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History (stone) (b/w photo)
History (stone) (b/w photo)

FAF252914: History (stone) (b/w photo), Duccio, Agostino di (1418-c.81) / Bridgeman Images

ID: FAF252914

History (stone) (b/w photo)

Duccio, Agostino di (1418-c.81)

View of Hotel Carnavalet from rue de Sevigne, c.1920
View of Hotel Carnavalet from rue de Sevigne, c.1920

XIR253007: View of Hotel Carnavalet from rue de Sevigne, c.1920 / Bridgeman Images

ID: XIR253007

View of Hotel Carnavalet from rue de Sevigne, c.1920

Ms Fr 343 fol. 7 The quest for the Holy Grail and Arthur's death, 'knight taking the oath' (vellum)
Ms Fr 343 fol. 7 The quest for the Holy Grail and Arthur's death, 'knight taking the oath' (vellum)

REV253031: Ms Fr 343 fol. 7 The quest for the Holy Grail and Arthur's death, 'knight taking the oath' (vellum), French School, (14th century) / Bridgeman Images

ID: REV253031

Ms Fr 343 fol. 7 The quest for the Holy Grail and Arthur's death, 'knight taking the oath' (vellum)

French School, (14th century)

Theatre des Varietes, Boulevard Montmartre, Paris, engraved by Eugene Aubert (1789-1847) c.1810 (engraving)
Theatre des Varietes, Boulevard Montmartre, Paris, engraved by Eugene Aubert (1789-1847) c.1810 (engraving)

REV253067: Theatre des Varietes, Boulevard Montmartre, Paris, engraved by Eugene Aubert (1789-1847) c.1810 (engraving), Courvoisier-Voisin, Henri (1757-1830) (after) / Bridgeman Images

ID: REV253067

Theatre des Varietes, Boulevard Montmartre, Paris, engraved by Eugene Aubert (1789-1847) c.1810 (engraving)

Courvoisier-Voisin, Henri (1757-1830) (after)

Illustration from 'L'Emile' by Jean-Jacques Rousseau (1712-78) engraved by Nicolas Delaunay (1739-92) published in 1779 (engraving)
Illustration from 'L'Emile' by Jean-Jacques Rousseau (1712-78) engraved by Nicolas Delaunay (1739-92) published in 1779 (engraving)

XIR253073: Illustration from 'L'Emile' by Jean-Jacques Rousseau (1712-78) engraved by Nicolas Delaunay (1739-92) published in 1779 (engraving), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

ID: XIR253073

Illustration from 'L'Emile' by Jean-Jacques Rousseau (1712-78) engraved by Nicolas Delaunay (1739-92) published in 1779 (engraving)

Moreau, Jean Michel the Younger (1741-1814) (after)

Panama Affair, late 19th century (litho) (b/w photo)
Panama Affair, late 19th century (litho) (b/w photo)

CHT253253: Panama Affair, late 19th century (litho) (b/w photo), Caran D'Ache, Emmanuel Poire (1858-1909) / Bridgeman Images

ID: CHT253253

Panama Affair, late 19th century (litho) (b/w photo)

Caran D'Ache, Emmanuel Poire (1858-1909)

Study of French writer Alexandre Dumas Pere (1802-70) (engraving)
Study of French writer Alexandre Dumas Pere (1802-70) (engraving)

XIR253256: Study of French writer Alexandre Dumas Pere (1802-70) (engraving), Jahyer, Octave Edouard Jean (b.1826) / Bridgeman Images

ID: XIR253256

Study of French writer Alexandre Dumas Pere (1802-70) (engraving)

Jahyer, Octave Edouard Jean (b.1826)

Entrance to the 'Grand Cafe Parisien', Paris, 1856 (lithograph)
Entrance to the 'Grand Cafe Parisien', Paris, 1856 (lithograph)

XIR253266: Entrance to the 'Grand Cafe Parisien', Paris, 1856 (lithograph), David, E. (fl.1861) / Bridgeman Images

ID: XIR253266

Entrance to the 'Grand Cafe Parisien', Paris, 1856 (lithograph)

David, E. (fl.1861)

Prostitutes (sepia photo)
Prostitutes (sepia photo)

SED253305: Prostitutes (sepia photo), French Photographer / Bridgeman Images

ID: SED253305

Prostitutes (sepia photo)

French Photographer

Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)
Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

REV253216: Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho), English School, (20th century) / Bridgeman Images

ID: REV253216

Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

English School, (20th century)

Front cover of 'Histoire d'un Hotel de Ville et d'une Cathedrale', engraved by Dumouza, publ. J. Hetzel, Paris (b/w photo)
Front cover of 'Histoire d'un Hotel de Ville et d'une Cathedrale', engraved by Dumouza, publ. J. Hetzel, Paris (b/w photo)

CHT253291: Front cover of 'Histoire d'un Hotel de Ville et d'une Cathedrale', engraved by Dumouza, publ. J. Hetzel, Paris (b/w photo), Viollet-le-Duc, Eugene Emmanuel (1814-79) / Bridgeman Images

