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Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”.
Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”.

PCT4272479: Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”. / Bridgeman Images

ID: PCT4272479

Excerpt from the Alphabet of the Child Jesus, edition Alfred Mame a Tours, 1929. Each page offers two large decorative lettrines, with their Christian entry (letter A as love, B as goodness... up to Z as zele). “The zele is the burning desire to make God known and to make him love”.

Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century.
Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century.

PCT4272731: Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century., Maitrejean, Louis (1895-1947) / Bridgeman Images

ID: PCT4272731

Mother at home in 1900: laundry, cooking, education of children. The mother's spot is at home, the father earns the money, and the mother holds the household. Illustration by Louis Maitrejean (1895-1947). Extract from a book of moral for schoolchildren, early 20th century.

Maitrejean, Louis (1895-1947)

An adventure by Alexandre Dumas pere on a journey, 1855 (engraving)
An adventure by Alexandre Dumas pere on a journey, 1855 (engraving)

PCT4272931: An adventure by Alexandre Dumas pere on a journey, 1855 (engraving) / Bridgeman Images

ID: PCT4272931

An adventure by Alexandre Dumas pere on a journey, 1855 (engraving)

Care of the household: laundry.
Care of the household: laundry.

PCT4273015: Care of the household: laundry. / Bridgeman Images

ID: PCT4273015

Care of the household: laundry.

Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier”
Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier”

PCT4273280: Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier” / Bridgeman Images

ID: PCT4273280

Series of 3 postcards at the beginning of the 20th century illustrating the song “The return of the soldier”

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. The young couple of lovers in the forest.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. The young couple of lovers in the forest.

PCT4273369: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. The young couple of lovers in the forest. / Bridgeman Images

ID: PCT4273369

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. The young couple of lovers in the forest.

Entertainment and festivities in the Middle Ages (Middle Ages): depicting a mystery in a city in the Netherlands. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.
Entertainment and festivities in the Middle Ages (Middle Ages): depicting a mystery in a city in the Netherlands. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.

PCT4273407: Entertainment and festivities in the Middle Ages (Middle Ages): depicting a mystery in a city in the Netherlands. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century. / Bridgeman Images

ID: PCT4273407

Entertainment and festivities in the Middle Ages (Middle Ages): depicting a mystery in a city in the Netherlands. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.

Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc.
Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc.

PCT4273481: Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4273481

Accessories for painters and amateur painters (Sunday painter). Double page of the catalogue of the Manufacture des armes et cycles de Saint Etienne, beginning 20th century. Box, brush, easel, oil paint etc.

Unknown Artist, (20th century)

Constitutional disease - diatheses. Herpetism dartres, 1889 (engraving)
Constitutional disease - diatheses. Herpetism dartres, 1889 (engraving)

PCT4273620: Constitutional disease - diatheses. Herpetism dartres, 1889 (engraving) / Bridgeman Images

ID: PCT4273620

Constitutional disease - diatheses. Herpetism dartres, 1889 (engraving)

Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.
Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.

PCT4273735: Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century. / Bridgeman Images

ID: PCT4273735

Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4273773

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

Dore, Gustave (1832-83)

Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century.
Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century.

PCT4273878: Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century. / Bridgeman Images

ID: PCT4273878

Pious image: episodes of the life of the Blessed Virgin (childhood youth - instruction). Saint Anne taught Mary as a child and taught her to read. In the background: visit of the Virgin to Saint Elizabeth. Engraving of the 19th century.

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.
Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.

PCT4273965: Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907. / Bridgeman Images

ID: PCT4273965

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.

Floods in Paris, January-February 1910 (postcard)
Floods in Paris, January-February 1910 (postcard)

PCT4271838: Floods in Paris, January-February 1910 (postcard) / Bridgeman Images

ID: PCT4271838

Floods in Paris, January-February 1910 (postcard)

Floods in Paris, January-February 1910
Floods in Paris, January-February 1910

PCT4271848: Floods in Paris, January-February 1910 / Bridgeman Images

ID: PCT4271848

Floods in Paris, January-February 1910

Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.
Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.

PCT4271857: Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century. / Bridgeman Images

ID: PCT4271857

Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.

An antropomorphic letter Y, drawn by a man making the pear tree (candle) with legs apart. Illustration by Theobald von Oer (1807 - 1885) for an abecedary (alphabet)
An antropomorphic letter Y, drawn by a man making the pear tree (candle) with legs apart. Illustration by Theobald von Oer (1807 - 1885) for an abecedary (alphabet)

PCT4271870: An antropomorphic letter Y, drawn by a man making the pear tree (candle) with legs apart. Illustration by Theobald von Oer (1807 - 1885) for an abecedary (alphabet), Cartier, Patrice / Bridgeman Images

ID: PCT4271870

An antropomorphic letter Y, drawn by a man making the pear tree (candle) with legs apart. Illustration by Theobald von Oer (1807 - 1885) for an abecedary (alphabet)

Cartier, Patrice

THE DAY THE EARTH STOOD STILL by Robert Wise, 1951
THE DAY THE EARTH STOOD STILL by Robert Wise, 1951

PCT4271927: THE DAY THE EARTH STOOD STILL by Robert Wise, 1951 / Bridgeman Images

ID: PCT4271927

THE DAY THE EARTH STOOD STILL by Robert Wise, 1951

Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.
Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.

