view of the city center, 1990 - Photography

LRI4654135: Aerial view of the city center, 1990 - Photography / Bridgeman Images

View of the Clifton Suspension Bridge on the Avon River, c. 1830. (photography)
View of the Clifton Suspension Bridge on the Avon River, c. 1830. (photography)

LRI4654187: View of the Clifton Suspension Bridge on the Avon River, c. 1830. (photography), Brunel, Isambard Kingdom (1806-59) / Bridgeman Images


Back to top