ID: CHT253291

Front cover of 'Histoire d'un Hotel de Ville et d'une Cathedrale', engraved by Dumouza, publ. J. Hetzel, Paris (b/w photo)

Viollet-le-Duc, Eugene Emmanuel (1814-79)

Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)
Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)

XIR253328: Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo), French Photographer, (19th century) / Bridgeman Images

ID: XIR253328

Ruins of the Cour des Comptes during the Commune of Paris, 1871 (photo)

French Photographer, (19th century)

An unidentified Gothic Mansion (w/c and pen & ink, with bodycolour and graphite dn paper)
An unidentified Gothic Mansion (w/c and pen & ink, with bodycolour and graphite dn paper)

XYC253497: An unidentified Gothic Mansion (w/c and pen & ink, with bodycolour and graphite dn paper), Ince, Joseph Murray (1806-59) / Bridgeman Images

ID: XYC253497

An unidentified Gothic Mansion (w/c and pen & ink, with bodycolour and graphite dn paper)

Ince, Joseph Murray (1806-59)

Summer Afternoon, 1920s (oil on canvas)
Summer Afternoon, 1920s (oil on canvas)

CGB253967: Summer Afternoon, 1920s (oil on canvas), Simpson, Joe (1879-1939) / Bridgeman Images

ID: CGB253967

Summer Afternoon, 1920s (oil on canvas)

Simpson, Joe (1879-1939)

Back of Altar U from Copan, Late Classic Period (795 AD) (stone)
Back of Altar U from Copan, Late Classic Period (795 AD) (stone)

JPC252610: Back of Altar U from Copan, Late Classic Period (795 AD) (stone), Mayan / Bridgeman Images

ID: JPC252610

Back of Altar U from Copan, Late Classic Period (795 AD) (stone)

Mayan

Pentecost, from the apse of the church, 1934 (fresco) (see also 83802 and 252659) (detail)
Pentecost, from the apse of the church, 1934 (fresco) (see also 83802 and 252659) (detail)

CLG252658: Pentecost, from the apse of the church, 1934 (fresco) (see also 83802 and 252659) (detail), Denis, Maurice (1870-1943) / Bridgeman Images

ID: CLG252658

Pentecost, from the apse of the church, 1934 (fresco) (see also 83802 and 252659) (detail)

Denis, Maurice (1870-1943)

The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)
The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)

XIR252763: The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze), Tuby, Jean Baptiste I (1635-1700) / Bridgeman Images

ID: XIR252763

The Saone River from the Parterre d'Eau in the gardens, 1685 (detail, see also 189433 and 252764) (bronze)

Tuby, Jean Baptiste I (1635-1700)

Cour d'Honneur of the Hotel Carnavalet, facade, Paris, 1930 (photo)
Cour d'Honneur of the Hotel Carnavalet, facade, Paris, 1930 (photo)

XIR252918: Cour d'Honneur of the Hotel Carnavalet, facade, Paris, 1930 (photo), Giraudon, studio (1912-53) / Bridgeman Images

ID: XIR252918

Cour d'Honneur of the Hotel Carnavalet, facade, Paris, 1930 (photo)

Giraudon, studio (1912-53)

Page of the album 'Pensees, Sujets, Fragments', 1833 (pen & ink on paper) (b/w photo)
Page of the album 'Pensees, Sujets, Fragments', 1833 (pen & ink on paper) (b/w photo)

BLT252740: Page of the album 'Pensees, Sujets, Fragments', 1833 (pen & ink on paper) (b/w photo), Balzac, Honore de (1799-1850) / Bridgeman Images

ID: BLT252740

Page of the album 'Pensees, Sujets, Fragments', 1833 (pen & ink on paper) (b/w photo)

Balzac, Honore de (1799-1850)

A five million and one million mark banknotes, 1923 (colour litho)
A five million and one million mark banknotes, 1923 (colour litho)

REV253081: A five million and one million mark banknotes, 1923 (colour litho), German School, (20th century) / Bridgeman Images

ID: REV253081

A five million and one million mark banknotes, 1923 (colour litho)

German School, (20th century)

Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo)
Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo)

CHT252946: Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo), Kiessling, Johann Paul Adolf (1836-1919) / Bridgeman Images

ID: CHT252946

Final scene of 'The Awakening of Art', a play by Julius Rodenberg (1831-1914) in homage to Ludwig van Beethoven (1770-1827) for the celebration of the centenary of his birth, 1870 (engraving) (b/w photo)

Kiessling, Johann Paul Adolf (1836-1919)

Advertisement for Curtis Gin, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)
Advertisement for Curtis Gin, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

REV252968: Advertisement for Curtis Gin, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho), English School, (20th century) / Bridgeman Images

ID: REV252968

Advertisement for Curtis Gin, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

English School, (20th century)

The Question at the Salon - Any masters? Paris Salon of 1878 (engraving) (b/w photo)
The Question at the Salon - Any masters? Paris Salon of 1878 (engraving) (b/w photo)

REV252977: The Question at the Salon - Any masters? Paris Salon of 1878 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: REV252977

The Question at the Salon - Any masters? Paris Salon of 1878 (engraving) (b/w photo)

