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TBI5972326: A place to live 9, 2011 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972326
A place to live 9, 2011 (oil on plywood)
Burgess, Trevor (b.1960)
TBI5972341: A place to live 16, 2011 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972341
A place to live 16, 2011 (oil on plywood)
TBI5972344: A place to live 18, 2011 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972344
A place to live 18, 2011 (oil on plywood)
TBI5972353: A place to live 23, 2012 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972353
A place to live 23, 2012 (oil on plywood)
DCL5972356: Glossary of terms no 20, 2019 (pastel and w/c on paper), Clarke, Daniel (b.1971) / Bridgeman Images
ID: DCL5972356
Glossary of terms no 20, 2019 (pastel and w/c on paper)
Clarke, Daniel (b.1971)
TBI5972383: A place to live 47, 2012 (oil on plywood), Burgess, Trevor (b.1960) / Bridgeman Images
ID: TBI5972383
A place to live 47, 2012 (oil on plywood)
SBS5972401: The Ancestors, 2017 (monoprint), Charalambous, Sophie (b.1973) / Bridgeman Images
ID: SBS5972401
The Ancestors, 2017 (monoprint)
Charalambous, Sophie (b.1973)
SBS5972407: Sparrows Morning Mehmet Ali Street, 2013 (w/c and ink on paper), Charalambous, Sophie (b.1973) / Bridgeman Images
ID: SBS5972407
Sparrows Morning Mehmet Ali Street, 2013 (w/c and ink on paper)
SBS5972410: Prickly Pear, 2019 (w/c and ink on Khadi paper), Charalambous, Sophie (b.1973) / Bridgeman Images
ID: SBS5972410
Prickly Pear, 2019 (w/c and ink on Khadi paper)
CDR5972852: Italian playing card, 17th century (print on paper), Italian School, (17th century) / Bridgeman Images
ID: CDR5972852
Italian playing card, 17th century (print on paper)
Italian School, (17th century)
CDR5972861: Chapter House, Canterbury Cathedral, Kent, UK (photo) / Bridgeman Images
ID: CDR5972861
Chapter House, Canterbury Cathedral, Kent, UK (photo)
CDR5972864: Cloister ceiling, Canterbury Cathedral, Kent, UK (photo) / Bridgeman Images
ID: CDR5972864
Cloister ceiling, Canterbury Cathedral, Kent, UK (photo)
PDB5973162: Landscape, 1936 (oil on canvas), Morandi, Giorgio (1890-1964) / Bridgeman Images
ID: PDB5973162
Landscape, 1936 (oil on canvas)
Morandi, Giorgio (1890-1964)
PDB5973180: Portrait of Emilio Jesi, 1947 (bronze), Marini, Marino (1901-80) / Bridgeman Images
ID: PDB5973180
Portrait of Emilio Jesi, 1947 (bronze)
Marini, Marino (1901-80)
PDB5973195: The lamp, 1919 (oil on paper), Sironi, Mario (1885-1961) / Bridgeman Images
ID: PDB5973195
The lamp, 1919 (oil on paper)
Sironi, Mario (1885-1961)
AGW5973275: Freyr VII Dark Copper, 2018 (digital), Dow, Stephen / Bridgeman Images
ID: AGW5973275
Freyr VII Dark Copper, 2018 (digital)
Dow, Stephen
DIL5973290: AU BON BEURRE TV 1981 DIRECTED BY EDOUARD MOLINARO / Bridgeman Images
ID: DIL5973290
AU BON BEURRE TV 1981 DIRECTED BY EDOUARD MOLINARO
DIL5973293: Love Is a Many-Splendored Thing directed by Henry King, 1955 / Bridgeman Images
ID: DIL5973293
