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Mussaenda pubescens. Handcoloured copperplate engraving after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1819.
Mussaenda pubescens. Handcoloured copperplate engraving after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609191: Mussaenda pubescens. Handcoloured copperplate engraving after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609191

Mussaenda pubescens. Handcoloured copperplate engraving after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1819.

Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)
Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)

LRI4609200: Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi), Moroni, Giovanni Battista (c.1525-79) / Bridgeman Images

ID: LRI4609200

Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)

Moroni, Giovanni Battista (c.1525-79)

Turnera has the flower of trione. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Turnera has the flower of trione. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609224: Turnera has the flower of trione. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609224

Turnera has the flower of trione. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609257: Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609257

Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609271: Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609271

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609308: Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609308

Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Cardoon or artichoke thistle, Cynara cardunculus. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Cardoon or artichoke thistle, Cynara cardunculus. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608962: Cardoon or artichoke thistle, Cynara cardunculus. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

ID: FLO4608962

Cardoon or artichoke thistle, Cynara cardunculus. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.
Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609088: Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

ID: FLO4609088

Molineria latifolia (Curculigo latifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

Clammy-stalked soapwort, Saponaria glutinosa. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Clammy-stalked soapwort, Saponaria glutinosa. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608883: Clammy-stalked soapwort, Saponaria glutinosa. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

ID: FLO4608883

Clammy-stalked soapwort, Saponaria glutinosa. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609881: Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4609881

Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610099: Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610099

Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493)
St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493)

LRI4610019: St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: LRI4610019

St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493)

Cosimo, Piero di (c.1462-1521)

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610125: Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610125

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.
Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

FLO4605373: Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

ID: FLO4605373

Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

Mercury overview by Mariner 10 - Illustration - Mercury overview by Mariner 10 - Illustratio
Mercury overview by Mariner 10 - Illustration - Mercury overview by Mariner 10 - Illustratio

PIX4605571: Mercury overview by Mariner 10 - Illustration - Mercury overview by Mariner 10 - Illustratio, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4605571

Mercury overview by Mariner 10 - Illustration - Mercury overview by Mariner 10 - Illustratio

Dixon, Don (b.1951)

Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.
Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

FLO4605289: Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

ID: FLO4605289

Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

Fucus vesiculosus - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Fucus vesiculosus - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605424: Fucus vesiculosus - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605424

Fucus vesiculosus - Strong Water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605770: Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605770

Amyris elemifera or Elemi Tree (Commiphora gileadensis) Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605892: Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605892

Rhubarb (Rheum undulatum) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin”” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

Galileo probe near Jupiter - Galileo probe near Jupiter - Artist view
Galileo probe near Jupiter - Galileo probe near Jupiter - Artist view

PIX4605864: Galileo probe near Jupiter - Galileo probe near Jupiter - Artist view / Bridgeman Images

ID: PIX4605864

Galileo probe near Jupiter - Galileo probe near Jupiter - Artist view

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.
Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

FLO4606338: Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895. / Bridgeman Images

ID: FLO4606338

Woman in the Oriental hairstyle with hat decorated with flowers and feathers, tied with a fur band. Oriental hairstyle. Handcoloured lithograph by de Laubadere from Octave Uzane's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Hairstyles de Style, La Parure Eccentric, Rouveyre, Paris, 1895.

Patriots shooting rifle (oil on canvas, 19th century)
Patriots shooting rifle (oil on canvas, 19th century)

LRI4611414: Patriots shooting rifle (oil on canvas, 19th century), Sernesi, Raffaello (1838-66) / Bridgeman Images

ID: LRI4611414

Patriots shooting rifle (oil on canvas, 19th century)

Sernesi, Raffaello (1838-66)

Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611538: Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611538

Base of the skull, human teeth, knee cap (after Clopton Havers), mucus gland, etc. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Outside parade called tierce and thrust, feather parade and carte over the arm, outside parade called thrust in seconds. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Outside parade called tierce and thrust, feather parade and carte over the arm, outside parade called thrust in seconds. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611744: Outside parade called tierce and thrust, feather parade and carte over the arm, outside parade called thrust in seconds. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611744