French School, (19th century)

Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)
Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

REV252993: Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho), English School, (20th century) / Bridgeman Images

ID: REV252993

Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

English School, (20th century)

A twenty and fifty million mark banknotes, 1923 (colour litho)
A twenty and fifty million mark banknotes, 1923 (colour litho)

REV253080: A twenty and fifty million mark banknotes, 1923 (colour litho), German School, (20th century) / Bridgeman Images

ID: REV253080

A twenty and fifty million mark banknotes, 1923 (colour litho)

German School, (20th century)

Mausoleum of Lieutenant General Henry Claude d'Harcourt (d.1711), detail (see also 252637 and 252639), 1771-76 (marble)
Mausoleum of Lieutenant General Henry Claude d'Harcourt (d.1711), detail (see also 252637 and 252639), 1771-76 (marble)

CLG252638: Mausoleum of Lieutenant General Henry Claude d'Harcourt (d.1711), detail (see also 252637 and 252639), 1771-76 (marble), Pigalle, Jean-Baptiste (1714-85) / Bridgeman Images

ID: CLG252638

Mausoleum of Lieutenant General Henry Claude d'Harcourt (d.1711), detail (see also 252637 and 252639), 1771-76 (marble)

Pigalle, Jean-Baptiste (1714-85)

Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)
Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)

CLG252660: Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117), Sorokine, Evgraf (1821-92) / Bridgeman Images

ID: CLG252660

Detail of the iconostasis depicting the Christ pantocrator, 1861 (oil on panel) (see 248115, 248116 and 248117)

Sorokine, Evgraf (1821-92)

View of the interior of the dome, 1663-65 (fresco) (see also 252651)
View of the interior of the dome, 1663-65 (fresco) (see also 252651)

CLG252650: View of the interior of the dome, 1663-65 (fresco) (see also 252651), Mignard, Pierre (1612-95) / Bridgeman Images

ID: CLG252650

View of the interior of the dome, 1663-65 (fresco) (see also 252651)

Mignard, Pierre (1612-95)

Facade of La Samaritaine, 1928-30 (photo)
Facade of La Samaritaine, 1928-30 (photo)

CLG252690: Facade of La Samaritaine, 1928-30 (photo), Sauvage, Henri (1873-1932) / Bridgeman Images

ID: CLG252690

Facade of La Samaritaine, 1928-30 (photo)

Sauvage, Henri (1873-1932)

The Golden Shrine, Samarra (photo)
The Golden Shrine, Samarra (photo)

BAT254030: The Golden Shrine, Samarra (photo), Battaglini, Nicolo Orsi / Bridgeman Images

ID: BAT254030

The Golden Shrine, Samarra (photo)

Battaglini, Nicolo Orsi

The Song of the Sou'Wester, illustration from 'Drake's Drum and Other Songs of the Sea' by Henry Newbolt (1862-1938) (colour litho)
The Song of the Sou'Wester, illustration from 'Drake's Drum and Other Songs of the Sea' by Henry Newbolt (1862-1938) (colour litho)

IL250647: The Song of the Sou'Wester, illustration from 'Drake's Drum and Other Songs of the Sea' by Henry Newbolt (1862-1938) (colour litho), McCormick, Arthur David (1860-1943) / Bridgeman Images

ID: IL250647

The Song of the Sou'Wester, illustration from 'Drake's Drum and Other Songs of the Sea' by Henry Newbolt (1862-1938) (colour litho)

McCormick, Arthur David (1860-1943)

Miseries Personal (coloured etching)
Miseries Personal (coloured etching)

XYC250005: Miseries Personal (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC250005

Miseries Personal (coloured etching)

Rowlandson, Thomas (1756-1827)

A large Christmas Card, 1895 (line block print)
A large Christmas Card, 1895 (line block print)

XYC250008: A large Christmas Card, 1895 (line block print), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: XYC250008

A large Christmas Card, 1895 (line block print)

Beardsley, Aubrey (1872-98)

Portrait of Edward Savage Jr. (oil on canvas)
Portrait of Edward Savage Jr. (oil on canvas)

WAM250068: Portrait of Edward Savage Jr. (oil on canvas), Savage, Edward (1761-1817) / Bridgeman Images

ID: WAM250068

Portrait of Edward Savage Jr. (oil on canvas)

Savage, Edward (1761-1817)

Frontispiece for 'Experimental Researches in Electricity' by Michael Faraday (1791-1867) published 1839 (litho)
Frontispiece for 'Experimental Researches in Electricity' by Michael Faraday (1791-1867) published 1839 (litho)

TRI250186: Frontispiece for 'Experimental Researches in Electricity' by Michael Faraday (1791-1867) published 1839 (litho), English School, (19th century) / Bridgeman Images

ID: TRI250186

Frontispiece for 'Experimental Researches in Electricity' by Michael Faraday (1791-1867) published 1839 (litho)

English School, (19th century)

The Hand of Glory (litho)
The Hand of Glory (litho)

XJF250700: The Hand of Glory (litho), English School / Bridgeman Images

ID: XJF250700

The Hand of Glory (litho)

English School


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