Love Is a Many-Splendored Thing directed by Henry King, 1955
DIL5973305: State of Grace directed by Phil Joanou, 1990 / Bridgeman Images
ID: DIL5973305
State of Grace directed by Phil Joanou, 1990
CBO5973394: Staten Island ferry doorway, 2013 (b/w photo), Borel, Carla (b.1973) / Bridgeman Images
ID: CBO5973394
Staten Island ferry doorway, 2013 (b/w photo)
Borel, Carla (b.1973)
CBO5973406: Jim Haynes, 2011 (b/w photo), Borel, Carla (b.1973) / Bridgeman Images
ID: CBO5973406
Jim Haynes, 2011 (b/w photo)
EVC5968081: The Counterfeit Traitor by George Seaton, 1962 / Bridgeman Images
ID: EVC5968081
The Counterfeit Traitor by George Seaton, 1962
EVC5968096: The Cowboy Way by Gregg Champion, 1994 / Bridgeman Images
ID: EVC5968096
The Cowboy Way by Gregg Champion, 1994
EVC5968111: A Covenant with Death by Lamont Johnson, 1967 / Bridgeman Images
ID: EVC5968111
A Covenant with Death by Lamont Johnson, 1967
EVC5968117: CONVICTED WOMAN, from left: Rochelle Hudson, Glenn Ford, Esther Dale, 1940 / Bridgeman Images
ID: EVC5968117
CONVICTED WOMAN, from left: Rochelle Hudson, Glenn Ford, Esther Dale, 1940
EVC5968129: A CONNECTICUT YANKEE IN KING ARTHUR'S COURT, from left: Rhonda Fleming, Bing Crosby, 1949 / Bridgeman Images
ID: EVC5968129
A CONNECTICUT YANKEE IN KING ARTHUR'S COURT, from left: Rhonda Fleming, Bing Crosby, 1949
EVC5968153: COUNT YOUR BLESSINGS, from left, Rossano Brazzi, Patricia Medina, 1959 / Bridgeman Images
ID: EVC5968153
COUNT YOUR BLESSINGS, from left, Rossano Brazzi, Patricia Medina, 1959
EVC5968186: CRISS CROSS, from left, front, Alan Napier, Dan Duryea, Burt Lancaster, 1949 / Bridgeman Images
ID: EVC5968186
CRISS CROSS, from left, front, Alan Napier, Dan Duryea, Burt Lancaster, 1949
EVC5968192: Curse of the Crimson Altar by Vernon Sewell, 1968 / Bridgeman Images
ID: EVC5968192
Curse of the Crimson Altar by Vernon Sewell, 1968
EVC5968219: CRY HAVOC, from left: cinematographer Karl Freund, Margaret Sullavan, Heather Angel on set, 1943 / Bridgeman Images
ID: EVC5968219
CRY HAVOC, from left: cinematographer Karl Freund, Margaret Sullavan, Heather Angel on set, 1943
EVC5968228: CRUEL INTENTIONS, director Roger Kumble on set, 1999, / Bridgeman Images
ID: EVC5968228
CRUEL INTENTIONS, director Roger Kumble on set, 1999,
EVC5968255: THE CRIME OF DOCTOR HALLET, Josephine Hutchinson, 1938 / Bridgeman Images
ID: EVC5968255
THE CRIME OF DOCTOR HALLET, Josephine Hutchinson, 1938
EVC5970012: La ragazza che sapeva troppo by Mario Bava, 1963 / Bridgeman Images
ID: EVC5970012
La ragazza che sapeva troppo by Mario Bava, 1963
EVC5970018: EVERY GIRL SHOULD BE MARRIED, Betsy Drake, 1948 / Bridgeman Images
ID: EVC5970018
EVERY GIRL SHOULD BE MARRIED, Betsy Drake, 1948
EVC5970054: EXCLUSIVE, from left, Charles Ruggles, Fred MacMurray, Frances Farmer, 1937 / Bridgeman Images
ID: EVC5970054
EXCLUSIVE, from left, Charles Ruggles, Fred MacMurray, Frances Farmer, 1937
EVC5970063: THE EXILE, Douglas Fairbanks, Jr., 1947 / Bridgeman Images
ID: EVC5970063
THE EXILE, Douglas Fairbanks, Jr., 1947