PCT4272027: Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272027

Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.

Pennell, Joseph (1858-1926)

Flood of the river Seine in Paris, 1910 (photo)
Flood of the river Seine in Paris, 1910 (photo)

PCT4272047: Flood of the river Seine in Paris, 1910 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4272047

Flood of the river Seine in Paris, 1910 (photo)

Unknown photographer, (20th century)

Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.
Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.

PCT4272156: Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4272156

Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.

Unknown Artist, (20th century)

The childhood of Giant Gargantua. To put him to sleep, you have to rock him. Five people are needed to swing the huge cradle. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.
The childhood of Giant Gargantua. To put him to sleep, you have to rock him. Five people are needed to swing the huge cradle. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.

PCT4272188: The childhood of Giant Gargantua. To put him to sleep, you have to rock him. Five people are needed to swing the huge cradle. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4272188

The childhood of Giant Gargantua. To put him to sleep, you have to rock him. Five people are needed to swing the huge cradle. Illustration of Robida for the Gargantua de Rabelais - Librairie Armand Colin debut 20th century.

Robida, Albert (1848-1926)

Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin.
Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin.

PCT4272201: Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4272201

Captain Spadassin (or Count Spadassin). The proper name of this Rabelaisian character of the Picrocholines Wars has become a common name: a spadassin is a man who wields the sword, more pejoratively a pawned assassin.

Robida, Albert (1848-1926)

Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).
Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).

PCT4272222: Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”)., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272222

Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).

Pennell, Joseph (1858-1926)

Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).
Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).

PCT4272227: Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”)., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272227

Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).

Pennell, Joseph (1858-1926)

Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)
Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)

PCT4272336: Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272336

Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)

Pennell, Joseph (1858-1926)

France and its African possessions in 1937 (print)
France and its African possessions in 1937 (print)

PCT4272393: France and its African possessions in 1937 (print), Cartier, Patrice / Bridgeman Images

ID: PCT4272393

France and its African possessions in 1937 (print)

Cartier, Patrice

The people and the king in France in the old times (Middle Ages, feodale period). Double page of “” the Histoire de France par l'image”” by Blanchet and Toutain, Librairie Belin, early 20th century. The page dealing with the King is framed by draperies marked with flowers of Lys, the one dealing with the people (serf and bourgeois) is framed by chains.
The people and the king in France in the old times (Middle Ages, feodale period). Double page of “” the Histoire de France par l'image”” by Blanchet and Toutain, Librairie Belin, early 20th century. The page dealing with the King is framed by draperies marked with flowers of Lys, the one dealing with the people (serf and bourgeois) is framed by chains.

PCT4272536: The people and the king in France in the old times (Middle Ages, feodale period). Double page of “” the Histoire de France par l'image”” by Blanchet and Toutain, Librairie Belin, early 20th century. The page dealing with the King is framed by draperies marked with flowers of Lys, the one dealing with the people (serf and bourgeois) is framed by chains. / Bridgeman Images

ID: PCT4272536

The people and the king in France in the old times (Middle Ages, feodale period). Double page of “” the Histoire de France par l'image”” by Blanchet and Toutain, Librairie Belin, early 20th century. The page dealing with the King is framed by draperies marked with flowers of Lys, the one dealing with the people (serf and bourgeois) is framed by chains.

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272545: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

ID: PCT4272545

Photograph taken from the magazine 'Le nu ideal' 1905 (print)

Reclamation for the margarine Astra, December 1953.
Reclamation for the margarine Astra, December 1953.

PCT4272772: Reclamation for the margarine Astra, December 1953. / Bridgeman Images

ID: PCT4272772

Reclamation for the margarine Astra, December 1953.

Reclamation for the margarine Astra, April 1954.
Reclamation for the margarine Astra, April 1954.

PCT4272777: Reclamation for the margarine Astra, April 1954. / Bridgeman Images

ID: PCT4272777

Reclamation for the margarine Astra, April 1954.

Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.
Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.

PCT4273078: Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887. / Bridgeman Images

ID: PCT4273078

Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.

Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord
Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord

PCT4273309: Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord / Bridgeman Images

ID: PCT4273309

Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

PCT4273557: Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century. / Bridgeman Images

ID: PCT4273557

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming...
Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming...

PCT4273779: Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming..., Cartier, Patrice / Bridgeman Images

ID: PCT4273779

Cover of a children's tale book, early 20th century: Blue Beard. The cruel lord in front of his castle with his huge key (key) and, at the top of the tower, Sister Anne who sees nothing coming...

Cartier, Patrice

Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier
Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier

PCT4273786: Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4273786

Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier

Cartier, Patrice


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