Outside parade called tierce and thrust, feather parade and carte over the arm, outside parade called thrust in seconds. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Abel cries by his parents (oil on canvas, circa 1630)
Abel cries by his parents (oil on canvas, circa 1630)

LRI4611908: Abel cries by his parents (oil on canvas, circa 1630), Liss, Johann (c.1595-1631) / Bridgeman Images

ID: LRI4611908

Abel cries by his parents (oil on canvas, circa 1630)

Liss, Johann (c.1595-1631)

Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611896: Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611896

Bandages, corbin beak pliers, cane spout pliers, balls removal pliers and various sutures - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Examples of 18th century bandages 1, beak-de-corbin flip-flops 2, flops 4, bullet-de-de-de-de-de-de-de-de-de-de-de-cane flip-de-de-de-de-de ver flip flops 4, and various sutures 5-11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611552: Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611552

Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611670: Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611670

Arteries in the chest cavity to the heart and lungs. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611687: Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611687

Evasion and thrust to the heart, Half-round turn or demy volte, Whole-turn volte on the pass in tierce. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Half-circle parade, flanconade and cave, and St. George guard and second positions. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Half-circle parade, flanconade and cave, and St. George guard and second positions. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611787: Half-circle parade, flanconade and cave, and St. George guard and second positions. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

ID: FLO4611787

Half-circle parade, flanconade and cave, and St. George guard and second positions. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Dodo by Adriaen van de Venne, male, 1626 (8) and dodo by Gillis de Hondecoeter (Honderkoeter), male, 1626 (9). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Dodo by Adriaen van de Venne, male, 1626 (8) and dodo by Gillis de Hondecoeter (Honderkoeter), male, 1626 (9). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4611983: Dodo by Adriaen van de Venne, male, 1626 (8) and dodo by Gillis de Hondecoeter (Honderkoeter), male, 1626 (9). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

ID: FLO4611983

Dodo by Adriaen van de Venne, male, 1626 (8) and dodo by Gillis de Hondecoeter (Honderkoeter), male, 1626 (9). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

Copies of the white dodo by Salomon Savery, male: Michiel de Groot, 1682 (17), Gijsbert de Groot, 1724 (18), Isaak van der Putte, 1733 (19) and Jan Morterre, 1757 (20). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Copies of the white dodo by Salomon Savery, male: Michiel de Groot, 1682 (17), Gijsbert de Groot, 1724 (18), Isaak van der Putte, 1733 (19) and Jan Morterre, 1757 (20). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4612009: Copies of the white dodo by Salomon Savery, male: Michiel de Groot, 1682 (17), Gijsbert de Groot, 1724 (18), Isaak van der Putte, 1733 (19) and Jan Morterre, 1757 (20). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

ID: FLO4612009

Copies of the white dodo by Salomon Savery, male: Michiel de Groot, 1682 (17), Gijsbert de Groot, 1724 (18), Isaak van der Putte, 1733 (19) and Jan Morterre, 1757 (20). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612247: Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612247

Water rail, Rallus aquaticus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Triptych of the Virgin in a throne with the four doctors of the Church: left detail with Saint Jerome and Saint Gregoire I the Great. 1446 (tempera)
Triptych of the Virgin in a throne with the four doctors of the Church: left detail with Saint Jerome and Saint Gregoire I the Great. 1446 (tempera)

LRI4612261: Triptych of the Virgin in a throne with the four doctors of the Church: left detail with Saint Jerome and Saint Gregoire I the Great. 1446 (tempera), Vivarini, Antonio (c.1415-76/84) & D'Alemagna, Giovanni (d.1450) / Bridgeman Images

ID: LRI4612261

Triptych of the Virgin in a throne with the four doctors of the Church: left detail with Saint Jerome and Saint Gregoire I the Great. 1446 (tempera)

Vivarini, Antonio (c.1415-76/84) & D'Alemagna, Giovanni (d.1450)

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612357: Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612357

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612392: Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612392

Robin redbreast, Erithacus rubecula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)


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